Mythological Battles and Interactions

Prints illustrating epic confrontations and mythological narratives, featuring figures like tritons and gods engaged in dramatic scenarios.

Italy, Raphael, Hercules and the Nemean Lion, verso - stamped, In a hilly landscape Hercules is fighting the Nemean Lion. On the right a second lion crawls into a cave and in the foreground lies Hercules' club., print, prent, prints, prenten, height 302 mm, width 418 mm, print maker, prentmaker, 1493 - 1493, 16th century, 16e eeuw, first quarter 17th century, eerste kwart 17e eeuw, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, houtsnede, Work conception, 1483-04-07 - 1520-04-07

Triton in fight with a sea monster, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print A triton, with a naked boy on his back, in fight with a sea monster. Print is part of an album. paper etching / engraving triton(s). monsters of the sea

Creation of Adam, Gaspare Ruina, after Girolamo Grandi, after Michelangelo, c. 1530 - 1548 print God the Father stretches his arm towards the naked Adam to bring him to life. Print Maker: ItalyaFter Painting by: Vatican City paper. ink pen the man (Adam) comes to life: usually God reaches out his hand or breathes life into his nostrils

Apollo kills the giant hose Python; Ovidius' metamorphoses. Apollo kills the giant hose Python with many arrows (here more like a dragon, with legs). Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series.

Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian Design for a horizontal panel filled with a meandering acanthus rinceau. On the right side a male figure with a shield, whose lower body consists of acanthus leaves, attacks a lion (depicted in the center). Below them, there is a fantastical creature with the body of a snake and a llama-like head.. Horizontal Panel Design with a Male Figure and a Lion Interspersed between Acanthus Rinceaux 410857

Hercules and Deianira, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Hercules and Deianira, from 'Game of Mythology' (Jeu de la Mythologie) 376762

Landscape with two geese defend their young, print maker: Jan Griffier I, Francis Barlow, Edward Cooper, 1655 - 1718.

Italy, Raphael, Hercules and the Nemean Lion, verso - stamped, In a hilly landscape Hercules is fighting the Nemean Lion. On the right a second lion crawls into a cave and in the foreground lies Hercules' club., print, prent, prints, prenten, height 302 mm, width 418 mm, print maker, prentmaker, 1493 - 1493, 16th century, 16e eeuw, first quarter 17th century, eerste kwart 17e eeuw, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, houtsnede, Work conception, 1483-04-07 - 1520-04-07

Frieze with Neptune and Tritons. Artist: Girolamo Mocetto (Italian, ca. 1470-1531). Dimensions: Sheet: 4 9/16 × 12 11/16 in. (11.6 × 32.3 cm). Date: ca. 1500-1530. Museum: Metropolitan Museum of Art, New York, USA.

Plate 15: Rivers and goddesses, with floating islands guided by pole bearers, female figures seated on a dolphin and a tortoise, and three female musicians seated on a floating scallop shell , from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 1664 Anonymous. Plate 15: Rivers and goddesses, with floating islands guided by pole bearers, female figures seated on a dolphin and a tortoise, and three female musicians seated on a floating scallop shell , from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 412669

De Grote Rots, Jacques Callot, 1622 - 1628 print A large rock in the sea, with a castle or city on it and a nest from which some eagles fly up, each wearing a coat of arms around the neck. Around these eagles a banderole with a Latin spell. Under this performance, in the margin, the coat of arms of Charles-Joseph de Tornielle, the count of Brionne. Nancy paper etching rocks. island. predatory birds: eagle. armorial bearing, heraldry

Hercules kills the dragon ladon; Hesperidum Mala Fert Aurea; Herculean themes. Hercules stands with a tense bow for the dragon ladon, the guard of the tree of the Hesperides.

Kadmus slays the dragon, Kadmos is the son of the Phoenician king Agenor of Tyros in Greek mythology, Historical, digitally restored reproduction of an original from the period.

Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian Design for a horizontal panel with a meandering rinceau. In the upper left corner two hybrid creatures with human faces have been placed. The one on the left has wings for arms and wears a feathered head. The one on the right looks like a sphinx and his lower body morphs into a tail of acanthus leaves.. Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux 410906

The men of Cadmus are killed by the dragon guarding the water source, Companions of Cadmus devoured by a dragon Metamorphoses of Ovid (series title), print maker: Robert de Baudous, (mentioned on object), Hendrick Goltzius, (mentioned on object), G. Rijckius, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1591 - 1659, paper, engraving, h 178 mm × w 255 mm

Jonah Cast on Shore by the Fish. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553-1619 Antwerp); Antonius Wierix, II (Netherlandish, Antwerp 1555/59-1604 Antwerp). Dimensions: Sheet: 7 1/2 × 9 13/16 in. (19.1 × 25 cm). Date: ca. 1585. Museum: Metropolitan Museum of Art, New York, USA. Author: After Maerten de Vos. Hieronymus (Jerome) Wierix. Antonius Wierix, II.

The death of semele; Metamorphoses from Ovid. Jupiter has just loved semele so that they will change in ashes. In his arms he holds their son Bacchus who could still be saved. On the left in the background the Jealean Juno puts in the form of Beer Jupiter to lose semele. In the margin a four-line caption, in two columns, in Latin.

Amsterdam, Fokke, Simon, Roman general with horse and cart, verso - stamped, A Roman general stands with a whip in his hand on a cart drawn by four horses. To the left and right of the image are texts in Latin., print, prints, height 52 mm, width 86 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of the Hedgehog and the Snake, A hedgehog asks a snake if he can use his hole in the winter. The fable describes how the hedgehog's spines disturb the snake's hibernation. From The Moral of the Story one learns to be careful with charity., print, book illustration, prints, height 96 mm, width 112 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Hercules and the Nemean Lion. Antonio Tempesta (Italy, Florence, 1555-1630)Nicolo Van Aelst (Flanders, 1527-1612). Italy, 1608. Prints; etchings. Etching

Various species of seafood, third part, sea needle (Robert-Dumesnil 446, Bartsch 32) Albert Flamen (1620-1674). Various species of sea fish. Third part: the sea needle (Robert-Dumesnil 446, Bartsch 32). Floor, 17th century.

Amsterdam, Visscher, Nicolaes (I), unknown, Antwerp, Collaert, Adriaen, Animalivm Qvaddrvpedvm, Four-legged animals, Lions and leopard, verso center bottom - stamped, Two lions and a leopard in the foreground. A cave in the background. The print is part of a series with animals as subject., print, prints, height 128 mm, width 197 mm, Work conception, Southern Netherlands (before 1775), 1560 - 1618-06-29, after a design by, 1628 - 1679, paper, papier, engraving, engraving (printing process), etching, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1618-01-25 - 1679, publisher

Triton and sea dragon; Histoire Metallique de la République de Hollande. Two images among each other, top of Triton blowing on a shell. From series vignettes with sea uts and allegories, as a illustration used in the book Histoire Metallique de la République de Hollande of P. Bizot.

Draws killed in Egypt; Hunting scenes; VENATIONES FERARUM, AUIUMENT, PISCIUM PVGNAE BESTIARIORUM. Egyptians kill dragons by luring the animals on a sheet on which a spell is written. The beasts immediately fall asleep and the hunters then beheaded them. In the background on the left, one of the dragons falls on an elephant. The print has a Latin caption and is part of a series about yacht scenes.

The Great Rock. Dated: 1623. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Apollo kills the dragon that attacks Orpheus, Antonio Tempesta, 1606 - 1638 print The dragon, who wants to attack the head of Orpheus, is changed to stone by Apollo. Title in Latin in STUDMARGE. The 100 in the corner at the bottom left is scratched away and replaced by a 100 written in pen. paper etching a snake is turned into stone by Apollo as it attacks Orpheus' severed head washed ashore (Ovid, Metamorphoses XI 58)

Paris, Firens, Pierre, Bolten, Arent van, Series of Grotesque Figures, Grotesque figures surrounded by a frame line, Two monsters with three masks above them, No. 5 from a series of 7 sheets., print, ornamental print, prints, ornamental prints, height 152 mm, width 202 mm, print maker, printmaker, 1604 - 1616, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1573 - 1633, after a design by, Publication (Event), Publication, Southern Netherlands, French, 1580 - 1638-12-24, publisher

Italy, Tempesta, Antonio, Northern Netherlands, Frisius, Simon, Herculean themes, Hesperidum mala fert aurea, Hercules slays the dragon Ladon, verso - stamped, Hercules stands with a tensed bow before the dragon Ladon, the guardian of the tree of the Hesperides., print, prent, prints, height 97 mm, width 143 mm, 1575 - 1628, print maker, printmaker, 1610 - 1664, paper, papier, etching, etchings, Work conception, Italian, 1555 - 1630-08-05

Print, Cupid with Veil; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); Print Maker: Augustin de Saint-Aubin (French, 1736 - 1807); France; etching on paper; 1919-10-9

Jacques Callot (French, 1592 - 1635). Entree de MM. de Vroncourt, Tyllon et Marimon, 17th century. From Le Combat à la Barriere. Etching. First of two states.

Shepherd at a slanting tree, Esaias van de Velde, 1613 print A shepherd walks with his sheep along a tree with a curved trunk. The style of this landscape differs greatly from the other small landscapes in this series of prints. It seems that Van de Velde has tried different types of lines that are sometimes related to an engraving. Haarlem paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. trees

Depicts a naked woman reclining on a fur, created as a copper engraving by Agostino Veneziano between 1510 and 1520, showing figure, body, and drapery details.

Germany, Fürst, Paul, Maglioli, Giovanni Andrea, Fuchs, Adam, Frisians with sea monsters, Winged seal looking back, Opposite copy after print with object number RP-P-1984-442., print, ornament print, prints, ornament prints, height 54 mm, width 100 mm, - 1606-09-30, print maker, 1526 - 1606, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, after a design by, Publication (Event), Publication, German, 1605 - 1666, publisher

Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm)Plate: 4 15/16 × 6 5/8 in. (12.5 × 16.9 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Date: ca. 1515-27.Rectangular plate with oval shaped image. Museum: Metropolitan Museum of Art, New York, USA.

Cadmus kills De Draak, Antonio Tempesta, 1606 - 1638 print Cadmus kills the dragon who attacked his men. Title in Latin in STUDMARGE. paper etching Cadmus slays the dragon

Scylla en Glaucus; Deus marinus effectus Glaucus Scyllae nuptias ambit; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.The Zeenimf Scylla sits for glaucus, with beard and winding fish tail. Glaucus was a fisherman that turned into a sea-centaur after eating toxes in a sea-centaur and fell in love with SCYLLA. Title in Latin in undermarge.

Hercules worstelt met Acheloüs.Hercules in battle with the Achelous river god to Deeanira, the daughter of the river god oeneus. Acheloüs has adopted the form of a serpent. In the background on the left a group of nymphs, putti and marine beings.

FABEL VAN de Fenis, Aegidius Sameler (I), after Marcus Ggoerts (I), print A burning phoenix in a nest. The fable tells how the phoenix flies at the end of his life and then rise from his axis. The moral of the story shows that honorable people can be compared to the phoenix. Their actions inspire others to take the same virtuous path. Prague paper etching / engraving / letterpress printing fables. (story of) Phoenix

Two winged putti riding parallel on dolphins above the water surface, an oval composition ca. 1550-87 Adamo (Ghisi) Scultori Italian. Two winged putti riding parallel on dolphins above the water surface, an oval composition 398180

De Blauwe Schuit, Pieter van der Heyden, After Jheronimus Bosch, 1559 print The boat with the inscription "Bie Blau Schuyte" has a Speelman as Punterman with a string instrument on his back and a jug on the head. There are six more figures in the boat, including a lying fat man with a songbook and two women. Under the show a four -line verse in Dutch in two columns, referring to drinks, dissolute and corruption. Antwerp paper engraving ship of fools

The flight of the Congress , Politics & government, International relations, Animals, Chasing, United States, History, Revolution, 1775-1783, Howe, William Howe, Viscount, 1729-1814, Washington, George, 1732-1799, Hancock, John, 1737-1793, Laurens, Henry, 1724-1792

Centaur Embracing a Satyress 1727-1804 Giovanni Domenico Tiepolo Italian. Centaur Embracing a Satyress 339423

Venus makes Aeneas immortal, Antonio Tempesta, 1606 print Venus sprinkles her son Aeneas with ambrosis and thus makes him the God Indiges. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching (story of) Aeneas. Venus sprinkles and anoints Aeneas' body with perfume and ambrosia

Dismemberment, etc.. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The personification of Justitia sits, with her attributes sword and balance, on a rearing horse, throwing her off his back. She falls to the ground. The horse has a globe on his head. The example for this print is part of a series of four in which the world without self-control is treated as a theme. Emblem no. 2 from Emblemata Saecularia, 1611, Justitia falls from a rearing horse IN PEIUS RECIDUNT ET RETRO CUNCTA FERUNTUR, Emblemata saecularia, 1611 (series title)., print maker: Johann Theodor de Bry, Dirck Volckertsz. Coornhert, Maarten van Heemskerck, Oppenheim, 1611, paper, engraving, h 94 mm × w 105 mm

Wildeman op een eenhoorn; pendant van RP-P-OB-914, cat. nr. 51.Wildeman moving on a unicorn, his body with leaves covered and a crown of branches on his head.

Print, Frieze; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 8.1 × 23.4 cm (3 3/16 × 9 3/16 in.)

Scylla en gray, Antonio Tempesta, 1606 print The Zeenimf Scylla is in front of Glaucus, with beard and winding fish tail. Glaucus was a fisherman who turned into a sea-centaur after eating magic herbs and fell in love with Scylla. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching Scylla fleeing from Glaucus. (story of) Scylla. (story of) Glaucus, the fisherman, who was made a sea-god

Wereld creation, Etienne Delaune (Possible copy after), in Works Council after 1569 print France paper engraving the six days of creation (Genesis 1:3-25)

Drie hagedissen; Lucryta / Lucitta; Dien en fabelwezens; New collection of the cooks of the curious deli ..

Sleeping peddler robbed by monkeys, Pieter van der Borcht I, Pieter Brueghel I, after 1562-1608.

Putto with a trident, driving on a sea horse, c. 1526 - 1606 print Passionate copy to a print by Giovanni Andrea Maglioli. Germany (possibly) paper engraving

France, French crown, Delaune, Etienne, Histoire de la Genèse, Jacob lifts the stone from the well, verso - stamped, Rachel brings her father Laban's sheep to the well. Jacob lifts the stone from the opening, so that the sheep can drink., print, prent, prints, prenten, height 71 mm, width 106 mm, French, 1519 - 1583, print maker, prentmaker, 1569 - 1569, paper, papier, engraving, engraving (printing process), stipple work, granter of privilege

The set of the bears. Untitled plate 14 prints, etchings, works on paper

Centaur Embracing a Satyress. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7-9/16 x 10-13/16 in. (19.2 x 27.4 cm). Date: 1727-1804. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Collaert, Adriaen, Piscivm vivae icones, Fish, Four fish on the beach, verso bottom center - stamped, A ray, a sea lamprey, a flying fish and an unknown fish lie washed up on the beach together with some shells. In the background a sea with some ships. The print is part of a series with fish as subject., print, prints, height 122 mm, width 183 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1598 - 1618, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Title page for the Europische Mercurius of 1736, 1736 print Title page for the Europische Mercurius, for the year 1736. The peace sitting by a cannon, in the air, fame, in the background a war scene. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

The Hague, Hondius, Hendrick (I), Gerards, Marcus (II), Northern Netherlands, Frisius, Simon, Birds and insects, Swans, verso lower left - stamped, Some swans on the waterfront., print, prints, height 68 mm, width 21 mm, 1575 - 1628, print maker, printmaker, 1609 - 1610, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Print from a series of 48 prints, divided into four separate parts of twelve prints each. Stated at lower right: part 1. At top and bottom a text in Latin, Animals, plants and fruits around a crab Insects, flowers and fruits (series title) Archetypa studiaque patris GeorgiI HoefnageliI (series title), print maker: Jacob Hoefnagel, Joris Hoefnagel, publisher: Christoph Weigel, (possibly), print maker: Frankfurt, publisher: Neurenberg, 1592 and/or 1693 - 1726, paper, engraving, h 155 mm × w 212 mm

Where the Carcase is, there will ... the Birds of Prey be gathered, Henry Heath, active 1824-1835, British, 1827, Etching

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of the Phoenix, A burning phoenix in a nest. The fable tells how the phoenix catches fire at the end of its life and then rises from its ashes. The moral of the story teaches that honorable people can be compared to the phoenix. Their deeds inspire others to follow the same virtuous path., print, book illustration, prints, height 96 mm, width 112 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

The Seven Deadly Sins: Anger. Pieter Bruegel (Flemish, 1527/8-1569). Etching;

Wapentrofee with flags ..

Wild fig tree from the island of Maio (Cape Verde islands) and Aloe's, 1596-1597. Wild fig tree from the island of Maio (Cape Verde islands) and Aloe's, 1596-1597. Printing the worked plates for the original illustrations in the travelogue of the first ship vaiert of Cornelis de Houtman to the East Indies in 1595-1597. No 38a.

Cortus, LeChabot. Artist: Albert Flamen, French, ca.1620-after 1693

Decorated Roman alphabet Johann David Nessenthaler German Publisher Martin Engelbrecht German 1755

Print, Escutcheon, No 18 from "Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy; etching on paper; verso: black chalk; 13.8 × 19.6 cm (5 7/16 × 7 11/16 in.)

Jacob wrestling with the angel. Draughtsman: Gerard ter Borch (I). Dating: 1617 - 1619. Place: Zwolle. Measurements: h 100 mm × w 87 mm. Museum: Rijksmuseum, Amsterdam.

Lying oval with putto, 1573 - 1610 print A putto with a branch in hand on a sea dragon. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

A village scene with fish on the grass along the river in the foreground. In the background a bridge over the water., Alvers on a riverbank Alburnus. Ables ou Ablettes. (title on object) Fishes and other marine animals - freshwater second series (series title) Seconde partie de Poissons d'eau douce (series title), print maker: Albert Flamen, (mentioned on object), Albert Flamen, publisher: Jacques van Merlen, print maker: Paris, Paris, publisher: Paris, France, 1664, paper, etching, h 103 mm × w 177 mm

Ceres orders the punishment of Erysichthon; Ceres Ad Famem Nympham in Erisichtonis Poenam Amandat; Metamorphoseon Sive Transformationum; Metamorphoses from Ovid. A nymph in the car from Ceres is sent by Ceres to Erysichthon to penalize him. Title in Latin in undermarge.

Hercules and the Hind of Mount Cerynea. Antonio Tempesta (Italy, Florence, 1555-1630)Nicolo Van Aelst (Flanders, 1527-1612). Italy, 1608. Prints; etchings. Etching

Sargass Sowier and Thrombas, 1597, 1646 print Sargassomier and Trombas, two types of seaweed encountered on the return trip in 1597 near Kaap de Goede Hoop. The four ships sailing off the coast, two birds in the air. Printing the worked plates for the original illustrations in the travelogue of the first Schipvaert from Cornelis de Houtman to the East Indies in 1595-1597. No. 43. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. algae, seaweed Cape of Good Hope

Jonah and the Whale Artist Unknown

Four fish on the beach; Fishing; PISCIVM VIVAE ICONES. A grondel, a burr, a sturdy and a herring are together with some shells washed up on the beach. In the background the sea with a few ships. The print is part of a series of fish as subject.

Italy, Maglioli, Giovanni Andrea, Rome, Frisians with sea monsters, Two sea creatures side by side, The front sea creature is winged and has a goat's head. From a series of 13 sheets., print, ornamental print, prints, ornamental prints, height 54 mm, width 108 mm, Italian, print maker, printmaker, 1580 - 1610, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

'20,000 LIEUES SOUS LES MERS' 20 000 leagues under the sea The squid claims a victim Date: 1870

Elephant, 1663, Wenceslaus Hollar, Bohemian (active in London and Antwerp), Bohemian (active in London and Antwerp), 1607-1677, 6 1/2 x 10 1/2 in. (16.51 x 26.67 cm) (sheet), Etching and engraving, England, 17th century

This ox, so big and fat he is, / will soon not go wrong by Slagters byl, / fed with grass and hay, / despite his fair, 1715 - 1813 print Leaf with a large representation of a guild-os (also called Kermisos or Priceos), decorated with floral wreaths. Under the show a eight -line verse in two columns. Numbered at the top right: No. 47. print maker: Netherlandspublisher: Amsterdam paper letterpress printing prize-ox

Teluy who wants to take the cranes flying (IFF 140) (registered title) | Joyful and pleasant proverbs. Book II. (IFF 30-272) (Title of the whole)

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Draconem velleris excubitorem sopit Iason, Jason puts the dragon to sleep, verso - stamped, Jason pours a potion into the dragon's eyes. The potion puts the dragon to sleep. Title in Latin in the bottom margin., print, prent, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publicatie, Zuid-Nederlands, 1570 - 1634-08-09, publisher

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. Three rounds with Latin legend. First issue of a suite of 34 pieces. (A. de Vesme 952-957. Incomplete; Dutuit manuscript, Italian school, page 83. n ° 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Entry of Mm. de Vroncourt, Tyllon, and Marimont. Dated: 1627. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), hunting for different animals. Ostrich hunting. First issue of a sequel to 9 rooms. (A. de Vesme 732; Dutuit 180) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Medieval war engines: a wheeled machine with human face designed to break up enemy ranks and crush soldiers, and an espringale catapult, a dragon-like machine to shoot darts and aid in approaching a beseiged town. The rolling machine from Vegetius lArt Militaire, 1532, and the Espringale from Roberto Valturios La Discipline militaire, 1555. Woodcut by Etienne Huyot and Jules Huyot from Paul Lacroixs La Vie Militaire et Religieuse au Moyen Age et a lEpoque de la Renaissance, Military and Religious Life in the Middle Ages and the Renaissance, Paris, 1873.

Copper engraving by Marco Dente from 1510-1527 depicting a satyr with Aries, showing mythological and celestial themes.

Wood art depicting ***** idea of flying like a bird. February 18, 1939.

(from: Ex veteri hypocausto reperto. Tre Tavole di diversi animali pigliate da pitture antiche). 1501 - 1600. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Amsterdam, Fokke, Simon, Illustrations for fable stories by Phaedrus, Twelve fable illustrations, verso - stamped, Uncut sheet with twelve fable illustrations. These fables belong to the Aesopian fables by the Latin poet Phaedrus. Above the illustrations numbered IV to X is stated: Fifth Book. Above the illustrations I to V: Appendix, print, book illustration, prints, height 165 mm, width 247 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1769 - 1769, paper, papier, etching, etchings

Elephant and Camel. Artist: After Francis Barlow (British, Lincolnshire ca. 1626-1704 London). Dimensions: 14.3 x 20.7 cm.cut within platemark. Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 17th century (). Museum: Metropolitan Museum of Art, New York, USA.

Rome, Paluzzi, Giovanni Marco, Italy, Raphael, Dente, Marco, Venus and Amor on dolphins, verso - stamped, Venus and Amor are sitting on the backs of two dolphins. Amor has an arrow in his hand. Above in the clouds two wind gods., print, prent, prints, height 260 mm, width 176 mm, Italian, 1486 - 1527, print maker, printmaker, 1600 - 1610, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, publisher, uitgever

The Triumph of Virtues: Justice, Peace and Abundance last quarter 16th century Netherlandish. The Triumph of Virtues: Justice, Peace and Abundance 207639

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with the sun that expires the clouds, above a landscape with animals on land, in the water and in the sky. Inscription: 'Post Nubila Phoëbus / Pax Facit Omnia Laeta'. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities). animals. sun represented as face, wheel, etc.. clouds

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Deorum dearumqe opem implorat Medea, Medea conjures up her chariot, verso - stamped, which is drawn by two dragons. Title in Latin in the lower margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

Companions of cadmus devoured by a dragon; Draco Martius Cadmi Socios Depascit; Metamorphoseon Sive Transformationum; Metamorphoses from Ovid. The men of Cadmus are killed by the dragon that guards the water source. Title in Latin in undermarge.

Germany, Fürst, Paul, Maglioli, Giovanni Andrea, Fuchs, Adam, Frisians with sea monsters, Winged sea bull with a goatee, Reverse copy after print with object number RP-P-1984-439., print, ornamental print, prints, ornamental prints, height 56 mm, width 106 mm, - 1606-09-30, print maker, printmaker, 1526 - 1606, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, after a design by, Publication (Event), Publication, German, 1605 - 1666, publisher

Amor at a beehive; Love emblems. Amor flies with arrow and bow above a beehive from which branches with foliage grow. He has directed his arrow on a fell couple to the right of the Bijenkorf. On the left is a figure, seen on the back, only in the field. The print is part of a series of prints with love emblems.

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Planetarum effectus et eorum in signis zodiaci, The seven planets, The planet Saturn and its influence on the world, verso lower left - stamped, The god Saturn with a scythe in his hand. He rides in a triumphal chariot, which is pulled by two dragons. On the cart a small child. Top left the constellation Capricorn, right Aquarius. At the bottom a hilly landscape with cities. In the foreground people are mining and a castle is being built. In the margin a Latin ode to the influence of the planet Saturn on the mountainous areas of Europe. The print is part of a seven-part series on the subject of the influence of the planets on the world., print, prints, height 238 mm, width 246 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

William Blake, The Circle of the Lustful Paolo and Francesca, 1827 The Circle of the Lustful: Paolo and Francesca

Triumphwagen from Emperor Maximilian I, Hans Guldenmund, After Albrecht Dürer, 1545 print The large triumphal car in honor of Emperor Maximilian I at his death on January 12, 1519. Sixth leaf with the fourth span horses with acrimonia and virilitas. print maker: Germanypublisher: Antwerp paper letterpress printing chariot, triumphal car

At the left end of the frieze is a tree. In the center, a large bird bites a smaller one's neck. Number 8 from series of 12 numbered sheets, frieze with fourteen birds Viel und mancherley Gefgel den Malern und Goltsmiden dienlich (series title), print maker: Pieter Serwouters, (mentioned on object), Hans Collaert (I), Marcus Geeraerts, Netherlands, (possibly), c. 1607, paper, engraving, h 46 mm - w 194 mm

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