Mythological Biblical Scenes

Grand Baroque paintings illustrating mythological and biblical narratives, featuring dramatic poses, rich textures, and emotive expressions in historical settings.

Paolo Veronese / Abraham sacrificing Isa

The Offering to Ceres by Jordaens, Jacob (1593-1678) / Museo del Prado, Madrid / ca 1619 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 165x112 / Baroque

Paolo Veronese / Abraham sacrificing Isa

Abraham and Melchizedek - 1615/18 - 204x250 cm - oil on panel. Author: PEDRO PABLO RUBENS (1577-1640). Location: MUSEUM OF FINE ARTS. CAEN. France.

VERONESE, Paolo Caliari, called Paolo (1528-1588). Jesus and the Centurion. ca. 1507 - ca. 1575. This painting referrs to chapter 8 from St. Matthew's Gospel, where the Centurion begs Jesus to heal one of his servants. At the right side, behind some pillars, appears a young's head which is a self-portrait. Renaissance art. Cinquecento. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Paolo Veronese / 'Jesus and the Centurion', ca. 1571, Italian School, Oil on canvas, 192 cm x 297 cm, P00492. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

LA FLAGELACION DE CRISTO - HACIA 1615-1620 - OLEO/LIENZO - 167 x 116 cm - NP 6998 - BARROCO ITALIANO. Author: MAZZUCCHELLI PIER FRANCESCO. MORAZZONE. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Unterlinden Museum. Passion of Christ. Crown of Thorns. Detail. Oil on wood panel. Martin Schongauer. Late 15 th century. Colmar. France. Colmar. France.

The Fall of Simon Magus by Pompeo Batoni, circa 1750

Deposition, 1548-1549, by Paolo Caliari known as Veronese (1528-1588), oil on canvas, 213x173 cm.

Nativity Scene', 1522-1530. Artist: Antonio da Correggio. Correggio (1489-1534) was the leading painter of the Parma school of High Italian Renaissance.

Spanish school. Abraham and the three angels. Abraham y los tres angeles. Oil on canvas (59 x 33 cm). Madrid, El Prado. Author: FRANCISCO BAYEU Y SUBIAS (1734-1795). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Lamentation. Dated: c. 1620. Dimensions: overall: 134.6 x 109.2 cm (53 x 43 in.) framed: 158 x 132.9 x 8.1 cm (62 3/16 x 52 5/16 x 3 3/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jacopo Palma il Giovane.

Fabriano (Italia; Marche, provincia di Ancona), Oratorio della Carità, ciclo di affreschi di Filippo Bellini (raffigurazione di Opere di Carità Spirituale e Carità Materiale). INFIRMOS VISITARE Visitare gli infermi, lato destro

Vicente Carducho / 'La fuente milagrosa de la tumba de San Bruno', 1626-1632, Spanish School, Canvas, 337,5 cm x 297,5 cm, P05232. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

This images shows the Die Kreuzabnahme (The Taking down from the Cross) by Peter Paul Rubens. TheDescent from the Crossis the central panel of a triptych painting by Peter PaulRubensin 16121614. It is still in its original place, the Cathedral of Our Lady, Antwerp, Belgium, along with another great altarpiece The Elevation of theCross. The subject was oneRubensreturned to again and again in his career. Sir Peter Paul Rubens (1577-1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands who lived during the Dutch Golden Age. He is considered the most influential artist of the Flemish Baroque tradition.

Saint Augustine Church: Fresco of The Counter Facade. Cremona. Italy

Ludovico Carracci / 'Saint Francis of Assisi in the Portiuncula'. 1601 - 1603. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Healing of Tobit by Tobias - 17th century - oil on canvas - 76x103 cm - Italian Baroque - NP 3151. Author: BERNARDO CAVALLINO (1616-1656). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. RAPHAEL (ARCHANGEL). TOBIAS / SAN TOBIAS.

TINTORETTO, Jacopo Robusti, called Il (1518-1594). Birth of St John the Baptist . 1550. Renaissance art. Cinquecento. Venetian school. Oil on canvas. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum.

Italy. Florence. Last Judgement frescoes of the Dome of Brunelleschi, by Giorgio Vasari (1511-1574) and Zuccari (1572-1579). Detail. Hell.

The Descent from the Cross', c1520 Artist: Jan Gossaert. Gossaert (c1478-1532) is usually seen as the founder of the Romanist art movement, the first group of Flemish painters to be influenced by the Italian Renaissance. From the State Hermitage Museum, St Petersburg.

Death of St Stephen by Pietro da Cortona, oil on canvas, 1660, 1596-1669, Roman School, Russia, St Petersburg, State Hermitage, 260, 5x149

The Raising of Lazarus, 1570-80s, Studio of Jacopo Tintoretto, Italian, (Venice), 1518-1594, 70 7/8 x 108 1/4 in. (180.02 x 274.96 cm) (canvas), Oil on canvas, Italy, 16th century, Jacopo Tintoretto ran a busy workshop in Venice, specializing in dramatic, complex religious paintings, which he produced at incredible speed. This crowded composition, with its daring foreshortening and elongated figures, is consistent with Tintorettos style. However, the overall quality of the execution suggests the work is by studio assistants rather than the master himself.

James I of England by Pieter Paul Rubens, oil on wood, circa 1632-1633, 1577-1640, Russia, St. Petersburg, State Hermitage, 64x49

Slander, Botticelli, Sandro

Allegory of Salvation with the Virgin and Christ Child, St. Elizabeth, the Young St. John the Baptist. Date/Period: Ca. 1521. Painting. Oil on panel. Height: 1,612.90 mm (63.50 in); Width: 1,193.80 mm (47 in). Author: Rosso Fiorentino (Giovanni Battista di Jacopo).

Panel depicting the Vocation of Zebedee's sons, 1510, by Marco Basaiti (1470-1530), 386x268 cm.

Vicente Carducho / 'El prior Boson resucita a un albañil', 1626-1632, Spanish School, Canvas, 337,5 cm x 297,5 cm, P02227. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'The Lamentation'. Italy, Between 1576 and 1582. Dimensions: 147x111,5 cm. Museum: State Hermitage, St. Petersburg. Author: Paolo Veronese (Paolo Caliari).

Sir Peter Paul Rubens (1577-1640). The Coronation of Henri IV. Oil on panel. A preparatory sketch for a composition in a set of large allegorical and historical paintings celebrating the reign of Henri IV of France, commissioned by his widow, Maria de Medicis, in 1627. The commission was abandoned when she was exiled from the French court.

Salome with the head of St. John and torturers. nieznany malarz włoski, painter

Madonna and Child with St George, ca 1530, by Antonio Allegri, known as Correggio (1489-ca 1534), oil on canvas, 285x190 cm.

Abraham's Sacrifice 1627/28 Domenichino (1581-1641 Italian) Oil on canvas Museo del Prado, Madrid, Spain

Martyrdom of St George, by Caliari Paolo know as Veronese, 1566, 16th Century, canvas. Italy: Veneto: Verona: San Giorgio in Braida Church. Whole artwork. Martyrdom saint St George clouds angels palm sword

The poor, detail from the Allegory of Fortune, by Frans Franckner the Younger (1581-1642).

The Betrayal of Christ, c. 1618-1620, Anthony van Dyck, Flemish, 1599-1641, 55 7/8 x 44 1/2 in. (141.92 x 113.03 cm) (canvas)70 x 58 x 5 in. (177.8 x 147.32 x 12.7 cm) (outer frame), Oil on canvas, Netherlands, 17th century, Looser and less formal than the portraits that made him famous, this work was completed shortly before Van Dyck began a six-year stint in Italy. It follows the biblical description of Jesus Christs betrayal in the Garden of Gethsemane. Judas, one of Jesus disciples, brings a band of soldiers and religious officers with lanterns, torches, and weapons to arrest Jesus, whom Judas identifies with a kiss.

The Love which is Avenged', by Simon Vouet, 17th century.

The Sacrifice of Iphigenia, by Pietro Testa known as Lucchesino (1611 - 1650), painting.

Christ's Charge to Peter by Sir Peter Paul Rubens, Wallace Collection, London, United Kingdom

TIEPOLO, Giovanni Battista (1696-1770). Saint Thecla Liberating Este from the Plague. 1758 - 1759. ITALY. Vicenza. Villa Valmarana. Baroque art. Oil on canvas.

Vision Hieronim; Unknown Flemish painter; approx. 1600 (1595-00-00-1605-00-00);Hieronim (Saint - 331/347-419 Cars 420), Lachnicki, Cyprian (1824-1906) - collection, gift (provenance), Flemish painting, religious scenes, visions

Apollo and Marsyas, ca 1650, Francesco Montelatici known as Cecco Bravo (1601-1661), oil on canvas.

Botticelli, Sandro (1445-1510) National Gallery, London Painting 50,2x135,9 Bible The Adoration of the Kings

Last Supper, by Solimena Francesco known as l'Abate Ciccio, 18th Century, 1717, oil on canvas,

Painting titled 'The Family of Darius before Alexander' by Paolo Veronese (1528-1588) an Italian Renaissance painter. Dated 16th Century

Susanna and the Elders; 1614 Pieter Lastman; Dutch (1583 Amsterdam -1633 Amsterdam)

fine arts, Poussin, Nicolas, (1594 - 1665), painting, ""Weeping of Christi"", circa 1626/1630, oil on canvas, 103 x 146 cm, Alte Pinakthek Munich, Germany,

Priam, the sixth and last king of Troy in Greek mythology, and Achilles, Painting by Alexander Ivanov

Three scenes from the story of Esther, 1470-1475. By Italians painters Sandro Botticelli (1445-1510) and Filippino Lippi (1457-1504). The Lamentation of Mordecai, uncle of Esther. Louvre Museum. Paris. France.

Luca Giordano (b. 18 October 1634, d. 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, Christ and the Adulteress, Painting, Reproduction of the painting in its original state, Work of art, Historical, Religious scene with several figures in a dramatic discussion

Girolamo too much (1637-1712), Jacobs Droem, 1651-1701

Savoy manufacture tapestry featuring Caesar at the walls of Alexandria, from the series dedicated to the History of Julius Caesar, 18th century.

The Peace Negotiations between Claudius Civilis and Quintus Petillis Cerialis. Date/Period: 1697 - 1698. Painting. Fresco. Height: 5,000 mm (16.40 ft); Width: 5,000 mm (16.40 ft). Author: Giovanni Antonio de Groot.

Virgin and Child between St John the Baptist, St Antony Abbot, St Stephen and St Jerome, ca 1518, by Rosso Fiorentino (1494-1540), oil on canvas, 112x141 cm.

Moretto da Brescia, Italian (1498-1554), Pietà, 1520s, oil on panel

Massacre of the Innocents, 1557, by Daniele da Volterra (1509-ca 1566), oil on canvas, 147x142 cm.

Michelangelo / Prophet Zacharias / 1509

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (born 4 November 1575 in Bologna, died 18 August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work:, The Assumption of Mary, angels and saints above a gathering of people, heavenly scene on clouds

'Cruxifixion', ca. 1530-1535, Oil on panel, 278 x 147,5 cm, CE0944. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

LA REFACCION MILAGROSA - FRESCO PASADO A LIENZO - SIGLO XVI - 130x230 cm - NP 2909 - MANIERISMO ITALIANO. Author: ANNIBALE CARRACCI (1560-1609). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. DIEGO VON ALCALA.

Royal Couple Mourning for their Dead Daughter by Carl Friedrich Lessing, oil on canvas, 1830, 1808-1880, Russia, St. Petersburg, State Hermitage, 215x193

Noli Me Tangere (Touch Me Not), by Giuseppe Cesari, known as the Cavalier d'Arpino (1568-1640).

Lazarus and the Rich Man, Jacopo Bassano (copy after), 1544 - 1700 painting The rich man and the poor Lazarus. The story is depicted in a kitchen where a meal is prepared. On the right dogs lick the wounds of the beggar Lazarus. Behind the Rijkaard at the table where musicians play. In the kitchen a monkey watches how a chicken is picked, in the middle a woman works with a mortar. There are fish, eggs and vegetables in the foreground. The painting is related to a print by Johannes Sadeler I, to a painting by Bassano. canvas. oil paint (paint) the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

Tobias Curing His Father's Blindness by Bernardo Strozzi; oil on canvas; 1630 - 35

L.Cranach the Elder / The Trinity

Sacrifice of Isaac, by Michelangelo Merisi da Caravaggio, circa 1601, Uffizi Gallery, Florence, Tuscany, Italy, Europe

Vicente Carducho / 'El martirio de los cartujos de Bourg Fontaine', 1626-1632, Spanish School, Canvas, 336,5 cm x 298,5 cm, P05739. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

San Sanseverino Marche (Italia, Marche - provincia di Macerata), Pinacoteca Civica P. Tacchi Venturi” (Tavola quadrata), Bernardino di Mariotto, Pietà

L'Elisir d'Amore (The Love Potion) - Charlatan in the Piazza del Campo in Siena, Italy

The Story of Virginia - 1504 - 85x165 cm - tempera on panel - Italian Renaissance. Author: SANDRO BOTTICELLI. Location: ACADEMIA CARRARA. BERGAMO. ITALIA. Virginia. APIO CLAUDIO.

Ecce Homo, 1543, by Titian (ca 1490-1576), 242x361 cm.

Corrado Giaquinto / 'The Brazen Serpent'. 1743 - 1744. Oil on canvas. Museum: Museo del Prado, Madrid, España.

TRIPTICO DE LOS SANTOS JUANES - 1549 - ESCUELA FLAMENCA - 241 x 377 cm - PUERTAS ABIERTAS. Author: Pieter Pourbus. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. SAN JUAN EVANGELISTA Y APOSTOL. SAN JUAN BAUTISTA.

'Esther's Feast'. Germany, 1676. Dimensions: 86x84 cm. Museum: State Hermitage, St. Petersburg. Author: JOHANN HEISS.

Vicente Carducho / 'San Bruno y sus seis compañeros se retiran de la vida activa', 1626-1632, Spanish School, Canvas, 337 cm x 298 cm, P03061. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Abruzzo, L'Aquila, L'Aquila, S. Giusta, Italy, 20th century, photo, photography, Europe

Opens Tomb of Nitocry by Eustache Le Sueur, oil on canvas, 1617-1655, Russia, St. Petersburg, State Hermitage, 163x112

Reproduction of an illustration, unidentified martyrdom scene. 1878. Fizeau, H. (Hippolyte), 1819-1896. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection

Artemisia prepares to drink the ashes of Maussolos. After his death, it is said that such great pain seized Artemisia that she drank her brother's ashes, still warm, mixed with wine to be a living grave for him, Painting by Gerard Seghers, Flemish painter, c. 1620, Historical, digitally restored reproduction from an original from the past

Giovanni Battista Tiepolo; Italian; Venice 1696-1770 Madrid; Saint Thelca praying for Plague-Stricken; Oil on canvas.

Biblical scene by Giorgione, oil on wood, 1502-1505, 1476-1510, Venetian School, Italy, Florence, Galleria degli Uffizi, 89x72

Lavinia at the Altar, 1570-1572, by Mirabello Cavalori (1535-1572), oil on canvas, 117x70 cm. Studiolo (small study) of Francesco I, Palazzo Vecchio, Florence. Italy, 16th century.

Return of the prodigal son. Fetti, Domenico (ca 1589-1624), painter

Milan, Italy - Brera antique painting museum. Marriage of the Virgin, by Raffaello Sanzio - Raphael, 1504 Milan, Italy - Brera antique painting museum. Marriage of the Virgin, by Raffaello Sanzio - Raphael, 1504 Copyright: xZoonar.com/PAOLOxGALLOxMODENAx 22959564

Raphael / Dance around the Golden Calf

The Sacrifice of Isaac, Caravaggio, Michelangelo M., 1604.

Guercino / 'Saint Peter Freed by an Angel', ca. 1622, Italian School, Oil on canvas, 105 cm x 136 cm, P00200. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAINT PETER.

Paris and Elena, 17th century, oil on canvas, Mattia Preti, Can Cotoner, Palma, Mallorca, Balearic Islands, Spain.

'The Three Maries at the Tomb', 18th century (1910).Artist: William Hogarth

Louvre museum, Paris, France.Jusepe de Ribera, The adoration of the Shepherds.oil on canvas, 1650.

The Death of Cleopatra by Turchi, Alessandro (1578-1649) / Louvre, Paris / c. 1640 / Italy, School of Verona / Oil on canvas / Mythology, Allegory and Literature / 255x267 / Baroque

Luis Tristán (Workshop of) / 'Saint Jerome'. First third of the XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Visitation Camillo Procaccini (ca.1555-1629 Italian) Oil on canvas Pinacoteca di Brera, Milan, Italy

Tintoretto / 'The Stealing of the Body of Saint Mark', 1562-1566, Oil on canvas, 398 x 315 cm. Museum: GALLERIA DELL'ACCADEMIA, BERLIN, ITALIA. SAN MARCO EVANGELISTA. SAN MARCOS.

Christ in the House of Martha and Mary, by Pieter Aertsen (1507 or 1508 -1575).

Panel depicting the Baptism of Christ, 1534, by Marco Palmezzano (ca 1459-1539), 90x70 cm.

Giovanni Battista Benvenuti, called Ortolano (ca.1485-after 1524). Italian painter. Lamentation of Christ, 1521. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

Giovanni Paolo Panini / 'Dispute of Jesus with the doctors', ca. 1725, Italian School, Canvas, 40 cm x 62 cm, P00277. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

fine arts, Giovanni Battista Tiepolo (1696 - 1770), painting, ""Adoration of the Magi"", 1753, oil on canvas, 408 x 210.5 cm, Alte Pinakothek, Munich, Germany,

The Deposition from the Cross Agnolo Bronzino (1503-1572 Italian) Musee des Beaux Arts, Besancon

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