Mythological and Religious Scenes

Artworks depicting significant mythological and religious narratives, rendered in various techniques from chiaroscuro to intricate engravings, emphasizing dramatic scenes.

GOYA Y LUCIENTES, Francisco de (1746-1828). Pretty Teacher. 1793-1799. Plate 68 of 'Los Caprichos', etching, burnished aquatint and drypoint. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Saint James the Greater 1723 Anton Maria Zanetti the Elder. Saint James the Greater. Anton Maria Zanetti the Elder (Italian, Venice 1680-1767 Venice). 1723. Chiaroscuro woodcut printed from three blocks in light blue, blue and black, with gold border and watercolor frame. Prints

Pluto. .

The sacrifice of Abraham who needs before Isaac who raises his sword to strike him ca. 1540-60 Attributed to Battista Franco Italian. The sacrifice of Abraham who needs before Isaac who raises his sword to strike him 371878

Black and white engraving of Odysseus in an edition of Homer's Odyssey.

GOYA Y LUCIENTES, Francisco de (1746-1828). Pretty Teacher. 1793-1799. Plate 68 of 'Los Caprichos', etching, burnished aquatint and drypoint. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Robert Blyth, 1750-1784, Banditti...Representing Banditti Variously Employed: Killing an Enemy, 1779. Etching.

"Hi! Ho-o-o! He Done Come. Jumbolor Tell you Fust" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VII) June 1869 After Winslow Homer American An illustration to "The Duchesne Estate" by John William De Forest (1826-1906).. "Hi! Ho-o-o! He Done Come. Jumbolor Tell you Fust" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VII). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). June 1869. Wood engraving. Prints

Going Out in the Morning. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and publisher: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 9 5/16 x 5 15/16 in. (23.7 x 15.1 cm). Date: November 15, 1779. Museum: Metropolitan Museum of Art, New York, USA.

Pluto, 1588 - 1590 print paper (story of) Pluto (Hades), Dis Pater, Orcus

Hercules and Antaeus , Wrestling, Supernatural beings, Hercules Roman mythological character, Antaeus Mythological character. Thomas Rowlandson (1756-1827). Prints and Drawings

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1773, Engraving

S. Laurent, martyr (St. Lawrence, Martyr), August 10th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Laurent, martyr (St. Lawrence, Martyr), August 10th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Copper engraving by Hendrick Goltzius depicting Roman heroes in an allegorical composition, created in 1586, illustrating classical figures and virtues of ancient Rome.

Mercury with a number of allegorical objects from the trade. .

'Crusoe and Friday Felling Wood', c1870. Artist: Unknown.

Oedipus and the Sphinx, after Ingres 1867 Claude-Ferdinand Gaillard French. Oedipus and the Sphinx, after Ingres 399576

Joseph Haynes, 1760-1829, British, Woman warding off Monster (no.4 of 10), 1780. Etching.

A Good Mistress, by Francisco Goya, 1797-99, Spanish print, drypoint, etching, on paper. Witches, old and a young apprentice, flying on broomstick, above a landscape. This satirical etching targeted ignorance and superstition, was in Goya's 'Los Caprichos (BSLOC_2016_6_213)

Procession with putti and chained gods, Pierre Brebiertte, 1608 - 1650 print paper etching procession ~ non-Christian religions. cupids: 'amores', 'amoretti', 'putti'. (story of) Jupiter (Zeus). (story of) Diana (Artemis). (story of) Venus (Aphrodite)

Stefano Della Bella (Italian, 1610 - 1664). La Mort emportant sur son epaule droite une femme, 1648. From The Dance of Death (Les cinq Morts). Etching. Third of four states.

Male nude. Male nude, seen on the back. He holds a bow in hand. Next to him lies an arrow sleeve on the floor.

Copper engraving by Theodor de Bry depicting Jupiter and Mnemosyne, created in 1613.

Fortuin and the poor man, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print A poor man prays fortune, who appears in heaven for happiness. He then finds two golden rods when digging, but thinks they are from copper. The poor sells the bars for too little money to the man who runs away with it. Amsterdam paper etching Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). The Poor. Digging for or Finding of Treasure

Présentation d'Ulysse a Nausica. Dated: 1842. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 7/8 in. (21.4 x 14.9 cm)Sheet: 11 5/8 × 8 5/16 in. (29.5 × 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Cartoon on Hendrik van der Noot and Petrus van Eupen, 1790; Les etats and exercice; Brabant Review, 1787-1790. Cartoon in which Hendrik van der Noot and Petrus van Eupen are on the back of a naked woman. They are connected to the blindfolded Brabant lion and are lured by a young woman (Madame Pinu), So that the blind lion in a pit threatens to step. In the air the Austrian eagle with buoys in the mouth. In the background a devil on a donkey in a cave. With four-accelerated French caption. Hereby the date on 3 April 1790 written by hand. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Orlando in a Fury Tearing up Trees. Dated: 1783. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Thomas Stothard.

Pardon, je n'embrasse pas tout le monde. Honoré Daumier (1808-1879). Lithographs

The end of the fight, Anton Molkenboer, 1897 print Amsterdam paper fight of gladiators. political caricatures and satires

A chalk draft by Otto Lendecke titled 'Draft for the New Hope,' created in 1917, showing compositional layout and figure sketches, with wiped and laved techniques.

Ste. Marcienne, vierge et martyre (St. Marciana, Virgin and Martyr), July 12th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Marcienne, vierge et martyre (St. Marciana, Virgin and Martyr), July 12th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Town Crier. Dated: 1776. Medium: roulette and etching with burnishing. Museum: National Gallery of Art, Washington DC. Author: Cornelis Ploos van Amstel and Bernhard Schreuder after Cornelis Dusart.

Pardon mon cher.... Honoré Daumier (1808-1879). Lithographs

Police!

Charles Auguste Mengin (1853-1933). "Horizon change". Illustration for "the legend of centuries" in the National Edition. Pen, wash, gouache on paper. 1886. Paris, house of Victor Hugo. 100148-18 Allegorie, helmet, ale helmet, hair, drawing, drape, sword, woman, allegorical figure, gouache, illustration of littering work, wash, bird, breast, snake, trompe, vast, feather

A copper engraving and etching by Jean-Baptiste Regnault from 1798 depicting the education of Achilles, illustrating classical figures, instruction, and mythological context.

Le Cheval rétif. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

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Mon ami..., lche lui ta canne.... from Aux Bains de Mer, published in Le Charivari, September 28, 1859. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 10 5/16 × 11 1/8 in. (26.2 × 28.3 cm)Sheet: 10 3/8 × 13 13/16 in. (26.4 × 35.1 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Aux Bains de Mer. Date: September 28, 1859. Museum: Metropolitan Museum of Art, New York, USA.

Les deux amants, Voyages pittoresques et romantiques dans l'ancienne France, Engelmann, G. (Godefroy), 1788-1839, Nodier, Charles, 1780-1844, Picot, François Eduard, 1786-1868, Lithography, 1820

War of Posts May 1, 1782 Thomas Colley British This satire relates to British political factions during the Revolutionary War, and shows Pitt, Keppel, Conway, Burke, Fox, Richmond at left, urging the Devil, at right, to push Sandwich, Amherst, North, Mansfield into the flames of Hell. Behind this drama, the constitution is symbolized by a domed building, with a man in the stocks being given thirteen lashes (a reference to the American colonies), and three figures on a gibbet identified as "an English secretary" (i.e. minister) "an Irish secretary" and "a Scotch secretary.". War of Posts. Thomas Colley (British, active 1778-83). May 1, 1782. Engraving. William Richardson (British, active 1778-1812). Prints

Rise and falls, Francisco de Goya, 1797 - 1799 print A man in a military costume rises and is held on his legs by a satater. Smoke comes out of his head and hands. Two other men fall down. Fifty -fifty print from the Los Caprichos series. Spain paper etching falling. satyr(s) (in general)

The SIRE cooked. (IT)

Amsterdam, Vinkeles, Reinier (I), Five putti with allegorical attributes, verso - stamped, Landscape with putti with allegorical attributes, such as the peace hat, writing utensils, a harp and a beehive., print, prent, prints, height 65 mm, width 80 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1751 - 1816, paper, papier, etching, engraving, engraving (printing process)

Print, Subir y Bajar (Up and Down); Print Maker: Francisco Goya (De Goya y Lucientes) (Spanish, 1746-1828); etching and aquatint on paper; 1951-7-1

Copper engraving by Monogrammist AC from the first half of the 16th century depicting a satyr family in a mythological scene.

Trials (Ensayos) Francisco de Goya y Lucientes (Spanish, 1746-1828). Trials (Ensayos), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

"Etching by Sir Robert Strange depicting Hercules at the crossroads, showing the hero, figures, gestures, and symbolic setting, dated 1759."

Ceux qui s'intitulent les soutiens de l'Espagne , Lawyers, Politicians, Generals, Prime ministers, Dufaure, M. Jules, 1798-1881, Serrano y Domínguez, Francisco, conde de San Antonio, 1862-. Honoré Daumier (1808-1879). Lithographs

Illustration for 'History of the First Crusades'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1800. Prints; etchings. Etching

Love and dust , Laborers, Courtship. Thomas Rowlandson (1756-1827). Prints and Drawings

Queen Elizabeth I of England giving her speech to the navy at Tilbury, before the arrival of the Spanish Armada, 1588. Elisabeth mantert ihre Soldaten zur Tapferkeit auf. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from Six Pictures of History from the Ancient and Middle-Ages, 6 Blätter zur älteren und mittleren Geschichte, Germany, 1795.

Hercules on the Tweersprong, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Hercules at the cross-roads, 'Herkules am Scheidewege': the choice of Hercules

Southern Netherlands, Brabant Revolution, 1787-1790, HCN van der Noot Intaminatis fulget honoribus, Cartoon on Hendrik van der Noot, verso - stamped, Cartoon in which Hendrik van der Noot points the Brabant lion to the Austrian coats of arms lying on the ground. On the left an imperial lion licks () Van der Noot's hand. In the background the Brabant lion catches an Austrian eagle. The date 7 October 1789 is written by hand. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., print, prent, cartoon, prints, prenten, Frederik Muller Historieplaten, height 179 mm, width 113 mm, print maker, printmaker, 1787 - 1790, paper, papier, etching, etchings, engraving, engraving (printing process)

Three men and their donkeys meet on a hill; representing Folly. Engraving.

Evangelist Lucas Met Os, Giovanni Battista Tiepolo (ACTRUTED TO), 1700 - 1799 print paper etching Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll

Woman pierces herself with a knife at the sight of her murdered lover, Caspar Luyken, 1710 print Nuremberg paper etching / letterpress printing seeking death, suicide. the corpse

Battle Scene 18th century Anonymous, French, 18th century French. Battle Scene 357098

Sisyphus, Ixion and Tantalus. Etching by C. Grignion, 1790.

Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn.

The Merciful Knight,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Danger; Periculum; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A man with around his body a ship's door whose handles are swords. The man looks at the sword above him. With his left foot he is in a thumping bush. Under the show two lines text in Latin. The print is part of an album.

Pretty Teacher! (Linda maestra!) Francisco de Goya y Lucientes (Spanish, 1746-1828). Pretty Teacher! (Linda maestra!), 1797-1798. Etching, aquatint, and drypoint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces monsters. Thi

Two naked men a column, anonymous, 1600 - 1699 print France paper engraving column, pillar ~ architecture. man (showing himself) undressed, quasi-nude

Bacchus and victims of alcholism drinking together ca 1890-1910 José Guadalupe Posada. Bacchus and victims of alcholism drinking together. José Guadalupe Posada (Mexican, 1851-1913). ca 1890-1910. Metal plate engraving. Prints

La situation de l'Italie, from Actualités, published in Le Charivari, February 21, 1859 February 21, 1859 Honoré Daumier. La situation de l'Italie, from Actualités, published in Le Charivari, February 21, 1859. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). February 21, 1859. Lithograph on newsprint; second state of three (Hazard & Delteil). Aaron Martinet (French, 1762-1841). Prints

It is strong!/Thats Tough!; Board No. 31 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Ruth is sleeping at Boaz Voeteinde, Philips Galle, After Adriaan de Weerdt, 1557 - 1591 print Boaz sleeps in a corn barn. Ruth lies at his foot end at night. In the dawn she leaves the shed again. print maker: Haarlempublisher: Antwerp paper engraving Ruth uncovers the feet of the sleeping Boaz and lies down

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), Adam et Eve ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques une. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Print, The Cornaro Family, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 24.8 × 32.3 cm (9 3/4 × 12 11/16 in.); Bequest of George Campbell Cooper; 1896-3-280

The dance of death at Basel: death and the lady. Lithograph by G. Danzer after H. Hess.

L'Enlèvement d'Hèlène, opp. p. 224. Illustrations, Cartoons (Commentary). 1937. Music Division. Offenbach, Jacques, 1819-1880

The Bostonians Paying the Excise-Man, or Tarring & Feathering. Artist: David Claypoole Johnston (American, Philadelphia, Pennsylvania 1799-1865 Dorchester, Massachusetts). Dimensions: image: 12 1/16 x 10 1/8 in. (30.6 x 25.7 cm)sheet: 13 15/16 x 11 in. (35.4 x 28 cm). Printer: Pendleton's Lithography Boston. Date: 1830. Museum: Metropolitan Museum of Art, New York, USA.

Luna, Johannes Wierix, 1609 print The moon goddess Luna, in one hand a lance, in her other the crescent. print maker: Antwerppublisher: Delft paper engraving / letterpress printing Luna and her children ('Planetenkinder')

Native Americans firing flaming arrows, United States of America, engraving by Vernier, from Etats-Unis d'Amerique, by Roux de Rochelle, L'Univers Pittoresque, published by Firmin Didot Freres, Paris, 1837.

Two men sitting and another man holding a staff kneeling on a rock, from the series 'Figurine'. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 5 5/8 × 3 11/16 in. (14.3 × 9.4 cm). Date: ca. 1656-1657. Museum: Metropolitan Museum of Art, New York, USA.

Dirce is bound to a bull, Anonymous, 1693 - 1717 print Antique sculpture known as the Farnese bull. The Amphion and Stehus brothers tie the braided hair of Dirce to the horns of a bull. Title in Latin in Bovenmarge. Six text rules in Latin in the end margin. Print is part of an album. print maker: Italypublisher: RomeThe Hague paper etching Amphion and Zethus avenge their mother by tying Dirce to the horns of a bull. piece of sculpture, reproduction of a piece of sculpture

Probus lets his soldiers plant vineyards, Reinier Vinkeles (I), 1804 drawing paper. ink pen / brush male persons from classical history (PROBUS) - non-aggressive activities of person from classical history

L'enfant Prodigue (1st plate) , Swine, Troughs, Crying, Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

15. To industry / 16. To our afteux (IT)

Copper engraving print by an unidentified artist depicting a child sitting on a sea monster, created between 1510 and 1527, representing a mythological scene.

Honoré Daumier, Le Président de Rhodes, 1871 Le Président de Rhodes

Flying man on the Ape Island, From Dcouverte Australe par un Homme Volant (The Southern Discovery by a Flying Man) By Rtif de la Bretonne, 1781, Artist Unknown

Cephalus en Procris, Magdalen van de Passe, after Adam Elsheimer, 1617 - 1634 print Forest landscape with Cephalus who accidentally shot his wife Propris during hunting. Cephalus has just found her and is looking for herbs to cure her wound. In the background grieving figures and the faun that procris told that her husband would have a secret mistress. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving Cephalus inadvertently kills Procris

3 / Forced tax on hunting rifles (IT)

La Situation de l'Italie Honoré Daumier (French, 1808-1879). , February 21, 1859. Lithograph on newsprint, Sheet: 11 5/16 x 11 5/8 in. (28.7 x 29.5 cm). European Art February 21, 1859

Victor Emmanuel I (1759-1824). King of Sardinia. The heart of a King. Sculptural group by Ximenes. Engraving by Centenari. The Artistic Illustration, 1884.

Theseus overcomes the Centaur; Teeo vincitore de'Centauri; Sculptures by Antonio Canova. Rear view of a sculpture of Theseus that beats a centaur by the Italian sculptor Antonio Canova.

Saint Michael the Archangel. Engraving by C. Duflos after Raphael.

Japanese Imperial Postal Service, Japan. Drawing by Alphonse de Neuville (1835-1885) Travel to Japan, 1863-1864 by Aime Humbert (1819 -1900) Le Tour du Monde 1867

Flying man with the taurus-people, From Dcouverte Australe par un Homme Volant (The Southern Discovery by a Flying Man) By Rtif de la Bretonne, 1781, Artist Unknown, Etching

Soldier Wielding a Weapon, Seen from Behind 1764 Matthias Pfenninger This print comes from a set of "Eight Studies of Soldiers" (2018.54.1-.8) designed by Loutherbourg during his Paris years, 1755-71. While himself an accomplished printmaker, Loutherbourg here turned the etching over to the Zurich-born Matthias Pfenninger, then studying in Paris. The images demonstrate admiration for the Italian 17th-century printmaker, Salvator Rosa.. Soldier Wielding a Weapon, Seen from Behind. Eight Studies of Soldiers. after Philippe Jacques de Loutherbourg (French, Strasbourg 1740-1812 London). 1764. Etching. Prints

Commissaire de Marine ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The East India, 1695; The general joy to the intake of names by Stadholder Willem III, king of England on September 2, 1695, 6. Drunk sailor with a bottle and a hat in hand. In the background a ship at sea. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

Adam kneels in grief beside the body of Abel, while Cain flees in the background ca. 1729 Frédéric Horthemels. Adam kneels in grief beside the body of Abel, while Cain flees in the background. Frédéric Horthemels (French, 1680/88-1738). ca. 1729. Etching and engraving. Prints

A young woman laments the death of her husband as a knight in battle. Etching by J. Tenniel, 1861.

Plate 31 from 'The Disasters of War' (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/16 in. × 6 in. (20.5 × 15.3 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Va te faire achever pour moi. Honoré Daumier (1808-1879). Lithographs

Le Président de Rhodes. Dated: 1871. Medium: gillotype on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

William Dickinson, 1746-1823, British, The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian, 1791. Stipple engraving and etching on moderately thick, slightly textured, beige laid paper.

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