Mythological Biblical Scenes

Grand Baroque paintings illustrating mythological and biblical narratives, featuring dramatic poses, rich textures, and emotive expressions in historical settings.

Paolo Veronese / Abraham sacrificing Isa

EL AQUELARRE - OLEO/LIENZO - 79,5X63 cm. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

The Wedding at Cana, painted 1562-63 (portraits include Francis I of France, Mary of England, Charles V, and, as musicians, Titian, himself, his brother Benedetto, Tintoretto, Jacopo Bassano and Palladio) (photographed before restoration)

Going onboard the ark, 17th century, Flemish painting, copper.

Apotheosis of Venice, by Paolo Veronese (1528-1588), fresco. Detail. Sala del Maggior Consiglio (Hall of the Great Council), Palazzo Ducale, Venice.

The Deposition or, Descent from the Cross by Rogier van der Weyden, oil on oak panel, circa 1435, Spain, Madrid, Museo Nacional del Prado Museum

The death of Cato by Assereto, Gioacchino (1600-1649) / Musei di Strada Nuova, Genoa / c. 1640 / Italy, School of Genoa / Oil on canvas / Mythology, Allegory and Literature / 203x279

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Grünewald, Matthias (1480/1483 1528)

Julius Caesar. Painting entitled "Caesar Giving Cleopatra the Throne of Egypt" by Pietro da Cortona (Pietro Berrettini: 1596-1669), oil on canvas, c.1637

Three Miracles of Saint Zenobius. Artist: Botticelli (Alessandro di Mariano Filipepi) (Italian, Florence 1444/45-1510 Florence). Dimensions: 26 1/2 x 59 1/4 in. (67.3 x 150.5 cm). Date: 1500-1510.The picture dates about 1500 and is painted in the somewhat harsh style Botticelli evolved during the years Florence was under the sway of the reforming preacher Savonarola. It belongs to a series of four panels illustrating the life of the fifth-century bishop of Florence, all of which are notable for their architectural settings. At left, Zenobius meets a funeral procession and restores a dead youth to life. At center, he raises a man who was killed while bringing relics (in the casket) from Saint Ambrose. At right, Saint Eugenius receives water and salt blessed by Zenobius and then hastens across the square to revive a dead relative. For more information about this painting, including the possible function and patron, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

1615 Naples 1673 Rome. (Salvator Rosa; Pythagoras and the Fishermen. 1662)

LA RENDICION DE SEVILLA - SIGLO XVIII. Author: JOSEPH FLIPART CHARLES (1721-1797). Location: SALESAS REALES. MADRID. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY).

Abraham's Sacrifice of Isaac (1654-56), painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

THE DEATH - 17th CENTURY - BAROQUE SPANISH. Author: ANTONIO ARIAS FERNANDEZ (1614-1684). Location: COLEGIO DEL CARDENAL. MONFORTE DE LEMOS. LUGO. SPAIN.

Vladimir and Rogneda, 1770. Oil on canvas. Anton Losenko (17371773) Russian neoclassical painter. Rogneda of Polosk (962-1002) taken by force by Vladimir of Novgorod (c958-1015) after attacking Polosk and killing her father.

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). The Adoration of the Shepherds. 1603 - 1605. Mannerism art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Raphael / Lo Sposalizio (Detail)

The Last Supper, by Paolo Caliari known as Veronese (1528-1588). Oil on canvas. Detail.

The Resurrection, Piero della Francesca (ca 1415-1492)

The Tribute Money by Valentin de Boullogne (1591-1632) / Musee de l'Histoire de France, Chateau de Versailles / ca 1624 / France / Oil on canvas / Bible / 111x154 / Baroque

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Allegory of the Holy Alliance, work of a Venetian painter, 17th Century.

Correggio (Copy) / 'The Agony in the Garden', Before 1712, Italian School, Panel, 42 cm x 42 cm, P00113. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

Przeszo Przyszoci Jordaens, Jacob (1593 1678)

The Conference of the Gauls at Reims, Otto van Veen, 1600 - 1613 painting The meeting of the Gauls in Reims. In a room a group of men talks to each other. Eighth performance in a series of twelve scenes of the uprising of the Batavians against the Romans (SK-A-421/432), purchased by the States General in 1613. panel. oil paint (paint) political meeting, propaganda meeting Binnenhof. Reims

DETALLES DEL CUADRO "LA INMACULADA CONCEPCION". AUTOR: DOMENIKOS THEOTHOKOPOULOS, EL GRECO. EN EL MUSEO DE SANTA CRUZ, Nº INVENTARIO 1277. (1608-1613, OLEO SOBRE LIENZO, DEPOSITO DE LA PARROQUIA DE SAN NICOLAS DE BARI, TOLEDO).

Tribute to Caesar, Manfredi, Bartolomeo, 1610.

The Incredulity of Saint Thomas by Guercino (1591-1666)/ National Gallery, London/ 1621/ Italy, Bolognese School/ Oil on canvas/ Baroque/ 115x142/ Bible

Joseph Anton Koch (1768-1839). Austrian painter of Neoclassicism and later the German Romantic movement. Heroic lanscape with rainbow, 1824. Oil on canvas. Detail. Metropolitan Museum of Art. Ny. Usa. Author: Joseph Anton Kock.

Esther before Ahasuerus, Van den Hoecke, Gaspar (ca 1585-after 1648)

Saints Peter, Martha, Mary Magdalen, and Leonard ca. 1515 Correggio (Antonio Allegri) Italian Three saints, each lost in his or her own thoughts, are shown before a dark forest grove, illuminated by a soft light. Commissioned for a church in the painters hometown of Correggio, the four saints were chosen by the patron, Melchiore Fassi. Correggio was one of the most original painters of the Renaissance, and in this early picture he explored ideas put into circulation by Leonardo da Vinci, seeking a haunting ambiguity of expression and a soft, enveloping light.. Saints Peter, Martha, Mary Magdalen, and Leonard. Correggio (Antonio Allegri) (Italian, Correggio, active by 1514-died 1534 Correggio). ca. 1515. Oil on canvas. Paintings

Jakub's meeting with Esau; Franck, Hans Ulrich (ca. 1590/1603-1675); 1660 (1660-00-00-1660-00-00);Foreign painting

Isenheim Altarpiece by Matthias Grünewald, Unterlinden Museum, Musée Unterlinden, Colmar, Haut-Rhin Department, Alsace, France

Unterlinden Museum. Jesus pulls Adam and Eve out of their graves at resurrection. Oil on wood panel. Martin Schongauer. Late 15 th century. Colmar. France. Colmar. France.

Juan Correa de Vivar / 'The Agony in the Garden', ca. 1535, Spanish School, Panel, 219 cm x 78 cm, P00688. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Antonio Gisbert Pérez / 'The Comuneros Padilla, Bravo and Maldonado on the Scaffold (replica)'. 1862. Oil on canvas. Museum: Museo del Prado, Madrid, España.

'School in Athens (copy)'. Italy, 17th century. Dimensions: 99x133 cm. Museum: State Hermitage, St. Petersburg. Author: Raffaello Santi (Raffaello) (after). CHARLES LE BRUN.

The Batavians Surround the Romans at Vetera, Otto van Veen, 1600 - 1613 painting The Batavians lock the Romans at Vetera. In the foreground, an injured soldier is cared for and another warrior says goodbye to his family. Fifth performance in a series of twelve scenes of the uprising of the Batavians against the Romans (SK-A-421/432), purchased by the States General in 1613. panel. oil paint (paint) siege Courtyard

Apelles intent to portray Campaspe, in the presence of Alexander the Great (Apelle intento a ritrarre Campaspe, alla presenza di Alessandro Magno), by Giovanni Demin, 1821-1822, 19th Century, fresco

FETTI, Domenico (1588-1623). Flight to Egypt(Fuga in Egitto). 1621 - 1623. Baroque art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Madonna and Child with Saints (Montefeltro Altarpiece) (Pala Montefeltro o Pala di Brera o Pala di San Bernardino), by Pietro di Benedetto dei Franceschi known as Piero della Francesca, 1472 - 1474, 15th Century, oil and tempera on board, 248 x 170 cm

Triptych of Saint James the minor and Saint Philip. Oil on oak wood by Pieter Coecke Van Aelst, C. 1527-1531. Museo de Arte Sacra, Funchal.

Giovanni di Stefano Lanfranco / 'Roman Naumachia', ca. 1635, Italian School, Oil on canvas, 181 cm x 362 cm, P00235. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Raphael, Raffaello Santi or Sanzio, called (Urbino, 1483-Rome, 1520). Italian painter. Liberation of St. Peter (1512-1514). Detail. Work commissioned by Pope Julius II in 1508 to decorate their new rooms. Stanze di Raffaello. Vatican.

D.Beccafumi / Deucalion & Pyrrha /c.1520

Luca Giordano / 'The Song of the Prophetess', ca. 1687, Italian School, Oil on copper, 58 cm x 84 cm, P00159. Museum: MUSEO DEL PRADO, MADRID, SPAIN. MARIA LA JUDIA.

Absalom propitiating friends (2 Samuel 15:2-5). Wierix, Johannes (1549- ca 1620), author of a model, nieznany malarz niderlandzki, painter

Saints Maximus and Oswald, by Giovanni Battista Tiepolo, circa 1745, National Gallery, London, England, UK, GB, Europe

El Greco / 'The Dream of Philip II', 1577, Oil on canvas, 140 × 110 cm. Museum: Real Monasterio de San Lorenzo de El Escorial, MADRID, SPAIN. PHILIP II OF SPAIN.

Stucco work and ceiling fresco by Cosmas Damian Asam, St Martin's Basilica in Weingarten, Ravensburg district, Baden-Wuerttemberg, Germany, Europe

Scene from fable, by Giovanni Andrea Donducci known as Mastelletta (1575-1655), oil on canvas, 154x111 cm.

STO DOMINGO DE GUZMAN CONFORTADO. Author: GUTIERREZ JUAN SIMON. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD, SEVILLE, SPAIN.

Hermitage Museum. The Loggia Of Raphael. Isaac'S Sacrifice Saint Petersburg. Russia.

Histories of Alexander, by Francesco de Mura (1696-1784), painting, Royal Palace, Turin, Italy.

The Pilgrims of Emmaus by Louis Le Nain, (1593-1648), France, Paris, Musee du Louvre

The Death of the Virgin 1485 Bartolomeo Vivarini Italian The Virgin is shown dead, surrounded by the apostles, and received into heaven by her son Christ. Saints Lawrence and Stephen stand to either side. The landscape is barren on the left, green on the right, contrasting death to life. Painted in 1484 for the Certosa at Padua, the work had a frame decorated at the top with a carved figure of Saint Michael. From a successful family of painters in Murano, Bartolomeo Vivarini offered Venetian clients a more conservative style than that of Bellinione influenced by the linearity of Mantegna.. The Death of the Virgin 437912

St George and the Dragon, by Crespi Giovan Battista known as Cerano, 1605 - 1610, 17th Century, oil on panel. Italy: Lombardy: Milan: Brera Art Gallery. Detail. Detail half-length figure face St George helmet sword reins horse

'Allegory of Chance'. Flanders, 1627. Dimensions: 151x181 cm. Museum: State Hermitage, St. Petersburg. Author: FRANS FRANCKEN II.

The Vision of a Knight, by Raffaello Sanzio da Urbino (1483-1520). Tempera painting on poplar, finished in 15041505. Raphael was an Italian painter and architect of the High Renaissance. The Vision of a Knight, also called The Dream of Scipio or Allegory may represent the Roman general Scipio Africanus (236184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes).

Noli me tangere' Oil on wood. Private collection. Mary Magdalene, the first to see the risen Christ in the Garden of Gethsemane. Jan Brueghel or Breughel the Younger (1601-1678) and Hendrick van Balen. Oil on oak panel.

Salome with the Head of Saint John the Baptist - Artemisia Gentileschi, circa 1610

Altarpiece with The Passion of Christ, c. 1440s. Master of the Schlägl Altarpiece (German). Oil and gold on wood; framed: 88.9 x 157.5 x 8.3 cm (35 x 62 x 3 1/4 in.); unframed: 74.3 x 69.8 cm (29 1/4 x 27 1/2 in.); part 1: 84.9 x 81.4 x 8.3 cm (33 7/16 x 32 1/16 x 3 1/4 in.); part 2: 84.6 x 152.2 x 8.3 cm (33 5/16 x 59 15/16 x 3 1/4 in.); part 3: 84.6 x 78.7 x 8.3 cm (33 5/16 x 31 x 3 1/4 in.); panel: 36.2 x 35 cm (14 1/4 x 13 3/4 in.).

The barrel vault, Studiolo (small study) of Francesco I, Palazzo Vecchio, Florence. Italy, 16th century.

Raphael, Raffaello Santi or Sanzio, called (Urbino, 1483-Rome, 1520). Italian painter. Liberation of St. Peter (1512-1514). Detail. Work commissioned by Pope Julius II in 1508 to decorate their new rooms. Stanze di Raffaello. Vatican.

Naked women by Pieter Paul Rubens, oil on wood, 1577-1640, Russia, St. Petersburg, State Hermitage, 49x73

The Sacrifice of Iphigenia, by Tiepolo Giambattista, 1725 - 1735, 18th Century, canvas. Italy, Veneto, Venice, Private collection. Whole artwork. Iphigenia sacrifice soldiers Diana.

Pietro Perugino: Kreuzabnahme. Palatine Gallery, Pitti Palace, Florenz. .

Painting by Michelangelo Buonarroti (b. 6 March 1475 in Caprese, Tuscany. d. 18 February 1564 in Rome), often simply called Michelangelo, Italian painter, The Delphic Sibyl, Sistine Chapel, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Painting by Michelangelo Buonarroti (March 1475 in Caprese, Tuscany; - 18 February 1564 in Rome), often just called Michelangelo, Italian painter, The Delphic Sibyl, Sistine Chapel, Historical, digitally restored reproduction from an original from the 19th century, Painting by Michelangelo Buonarroti (March 1475 in Caprese, Tuscany; - 18 February 1564 in Rome), often just called Michelangelo, Italian painter, The Delphic Sibyl, Sistine Chapel, Historical, digitally restored reproduction from an original from the 19th century'.

'St James the Less, Sts Peter, Paul, John, Thomas, Philip, Judas and Thaddeus the Apostles'. Italy. Dimensions: 111x164 cm. Museum: State Hermitage, St. Petersburg. Author: Giuseppe Vermiglio ( ).

Vicente Carducho / 'The Miracle of the Spring'. 1626 - 1632. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The coronation of Joash, 1860, by Francesco Hayez (1791-1882), oil on canvas, 83x105 cm.

Miracle of St.Bernard / Perugino

Anonymous. Apollo and the four seasons, spring, summer, fall and winter. Oil on canvas. 1645-1655. Paris, Carnavalet museum. 76255-1

Watercolor depicting the biblical scene of the Flight into Egypt by Adriaen van der Werff.

Pietà, 1565. Bellini, Giovanni.

Christ in Limbo. Dated: c. 1550/1575. Dimensions: overall: 108.4 x 41.2 cm (42 11/16 x 16 1/4 in.) overall (with added strip): 109.7 x 42.9 cm (43 3/16 x 16 7/8 in.) framed: 125.1 x 58.1 x 7 cm (49 1/4 x 22 7/8 x 2 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hans Mielich.

Veronese, Rebecca at the Well, 1580 1585 Veronese (Italian, 1528 - 1588 ), Rebecca at the Well, 1580/1585, oil on canvas, Samuel H. Kress Collection

Saint John the Baptist Preaching; 1505; oil painting on poplar wood. By the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). Part of the Ansidei Altarpiece, San Fiorenzo, Perugia, Italy.

Painting titled 'The Abduction of the Sabine Women' by Nicolas Poussin (1594-1665) French Baroque painter. Dated 17th Century

The Crucifixion. Dating: c. 1507 - c. 1510. Place: Amsterdam. Measurements: support: h 105 cm × w 88.4 cm; h 105 cm × w 86.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JACOB CORNELISZ VAN OOSTSANEN.

Assumption of the Virgin. Marcellus Coffermans; Netherlandish, active after 1578/79. Date: 1501-1600. Dimensions: 26.9 × 18.4 cm (10 5/8 × 7 1/4 in.)Image: 25.4 × 16.9 cm (10 × 6 5/8 in.). Oil on panel. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

The dispute at La Fontaine ". Oil on canvas, around 1760. Paris, Carnavalet Museum. 55930-1 Argument, woman, fountain, strike, quarrel, brawl, oil on canvas

LA BURRA DE BALAAM - 1626 - O/T - 65x47 - BARROCO HOLANDES. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: MUSEE COGNACQ-JAY. France.

The Archangel Gabriel middle left panel. Dated: c. 1470/1480. Dimensions: overall (middle left panel): 31 x 12.4 cm (12 3/16 x 4 7/8 in.) framed: 43.5 x 16.8 x 4.4 cm (17 1/8 x 6 5/8 x 1 3/4 in.). Medium: tempera and distemper on panel. Museum: National Gallery of Art, Washington DC. Author: Cosme Tura.

MILAGRO DE SAN ANTONIO DE PADUA - (BOCETO DE SAN ANTONIO DE LA FLORIDA) - SIGLO XVIII. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Palazzo Chiericati, Vicenza Pinacoteca, a major work by Andrea Palladios, with Venetian painting art from the Middle Ages to Mannerism, Veneto, Italy, Vicenza, Veneto, Italy, Europe

'Venus Wounded by Cupid'. Frescoes of the Villa Spada (Stati-Mattei) on the Palatine Hill in Rome. Italy, 1516-1518. Dimensions: 263x153 cm. Museum: State Hermitage, St. Petersburg. Author: Raffaello Sanzio (Raphael) (school of).

Almost 10-metre-long monumental painting The Supper in the House of Simon the Pharisee by Paolo Caliari called Veronese in the Hercules Room, Chateau de Versailles, Yvelines department, Ile-de-France region, France, Europe

Jacopo Tintoretto, Summer, c 1546 1548 Summer

Plateau, Tin-enameled earthenware (maiolica or faience). Created for the vernacular bibles published in Lyon, ca. 1560-80.

Francesco Bassano / 'April (Taurus)', Italian School, Oil on canvas, 153 cm x 248 cm, P05024. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Corinaldo (Italia, Marche - provincia di Ancona), Pinacoteca Claudio Ridolfi. Claudio Ridolfi, Carità di San Tommaso da Villanova, 1630, olio su tela, proveniente dal convento di Sant'Agostino

Girolamo da Treviso (1508-1544) National Gallery, London Painting 144x125,7 Bible The Adoration of the Magi

'Meeting of Abraham and Melchizedek'. Flanders. Dimensions: 73x106 cm. Museum: State Hermitage, St. Petersburg. Author: Peter Paul Rubens (Pietro Pauolo) (workshop).

'The Annunciation' (detail), 1597-1600, Oil on canvas, P03888. Author: EL GRECO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

King Nobles Painting in Siena Cathedral, Siena, Italy. Church from the 1500's

"Venus, Mars and Cupid ; c. 1505 ; by Piero di Cosmo"

The Visitation with Saint Nicholas and Saint Anthony Abbot. Dated: c. 1489/1490. Dimensions: overall: 184.2 x 188.6 cm (72 1/2 x 74 1/4 in.) framed: 235.6 x 250.2 x 12.1 cm (92 3/4 x 98 1/2 x 4 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PIERO DI COSIMO.

St Jerome Bringing the Lion to the Convent, ca 1502, by Vittore Carpaccio (ca 1465- ca 1526), oil on canvas, 141x211 cm. San Giorgio degli Schiavoni School, Venice.

Giulio Romano; Giovanni Francesco Penni / 'The Visitation', ca. 1517, Italian School, Oil on panel, 200 cm x 145 cm, P00300. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

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