Mythological Engravings

A collection of copper engravings illustrating mythological scenes, featuring deities, nymphs, and satyrs in lush landscapes, conveying themes of discovery, nurture, and celebration.

Jupiter as a child fed with milk from the goat Amalthea, The goat Amalthea is milked by a nymph for the little Jupiter. He sits on the right as a naked child on the floor with a bottle in his hand. On the left is a smiling satyr with tambourine. Below the performance is a Latin verse, Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter, tambourine, satyr (s) (in general), Schelte Adamsz. Bolswert (mentioned on object), 1596 - 1659, paper, engraving, h 359 mm × w 466 mm

Copper engraving by Hendrick Goltzius showing Diana discovering Callisto's pregnancy, illustrating the mythological story, 1590.

Adam and Eve after the expulsion from paradise. Adam is working in the garden. Eva is sitting on a stone with two small bare buns (Cain and Abel).

Jupiter as a child fed with milk from the goat Amalthea, The goat Amalthea is milked by a nymph for the little Jupiter. He sits on the right as a naked child on the floor with a bottle in his hand. On the left is a smiling satyr with tambourine. Below the performance is a Latin verse, Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter, tambourine, satyr (s) (in general), Schelte Adamsz. Bolswert (mentioned on object), 1596 - 1659, paper, engraving, h 359 mm × w 466 mm

Bathing Diana and Silenus. Bathing Diana with its companions. Right is silenus with bunches of grapes in his hands. Silenus is surrounded by two saters making music, a third tries to kiss a nymph. Left in the foreground is shot wild. In the margin a two-person caption in French.

Five Silly Virgins Dancing and Minnen in a Landscape, Jan Saenredam, 1606 print A forest landscape with the five silly virgins in the foreground. They are accompanied by young people and dances, drinks and lovers. In the foreground dance a few about the Bible. In the background on the left a building with a few pairs. The print has a Latin caption. paper engraving representation of foolish virgin(s). forest, wood. banquet of elegant company. one pair dancing; man and woman dancing as a couple

Nessus transforms Deïanira the river, Crispijn van de Passe (II) (Possible), c. 1636 - 1670 print Hercules helps his beloved Deïanira on the back of the Centaur Nessus, the Veerman who has to take her to the other side. In the background, Nessus tries to kidnap her halfway through the river, after which Hercules shoots him. paper engraving Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

Mercury plays Argus asleep; History of Argus. Argus falls asleep next to a tree with the music that Mercury makes with his shepherd flute. All flute-playing grabs Mercury to his sword to kill Argus. In this way, IO, the beloved from Jupiter changed in a white cow could be liberated. Behind the tree the white cow (Io) is watching, left is a dog. The print is part of a four-part series of prints with scenes from the mythological story of Argus.

Wederkerige Liefde, Agostino Carracci, After Paolo Fiammingo, c. 1589 - c. 1595 print Pairs in love in a landscape. In the middle, Amor and Anteros fight for a palm branch. In the background a circle of dancing nymphs. Italian fresh in the lower margin. Italy paper engraving Reciprocal Love

Diana discovers the pregnancy of Callisto. Diana takes a bath together with her nymphs. She discovered that her Nymph Callisto is pregnant. In the background a fountain with an image of Diana with a deer.

unknown, Hoet, Gerard (I), Pastoral scene with Dameet, Galate and Amaril, verso lower left - stamped, Pastoral scene with Virgil's characters Dameet, Galate and Amaril in classical clothing in a landscape. Below the scene four lines in Dutch., print, prent, prints, prenten, height 205 mm, width 141 mm, 1648-08-22 - 1733-12-02, print maker, prentmaker, 1658 - 1733, paper, papier, etching, etsen

Apollo and Marsyas, Master of the Dice, After Rafaël, c. 1530 - c. 1560 print The Sater Marsyas is bound by a tree and is about to be skinned. On the right is Apollo with his winch and a woman who watches. A landscape in the background. Italy paper engraving punishment of Marsyas: he is flayed by Apollo. city-view, and landscape with man-made constructions

Maria appears to Willem van Rievaulx; Paintings in the Cappella Buongiovanni. Maria appears on the Holy Willem of Rievaulx along with two other female figures. In the background the demons that Willem van Rievaulx moisture.

Nymphs fill the horn of abundance, crispin van de passe (ii) (attributed to), c. 1636 - 1670 print In the background, Hercules is fighting the river god Acheloüs, who has adopted the form of a bull. During this fight, Hercules breaks one of Acheloüs' horns. In the front, nymphs fill the hearing with fruits and vegetables. paper engraving 'Cornucopia', Horn of Plenty

Rest on the Flight intoEgypt. Artist: Giovanni Francesco Grimaldi, Italian, 1606-1680

Copper engraving by Hendrick Goltzius depicting the mythological transformation of Battus into stone, 1590.

Adolescence n.d. Claude Gillot French. Adolescence 369557

Rest on the flight to Egypt, Giovanni Cesare Testa, After Pietro Testa, 1637 - 1691 print Maria is in a landscape and looks up. The Christ child, with cross staff, supports her lap and stands on a dragon. In the foreground on the right the young John the Baptist pointing to the staff of Christ. Behind him a sculpted relief with Hercules that kills the Hydra van Lerna. In the background on the left a fallen sculpture, the resting Joseph and a putto by the donkey. paper etching rest on the flight into Egypt. piece of sculpture, reproduction of a piece of sculpture. Christ-child on Mary's arm fighting the dragon

Venus continued on a car by pigeons. Venus flies through the air on her carriage through a pigeon couple. She holds an apple in her hands. The globe under her car. Three putti in the foreground. One of them looks at herself in a mirror. Another holds a salamander in hand, a bird picks up in his other hand. The third keeps a fruit up. Behind them a figure playing an instrument. Numbered in the middle of: IV.

Allegorical show with Telemachus, Jan Wandelaar, 1731 print Telemachus looks at a winged figure longing for a winged figure, where an old man points out to him. He is stopped by a woman, with an incense in his hands. In the background at a monument a lion with bundled arrows, poetry and a female figure that points to a book. At the top left, fame blows on the trumpet, an eternity symbol in her hands. On the right, a putto sticks itself through the heart with a dagger. Putti in the foreground that blow bubbles at a goat. North Netherlands paper etching / engraving (story of) Telemachus. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). (Children or Putti) Blowing Bubbles, 'Homo Bulla' ~ Scene Symbolizing 'Vanitas'. Symbolic Representations, Allegories and Emblems ~ Poetry; 'Poetry' (Ripa). Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa). incense-burner ~ scents, perfumes. Seeking Death, suicide

Resting bacchant with putti, goat and female bacchants, Michel Dorigny, 1626 - 1665 print print maker: Francepublisher: Paris paper engraving / etching male bacchant(es). resting - BB - out of doors. maenad(s), female bacchant(es). cupids: 'amores', 'amoretti', 'putti'. goat

Landscape with the H. Hieronymus that translates the Bible.

Jupiter as a child fed with milk from the goat Amalthea, Guillaume Chasteau, after Nicolas Poussin, 1645 - 1683 print France paper etching / engraving / counterproof Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter. goat. insects: bee. bee-hive

Hercules Torst the globe for Atlas, Cornelis Cort, After Frans Floris (I), in or after 1563 - Before 1595 print Hercules takes over the globe from Atlas and carries it on his shoulder. For example, atlas can steal the golden apples of the Hesperides for Hercules. Antwerp paper engraving Hercules carries the heavens on his shoulders

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Lot and his daughters, Samuel Bottschild, 1693 print paper etching Lot and his daughters (Genesis 19:30-38)

History of the city of Rome. Allegory on the history of the city of Rome. In the foreground is history with a pen in her hand. She looks forward to a statue of Emperor Antoninus Pius. On the clouds are truth with sun on the head and father time with zeis. In the background the city of Rome. In the foreground a river god as a personification of the tiber and the wolvin with Romulus and Remus.

Pan foiled by Diana. Artist: Giovanni Girolamo Frezza (Italian, 1659-1741); After Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 15 3/4 x 20 1/2 in. (40 x 52 cm)plate: 9 7/16 x 15 11/16 in. (24 x 39.8 cm). Date: 1675-1741. Museum: Metropolitan Museum of Art, New York, USA.

Gray wash drawing by Hendrik van Limborch depicting naiads holding flowers, fruits, and a cornucopia, inspired by Ovid's Metamorphoses.

Johann Spillenberger, The Contest between Apollo and Pan before King Midas, c 1670 The Contest between Apollo and Pan before King Midas

Rest on the Flight into Egypt, c. 1860, Lithograph and tint stone.

Cimone en IFigenia, Cornelis Schut (1), 1618 - 1655 print The Boerse Cimone watches ifenigenia and her cozets are sleeping at the fountain. IFigenia awakens by his gaze. (Boccaccio, Decamerone, 5: 1). paper etching Iphigenia. Cimon. (scenes from) specific works of literature: Boccaccio, Decamerone. sleeping; unconsciousness - BB - out of doors

Michel Dorigny, Bacchante with Sleeping Child, 1650s Bacchante with Sleeping Child

Polyphemus monitors the herd, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print The giant Polyphemus monitors the herd and sees how Odysseus and his men go ashore. Paris paper etching / engraving Polyphemus. Ulysses and his companions in the land of the Cyclopes (Homer, Odyssey IX)

Pyramus and Thisbé. Pyramus put himself down with his sword after he meant that Thisbe was killed by a lion. ThisBe discovers her dying loved one, on which she also stated himself.

Rest on the flight to Egypt, Giovanni Cesare Testa, After Pietro Testa, 1637 - 1691 print Maria is in a landscape and looks up. The Christ child, with cross staff, supports her lap and stands on a dragon. In the foreground on the right the young John the Baptist pointing to the staff of Christ. Behind him a sculpted relief with Hercules that kills the Hydra van Lerna. In the background on the left a fallen sculpture, the resting Joseph and a putto by the donkey. print maker: Italyafter design by: Italypublisher: Rome paper etching rest on the flight into Egypt. piece of sculpture, reproduction of a piece of sculpture. Christ-child on Mary's arm fighting the dragon

. The hunter Narcissus is located at the waterfront and looks at his own mirror image. Besides him his dogs and his arrow and arches. In the background clogged between the trees leans the Nymph echo on a rock.

Eros (Cupid), holding a bow and arrow, is being crowned with laurel by his mother Aphrodite (Venus); two putti are cutting branches of laurel and three putti are playing with arrows in the foreground; below, a rococo cartouche. Ink drawing.

Artist: Ange-Laurent de La Live de Jully, French, 1725-1779, After: François Boucher, French, 1703-1770, Jeune fille sacrifiant sur l autel de lamitie (A Young Girl Sacrificing on the Altar of Friendship), 18th century, Etching, image: 26.5 × 17 cm (10 7/16 × 6 11/16 in.); sheet (trimmed within platemark): 28.3 × 17.8 cm (11 1/8 × 7 in.), Made in France, French, 18th century, Works on Paper - Prints

Minerva and Telemachus. Minerva disappears behind the clouds and looks at the kneeling telemachus. In the background view of a stranded ship, on the beach there are drowns.

Truth writes history, Joseph de Longueil, After Charles Joseph Dominique Eisen, 1774 print The naked truth with sun above the head writes in an open book. She is assisted and decorated with a garland sitting on clouds by a woman. With her book Truth leans on father time with scythe and hourglass. paper engraving Truth; 'Verití' (Ripa). 'Historia'; 'Historia' (Ripa). Father Time, man with wings and scythe

Faith, hope and love in a landscape, Jacob Matham, After Hendrick Goltzius, 1631 - 1656 print Faith (fides), Hoop (Spes) and Love (Caritas) Personified as three female figures in a landscape. Print Maker: Haarlem Publisher: Amsterdam paper engraving the Three Theological Virtues

A copper engraving by Pieter de Jode II from 1644 depicting the characters Rinaldo and Armida from a literary or mythological story.

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

Jupiter as a child fed with goat amalthea milk. The goat Amalthea is milked by a nymph for the small Jupiter. He sits on the right as a nude child on the floor with a bottle in hand. On the left is a smiling Sater with tambourine. Below the show is a verse in Latin.

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, Faith, Hope and Charity in a landscape, verso lower left - stamped, Faith (Fides), Hope (Spes) and Charity (Caritas) personified as three female figures in a landscape., print, prent, prints, height 368 mm, width 272 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1590 - 1590, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

Paris, Le Brun, Jeaurat, Edme, Vleughels, Nicolas, France, Mythological figures, Thalie, et Terpsicore., Thaleia and Terpsichore, verso - stamped, print, prints, height 229 mm, width 168 mm, 1688 - 1738, print maker, printmaker, 1719 - 1719, paper, papier, etching, etchings, engraving, engraving (printing process), stipple work, French, 1668-12-06 - 1737-12-11, after, after painting by, Publication (Event), Publication, publisher, uitgever, Publicatie

Simone Cantarini, The Rest on the Flight into Egypt The Rest on the Flight into Egypt

Five putti dancing to the music of a triangle Mythological and allegorical performances (series title), on the right a woman plays on a triangle. Five putti dance to the music. The print is part of a series with mythological and allegorical performances., Other percussion instruments (with NAME), cupids: 'amores', 'amoretti', 'putti', group dancing, Johannes Glauber (mentioned on object), unknown, 1656 - 1726, paper, etching, w 140 mm × h 170 mm

Heilige Jerome Girolamo Olgiati, after Cornelis Cort, after Girolamo Muziano, c. 1602 print In a landscape, the saint Hieronymus kneels for a crucifix. In addition to the Crucifix, his hat and a skull. The lion is sleeping next to Hieronymus. print maker: Italyafter print by: Romeafter drawing by: Rome paper. ink engraving / pen St. Jerome as hermit in a landscape, reading. crucifix ~ personal devotion. beasts of prey, predatory animals: lion. (human) skull. meditation over skull and/or crucifix

Judgment of Paris, Pierre François Tardieu, after Peter Paul Rubens, 1750 print paper etching / engraving the Judgement of Paris (Mercury present)

. In a landscape at a stream, Jupiter, with next to him, gains the eagle to a woman while Juno watches. Juno is sitting on a cloud and has her peacocks.

Bernard Lens, after Cornelis van Poelenburch, Bathers in a Landscape Bathers in a Landscape

Jean Ouvrier after François Boucher, Les deux confidantes, 1761 Les deux confidantes

Five children playing music, Michiel Frans van der Voort, 1737-1777.

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Apollo Killing Coronis Apollo Killing Coronis

Agostino Carracci, Pan Taming Eros, 1599 Pan Taming Eros

The Contest between Apollo and Pan before King Midas. Dated: c. 1670. Dimensions: sheet: 21 x 20 cm (8 1/4 x 7 7/8 in.). Medium: pen and gray ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Spillenberger.

Silver century; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Imagination of life during the silver century: scarcely dressed men's teams and sowing, and build huts. In the foreground a bull draws a team. In the clouds the God Jupiter. On the right in the foreground the goddess Ceres with the cornucopia. Under the show twice two fresh rules in Latin. The print is part of an album.

Mercury plays Argus asleep, Gerard de Lairesse, 1670 - 1672 print Argus falls asleep next to a tree with the music that Mercury makes with his shepherd's whistle. Already whistling, Mercury grabs his sword to kill Argus. In this way Io, the loved one from Jupiter, could be liberated. Behind the tree the white cow (Io) watches, a dog is on the left. The print is part of a four -part series of prints with scenes from the mythological story of Argus. paper etching Mercury lulls Argus into sleep by making music

An etching and copper engraving by Jacques Bellange from the early 17th century, titled 'The Proclamation', depicting a ceremonial announcement with figures in detailed period attire and architectural settings.

Scylla flight to Glaucus, Salvator Rosa, c. 1661 print The Zeenimf Scylla fleeing glaucus that extends its arms to her on the left with beard and winding fish tail. Glaucus was a fisherman who turned into a sea-centaur after eating magic herbs and fell in love with Scylla. Italy paper etching / drypoint Scylla fleeing from Glaucus

Judgment of Paris. Paris sits like shepherd in a landscape and gives the apple to Venus, she stands with Amor between the other two goddesses Minerva and Juno. Different figures from the story are shown such as Mercury the Messenger and Jupiter on his throne.

Rest in Egypt, according to Rubens (Dutuit 18) Christoffel Jegher. Rest in Egypt, according to Rubens (Dutuit 18). Clear-dark wood, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Plate from, Nella Venuta. Étienne de Lavallée-Poussin; French, 1735-1802. Date: 1764. Dimensions: 128 × 93 mm (image); 136 × 100 mm (plate); 301 × 220 mm (sheet). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Italy, Rosa, Salvator, Academy of Plato, recto bottom - handwritten in brown ink, In a wooded area sits Plato, surrounded by seven men. On the right a man leans against a tree while he talks to Plato. On the left front a man sits on the ground. On the bottom left two lines of text in Latin., print, prints, verso - stamped, 1135 99, height 460 mm, width 275 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1662 - 1662, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Small Bacchanal.De Lairesse here seems primarily interested in cautioning the viewer against the unpleasant consequences of abusing alcohol. Part of the company is roaring drunk. In the middle a woman, mouth open, sleeps off her hangover. Freely translated, the Latin text reads: Night, love, and wine counsel no halfhearted measures. The first knoweth not shame, Bacchus and love know not fear.’

Picart, Bernard, Cortona, Pietro da, Amphitrite on a Dolphin, verso lower left - stamped, print, prints, height 71 mm, width 91 mm, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Italian, 1596 - 1669-05-16, after, after painting by, Publication (Event), Publication, Northern Netherlands, 1673-06-11 - 1733-05-08, publisher

Venus asks Vulcanus to forge weapons for Aeneas, Nicolas Henri Tardieu, after Antoine Coypel, 1684 - 1749 print paper etching / engraving (story of) Vulcan (Hephaestus). Venus asks Vulcan to forge Aeneas' armour. cupids: 'amores', 'amoretti', 'putti'

Diana Bathing. Artist: Francesco Albani (Italian, Bologna 1578-1660 Bologna). Dimensions: 8 x 6 7/8in. (20.3 x 17.5cm). Date: 1578-1660.This drawing was reproduced in reverse by the French engraver Bernard Picart (1673-1733) as the work of Domenichino when it figured in his 1734 book of reproductive prints from the "cabinet de Mr. Uilenbroek." At Chatsworth there is a related drawing, also traditionally attributed to Domenichino, in which the nude Diana is represented seated (inv. 507). The Chatsworth drawing comes from the Dutch collection of Nicolaes Anthoni Flink (1646-172; Lugt 959), and thus, like our drawing, it was in Amsterdam in the early eighteenth century. Both these drawings would seem to be the work of Albani, an attribution strongly endorsed by Ann Sutherland Harris (see Sutherland Harris 1969 and 1996). The rather dry pen work and the somewhat mannered elongation of the figures are paralleled in a 'Death of Adonis' in the British Museum, London, a drawing traditionally a

Orpa leaves Ruth and Naomi, Philips Galle, After Adriaan de Weerdt, 1557 - 1591 print Naomi travels with her two daughters -in -law to Judah. Along the way she sends the women back to their parental home. Orpa leaves, but Ruth stays with Naomi. Ruth and Naomi sit on stones on the banks of a river. Orpa leaves with her luggage under her arm. Under the performance a reference in Latin to the Bible text in Ruth 1. print maker: Haarlempublisher: Antwerp paper engraving Naomi sends away her daughters-in-law: Orpah returns home, Ruth stays

Half -naked figures and goats in a landscape, Bernard Lens (II), After Nicolaes Pietersz Berchem, 1686 - 1725 print publisher: LondonEngland paper etching open-air recreation. low hill country (+ landscape with figures, staffage)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), rest in the flight to Egypt. (A. de Vesme 16; Dutuit 155) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

With the gall of a fish Tobias cures his father's blindness. Next to him are the angel Raphael and Anna, Tobias' mother. Numbered bottom left as IIII., Tobias Heals His Father's Blindness The Story of Tobias (series title), print maker: Moyses van Wtenbrouck, (mentioned on object), publisher: Broer Jansz. (Den Haag), The Hague, 1621, paper, etching, engraving, h 129 mm × w 183 mm

Sustris, Frederik, München, Sadeler, Johann (I), Hercules at the Crossroads, verso lower left - stamped, The young Hercules at the crossroads. In his hands a club and a lion skin. Above his head the Greek Y, the letter that symbolizes the path of life. To the left of Hercules stands the personification of virtue, to the right the personification of Sin. Virtue shows him a narrow, steep path to Mount Parnassus. Sin shows him the wide path to storm and misfortune. In the air the Roman gods in heaven. Fama blows the trumpet., print, prints, height 428 mm, width 313 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1588 - 1595, paper, papier, engraving, engraving (printing process), Italian, Northern Netherlands, 1540 - 1599, intermediary draughtsman

Armida and the sleeping Rinaldo. Armida finds the sleeping Rinaldo and is approaching to kill him from revenge with a dagger. However, she falls in love with the sight of the handsome young. Amor, with a burning torch in hand, gives two putti to stop armida command. On the left in the background the river orontes in Syria and on the right the flow god of this river. At the bottom of the margin an explanatory text in French.

Hercules and Omphale Artist's working dates 1742-1789 Germany. Etching printed in black on white wove paper . Johann Heinrich Tischbein, I

. For the town hall on Dam Square in Amsterdam, three putti practice painting and sculpture. They are protected by a satisfaction of virtue, against time and stupidity that have been fled. Behind the putti a base with two portraits.

Italy, Venus and Amor, verso - stamped, Venus sits at the foot of a tree and puts her arm around Cupid. In the foreground lies Cupid's quiver., print, prent, prints, prenten, height 137 mm, width 103 mm, print maker, prentmaker, 1600 - 1699, paper, papier, etching, etsen

Hagar in the desert, Jurriaan Cootwijck, after Eustache Lesueur, 1759 print Hagar is located on the ground in a mountainous landscape. An angel points her to a water source. On the right is Ismaël, the child of Hagar, hidden under a bush. print maker: Amsterdamafter drawing by: Paris paper an angel appears and reveals a well of water to Hagar

Niobe punished for her pride. Diana has appeared in the clouds to shoot the children of Niobe with her arrow and bowed the children. Niobe, who found himself better in her pride than the divine twins Apollo and Diana, is accompanied by left and right by two children and desperately looks up.

Bacchanal with Wine Vat. Artist: Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Dimensions: plate: 12 3/4 x 17 13/16 in. (32.4 x 45.2 cm)sheet: 13 1/8 x 18 1/8 in. (33.3 x 46 cm). Date: ca. 1475. Museum: Metropolitan Museum of Art, New York, USA.

Table of the Temple of Muses, Narcisse (Dutuit 36, White 126) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple des Muses, Narcisse (Dutuit 36, White 126). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Sixth Day of Creation: God creates the animals and Adam and Eva, Nicolaes de Bruyn, After Maerten de Vos, 1581 - 1656 print Sixth day of creation: God creates the animals and Adam and Eve. He blows Adam into life through his nose. In medallion with a Bible text in Latin from Genesis 1, within rectangular frame. Netherlands paper engraving creation of land-animals. the man (Adam) comes to life: usually God reaches out his hand or breathes life into his nostrils

Apollo and Marsyas 1532 Italy. Engraving in black on paper . Master of the Die

Fuite de M. de Belle-Isle, prisonnier chez les Attakapas. Artist: After Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris); Etched by Charles-Francois Letellier. Dimensions: sheet: 5 5/8 x 3 5/8 in. (14.3 x 9.2 cm)image: 4 7/8 x 3 1/8 in. (12.4 x 8 cm). Date: 1767. Museum: Metropolitan Museum of Art, New York, USA.

Charity Goltzius School Netherlandish. Charity 399828

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Job, Job on the dunghill, Job sits on a dunghill and is visited and mocked by his friends. One of his friends is dressed in sackcloth and ashes: he has sprinkled ashes on his head. Below the depiction is a reference in Latin to the Bible text in Job 2:11. This print is part of an album., print, album sheet, prints, height 209 mm, width 269 mm, Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Sacrifice to pan; Old and New Testament to Castiglione. A Sater and a group of a man, two women and four children bring a sacrifice to an image of pan.

Bacchus, Ceres en Pomona, Cornelis Schut (I), 1618 - 1655 print paper etching / engraving Pomona. (story of) Bacchus (Dionysus), Liber. (story of) Ceres (Demeter)

Night Original 1767 France. Etching on paper . Emmanuel Jean Nepomucene de Ghendt

The Academy of Plato, Salvator Rosa, Italian, 1615 - 1673, Salvator Rosa, Italian, 1615 - 1673, Etching and drypoint, The garden of Plato's Academy: Plato in center, seated, surrounded by his students., 1662, classicism, Print, Print

Cadmus Tilling the Field Where He Sawed the Dragon's Teeth 1540-45 Antonio Fantuzzi Italian. Cadmus Tilling the Field Where He Sawed the Dragon's Teeth 336756

Hercules equipment from his works, Nicolas Mignard, After Annibale Carracci, 1616 - 1647 print France paper etching (story of) Hercules (Heracles). Cerberus, the three- or many-headed dog; 'Cerbero' (Ripa)

Anno 1720. Haben disen gantz weissen Fuchsen, Thro Excellenz Herr Graf von Ohringen ohnweit Ohrenthal selbst geschossen.. Ridinger, Johann Elias (1698-1767). Prints, Illustrations, Scientific illustrations. 1740. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) late 17th century Godfried Maes Flemish. Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3) 358945

Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19 ca. 1600 Theodoor Galle Netherlandish This is the first plate from the series entitled Nova Reperta, which surveys new inventions and discoveries made during the Renaissance from a European perspective. In this engraving, the Florentine explorer Amerigo Vespucci is shown as he first encounters America. Stradanus presents the continent　as an allegorical figure; a sexualized young woman gesturing towards Vespucci from her hammock. She wears only a feathered headdress and skirt, her club abandoned against the tree at the right, where an anteater is shown feasting. Set behind her in the rolling landscape are other animals associated with the Americasa horse and a bear. Also depicted is a scene of cannibalism.The representation of the Four ContinentsAfrica, America, Asia and Europeas female allegorical figures with their so-called attributes has a long history and was standardized in the late sixteenth

Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at right ca. 1640 Simone Cantarini Italian. Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at right 341424

Invitation card, with the attributes of the arts (IFF 391) (dummy title)

The Judgment ofParis. Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534 After: Raphael, Italian, 1483-1520

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