Mythological Depictions of Jupiter

A series of prints illustrating Jupiter's mythological tales of love and transformation, highlighting classical themes.

Sleeping Venus, with beside her Amor, spied upon by satyrs, Sleeping Venus spied upon by satyrs, print maker: Werner van den Valckert, (mentioned on object), Werner van den Valckert, (mentioned on object), The Hague, 1610 - 1612, paper, etching, h 305 mm × w 371 mm

Jupiter en Europa, Jacob Matham, after Hendrick Goltzius, 1588 - 1592 print Jupiter, with lightning bolt and eagle, in an amorous embrace with Europe. In the background Europe on the bull, in which form Jupiter kidnapped her. Haarlem paper engraving Jupiter and Europa as lovers. Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Jupiter, IO en June, Cornelis Bos, after Michiel Coxie (i), c. 1537 - c. 1555 print Jupiter turns Io, his beloved, into a white cow to hide her from Juno. Juno sits with her peacock on a cloud. Next to Jupiter, his eagle is on the ground. Juno asks De Witte Koe as a gift and thus stops adultery. Print from a series of ten prints that illustrate Jupiter's love life. paper engraving Jupiter, shrouded in a cloud, woos Io, daughter of Inachus; Juno may be watching the lovers

Sleeping Venus, with beside her Amor, spied upon by satyrs, Sleeping Venus spied upon by satyrs, print maker: Werner van den Valckert, (mentioned on object), Werner van den Valckert, (mentioned on object), The Hague, 1610 - 1612, paper, etching, h 305 mm × w 371 mm

Michaël and the fall of the rebellious angels, Jacob Neefs, after Peter Paul Rubens, 1620 - 1680 print The Archangel Michael, in one hand a shield with the symbol of God, in his other hand a bundle of flames, throws the rebellious angels from heaven together with other angels. Antwerp paper engraving the Archangel Michael (and other angels) casting the rebel angels out of heaven

This early 17th-century etching and copper engraving by Jacques Bellange depicts two beggars drinking, showing figures, gestures, and composition.

Hercules in fight with the Hydra van Lerna, Giovanni Jacopo Caraglio, After Rosso Fiorentino, 1515 - 1565 print Hercules and a companion (possibly Iolaus) are tackling the multi -headed Hydra van Lerna with clubs and burning fabbel. Italy paper engraving the Hydra is killed by Hercules assisted by Iolaus, who sears the roots of the severed heads with burning brands; an enormous crab nips Hercules' foot. (2) the Hydra of Lerna is killed by Hercules

The Immortal Rewards of Virtue 1564 Cornelis Cort Netherlandish. The Immortal Rewards of Virtue. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1564. Engraving. Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Prints

Bacchus and Ceres Leaving Venus, Jan Harmensz. Muller, after Bartholomeus Spranger, 1683 - 1691 print Bacchus and Ceres leave Venus. Venus and Amor sit by a fire because they are cold. Illustration of the saying 'Sine Cerere et Baccho Friget Venus' (without Ceres and Bacchus is Venus cold), or, without food and wine, love freezes. print maker: Amsterdampublisher: Leiden paper engraving Without the COVER AND BACCHO CLOVE VENUS '

Boreas emerges Oreithyia. Boreas, the Noordenwind, Oreithyia, the daughter of a king of Athens. Flying four putti.

De vier elementen, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print The four elements earth, water, air and fire, personified as two female and two male figures. On the left in the foreground, seen on the back, Earth (Terra) is in his hand corn sheaves. Also in the foreground is water (Aqua) as a female figure with a ship on her head and a stream next to her. In the sky between the clouds there is air (AER) with a chameleon on her hand. Right a man's figure that depicts fire (Ignis), sitting on a dragon and a crown of flames on his head. Behind his head the sun. paper engraving the four elements, and ether, the fifth element (+ variant)

Saint Sebastian being tied to a tree Girolamo Pedrignani Italian. Saint Sebastian being tied to a tree. Girolamo Pedrignani (Italian, act. 1625-1650). Etching. Prints

. Jupiter, with lightning bolt and eagle, in an amorous hug with Europe. In the background Europe on the bull, in which shape Jupiter kidnapped her.

Italy, Farinati, Paolo, Valegio, Giacomo, Fall of Man, verso - stamped, Adam and Eve at the tree of knowledge of good and evil, both with a fruit in their hands. On the left the snake that coils around the branches and trunk of the tree. In the foreground a sheep and a hedgehog. Italian text in two columns in the bottom margin., print, prent, prints, prenten, height 453 mm, width 284 mm, Italian, print maker, prentmaker, 1587 - 1587, paper, papier, engraving, engraving (printing process), Work conception, 1524 - 1606

Copper engraving by Lucas Hugensz. van Leyden from 1529 showing Adam and Eve mourning Abel.

Amor asks Venus the bow; Scenes with venus and amor; Scherzi d'Amore.venus and Amor in a Landscape. Venus Holds The Arch or Amor. Italian fresh in undermarge.

No wealth benefits in the dying hour; Utility of hope of money. Man is confronted with death at the end of his life. He focuses his deadly arrow. Man is looking for protection behind the image of the hope, but the bag with money goes and falls around. A broken hourglass indicates that the last hour of man has beaten. Wealth cannot help man after death. In a cartouche at the bottom of the print a Dutch caption on rhyme. The print is part of a four-part series about the uselessness of hope of money and other secular matters.

De vier elementen, Jacob Matham (attributed to), after Hendrick Goltzius, 1601 - 1652 print The four elements earth, water, air and fire, personified as two female and two male figures. On the left in the foreground, seen on the back, Earth (Terra) is in his hand corn sheaves. Also in the foreground is water (Aqua) as a female figure with a ship on her head and a stream next to her. In the sky between the clouds there is air (AER) with a chameleon on her hand. Right a man's figure that depicts fire (Ignis), sitting on a dragon and a crown of flames on his head. Behind his head the sun. Amsterdam paper engraving the four elements, and ether, the fifth element (+ variant)

Nude runner Dirk Jansz., Romeyn de Hooghe, 1699 - 1701 print The Glasmaker Dirk Jansz. As a nude runner. Large figure of this outerman who, together with fellow believers, runs naked through the streets of Amsterdam. In the background the burning house of the computers, February 1535. On the print the name Dirk Snyder is written on the print. Published in a later state with the name Theodorus Sutor. paper etching Amsterdam

Two Fighting Putti, Lorenzo Loli, 1622 - 1691 print Italy paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. ficking

Speculum Romanae Magnificentiae: Laocoon. Artist: Sisto Badalocchio (Italian, Parma 1585-after 1619 Rome or Parma). Dimensions: sheet: 14 15/16 x 11 5/8 in. (38 x 29.6 cm)mount: 18 7/8 x 14 3/4 in. (48 x 37.4 cm). Publisher: Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1561.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned

Venus or Galatea Supported by Dolphins. 1557 - 1600. Carracci, Agostino, 1557-1602. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. Adonis is sleeping with his spear in his hand. Venus looks at him from her cloud, drawn by swans.

France, Audran, Charles, Four Seasons, Naked Winged Man, verso - stamped, print, prent, prints, height 104 mm, width 145 mm, 1594 - 1674, print maker, printmaker, 1634 - 1634, paper, papier, etching

Hercules drags Cerberus de Hel from, Cornelis Cort, after Frans Floris (I), 1563 print Hercules takes care of Cerberus, the three-person dog that monitors the entrance of the Hades. He pulls the chain around Cerberus heads and threatens the dog with his club. paper engraving the Twelve Labours of Hercules: second series

Saturnus, Niccolò Vicentino (ACTRUTED TO), UGO DA CARPI (Rejected Attribion), After Pordenone, After Andrea Andreani, 1604 print The winged Saturn lying with a scale in his hand. There is a child next to him. At his feet a snake that bites himself in the tail. print maker: Italypublisher: Mantua paper (story of) Saturn (Cronus)

Schut, Cornelis (I), Happiness and Peace, verso lower left - stamped, Peace leads blind Fortuna by the hand. Fortuna stands with one foot on a globe. In the foreground lies a river god. Behind it and in the air play putti., print, prints, height 276 mm, width 202 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, engraving, engraving (printing process)

Italy, Fiorentino, Rosso, Caraglio, Giovanni Jacopo, Scenes with Hercules, Hercules fighting the Lernaean hydra, verso - stamped, Hercules and a companion (possibly Iolaus) fight the multi-headed Lernaean hydra with club and flaming fable., print, prints, height 221 mm, width 182 mm, Italian, 1505 - 1565, print maker, printmaker, 1515 - 1565, paper, engraving, engraving (printing process), Work conception, 1494-03-08 - 1541-11-14

Hercules at the Crossroad, c. 1498. Albrecht Dürer (German, 1471-1528). Engraving; image: 32.4 x 22.2 cm (12 3/4 x 8 3/4 in.); sheet: 32.4 x 22.2 cm (12 3/4 x 8 3/4 in.).

Allegory on the hunt, Giorgio Ghisi, After Luca Penni, 1556 print The Jager Orion wears Diana, the goddess of the hunt, on his back. Together they go hunting with hunting dogs. Diana's nymphs in the background. Italy paper engraving Orion hunting. Diana hunting

Hercules drags Cerberus hell; Working from Hercules. Hercules takes Cerberus, the three-stubborn dog that guards the entrance to the Hades, hell. He pulls the necklace to Cerberus heads and threatens the dog with his knots.

TheEntombment. Artist: Giuseppe Scolari, Italian, active 1562-1607

The Triumph of the Eucharist on philosophy, science, poetry and nature (left plate); The triumph of the Catholic faith. The faith, a young woman with a chalice with host in hand, triumphs on a two-wheeled car drawn by angels. In addition to faith, the globe that indicates the catholicity is aiming for the dissemination of faith around the world. Prisoners are taken behind the cart. The woman with the many breasts is nature. The old man leaning on his stick is the personification of the philosophy, Socrates. The man with the book and astrolabium may be a personalization of sciences. The braised figure behind him may be poetry. The prisoners give themselves powerless to the belief that they take them as a victor and brings them to light.

. On the waterfront are a siren and a triton in an intimate embrace, while the wind leaves their hair fluttering. Right and left of the couple a putto. This print is part of a four-part series about mythological figures.

Drunk Silenus. The Drunk Silenus is supported by Saters. Silenus has a wreath of wingerd leaves on the head.

Putti and Lions. Artist: Master FG (Italian, active mid-16th century). Dimensions: sheet: 4 3/4 x 8 9/16 in. (12 x 21.7 cm). Date: 1547. Museum: Metropolitan Museum of Art, New York, USA.

Venus Kams Haar from Amor, Odoardo Fialetti, 1617 print Venus and Amor in a landscape. Venus combs the hair from Amor. Italian fresh in the lower margin. print maker: VeniceVeniceItaly paper etching Venus and Cupid (Cupid not being mere attribute). Venus taking care of Cupid

Roof from Proserpina; Mythological love stories. Pluto relies Proserpina, the daughter of Ceres, using the Helledog Cerberus. Cupid is on the car from Pluto.

Standing Man Carrying Fasces and Arms. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 9 3/16 x 7 3/16 in. (23.3 x 18.2 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

An oreade, wearing glasses, removes a thorn from the foot of a satyr. The satyr is supported by a female and a young oreade. Below in the margin a two-line text in Latin., Oreads remove a thorn from the foot of a satyr, print maker: Jan Harmensz. Muller, (mentioned on object), Bartholomeus Spranger, (mentioned on object), publisher: Frederik de Wit, (mentioned on object), Amsterdam, 1640 - 1706, paper, engraving, h 270 mm × w 210 mm

Offer van Isaak. Abraham is about to beheaded with his sword Isaac, who is next to him. An angel in the sky grabs the sword.

. The giant polyphemus throws a rock to the departing ship of Odysseus.

Hercules Doodt De Centaur Nessus, Giovanni Jacopo Caraglio, Florentine Red After, 1515 - 1565 print The Centaur Nessus is Veerman by a river. When he transfers deïanira, he tries to rob her and gallops her way. Hercules who was already on the other bank, strings his bow to shoot Nessus. Italy paper engraving Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

Giuseppe Nicolo Vicentino, after Giovanni Antonio Pordenone, Saturn, 1525 1530 Saturn

Jupiter Als Satyr Met Antiope, Pietter Isaacsz., 1579 - drawing paper. ink. chalk pen / brush Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

The Resurrection, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. The Resurrection, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429656

Aeneas flight with his family from Troy. Aeneas escape the burning troy with his father Anchises on the back. On the right runs Ascanius, the son of Aeneas.

Leda and the swan. Leda is depicted half-leaving, with the swan (Jupiter) between her legs. They kiss each other. On the left, Castor and Pollux, the children who originate from this commitment. An egg is still on the ground.

Andromeda, Agostino Carracci, c. 1590 - c. 1595 print Andromeda of Hesione is sitting on a rock near the sea, as a sacrifice to a sea monster. paper engraving Andromeda chained to the rock. Hesione chained to the rock. monsters of the sea

Element water as a woman at source with fish; Aqua; The four elements. Element water as a naked woman sitting at source with fish, water flows out of her breasts. In frame with fish and other animals that live in or at the water like an otter, seal, spoonbill, turtle and shellfish.

Three muses and a putto with a winch; Ceiling paintings in the d'ulysse gallery in Fontainebleau. Three muses are bent over a book. Above a putto floats with a winch.

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne' 1530-60 Master of the Die Italian. Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne' 364036

Hercules in women's clothing and Queen Omphale sitting in the bedroom Pan - who is in love with the queen - is stretched out beside the bed from which he has just been kicked out by Hercules In the background Omphale's servants are hurrying up with a torch Numbered bottom center: XXVIII, Bas-relief with Hercules and Omphale Faune croyant se coucher aupres d'Omphale se trouve avec Hercule, qui le Sette rudement a terre , print maker: Matthijs Pool, (mentioned on object), intermediary draughtsman: Barend Graat, (mentioned on object), Francis van Bossuit, (mentioned on object), Amsterdam, 1727, paper, engraving, etching, h 85 mm × w 147 mm

Galatea escapes polyphemus. Galatea, moving on a shell drawn by dolphins, escapes the cycle polyphemus. Polyphemus is sitting on a rock with a stick and a pan flute in his hands. Amor flies above Galatea. A wall in the background.

Drunken Silenus 1630-57 Jonas Suyderhoef Dutch. Drunken Silenus. Jonas Suyderhoef (Dutch, Haarlem ca. 1613-1686 Haarlem). 1630-57. Engraving and etching; second state of five (Hollstein). Prints

Albrecht Dürer, Witch Riding on a Goat, c 1500 1501 Witch Riding on a Goat

The river god Nilus seated on a crocodile. The print is part of a seventeen-part series on river and sea gods, River God Nilus Nilvs River and sea gods (series title) Semideorum Marinorum amnicorumque sigillariae imagines perelegantes (series title), print maker: Philips Galle, (mentioned on object), Philips Galle, (mentioned on object), publisher: Philips Galle, Antwerp, 1586, paper, engraving, h 165 mm × w 102 mm

Mercury plays Argus asleep, Hendrik Pola, c. 1705 - c. 1713 print Mercury plays his flute for the sleeping Argus. He holds a sword in his other hand. Behind Argus is the cow io. The Hague paper etching / engraving Mercury lulls Argus into sleep by making music

Italy, Reni, Guido, Cantarini, Simone, Fortuna, verso - stamped, Fortuna stands on a globe. She tips over a bag of coins. A putto pulls her hair., print, prints, height 234 mm, width 141 mm, Italian, 1612-08-21 - 1648-10-15, print maker, printmaker, 1622 - 1648, paper, papier, etching, etchings, 1575-11-04 - 1642-08-18, Work conception

Andromeda (or, Hesion). 1557 - 1600. Carracci, Agostino, 1557-1602. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lot and his daughters, Jan Harmensz. Muller, 1598 - 1602 print Lot sits in a cave with his daughters and is drunk drunk. In the background the burning cities Sodom and Gomorra and the wife of Lot as a salt pillar. At the bottom of the margin, three two -line verses in Latin over the show. Amsterdam paper engraving Lot and his daughters (Genesis 19:30-38)

Hendrik Goltzius, The Massacre of the Innocents, c 1585 1586 The Massacre of the Innocents

Copy after Primaticcio's Juno Awakening Sleep, after 1535. Copy after Francesco Primaticcio (Italian, 1504-1570). Pen and black ink (with point of brush) and brush and red-brown wash (red chalk wash), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paint; sheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); secondary support: 33.5 x 45.7 cm (13 3/16 x 18 in.).

Bacchanal with Wine Vat ca. 1475 Andrea Mantegna Italian. Bacchanal with Wine Vat 372987

Chalk and feather drawing by Paolo Farinato depicting the mythological abduction of Europa by Jupiter in bull form across the sea, with figures and ocean scenery on gray paper.

Allegory on changeability; Changeability; One-and-fourteigh pieces, shyded sinne images. Allegorical show with a globe, on a piedolder with a bass relief, which is flanked by father time (right), with a hourglass and wings on his head and the personal truth (left), with a sun on her head . Father time points out with a hand on the globe with with his other on an all-seeing eye at the top left in the background. Behind the globe a third figure, the person's personification that turns off with a burning forest branches in his hand. Print from a series of 41 symbols.

Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right ca. 1527-30 Ugo da Carpi Italian Ugo da Carpi was the first Italian artist to experiment with a multiblock woodcut technique known as chiaroscuro. The method requires a different block for each shade; the blocks are inked and printed one over the other to create the composition. In this remarkable example of the medium, the artist creates form through areas of tone. Ugo seems to have drawn inspiration from the wash drawings of Parmigianino, with whom he may have collaborated. The print shows the Greek philosopher Diogenes immersed in his studies. The chicken at right is a reference to his mocking response to Platos definition of man as a featherless biped: Diogenes is said to have presented a plucked chicken, saying, “Here is Platos man!”. Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right 354611

De Roof Van Deïanira, Battista Franco, 1520 - 1561 print Deïanira is taken by the Centaur Nessus. Hercules is on the right and focuses his arrow and arch on the Centaur. In the foreground on the right is a naked figure, seen on the back, with a horn of abundance. Italy paper etching / engraving Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

. A Roman is riding a saber woman. Rear view of a laundry model of sculptor Adriaen de Vries. At the bottom of the margin a two-legged text in Latin.

Judith decapitating Holofernes with a sword. Line engraving by C. Galle after P.P. Rubens.

Jupiter and Ceres. Artist: Antoine François Callet (French, Paris 1741-1823 Paris). Dimensions: 10 13/16 x 7 7/8 in. (27.5 x 20 cm). Date: ca. 1777. Museum: Metropolitan Museum of Art, New York, USA. Author: ANTOINE FRANCOIS CALLET.

Venus with two putti, monogrammist FP (Italy; 16th century), after Francesco Primaticcio, c. 1500 - c. 1599 print Venus sits and tries to take the arch of a putto (possibly amor). Seen a second putto on the back on the left. Italy paper engraving Venus and Cupid (Cupid not being mere attribute). cupids: 'amores', 'amoretti', 'putti'

Neptune Amphitrite Hendrick Goltzius, 1575 - 1607 print The naked Neptunus and Amphitrite, driving on dolphins in the sea. They hug each other. The print is part of a series of pairs of gods and has a Latin caption. paper engraving Neptune in love with Amphitrite

TRIOMF VAN GALATEA MET TRITONS IN NEREïDEN IN PUTTI, ANONYMOUS, AFTER MARCANTONIO RAIMONDI, AFTER RAFAël, 1515 - 1582 print Galatea stands on a shell and is pulled by dolphins. She is surrounded by tritons and nereids. Three putti focus their arrows on Galatea. paper engraving triumph of Galatea

Laestrygonen crush the fleet of Odysseus with heavy stones, anonymous, 1500 - 1640 drawing paper. ink. chalk pen / brush

Abduction on a Unicorn, by Albrecht Dürer, c. 1500, Germany, Historic, digitally restored reproduction from a 19th century original, Record date not stated, Europe

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Baptism of Christ, verso - stamped, Christ is baptized by John the Baptist in the River Jordan. Angels kneel and hover behind John., print, prent, prints, prenten, height 141 mm, width 227 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Allegory on science. A female figure keeps her own eyes opened with her fingers. With her right hand she opens a coffin with books, snakes and a bat. Behind the coffin is a second woman with a burning torch: the light of truth. A devil is on the right. Above a part of a wall painting with signs of the zodiac and gods.

Nessus is affected by the poison arrow of Hercules; Roof from Proserpina. A river god watches how Nessus tries to remove the poison arrow from Hercules from his back. Deïanira is on its back. In the background Hercules is, his bow is still in hand.

Primaticcio, Francesco, Bol, Ferdinand, Bonnejonne, Eloy, Triumphal Chariot of Diana, verso lower left - stamped, The goddess Dianna in her triumphal chariot. She is naked and has a crescent moon on her forehead, her attribute as a moon goddess. To the left of her shoulder sits Cupid. Two dragons pull the triumphal chariot. Behind the cart a huge full moon can be seen., print, prints, width 239 mm, height, 168 mm, Flemish, 1630 - 1695-10-21, print maker, printmaker, 1640 - 1695, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1616-06 - 1680-07-24, after a design by, Italian, 1504-04-30 - 1570-09-14

Venus, Vulcain, l'Amour et cinq putti.

Goltzius, Hendrick, Amsterdam, Keijzer, Roman heroes, Marcus Valerius Corvus, bottom right - in ink, The hero Marcus Valerius Corvus full-length, seen from the back, his shield raised at his left shoulder. In the background he can be seen defeating a Gaul with the help of a raven (corvus)., print, engraving, prints, engravings, Keijzer Mai 1829, lower right - with ink, 1, height 388 mm, width 255 mm, print maker, printmaker, 1829-05 - 1829-05, paper, engraving (printing process), Work conception, Northern Netherlands, 1558-01 - 1617-01-01

Corpus Christi. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: sheet: 9 13/16 x 7 5/16 in. (25 x 18.5 cm) trimmed to platemark, lower margin trimmed. Date: before 1555. Museum: Metropolitan Museum of Art, New York, USA.

Stock, Carolus van der, Rubens, Peter Paul, Antwerp, Pontius, Paulus, Sicvt Fragmentvm Mali Pvnici, Flagellation of Christ, verso lower left - handwritten in brown ink, Christ, dressed in a loincloth and tied to a pillar, is kicked and flogged by soldiers., print, engraving, prints, engravings, verso lower left - stamped, 82, recto lower right - handwritten in brown ink, 20(), height 387 mm, width 291 mm, South Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Two saters take sil'sus at King Midas. Silenus is supported by two saters. Left is King Midas who turns to Silenus.

Venus tumbling with putti in the clouds, from 'The Loves of the Gods' ca. 1531-76 Giulio Bonasone Italian. Venus tumbling with putti in the clouds, from 'The Loves of the Gods' 392661

Black and white engraving illustration of Prometheus chained and having his liver eaten by a bird.

Allegory on transience (Vanitas). Allegory on transience with three children from whom a soap bubbles blows. Another holds a parrot and a third plays a lute. In the foreground is a skull.

Naphtali, from the series The Twelve Patriarchs. Artist: After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem); Etched by Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda). Dimensions: Sheet: 8 7/16 x 10 3/4 in. (21.5 x 27.3 cm). Date: 1550. Museum: Metropolitan Museum of Art, New York, USA. Author: After Maarten van Heemskerck. Etched by Dirk Volckertsz Coornhert.

The angles of Ghigi's gallery after Raphael, Cupid and the three graces. Third issue of a 3-room suite (Bartsch 344) Marc Antoine Raimondi (1480-vers1534). The angles of Ghigi's gallery after Raphael, Cupid and the three graces. Third issue of a 3-room suite (Bartsch 344). Fight, chisel. 16th century.

Jupiter embracing Cupid after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome ca. 1517-20 Marcantonio Raimondi Italian. Jupiter embracing Cupid after Raphael's fresco in the Chigi Gallery of the Villa Farnesina in Rome 342581

Nereids and Tritons. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Attributed to Battista Angolo del Moro.

Fama and time with portrait of man with laurel wreath on the head, Louis Surugue, 1710 print paper etching / engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Other Allegories of Time, E.G. 'Time' (Ripa). Historical Persons Not Known by Name

Grammar, Anonymous, After Francesco Primaticcio, 1592 print The female personification of grammar, an open book in hand, surrounded by students. In the context in the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving 'Grammar' (~ trivium); 'Grammar' (Ripa)

Silly knowledge and silly love try to curb the world, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1550 print An indecisive horse with a globe on his back prancers as soon as knowledge (with a book as an attribute) and love (with three children on her skirts) try to tame her with a rope. The foolishness of this action is demonstrated by the fools that wear the personifications on their heads. The print is part of a four -part series where the world is presented as an indisucted horse. paper etching / engraving breaking to saddle, bridle, etc. ~ wild horses (+ animals used symbolically). horse. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. fool's cap. symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa). reins

Haarlem, Heemskerck, Maarten van, Netherlands, Coornhert, Dirck Volckertsz., Proverbs about Fortuna, Het helps gheen schilt tegen fortuinen ganck, Men kan zich niet Defensie tegen het lot, verso middle bottom - stamped, Lady Fortuna stands with one foot on a ball in the water and pulls a soldier in armor into the water with her. The man is trying to defending himself and holding up his shield. On the right in the background a shipwreck. On the left in the background a city., print, engraving, prints, Lady Fortuna stands with one foot on a ball in the water and pulls a soldier in armor into the water with her. The man tries to defend himself and holds up his shield. The print has a Dutch caption and is part of a six-part series of proverbs about Fortuna., height 208 mm, width 246 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1560 - 1590, paper, papier, etching, engraving (printing process), Work conception, after a design by, 1498 - 1574

Venus in the blacksmith of Vulcanus, Matthijs Pool, 1696 - 1727 print Venus asks Vulcanus to manufacture armor for her son Aeneas, for when he goes to battle in Latium. She is accompanied by Amor, who looks at the viewer challenging. Amsterdam paper engraving / etching Vulcan in his smithy

A frieze showing the flaying of Marsyas. Etching with engraving after A. Carracci.

Artist: Albrecht Dürer, German, 1471-1528, The Abduction of Proserpine on aUnicorn, Etching, sheet: 30.8 × 21.3 cm (12 1/8 × 8 3/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Rome, Vaccari, Andrea, Italy, Badalocchio, Sisto, Laocoön Group, verso - stamped, Marble statue group of Laocoön and his sons attacked by two serpents., print, prent, prints, height 375 mm, width 300 mm, Italian, 1585 - 1647, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, Italian - 1627, publisher

Saint Sebastian. Dated: 1514. Dimensions: image: 31.1 x 23.3 cm (12 1/4 x 9 3/16 in.) sheet: 31.7 x 23.7 cm (12 1/2 x 9 5/16 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Baldung Grien.

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