Mythological Art Prints

Artworks featuring mythological themes, river gods, and allegorical figures, combining elements of nature and human emotion in dramatic scenes.

Parmigianino (Italian, 1503-1540), The Resurrection of Christ, c. 1528-1529, etching and engraving on laid paper

Pierre Alexandre Aveline after François Boucher, Satyr, Nymph and River God, in or after 1736 Satyr, Nymph and River God

Italy, Cantarini, Simone, Allegory of the Foglia River with Coat of Arms of Pesaro, verso - stamped, In the foreground sits a river god (Foglia). On the left flows the river. In the background a bridge over the river and a tower. Above float putti and angels with the coat of arms of Pesaro., print, prent, prints, enten, height 135 mm, width 86 mm, Italian, 1612-08-21 - 1648-10-15, print maker, prentmaker, 1622 - 1648, paper, papier, etching, etsen

Neptunus with the Tritons, Crispijn van de Passe (II) (attributed to), after Antonio Tempesta, c. 1636 - 1670 print paper engraving sea thiasos, Neptune's sea retinue. Neptune as lord of the sea

Victime de la foudre , Victims, Lightning, Trees, Alphonse Legros (1837-1911)

Parmigianino (Italian, 1503-1540), The Resurrection of Christ, c. 1528-1529, etching and engraving on laid paper

Apollo en Aurora (Linkerdeel), Giovanni Battista Pasqualini, After Guido Reni, 1622 - c. 1634 print Apollo De Zonnegod is on his car that is pulled ahead by four horses. The horae, the goddesses of the seasons, dance around him. For him from a putto with a torch and aurora. Sprinkled with flowers, Aurora drives away the night and brings it dawn. In the middle of a coat of arms. Assignment and two -line text in Latin in the lower margin. print maker: Italyafter painting by: RomeVaticaanstad paper engraving Apollo in the chariot of the sun, drawn by four horses, usually preceded by Aurora holding a torch; 'Carro del Sole' (Ripa). Hours (Horae), Seasons Palazzo Pallavicini Rieligliosi

Minerva protects Telemachus against arrows of Amor, Simon Fokke, 1775 print Minerva keeps her shield above Telemachus to prevent the arrows of Amor from touching him. In the air, Venus rests on a shell pulled by pigeons. Print on top left marked: Page 63. Amsterdam paper etching (story of) Telemachus. (story of) Minerva (Pallas, Athena). sleeping; unconsciousness - BB - out of doors. (story of) Venus (Aphrodite)

Book of Fountains: No. 7, c. 1736. Gabriel Huquier (French, 1695-1772), after François Boucher (French, 1703-1770). Etching;

Etching, aquatint, and cold needle on rolled pink paper by Rudolf Jettmar from 1897 titled 'The Day,' depicting a daylight landscape scene.

Rodolphe Bresdin, The Comedy of Death, 1854 The Comedy of Death

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Den Grooten Figuer-Bibel, Passie van Christus, Van het lyden en Passie Christi, Oprijzen van Christus, bottom right on album page - handwritten in brown ink, Christ rises from his grave with a banner in his hand. The soldiers lying around the grave wake up with a start and flee. On the left in the background the arrival of the three holy women at the grave. Below the representation a four-line verse in Latin. Below the representation a four-line verse in Latin. Bottom right the letters: kk. This print is part of an album., print, album sheet, prints, 142, height 211 mm, width 131 mm, Southern Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Wild boar yacht (right plate). Men with spears put a wild boar in the mouth. There is a fallen man on the floor for the boar. Another man with a spear climbs on a tree stump. A Boerke Man blows on a hunting horn. Right plate of a large representation consisting of two parts. At the bottom of the margin half of a fresh in Latin.

The fall of the damned (lower plate). Angels throw the damned in hell. A multiply monster solves them. Under the image a text line in Latin. Lower part of a large representation consisting of two parts.

Apollo and the muses; Le Cabinet des Beaux Arts (...) / The treasure room of the Vrye Rabits (...). Ceiling piece with the god Apollo, troning on the clouds with the winch in his hand, in the middle of the muses. At the top right are winged horse Pegasus. Print is part of an album.

Armed Telemachus on a boat, Simon Fokke, 1775 print Telemachus stands on a boat with shield and outstretched sword. A naked man with beard rows the boat. Devil's animals fly in the background, a figure is lagging left. Print on top left marked: Page 311. Amsterdam paper etching (story of) Telemachus. rowing-boat, canoe, etc.

S. Nonnose, abbé (St. Nonossus, Abbot), September 2nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Nonnose, abbé (St. Nonossus, Abbot), September 2nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

David beheads Goliath, Willem Panneels, After Peter Paul Rubens, 1630 print Battlefield with the young David who is about to imagine Goliath with his sword. Cologne paper etching / engraving David beheads Goliath with a sword

Putti with the symbols of the planets Saturn, Jupiter and Mercury, carry a ring or wheel with the hours of day and night They are helped by the winged head of an old man, possibly Father Time Below is Death at the edge of a city Above a three-line text in Latin and below a three-line text in German, The hour Hora Die Stunde Zinnebeelden , print maker: Jeremias Wachsmuth, (mentioned on object), intermediary draughtsman: Gottfried Eichler (II), (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, c. 1758 - c. 1760, paper, etching, h 194 mm × w 127 mm

They go there; Allá Vá ESO; Los Caprichos. A witch and a devil in the air, hanging on a stick and a snake. There is a cat on the tail of the hose. Sixtyest print from the Los Caprichos series.

Polyphemus chases the fleet of Aeneas, 1663 print The one -eyed giant Polyphemus pursues the fleet of Aeneas. Numbered: XII. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching the Trojans escape from Polyphemus and the Cyclopes

Un lever de soleil , Sunrises & sunsets, Hills, Buildings, Alphonse Legros (1837-1911)

Jupiter and Io; Metamorphoses from Ovid. Jupiter tries to seduce io. On the left in the background, Io has changed in a cow by Jupiter. His wife Juno approaches the couple to her car pulled by peacocks and intersects her husband over the animal. In the undermarge a four-line explanation, in two columns, in Latin.

Sisyphys, father of Odysseus, for no known reason, is condemned to push a rock to the top of a mountain in Hell, which the demons push down again, and again, and again...

Hieronymus, holy.

David Strangling the Lion 1631 Claude Mellan French. David Strangling the Lion 393544

This circa 1525-1527 chiaroscuro woodcut, reissued by Andreani around 1602-1610, depicts Hercules fighting the Nemean lion, emphasizing figures, composition, and early Italian printmaking technique.

Landscape with reading Hieronymus, Anonymous, After Cornelis Cort, After Titian, After 1565 - Before 1591 print The saint Hieronymus is sitting on a rock in a mountainous landscape. Next to him a book and an hourglass. The lion, his attribute, strolls between the rocks. paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Print top right numbered: 83., Christian climbs the hill Difficulty, print maker: Jan Luyken, (mentioned on object), publisher: Johannes Boekholt, Amsterdam, 1684, paper, etching, letterpress printing, h 120 mm × w 66 mm

Triumph of Prince Eugenius of Savoye, 1719, 1719 Triumph of Prince Eugenius of Savoye, 1719. Allegory over the many military victories of the prince. Central the prince standing with a raised sword and the foot on a conquered enemy. On the right Hercules and Minerva, in the air the fame and the German eagle, turks caught on the left chain at a triumphal hall. Northern Netherlands paper etching symbolic triumphs of individual persons

unknown, Werner, Joseph (II), Paris, Ertinger, Franz, Glaucus and Scylla, verso - stamped, The jealous sorceress Circe poisons the water, so that the bathing nymph Scylla turns into a sea monster, just like Glaucus, with dagger., print, prints, height 180 mm, width 118 mm, 1640, print maker, printmaker, 1650 - 1710, paper, engraving, engraving (printing process), Work conception, Swiss, 1637-07-22 - 1710

Victime de la foudre , Victims, Lightning, Trees, Alphonse Legros (1837-1911)

unknown, Soutman, Pieter Claesz., Rubens, Peter Paul, Miraculous catch of fish, verso lower left - stamped, Six of the apostles try to haul in their fishing nets. There are so many fish in the nets that they have difficulty dragging them into the boat (Luke 5:1-11). Below the image two lines of verse in Latin., print, prints, height 247 mm, width 332 mm, Northern Netherlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, uitgever, verlener, verlener van privilege

Jean Baptiste Oudry, La Rancune en brancard, abattu dans le bourbier, 1726 La Rancune en brancard, abattu dans le bourbier

Germany, Jamnitzer, Christoph, page of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Four putti, Top left a putto sits on the ground with one leg up between a jug, a cup, a candlestick, a writing table and a lute. Top right a putto lies on a cloud with two trumpets in its hand. Page from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 pages, divided over three books., print, ornament, prints, ornament prints, height 142 mm, width 184 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Holy Joris and De Dragon, Giuseppe Scolari, 1550 - 1600 print Saint Joris on horseback with a broken lance in his hand. The broken part of the lance protrudes in the throat of the dragon that lies on the floor. Italy paper St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

Ixion, 1588 print Round show of Ixion, naked, falling among clouds of smoke in the darkness. In the background on the right a representation of Ixion's punishment for his attempt to seduce Hera: he was tied to a burning wheel. To the show a border script in Latin. This print is part of a series of four falling men: Tantalus, Icarus, Phaëthon and IXion. paper engraving Ixion on a burning wheel

Right half of a large cartouche with a show of the night; Compertimenta Pictoriis Flocculis Manubiisque .... Presentation of the night in the form of a sleeping man with an owl next to him. Shaded background. Belongs to series of 14 sheets cartouches with rollerwork, grotesken, trophies and friezes. The title sheet is missing.

Young man with lion skin over his head, possibly cadmus, fights a dragon, Léon Davent, after Francesco Primaticcio, 1540 - 1556 print paper etching Cadmus slays the dragon. dragon

Death carrying off a woman, from 'The five deaths' (Les cinq Morts). Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 7 3/16 × 5 13/16 in. (18.2 × 14.8 cm). Series/Portfolio: 'The five deaths' (Les cinq Morts). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA.

Meditating Democritus, in: "Serie di LXXXV DISEGNI IN VARIE Grandezze Composze Composze Dal Celebre Pittore Salvator Rosa ..."; Antonini, Carlo (1749-1835), Rosa, Salvator (1615-1673); 1780 (1780-00-00-1780-00-00);

Orpheus and Eurydice ca. 1590-95 Agostino Carracci Italian Unable to keep his promise not to look back until they reached the light of day, Orpheus lost Eurydice a second time. Agostino depicts the dramatic moment when Orpheus, throwing aside his instrument, tries to pull his love free of the flames of Hades. Ovid describes Orpheus vainly reaching out for her, grasping nothing but empty air (Metamorphoses 10.58-59), and Virgil, in the Georgics (4.498), writes of Eurydice stretching 'strengthless hands' toward Orpheus. Close examination reveals that the two figures do not quite touch each otherthis elusive grasp adds erotic tension as well as pathos to the subject.Although this is a legitimate mythological subject, with considerable narrative interest, it is generally thought to belong to the set of fifteen small engravings characterized by suggestive subjectsranging from groupings of attractive nudes to genuinely lewd depictionsand known as the Lascivie. This series of engravings, o

Vallende Globes; To Philozographum ; Some painters Celebrium Germany Lower -eminent figure . Drie vallende putti met twee banderollen met vijfregelige Latijnse teksten .

Two Halves of Escutcheons, No. 14 from 'Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti', Stefano della Bella, Italian, 1610-1664, Etching on paper, No. 14 of the same set as -10, 'Raccolta di varii cappriccii,' etc., Italy, 1646, Print, Print

An etching by Augustin Hirschvogel from 1548 depicting Jonah being swallowed by the whale, showing figure, composition, and mid-16th-century German printmaking techniques.

Ixion; The four valers. Round representation of Ixion, nude, falling between smoke clouds in the darkness. In the background to the right a view of Tantalus' punishment for his attempt Hera to tempt: he was tied to a burning wheel. To the show a peripheral in Latin. This print is part of a series of four falling men: Tantalus, Icarus, Phaëthon and Ixion.

Entrée de MM. de Couvonge et de Chalabre (Entrance of Monsieur de Couvonge and of Monsieur de Chalabre), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe 1627 Jacques Callot French. Entrée de MM. de Couvonge et de Chalabre (Entrance of Monsieur de Couvonge and of Monsieur de Chalabre), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe. Le Combat a la Barrière. Jacques Callot (French, Nancy 1592-1635 Nancy). 1627. Etching. Prints

God's Spirit floats over the water, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print God's Spirit floats over the water of the wild and dead earth. Two naked men wear the earth on a rope over the shoulder. There is a star on each end of the rope. To the Bible text in Gen. 1: 1-2. Amsterdam paper engraving 'In the beginning ...' the ordering of chaos (Genesis 1:1-2). the spirit of God moves upon the waters

The Lonely Tower, 1879. Samuel Palmer (British, 1805-1881). Etching;

Martinianus, pl. 16 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

S. Mercure, soldat (St. Mercury, Soldier), November 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Mercure, soldat (St. Mercury, Soldier), November 25th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Le voleur de poires (2nd plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

This circa 1530 Clair-obscur woodcut by an anonymous artist depicts a tree with two goats, highlighting figures, animals, and natural landscape across two plates in gray tones.

Prometheus donates people fire, 1728 Prometheus stands next to the human figure that he himself created from Slijk and gives him the fire in the form of a torch. Every two men different animals (elephant, lion, monkey, dog, turtle, cow, deer). In the clouds Minerva, Jupiter and Helios. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Haarlempublisher: Amsterdam paper engraving Prometheus stands next to the human figure that he himself created from Slijk and gives him the fire in the form of a torch. Every two men different animals (elephant, lion, monkey, dog, turtle, cow, deer). In the clouds Minerva, Jupiter and Helios. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Haarlempublisher: Amsterdam paper engraving

Lorenz Froelich (1820-1908), Revolutions, 1873

Francisco de Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799 El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)

Golden Age; September. Imagination of the Golden Age, the first era of the world, in which people lived in innocence and with the animals under the government of Saturn. On the left a river god on the back. In the background, two people make music, are two lions and the three gratients. On the right in the foreground a minne couple and a naked woman with an apple in her hand. Extremely left two boys, one of which is peeing, and a man who picks apples. The show has received the title of the month of September here because of picking the apples.

Saint Joris and De Draak, Master FVB, 1475 - 1500 print Joris on horseback with raised sword. Under him dragon with broken lance. Landscape in the background with wife and lamb. Low Countries paper engraving St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

Woodcut by Paul Gauguin titled 'The Carrier of Féi', created between 1898 and 1899 on fine Japanese paper, depicting a figure carrying goods with detailed composition.

Augsburg, Hertel, Johann Georg (I), Hueber, Vier werelddelen, Africa, Afrika, verso - stamped, Allegory of the continent Africa. In a landscape, on the right, an African woman with pearls and a feathered loincloth sits. She points to two African men with feather headdresses at shells and pearls on the ground. The man on the left wears a feathered loincloth and a bow. The man in the middle wears a cloak and a parasol. In the bottom margin, a two-line German and Latin text. Publisher number 7., print, ornamental print, prints, ornamental prints, height 309 mm, width 367 mm, print maker, printmaker, 1705 - 1775, paper, etching, etchings, Work conception, after design by, Publication (Event), Publication, 1695 - 1775, publisher

Amsterdam, Schenk, Leonard, Lairesse, Gerard de, unknown, Glauber, Johannes, Biblical, mythological and allegorical representations, Allegory of free trade: the Batavian lion, verso lower left - stamped, In the clouds the personification of Liberty, with a scepter and the liberty hat in her hand. She is surrounded by putti and Mercury. Below her the Batavian Lion, with sword in hand and the coat of arms of Amsterdam at her side. The print is after a ceiling painting by Gerard de Lairesse and is part of a series with biblical, mythological and allegorical representations., print, prints, height 298 mm, width 197 mm, 1646 - 1726, print maker, printmaker, 1672 - 1726, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1641 - 1711, after a design by, after, after a painting by, Publication (Event), Publication, 1696-02-26 - 1767-06-11, publisher

Destruction of the Egyptian army in the Red Sea, 1645 - 1646 print After the Israelites have reached the other side of the Red Sea, the water flows back from the Red Sea, drowning the Pharaoh and his army. The print is part of an album. paper letterpress printing Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible)

L'annonciation aux Bergers; Bisson Frères (French, active 1840 - 1864); Paris, France; 1858; Salted paper print; 26.2 x 22.2 cm (10 5,16 x 8 3,4 in.)

Aldegrever, Heinrich, Netherlands, Pyramus and Thisbe, Pyramus, lying on the ground with a sword in his chest. Next to him stands Thisbe, her hands raised in the air. Landscape with a walled city in the background., print, engraving, prints, engravings, diameter 234 mm, print maker, engraving maker, 1500 - 1600, 16th century, paper, papier, houtsnede, Duits, 1502 - 1561

This Clair-obscur woodcut by Antonio da Trento, produced between 1520 and 1550, depicts the goddess Diana. Two plates create depth and tonal contrast, highlighting Renaissance printmaking techniques.

Amsterdam, Roos, Cornelis Sebille (publisher), Kuyper, Jacques, Claessens, Lambertus Antonius, Alliance between the Dutch and French Republics, 1795, verso - stamped, An angel ties the arms of the Dutch and French Republics together to a tree., print, prints, height 240 mm, width 160 mm, Noord-Nederlands, 1763-11-21 - 1843-10-06, print maker, printmaker, 1795 - 1795, paper, papier, etching, etsen, stippelets, 1761-06-29 - 1808-06-01, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Nederlands, 1754-01-10 - 1820-01-31, publisher

Study of a Tree 1802 United States. Lithograph in black on cream wove paper . Raphael Lamar West

Hercules Killing the Lernean Hydra, from Scenes from the Life of Hercules. Gabriel Salmon; French, active 1504-1542. Date: 1523-1533. Dimensions: 197 × 147 mm (image/plate); 254 × 176 mm (sheet). Woodcut on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Nicolas Le Sueur (French, 1691 - 1764) after Paolo Farinati (Italian, 1524 - 1606). The Chariot of the Sun, ca. 1729-1742. Chiaroscuro woodcut printed from three blocks in light green, light brown, brown, and dark brown on laid paper. Image: 397 mm x 270 mm (15.63 in. x 10.63 in.).

Le voleur de poires (2nd plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Copper engraving by Jacopo de' Barbari depicting an old woman riding a triton, created at the end of the 15th century or beginning of the 16th century.

Polyphemus achtervolgt of vloot van Aeneas; This is blinded, hated graditurq the sea; Omzwervingen van Aeneas; L'Enea Vagante pitture Caracci.The the one-eyed giant Polyphemus chases the fleet of Aeneas. Numbered: 12.

Patience (Patientia) on a stone in the water, Cornelis Anthonisz., 1507 - 1553 print Patience (Patientia) on a stone in the water, foot leans on skull, cross in her hand. Her leg is on chain that Satan has stuck on her right side. On the other hand, a figure pulls her cloak. Engel comes flying in with a crown. In landscape in the background the beheading of John the Baptist and the martyrdom of Saint Laurentius. The word Christ, to be seen on the stone, is not printed here, but written with pen in two colors ink. paper pen Patience; 'Patienza' (Ripa). devil(s) and demons: Satan. St. Laurence is roasted on a gridiron. the beheading of John the Baptist

Bliżej Kultury unknown

St. John theBaptist. Engraver: Domenico Maria Bonaveri, Italian, 1653-1731 After: Antonio da Correggio, Italian, ca. 1489-1534

Jason and the Dragon Salvator Rosa (Italian, 1615-1673). Jason and the Dragon. Etching on laid paper, Image: 13 1/4 x 8 9/16 in. (33.7 x 21.7 cm). European Art

Emperor Ferdinand II on horseback (upper sheet). Emperor Ferdinand II is in Roman armor on a horse. He is wearing a laurel wreath. On the left is the winged personification of steadfastness with a horn of plenty in her hand. On the right integrity with the same attributes such as Justitia. Above them different putti with laurel branches, stone tablets and spell belts. In the middle of an eagle for Fortuna () And some other allegorical figures.

Archangel Michael. Pen and ink, brush and brown wash on paper. Date: 1813-18. Museum: Cooper Hewitt, Smithsonian Design Museum.

Allegory Against the Pelagian Heresy (Allégorie contre l'hérésy pélagienne et armoires). Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 9 7/8 x 13 3/8 in. (25.1 x 34 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Jonah is thrown overboard by the fishermen, Justus Sadeler (Possible), After Paul Bril, 1600 - 1620 print A coastal landscape with a heavy storm. In the foreground a boat with Jonah thrown overboard by the fishermen. A sea monster swims next to the boat and is about to swallow Jonah. The print has a Latin caption with the story of Jonah. Venice (possibly) paper engraving the sailors reluctantly throw the prophet Jonah into the sea. coast

Venus maakt Aeneas onsterfelijk; Aeneas Humitio flumine ablutus in Indigitem; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.Venus sprinkles her son Aeneas with ambro wide and makes the God indiges from him. Title in Latin in undermarge.

Pen and bistre drawing by Joseph Redel titled 'The Angelness,' with lavierte shading emphasizing figure and angelic attributes.

Augsburg, Hertel, Johann Georg (I), Hueber, Vier werelddelen, America, Amerika, verso - stamped, Allegory of the continent of America. In a landscape a native woman stands with a basket in the water. A native man wearing a loincloth with feathers on the bank reaches for the basket. A second native man with a quiver walks into a thatched hut on the right. On the left, between two trees, hangs a hammock. The man in the middle wears a cloak and a parasol. In the bottom margin a two-line German and Latin text. Publisher number 7., print, ornamental print, prints, ornamental prints, height 308 mm, width 365 mm, print maker, printmaker, 1705 - 1775, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Gustave Doré, The Legend of the Wandering Jew, 7: Now when fantastic visions..., 1856, wood engraving on wove paper.

The Temptation of St. Anthony, 1470 - 1475, Engravings, 12 5/16 x 9 1/8 in. (31.2 x 23.2 cm), Paper / Sheet 12 5/16 x 9 1/8 in. (31.2 x 23.2 cm), Cream laid gothic P with flowers

Pursuit of the Apocalyptic woman through the seven -member dragon, Jan Luyken, 1700 print A performance in a cartouche of leaves. The Apocalyptic woman is chased by the seven -member dragon and flies away. The dragon spits a stream of water that forms a river and tries to drown the woman. The earth splits open and prevents this. Under the cartouche on the Bible reference. 12:14. Amsterdam paper etching ornament ~ cartouche. the dragon persecutes the pregnant woman ~ Revelation of John

Fabul of the birds and the animals; Fables of Aesopus. The beasts fight against the birds and the two parties face each other. At the top left flies the bat. This always chooses the side of the strongest party depending on who is the winning hand. If the peace is closed, the bat to banish the darkness to banish this betrayal by both parties. Illustration of a Aesopus Fabul.

Battle of the Amazonen (detail), Lucas Vorsterman (I), after Peter Paul Rubens, 1623 print Antwerp paper engraving battle of Amazons; amazonomachy

Cain strikes Abel. Cain is about to kill Abel with a club. A smoke plume in the background.

Umbria Terni Narni S. Domenico83. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaiss

Budes, Count of Guébriant, Jean Baptiste.

2006.1040.96. Dalziels' Bible Gallery - Cain and Abel, 1863-70. Engraved boxwood block.. Designer: Lord Frederic Leighton. Engraver: Dalziel Brothers

Perseus en Andromeda, Bernard Picart (workshop of), after Bernard Picart, 1731 print Andromeda, the daughter of an Ethiopian king, is chained to a rock near the sea, as a sacrifice to a sea monster. Perseus fell in love with her and kills the monster. Amor relieves hair from the chains. In the margin the title in French, English, German and Dutch. The performance is decorated with an ornamental edge. Amsterdam paper etching / engraving Perseus frees Andromeda of her chains. scrollwork, strapwork ~ ornament

Trials /trails; Board No. 60 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Dresden, Holtzmann, Carl Friedrich, German warriors consult fortune teller Veleda, verso - stamped, Text in German in the bottom margin. The print is part of an album., print, picture, album page, prints, height 161 mm, width 104 mm, height 28 mm, 1740-04-04 - 1811-05-18, print maker, printmaker, 1750 - 1811, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

William Blake, The Vision of God, 1825 The Vision of God

Bliżej Kultury Winkler, Johann Christoph (1701 1770)

Blatt from, Another dance of dead, for revolution , Wolf Wolfragdruckerei, Printer, After, Eduard Ille -, Drawer, Emil Roller, Publisher

River gods and goddesses in landscape. A group of five river gods and goddesses are with pitchers in a mountain landscape. On the left in the background a rider on horseback. Right above a crowned cartouche with weapon with lion. Detail of a map covering, among other things, the Silesian area.

The selection of the book of Józef Poniatowski from Elstera; Charon, Louis François (1783-Post 1831), Martinet, Pierre (1781-18 ...); around 1820 (1815-00-00-1825-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Poniatowski, Józef ( 1763-1813), Poniatowski, Józef (1763-1813)-iconography, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864 -1917) -collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989) -collections

Joseph Haynes, 1760-1829, British, Winged Monster (no.10 of 10), 1780. Etching.

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