Mythological Engravings

A collection of dramatic engravings depicting mythological scenes, including Hercules, centaurs, and powerful figures in intense confrontation and emotion, showcasing rich detail and dynamic poses.

This painting, titled Education of Achilles, is by the Italian artist Pompeo Girolamo Batoni (1708-1787) in the Uffizi Gallery,

The death of Dirke (Dirce): her stepsons Zetos (Zethos) and Amphion tie her by her hair to the horns of a bull and have her flung into a well. Engraving, 1633.

Hercules kills Nessus, Paulus Pontius, after Peter Paul Rubens, 1616 - 1657 print The Centaur Nessus was shot by Hercules while trying to rob Deïanira. He stands along the banks of the river and takes her on his back. The arrow sticks out of his chest. Antwerp paper engraving Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

Hurdy-Gurdy Player Attacking a Pilgrim. Jacques Bellange (France, Lorraine, Bassigny (), circa 1575-1616). circa 1614. Prints; engravings. Etching and engraving with drypoint

Hercules in Omphale, Michel Dorigny, After Simon Vouet, 1643 print paper engraving / etching Hercules in love with Omphale; the hero is set to spin wool or to do other women's work among the servants, while Omphale wears his lion's skin and wields his club and bow. (story of) Cupid, Amor (Eros)

Vatican City, Michelangelo, Italy, Ghisi, Giorgio, The Last Judgement, sheet E, A detail from the fresco 'The Last Judgement' by Michelangelo in the Sistine Chapel., print, prints, height 430 mm, width 305 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1530 - 1582, paper, papier, engraving, engraving (printing process), Work conception, 1475-03-06 - 1564-02-18

Jacques Bellange, Fighting Beggars Fighting Beggars

This painting, titled Education of Achilles, is by the Italian artist Pompeo Girolamo Batoni (1708-1787) in the Uffizi Gallery,

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Hercules is struggling with Antaeus, Lucas Kilian, After Bartholomeus Spranger, 1610 print Text in Latin in the lower margin. In the background, Hercules is fighting the lion of Nemea. Augsburg paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

The Victorious Samson

Dancing Sater a Maenaden, Agostino Veneziano, After Rafaël, 1516 print A sater and two maenaden walk to the right dancing. In the middle, the Sater De Aulos (double flute) plays his forehead with ivy. Left and right the two dancing Maenaden. paper engraving Satyrs, Faun, Silen. Maenad (s), female Bacchant (es). flute, tribes. dancing

Lazio Viterbo Caprarola Palazzo Farnese045. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Clair-obscur woodcut by Giovanni Gallo depicting the life and works of Christ, created in the 1570s using four plates in green tones, illustrating figures, narrative, and religious symbolism.

Aeneas and Anchises, by Ugo da Carpi, engraving.

Bacchers, Philipps Joseph Tassapert, After Nicolas Poussin, 1769 print Naked bachants in a forest. A young woman climbs on the back of a saat and is helped by a putto. Behind them a man with a basket on his back is filled with wine and grapes. London paper Male Bacchant (ES). Maenad (s), Female Bacchant (ES). Forest, Wood

Venus and Amor by Saters Spied, Pieter Schenk (I), 1670 - 1713 print Venus and Amor are sleeping naked under a tree and are spied by three saters. Amsterdam paper engraving sleeping; unconsciousness. satyr(s) spying upon

Diana an Actaeon, Jacob Matham, After Paul's Morese, 1605 - 1609 print The bathing Diana and her nymphs are surprised by Actaeon. For punishment he is turned into a deer and is killed by his own dogs. Haarlem paper engraving Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193)

Design for an Escutcheon with Allusions to Egypt, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Pen and ink, grey wash, black chalk on laid paper, A fountain is obliquely shown, the back of which is formed by shell containing an ovoid as the field of the escutcheon. It is topped by the head of a lion. Nile is seated, reaching with his right arm over a sphinx toward a jar from which water pours. At the right of him are two children and a dragon. Water is shown in the right foreground. Views of the interior of his temple at right, of three nymphs of sources and a palm at left., France, 1725-50, ornament, Drawing, Drawing

The Five Senses. Jacob Matham (Holland, Haarlem, 1571-1631). Holland, 1588. Prints; engravings. Engraving

Angels in Glory, c. 1607. Guido Reni (Italian, 1575-1642), after Luca Cambiaso (Italian, 1527-1585). Etching;

Birth of Venus, Pieter Claesz. Soutman, after Peter Paul Rubens, 1616 - 1657 print Venus rises from the foam and squeezes her hair. Sea beings offer its shells and pearls, while Neptune is watching. Putti play in the clouds. paper engraving / etching birth of Venus; Venus Anadyomene: after Uranus' castration Venus rises from the sea wringing the water from her hair; usually she is awaited by the Hours. cupids: 'amores', 'amoretti', 'putti'

Two young satyrs and a boy (copy in reverse) 1647 Copy after Wenceslaus Hollar Bohemian Copy in reverse of Pennington 509:Two young satyrs recline on a bank under a tree, blowing horns; a boy lies beside them on the ground at leftt, stroking a goat; another goat and three sheep stand behind; after Peeter van Avont. Two young satyrs and a boy (copy in reverse) 361609

Depicts multiple nymphs bathing, created as a Clair-Obscur woodcut on three plates by Ugo da Carpi in 1526-1527.

Roof of a Sabine woman, rear view, Jan Harmensz. Muller, After Adriaen de Vries, 1596 - 1600 print A Roman is robbing a Sabine woman. Back view of a washing model by sculptor Adriaen de Vries. At the bottom of the margin a two -line text in Latin. Amsterdam paper. chalk engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast. piece of sculpture, reproduction of a piece of sculpture

Orreading removing a thorn from the foot of a saat, Jan Harmensz. Muller, After Bartholomeus Spranger, 1590 print An OREADE, with glasses on the nose, removes a thorn from the foot of a saat. The Sater is supported by a female and a young Oreade. At the bottom of the margin a two -line text in Latin. Amsterdam paper engraving Oreads, nymphs of the hills. 'Spinario', child pulling a thorn out of its foot (+ variant)

Neptune surrounded by Triton and sea-nymphs is presented with the fruits of the sea; representing conchology. Stipple engraving by J. Chapman after R. Corbould.

Ixion Deceived by Zeus and Hera Ixion embraces the cloud Nephele, which has assumed the form of Hera, draughtsman: Pieter Claesz. Soutman, (rejected attribution), draughtsman: Pieter van Sompel, (attributed to), draughtsman: Peter Paul Rubens, (after), c. 1615, paper, pen, brush, h 210 mm × w 311 mm

Bas-relief with triumphal trip from Bacchus, Matthijs Pool, After Barend Graat, after Francis van Bossuit, 1727 print The drunk Bacchus is on his donkey and is supported by Saters. A procession of putti pulls the donkey ahead. In the middle of numbered: xxix. Amsterdam paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. triumph of Bacchus; 'Carro di Bacco' (Ripa)

The Judgment of Paris. Dated: c. 1615. Dimensions: overall: 19.2 x 27.5 cm (7 9/16 x 10 13/16 in.). Medium: pen and brown ink with gray washes over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joachim Anthonisz Wtewael.

Saint Jerome, 1761. Jean-Honoré Fragonard (French, 1732-1806). Etching;

Cadmus sows the teeth of the dragon; Ovidius' metamorphoses. Minerva carries Cadmus to sow part of the teeth of the dragon that he has just killed. He does that, on which armed men rise from the earth. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the third series.

Speculum Romanae Magnificentiae: Atreus Farnese late 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients c

Leblond, Jean (I), France, Bellange, Jacques, Pietà, verso lower left - stamped, Mary, with the body of the dead Christ on her lap, has her gaze turned to heaven. In a basket on the ground lie the Arma Christi., print, prent, prints, prenten, height 320 mm, width 200 mm, 1575 - 1616, print maker, prentmaker, 1602 - 1616, first quarter 17th century, paper, papier, engraving, engraving (printing process), etching, Publication (Event), Publication, 1594 - 1666, publisher

Engraver: Giulio di Antonio Bonasone, Italian, ca. 1510-after 1576, After: Michelangelo Buonarroti, Italian, Florence, 1475-1564, Creation ofEve, mid 16thcentury, Engraving, sheet: 19 × 21.6 cm (7 1/2 × 8 1/2in.), Italian, 16thcentury, Works on Paper -Prints

Saint Jerome, 1763-64. Jean-Honoré Fragonard (French, 1732-1806), after Johann Liss (German, c. 1597-1631). Etching;

The fall. Adam and Eve are under the tree of knowledge. Eva takes the apple from the snake and gives an apple to Adam. Different animals are around them. At the rear left is the expulsion of the couple from paradise.

A 16th-century copper engraving by an anonymous artist showing two men in a forest, highlighting figures, trees, and detailed landscape composition.

Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements" 1640-60 Giulio Carpioni Italian. Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements". "The Elements". Giulio Carpioni (Italian, Venice 1613-1678 Venice). 1640-60. Etching. Prints

Hercules and the Cretan bull, seen from behind. Draughtsman: Cornelis van Heurn (mentioned on object). Dating: 1792. Measurements: h 514 mm × w 314 mm. Museum: Rijksmuseum, Amsterdam.

Sater spies a sleeping nymph, agostino Carracci, After Correggio, c. 1590 - c. 1595 print A satar peeks at a sleeping nymph. Italy paper engraving sleeping; unconsciousness. satyr(s) spying upon. nymphs (in general); 'Ninfe in commune' (Ripa)

Faun met bacchante en putti, Michel Dorigny (attributed to), after Zacharie Heince, 1626 - 1665 print paper etching Satyrs, Faun, Silen. Maenad (s), female Bacchant (es). Cupids: 'Love' '' Amoretti '' Putti '

After Giuseppe Nicolo Vicentino, Nine Figures Nine Figures

John the Baptist in the Wilderness ca. 1545-55 Giulio Sanuto Italian. John the Baptist in the Wilderness 371659

Mars and Venus. Mars and Venus lie together in bed, angels standing and flying around them, Cupid is at the footstep. The window shows that Apollo comes to his solar car. Under the show three times two Latin fresh rules.

Lazio Viterbo Bolsena Palazzo del Drago47. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Venus Blindfolds Amor, Louis de Boulogne (I), After Titian, 1619 - 1674 print Rome paper etching Venus and Cupid (Cupid not being mere attribute). blindfold

Cephalus and Procris. Dated: 1626. Dimensions: plate: 16.7 x 24.1 cm (6 9/16 x 9 1/2 in.) sheet: 17.7 x 24.5 cm (6 15/16 x 9 5/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Laurent de La Hyre.

Naakte man achtervolgt een Naiade; Antieke reliëfs.A naked man with a cape chases a fleeing naiade and a young winged Naiade. A tree in the background.

Jupiter and semele; Gods loved ..

Jan Harmensz. Muller (1571-1628); Bartholomeus rampers (1546-1611), Venus and Mercury, About 1600

Creation of Pandora. Pandora at the Olympus in the middle of the gods. In her hand she holds the urn (the box of Pandora), in which all kinds of disasters and evil are stored. In the margin the title in French, English, German and Dutch.

Diana and actaeon. Diana sits naked on the edge of a source, while her nymphs is bathed. On the left is Acteaon, which seeks the scene. For punishment he is changed by Diana in a deer. Right flights two nymphs. At the front are two dogs. Under the margin a four-line caption in Latin.

The Last Judgment, Nicolò della Casa, After Michelangelo, 1548 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. print maker: Italyafter painting by: Vaticaanstadpublisher: Rome paper engraving Last Judgement

La Pietà 1852 After Eugène Delacroix This etching reproduces Delacroix's Pietà completed in 1844 in Saint-Denys-du-Saint-Sacrement, Paris. It was published first in the journal "L'Artiste" on February 2, 1845, but this impression comes from an 1852 publication "Les Peintres vivants," a collection of one hundred prints after living artists. Delacroix must have appreciated Hédouin's work because that same year, according to his Journal, he supplied the etcher with six sketches. Delacroix had an abiding concern for his legacy and one of the ways he hoped to ensure his reputation was through the circulation of his compositions in print.. La Pietà. After Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). 1852. Etching on chine collé; second state of two. Prints

Saint Cecilia. Dated: first half 16th century. Medium: chiaroscuro woodcut. Museum: National Gallery of Art, Washington DC. Author: Attributed to Antonio da Trento after Parmigianino.

The fall, 1558 - 1570 print Adam and Eva are under the tree of knowledge. Eva takes the apple from the snake and gives an apple to Adam. Several animals are around them. At the back left you can see the expulsion of the pair from paradise. print maker: Southern Netherlandspublisher: Antwerp paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her). an angel chases Adam and Eve out of paradise with a (flaming) sword. monsters ~ snakes (+ head or (parts of) face). monkeys, apes

Raphael, Pencz, Georg, Germany, Monogrammist IB (16th century), Children gathering grapes, verso lower left - stamped, A group of naked children are gathering grapes and other fruit in a barrel, one is holding a goat, several are playing together., print, prent, prints, prenten, height 87 mm, width 285 mm, print maker, prentmaker, 1529 - 1529, second quarter 16th century, tweede kwart 16e eeuw, paper, papier, engraving, engraving (printing process), German, 1500 - 1550-10-11, 1483-04-07 - 1520-04-07, intermediary draughtsman

Sater, Bacchante and Drinking Child, Charles Le Brun, c. 1640 print print maker: Francepublisher: Paris paper etching / engraving personification of the afternoon, 'Meridies'. satyr(s) (in general). maenad(s), female bacchant(es). child

Prometheus according to the sculpture of Eduard Müller. Excerpt from ears of 1880 (2) 109 Käseberg, Hugo (1847 1893), Oertel, Kaspar Erhardt (1840 18 ..), Monogramista F.T., Müller, Eduard (1828 1895)

Antwerp, Merlen, Cornelis van, Martelaarschap van St. Lawrence, verso - stamped, St. Lawrence is bound on the grid. In heaven an angel with palm branch and wreath of honour., print, prent, prints, engravings, height 238 mm, width 140 mm, South Netherlands, 1654 - 1723-04-10, print maker, printmaker, 1680 - 1723, paper, papier, engraving, engraving (printing process)

A bacchanalian scene, 1834, England, by George-Thomas Doo. Gift of Mr and Mrs G.G Gibbes Watson, 1961.

Hercules KillingCacus. Artist: Hendrick Goltzius, Dutch, 1558-1617

Amor sailing at sea. Amor sails in a homemade boat with his arrow as a mast and bowed out like belt for Venus. She is in a shell. Left on the shore is a young man dressed in cloak.

Two men in a landscape. .

The Three Graces. Jacob Matham (Holland, Haarlem, 1571-1631). Holland, 1588. Prints; engravings. Engraving

Three fighting tritons and a Nereïde; Tritons and rivergoden.Drie Tritons in battle on the water. One of them attracts the hairs of another. On the left a triton with a nereïde in his arms.

Rape of the Sabines, 1700s. Louis Desplaces (French, 1682-1739), after Charles Joseph Natoire (French, 1700-1777). Engraving; sheet: 39.8 x 25.3 cm (15 11/16 x 9 15/16 in.); platemark: 32.8 x 19.9 cm (12 15/16 x 7 13/16 in.).

René Boyvin after Luca Penni, French (c. 1525-c. 1625), Silenus, engraving

The Forge of Vulcan 1546 Cornelis Bos Netherlandish. The Forge of Vulcan 399871

The Sacrifice ofNoah. Engraver: Caesare Fantetti, Italian, 1650-1700 After: Raphael, Italian, 1483-1520

Copper engraving by Marcantonio Raimondi from the first half of the 16th century, depicting a figure interacting with a curved stick, showing detailed anatomy and composition typical of the period.

. Odysseus and his warriors stick out the eye of the giant polyphemus.

Meleager en Atalanta, Cornelis Bloemaert (2), after Peter Paul Rubens c. 1618 - c. 1630 print Melager gives his beloved to Atalanta the head of the Zwijn he killed. Atalanta was previously injured by this pig. Utrecht paper engraving Meleager gives the head of the boar to Atalanta

Mantua, Andreani, Andrea, Parmigianino, Italy, Vicentino, Niccolò, Christ healing the lepers, verso - stamped, Christ with the apostles and a group of supplicating lepers., print, prent, prints, height 302 mm, width 415 mm, Italian, print maker, printmaker, 1608 - 1608, first quarter 16th century, first quarter 17th century, paper, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24, after a design by, Publication (Event), Publication, 1559 - 1629, publisher

The dirty household, c. 1640 - c. 1660 print On the right a man dances the egg dance to the music of a bagpipe player. In the middle a woman is stirring eggs in her shoot. On the left, a man keeps his nose closed. Netherlands paper badly run house. dancing games (children's games). bagpipe, musette. eating and drinking. holding one's nose closed

Classical Combat. Felix Meyer; Swiss, 1653-1713. Date: 1668-1713. Dimensions: 123 x 97 mm. Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Apollo in Clytia, Laurent de la Hire, 1616 - 1656 print France paper etching / engraving love-affairs of Apollo ~ females

Lot and his daughters; Saxea Fit Cautes Coniunx: Oblinia honesti incestum que tibi vinum lote suadet amor que. Lot is in a landscape next to one of his daughters. His other daughter gives her sister a cup full of wine. In the background the fire of the cities of Sodom and Gomorra and the woman of Lot as a salt pillar.

River god and wolf; Roman heroes.

Laocoon: A Classical Subject. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 17 1/16 × 11 9/16 in. (43.4 × 29.3 cm). Lithographer: Alfred Ducôte (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 526. Subject: Thomas Spring Rice, 1st Baron Monteagle (British, 1790-1866); William Lamb, 2nd Viscount Melbourne (British, London 1779-1848 Hertfordshire); Henry Peter, 1st Baron Brougham and Vaux (British, 1778-1868); John Singleton Copley (British, Boston, Massachusetts 1772-1863 London); Lord John Russell (British, 1792-1878). Date: March 10, 1838. Museum: Metropolitan Museum of Art, New York, USA.

Diana en Pan, Marcantonio Bellavia, after Annibale Carracci, 1660 - 1680 print Diana puts her left hand on the shoulder of Pan, who looks up in frightened position. Numbered below: XXXIII paper etching (story of) Diana (Artemis). (story of) Pan

Andrea Mantegna (1432-1506), "Bakkanal with Sil�n", 2nd Half of 15th Century

. Two fighting putti in the foreground symbolizes the struggle between virtue and the vice. On the right is a putto with laurel wreath ready for the victor, left a putto with caduceus. In the background a putto blows the trumpet, another putto holds a bird in his arms.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Hercules, Bacchus, Pan and another deity. Ghisi, Giorgio (1520-1582), graphic artist, Primaticcio, Francesco (1504-1570), draughtsman, cartoonist

Samson and Delila, Hendrik Snyers, After Anthony van Dyck, 1635 - 1644 print Soldiers captured Simson after he slept with Delila and cut his hairs off a Philistine. Antwerp paper engraving Samson wakes up and finds his hair and strength gone; he is taken prisoner

Hercules and Antaeus. 1500. Mantegna, Andrea, 1431-1506. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Andrea Scacciati, after Bartholomaeus Spranger, The Musical Contest Between Apollo and Pan, c 1766 The Musical Contest Between Apollo and Pan

Hercules Hydramuvince (Hercules and theHydra). Artist: Joachim von Sandrart, German, 1606-1688

The battle , Nudes, Campaigns & battles. George Bellows (1882-1925). Prints and Drawings

Perseus and Andromeda, 1865, Improvisations sur cuivre, etching with drypoint on laid paper, overall: 31.9 x 23.9 cm (12 9/16 x 9 7/16 in.), François-Nicolas Chifflart (artist) French, 1825 - 1901

Sheet of Sketches for a Monument to Dante (recto); Cupid and Psyche (verso) 1798-1823 France. Brush and brown ink, and white gouache, over graphite (recto and verso), on blue laid paper . Isidore Alexandre Augustin Pils

Cupid Complains to Venus of a Beesting. Date/Period: 1797. Width: 16.4 cm. Height: 10.4 cm (Complete). Author: Bertel Thorvaldsen.

Bernardino Campi, Italian (1522-1595), The Flaying of Marsyas, pen and brown and black ink with brown wash, heightened with white gouache, on brown prepared laid paper

Ixion Deceived by Zeus and Hera. During a feast on Olympus, Ixion tries to seduce Hera. Her husband Zeus prevents this by sending the cloud Nephele in the guise of Hera to couple with Ixion. Here, the real Hera looks on from the left. The adjacent drawing served as a model for this print, which was published in Haarlem, probably after Rubens death in 1640.

William Sharp after John Flaxman, Brazen Serpent, from Michael Angelo, published 1829 Brazen Serpent, from Michael Angelo

Oedipus and the Sphinx; Composition with fantastic beings. Oedipus at the entrance to the cave where the Sphinx ceases, a monster with the head of a woman, the body of a lion and the wings of an eagle. It is located on a spiral staircase, which circles the dead, bare bodies of two men and a woman.

Verhulst, Rombout, unknown, Helt Stockade, Nicolaes van, Relief with eight putti, verso center - stamped, Illusionistic relief with eight putti on a plinth. Between them a garland and a cornucopia. On the right a door., print, prent, prints, prenten, height 197 mm, width 369 mm, Noord-Nederlands, 1614 - 1669-11-26, print maker, printmaker, 1634 - 1669, paper, papier, etching, etsen, Work conception, 1624-01-15 - 1698-11-27

Apollo andDiana. Artist: Albrecht Dürer, German, 1471-1528

A 16th-century drawing by an anonymous artist depicting Diogenes, executed in blue and black brushwork on primed paper.

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