Mythological Art Prints

Artworks featuring mythological themes, river gods, and allegorical figures, combining elements of nature and human emotion in dramatic scenes.

Parmigianino (Italian, 1503-1540), The Resurrection of Christ, c. 1528-1529, etching and engraving on laid paper

An Allegory of Fortune with Two River Gods 1624 Hans Jakob Ebelmann German. An Allegory of Fortune with Two River Gods 366727

Allegory on the prosperity of a cardinal, Samuel Henri Mendes da Costa, 1866 print A woman, the personification of prosperity, is dressed in a canvas with French lilies, sits on a cannon and looks at the sun. Her hand leans on a stone with an unknown cardinal weapon. In the background the debris of a sculpted lion and fleeing people among thick clouds of smoke. Amsterdam paper etching Insignia of Cardinal, E.G. Hat, Mantle. Welfare, Prosperity; 'Publica' happiness', 'Prosperity of life', 'Health' (Ripa) (+ partialyly clothed)

The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same lighteach Parable I illustrate perhaps a dozen times before I fix [the image." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.The Parable of the Good Samaritan appears in Luke 10:25-37, and tells how a Samaritan stops on the road to aid a man wounded by robbers, after a priest and a pharisee have passed him by. Pre-Raphaelite ideals shaped the combination of detailed naturalism

Maniac Ravings or Little Boney in a Strong Fit, James Gillray, 1757-1815, British, 1803, Etching

Allegory on the Alliance with France, 1795, Jacques Kuyper, 1795 drawing Oval show with allegory on the Alliance closed between the Batavian Republic and France, 1795. Genius binds the weapons of the two republics to a tree. Netherlands paper. ink pen / brush alliance, league, union, foedus

Ixion. Dated: 1588. Dimensions: sheet: 30.9 cm (12 3/16 in.) (round, cut within platemark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Cornelis Cornelisz van Haarlem.

Caprichos: There It Goes.. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Vine, 1852. Etching and drypoint on thick, smooth, cream wove paper.

Hieronymus Hopfer, Saint Jerome in Penitence, 1520-1550, etching on laid paper.

Hercules worstelt met Acheloüs.Hercules in battle with the Achelous river god to Deeanira, the daughter of the river god oeneus. Acheloüs has adopted the form of a serpent. In the background on the left a group of nymphs, putti and marine beings.

Frisian with the triumph of Neptune, right plate. Right part of a Frisian with the triumph of the God Neptune. Different fable animals are distorted. On the left, Neptunus rides a hippocampus.

Tweekamp between Numa and Leo, Henri-Joseph Godin, 1790 print The army watches how Numa and Leo fight each other in a two -camp on top of a rock. In the air the goddess Ceres, who tries to protect Numa. In the foreground the corpses of Leo's men, died by an avalanche. With a French caption. print maker: Luikpublisher: Brussels paper engraving / letterpress printing male literary characters (with NAME). (story of) Ceres (Demeter). male literary characters (with NAME). duelling. land forces

. A show in a cartouche of leaves. The apocalyptic woman is chased by the seven-member dragon and flies away. The dragon spits a flow of water that forms a river and the woman tries to drown. The earth splits open and prevents this. Under the cartouche the Bible reference. 12:14.

Jonston, Johannes.

Amsterdam, Wolfgang, Abraham, Nederland, Santvoort, Abraham Dircksz., Tartarus, Netherlands, verso lower right - stamped, Front left the Danaides are drawing water from a well with a bucket full of holes. Cerberus stands in front of it. Front right Tantalus under branches with fruit. In the middle Ixion is tied to a wheel by a winged creature. Behind him a person on a gallows, figures broken on the wheel and a man on an X-shaped cross, who is being beaten by a winged creature. On the right the boulder of Sisyphus is pushed down from a rock face. Below it two naked women are being led away. Above the open mouth of Leviathan. Verso a text sheet with the dedication., print, picture, book illustration, prints, pictures, height 114 mm, width 65 mm, Noord-Nederlands, 1634 - 1669, print maker, printmaker, 1668 - 1668, paper, etching, etchings, Publication (Event), Publication, publisher

Bird concert; Earlom, Richard (1743-1822), Nuzzi, Mario (1603-1673); 1778 (1778-00-00-1778-00-00);Dembiński, Stefan (1887-1972), Dembiński, Stefan (1887-1972)-collection, English (culture), gift (provenance), English graphics, humor, concerts, music, parrots (zool.), Pawy, birds, reproductive graphics, animals, swans (zool.)

Cartoon on the English, 1673, Anonymous, 1673 print Illustration marked 'B', from W. Stubbe, 'A Further Justification of the Present War Against the United Netherlands', London 1673. The print has been a copy of a Dutch cartoon published in 1668 (FMH 2303). The show shows how the Dutch Virgin triumphs about the personification of England. On the left, a Dutchman takes off the tails of the English dogs. The prints were used by the English as propaganda to justify the war against the United Provinces. print maker: Englandpublisher: Londonpublisher: London paper engraving political caricatures and satires. man tormenting animal(s). personifications of countries, nations, states, districts, etc. Netherlands

Vestigia delle Terme di Tito. Ariadna on Naksos. Quadro from the decoration of the room of the room 14; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Ariadna, Naksos, Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, illustration, archeology, antiquity, purchase (provenance)

Pieter Bruegel the Elder's post-1565 copper engraving depicts Saint Jacobus confronting the magician Hermogenes, showing figures, gestures, and a narrative scene.

Shakspeare. Macbeth, act 1, scene 3 : A heath : Macbeth, Banquo & three witches , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Macbeth. Thomas Pennant Barton Collection

A woman personifying anatomy looks searchingly into the light emanating from a corpse, but she is mortally threatened by the scythe of Time; representing anatomy's struggle with decay. Engraving by N-G. Dupuis, 1759, after J-B-M. Pierre.

The siege of an elephant (war elephant). Bosch, Hieronymus (ca 1450-1516), draughtsman, cartoonist, Doetecum, Lucas van (-1584/1589), engraver, Doetecum, Joannes van I (1528/1532-1605), engraver, Cock, Hieronymus (ca 1510-1570), publisher

Le streghe, frontispiece. Frontispieces, Prints. 1830. General Research Division. Witches, Demons, Supernatural beings

Jason, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1807, Etching and mezzotint, printed in brown ink First published state on moderately thick, slightly textured, cream laid paper, Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm), Plate: 8 1/8 × 11 3/8 inches (20.7 × 28.9 cm), and Image: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm), armor, branches, cave, hunt, religious and mythological subject, roots, serpent, skeleton, trees

The cheerful patriot; The general joy to the intake of names by Stadholder Willem III, king of England, September 1695. Dancing man with an empty grumbler and his hat in his hand. In the background the city names and the fortress. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

Application of Antonius with attack by demons. Saint Antonius is attacked by demons in a hallucination during his stay in the desert. He floats in the air between strange beings that seem composed of all kinds of animal body parts. At the bottom right, the cave of Antonius is shown next to a tree and a view with a city on a river in a landscape. At the top of the tree two shields hang with the judicial and ducal weapon of Saxony.

Christian Wilhelm Ernst Dietrich, Battling Tritons, 1763 Battling Tritons

L'âne et la vieille, an etching and drypoint by Félix Hilaire Buhot (1847-1898), created between 1872 and 1878. The work features older people, women, donkeys, and saddles. Standard reference number noted

Lazio Latina Sezze S. Lucia5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Andrea della Valle02. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Two travelers on donkeys in the Alps, Jan Luyken, 1711 print Amsterdam paper etching / letterpress printing ass, donkey. mountains. 'en route', traveller under way

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece of the collection The cities of the Loire river. Fame. (A. de Vesme 949; dutuit 135) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Floor plan of the Tomb of Alexander Severus; Archaeological finds in and around Rome; Le Antichità Romane. Floor plan of the Tomb of Alexander Severus outside the Porta San Giovanni. Right among antique residues including a Corinthian capital. Numbered top left: Tom. II. Numbered at the top right: XXXI. Explanatory list of letters in undermarge.

Artist: Georges d Espagnat, French, 1870-1950, Combat of Mounted Swordsmen, Lithograph, sheet: 27 × 38.5 cm (10 5/8 × 15 3/16 in.), French, 19th century, Works on Paper - Prints

Nymphs in a cave. Two nymphs at the entrance of a cave. Next to the entrance is a fountain decorated with dragons.

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Apollo and Daphne, Master of the Giants, active 1779, British, attributed to James Jefferys, 1751-1784, British, formerly attributed to Prince Hoare, 1755-1834, British, between 1770 and 1799, Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm), branches, branches, Daphne, jug, men, Metamorphoses, pouring, religious and mythological subject, river-god, trees, water, woman

Flying putto. .

A landscape during a thunderstorm. It is raining and lightning. In the foreground some travelers trying to protect themselves from the rain and wind. In the background a town, emblem: thunderstorm Landscape during a thunderstorm, print maker: Caspar Luyken, intermediary draughtsman: Jan Luyken, publisher: Christoph Weigel, Neurenberg, c. 1700, paper, etching, h 108 mm × w 124 mm

The Vision of Saint Eustace by Durer, Albrecht (1471-1528) National Gallery of Victoria, Melbourne c. 1501 Copper engraving 35,5x26 Germany Renaissance Bible,Animals and Birds Graphic arts

Amsterdam, Danckerts, Cornelis (I), Keyser, Hendrik de (I), Nouveau Livre des Dieux et Deeßes De la Marine Book of Sea Gods and Goddesses, Amphitrite on a Chariot, Amphitrite sits on a chariot pulled by two dolphins with putti. She looks into a hand mirror., print, ornamental print, prints, ornamental prints, height 96 mm, width 215 mm, Work conception, 1565-05-15 - 1621-05-15, after a design by, 1623 - 1656, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

Three Children in Clouds. Artist: After François Boucher (French, Paris 1703-1770 Paris); Monogrammist DA (French, 18th century). Dimensions: Sheet: 11 7/8 x 17 1/16 in. (30.2 x 43.3 cm)Plate: 8 3/8 x 11 5/8 in. (21.3 x 29.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Author: after François Boucher. Monogrammist DA.

August According is Juliusz Kossak An Illustration for the Year of the Fighter of Wincenty Pola. Cleastle from Tygodnik Ilustrowany 1866 (2) 137 Fryk, Ludwik (N.N.), Kossak, Juliusz (1824 1899)

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Lonely Tower, 1879. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper.

Planche 29: Rhea Sylvia couchee sur une draperie bleue, Description des bains de Titus, ou, Collection des peintures trouvées dans les ruines des thermes de cet empereur, Félice, Fortuné Barthélemy de, 1723-1789, Ponce, Nicolas, 1746-1831, Engraving, 1786, located on page 51, from an 18th century French edition of Roman mural paintings and decorations.

Jupiter and Proserpina; Jupiters love adventures. Jupiter seduces Proserpina in the form of a snake. Proserpina is naked on a stone under a tree. The snake crawls between her legs. Print from a series of 10 prints that illustrate Jupiter's love adventures.

Water; The four elements. Playing putti in the water and a group of flying putti above. A woman in the water grabs a flying putto at the ankle.

Ulysses and the Sirens

Hercules attacks a snake tearing up a sheet of paper with dedication Costumes of different peoples , print maker: Johann Wilhelm Baur, (mentioned on object), Johann Wilhelm Baur, (mentioned on object), Johann Wilhelm Baur, (mentioned on object), Rome, 1636, paper, etching, h 80 mm - w 110 mm

Allegory in the twenty -five -year marriage, Simon Fokke, 1768 print Two putti with a sacrificial column. One kneels and is veiled. The standing putto holds two burning hearts and a snake that bites itself in its own tail, the symbol of eternity. Amsterdam paper etching Castití marriage ',' Fed Maritale ',' married '(Ripa). Eternity, 'eternity'; 'Eternitã' 'Eternité o perpetuití' (Ripa). Profane Heart Symbolism ~ Love

Specklin, Veit Rudolf, Holbein, Hans (II), Vision of Ezekiel with God and symbols of four evangelists, The vision of Ezekiel with God enthroned in a halo, globe and scepter in his hands. On the left float the creatures that symbolize the four evangelists, a lion, bull, eagle and angel. They are depicted in fiery light, flames shoot from the clouds. On the right, between flames, is the wheel in a wheel with eyes on the rims., print, engraving, book illustration, prints, engravings, height 60 mm, width 85 mm, height 85 mm, width 99 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Collaert, Adriaen, The Great Figuer-Bibel, Icones Revelationum S Iohs Evangeliste in Pathmo, Revelation of John on Patmos, Of the Apocalipsis of the Revelation of John, Angel chains Satan, An angel with the key to the subterranean depth chains the dragon or Satan (for a thousand years) and puts him in an underground pit with fire. Below the image a reference in Latin to the Bible text in Op. 20:1. This print is part of an album., print, image, album leaf, prints, images, height 80 mm, width 78 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), hand colouring, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

The abolition of nobility Anonymous. "The abolition of nobility". Print.

Richard Earlom, after Mario Nuzzi, A Concert of Birds, 1778 A Concert of Birds

Drawing of Neptune in his chariot. Perino, del Vaga, 1500 or 1501-1547. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

unknown, Meulen, Adam Frans van der, Huchtenburg, Jan van, Fallen horses, Fallen horse seen from behind, verso - stamped, Horse lying on its left side seen from behind., print, prints, height 210 mm, width 344 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1674 - 1733, paper, engraving, engraving (printing process), South Netherlandish, French, 1632-01-11 - 1690-10-15, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Plan of the Tomb of Alexander Severus, verso - stamped, Plan of the Tomb of Alexander Severus outside the Porta San Giovanni. Bottom right ancient remains including a Corinthian capital. Numbered top left: Tom. II. Numbered top right: XXXI. Explanatory list with letters in bottom margin., print, prent, prints, prenten, height 401 mm, width 260 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Le lion, le signe et les deaux nes, 1729-1734, Jean-Baptiste Oudry, French, 1686-1755, 9 5/8 × 7 1/4 in. (24.45 × 18.42 cm) (image)11 3/4 × 9 11/16 in. (29.85 × 24.61 cm) (sight)18 7/8 × 16 1/4 × 1 in. (47.94 × 41.28 × 2.54 cm) (outer frame), Point of the brush and grey wash and black ink, heightened with white, on blue paper, within a painted mount, France, 18th century, This is an illustration to a Fable written as a poem in the 1600s. The King of Beasts encounters a monkey, cast as the wise counselor. The lion asks the monkey to explain how, as a leader, he can avoid self-aggrandizement. The monkey responds by telling a story of two donkeys in conversation, who excessively congratulate each other, thus blinding themselves to their own faults. To instruct his majesty how his behavior ought to be, the monkey knows he must tread lightly, else hed risk a fate unsightly.

'Pelops', 1615. Artist: Leonard Gaultier

Parma, Correggio, Italy, Vanni, Giovanni Battista, Dome decorations by Correggio in the S. Giovanni Evangelista in Parma, Bishop surrounded by six angels, verso - stamped, A bishop on clouds, surrounded by six angels., print, prent, prints, prenten, height 487 mm, width 409 mm, Italian, 1599-02-21 - 1660-07-27, print maker, printmaker, 1609 - 1660, paper, papier, etching, etchings, 1489 - 1534-03-05, after a painting by

Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74 Published after 1606 Antonio Tempesta Italian. Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74. The Metamorphoses of Ovid. Antonio Tempesta (Italian, Florence 1555-1630 Rome). Published after 1606. Etching. Willem Jansz. (Dutch, active Amsterdam 1605-20). Prints

Collaert, Adriaen, Avium Vivae Icones in aes incisae & edita ab Adriano Collardo, Struttio (ostrich) and Strutio ex China (Chinese ostrich), center bottom - engraved, Two ostriches standing opposite each other. Trees in the background. ., print, picture, books, Adrian Collaert fecit et excud., Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1600 - 1600, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

A stream god leans upon an urn which stands upon a base, showing the inscription: "QVI - GIACE - IL ROMANO / PEDROSELLINI - CHE SCRISSE. QVANTITA - / DIOPERE - BVFFE. / E - BENCHE - BELLE. / NON - DIVERTIRANO / LA - MORTE". Bordering line, bottom, remains of each, top, at right. Date: 1795-1809. Pen and brown ink, brush and brown wash, graphite on beige laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

William II called Rufus (the Red) (1056-1100), second surviving son of William I , king of England from 1087. Cruel and rapacious, he was an unpopular monarch. He was killed by an arrow at Brokenhurst in the New Forest. From 'The Imperial History of England' by Theophilus Camden (London, 1832). Engraving.

Ink and brush drawing by Étienne Parrocel depicting God creating the sun and moon, executed with laviert technique on brownish paper.

Bookplate of the Papafava dei Carraresi family: Nitimur in Vetitum. unknown, graphic artist

Cupid Blindfolded, Carried Through the Sky by Seven Winged Putti ca. 1770-90 Giovanni Domenico Tiepolo Italian. Cupid Blindfolded, Carried Through the Sky by Seven Winged Putti. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). ca. 1770-90. Pen and brown ink, brown wash. Drawings

Val van Icarus; Daedalus Icaro alta nimis ambienti orbatur; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.The falling Icarus and the floating Daedalus. Icarus flew too close to the sun, so that the wax was melted with which his wings were confirmed. Title in Latin in undermarge.

A drawing attributed to Stefano Torelli showing Saint Antonius awakened by an angel, executed with black-brown feather and gray laved areas, dated 1712-1784.

P.P. Rubens. Die Nymphen der Diana.. Franz S. Hanfstaengl (German, 1804 - 1877)

Willem Basse, Noah's Ark and the Flood, 1634 Noah's Ark and the Flood

Drawing (Italy); Felice Giani (Italian, 1758-1823)

'Poster for Thomas Hardy's The Dynasts, 1919. Artist: Charles S Ricketts.

Rhetorica (Rhetoric). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Virgil Solis.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Pokuszenia św. Hieronima Kuszenie św. Hieronima Temptation of St. Hieronymus; from: `Tygodnik Ilustrowany` 1895, no. 26 (June 29th), p. 416-417. Frühauf, Paul X.I. (Lipsk ; zakład reprodukcyjny ; fl. ca 1885-?), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Allegory Against the Pelagian Heresy (Allégorie contre l'hérésie pélagienne et armoiries de la duchesse d'Aiguillon) Claude Mellan French. Allegory Against the Pelagian Heresy (Allégorie contre l'hérésie pélagienne et armoiries de la duchesse d'Aiguillon) 393596

Hercules fights the Lernian hydra, 1733. Artist: Bernard Picart

Copper engraving by Girolamo Mocetto depicting a decorative frieze with Neptune and Tritons, produced in the late 15th to early 16th century, showing mythological figures and marine motifs.

Orage causé par l'Impôt sur le Thé en Amérique ca. 1775 Anonymous, French, early 19th century French. Orage causé par l'Impôt sur le Thé en Amérique. Anonymous, French, early 19th century. ca. 1775. Engraving. Prints

Flying man fighting with the serpent-people, From Dcouverte Australe par un Homme Volant (The Southern Discovery by a Flying Man) By Rtif de la Bretonne, 1781, Artist Unknown, Etching

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)25. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Neptune and Thetis; Aqua Terris Major, Omnium Nutrix, Piscium Conchiliorumque Pretiosa Mater. Neptune and thetis drive through the water in a car. The car is drawn by two horses and surrounded by different marine animals. Thetis holds a shield with a motto in her hand: citivs ventos nvbila pellit. Left is a part of a large sailing ship.

Franz Karl Palko, An Allegory of Wisdom and the Arts, 1750 1755 An Allegory of Wisdom and the Arts

Looting a city, Martin Speer, 1742 print paper etching setting on fire (of conquered city). plundering ~ soldiers

The Divine Comedy (1307-1321). Italian narrative poem by the Italian poet Dante Alighieri (1265-1321). Inferno (Hell). "...Hooked him by his tar-soaked hair and hauled him in..." Illustration by Yann Dargent (1824-1899). Engraving by Duvivier. Published in Paris, 1888. Author: Jean-Edouard Dargent. known as Yann Dargent (1824-1899). French artist.

Lost son and farmyard with poultry. Artist: Abraham Bloemaert. Artist: Boëtius Adamsz. Bolswert. Draughtsman: Moses ter Borch. Dating: c. 1660 - c. 1661. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Pl. 3: Baffled Devils Fighting ' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135, William Blake, 1757-1827, British, 1827, Line engraving on medium, slightly textured, cream wove India proof paper, Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm), Plate: 11 × 14 inches (28 × 35.5 cm), and Image: 9 1/2 × 13 1/8 inches (24.2 × 33.3 cm)

Shakespeare's Tempest (Macklin's British Poets) 1798 Francesco Bartolozzi Italian. Shakespeare's Tempest (Macklin's British Poets) 376490

Cassandra sits in the foreground, her head accustomed to the viewer. She grieves over the destruction of the city of Troy, which goes up in flames in the background. Bottom right a broken column, Cassandra grieves over the destruction of Troy., draughtsman: Jan Swart van Groningen, 1550 - 1555, prepared paper, pen, brush, h 360 mm × w 283 mm

Woodcut and type print by Lucas Cranach the Elder from 1522 illustrating the opening of the sixth seal in the New Testament (Revelation 6:12-17), depicting an earthquake, sun, moon eclipse, star rain, and figures reacting.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Ruins in rocaille cartouche, verso - stamped, Figures in ruin landscape in rocaille frame. Publisher number 112., print, ornamental print, prints, ornamental prints, height 200 mm, width 300 mm, 1717 - 1782, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Monster (no.5 of 10), Joseph Haynes, 1760-1829, British, after John Hamilton Mortimer, 1740-1779, British, 1750, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

. The winged personification of the fame (FAMA) flies above the globe. She blows on one of her two praise stuff.

James Gillray, 1757-1815, British, Sin, Death, and the Devil, 1792. Etching, hand-colored.

De overvaart van prins Maurits in Charons boot. Regtspleging van Oldenbarnevelt (series title). Draughtsman: anonymous. Dating: 1708 - 1795. Place: Netherlands. Measurements: h 23.5 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.

Destruction of humanity by the flood, Johann Sadeler (I), After Maerten de Vos, 1586 print Men, women and animals float lifeless in the sea, caught by the flood. In the center of the print the Ark of Noah. In the air, the first rays of the sun break through the dark clouds. The print has a Latin caption. Antwerp paper engraving the ark is floating on the waters, while life on earth is destroyed ~ story of Noah. death by drowning (non-violent)

Allegory with happiness, the one-wearing marriage, upbringing, fertility and good Sternte. Design for a ceiling painting.

Sketch for the town hall of the 6th arrondissement of Paris: Paris, Cit� d'Art Sketch for the town hall of the Century of Paris: Paris, Cit� d'Art. Oil on canvas.

Collaert, Adriaen, Antwerp, Snijders, Michael, Drawing examples, Study sheet with drawing examples: heads, animals and fruits, verso lower left - stamped, Twentieth print from a series with drawing examples. Study sheet with fruit, animals and heads. In the middle a fig on a matching leaf, below it a cut open fig. On either side animals: a rhinoceros beetle, caterpillar, lizard and sea turtle. Below it two heads. Top left a Madonna with Christ child (after Raphael). Top right a fritillary, next to it a giraffe. In the middle an insect and a peacock moth., print, prints, verso middle - stamped, height 177 mm, width 244 mm, South Netherlands, 1586-09-08 - 1672-12-18, print maker, printmaker, 1610 - 1672, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher, Work conception, South Netherlands (before 1775), 1560 - 1618-06-29

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