Mythological Etchings

Etchings portraying mythological stories and idyllic pastoral scenes, rich in symbolism and human interactions set against natural landscapes.

Etching by Paul van Somer, created between 1660 and 1700, showing various mythological scenes with human figures, gestures, and symbolic elements.

Etching by Johann Wilhelm Baur illustrating The Metamorphoses, created in 1641, showing mythological figures, narrative elements, and classical composition.

Moses and the burning bush; Mosé Nel Roveto. Moses and the burning braambos. Print No. 5 on leaf 4 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Copper engraving and etching by Salomon Savery depicting men and women in costumes, created between 1615 and 1683.

Photo production of an engraving of people suffering from the plague by Marcantonio Raimondi, Benjamin Delessert, after Marcantonio Raimondi, After Rafaël, c. 1848 - in or before 1853 photograph photographic support salted paper print plague

17th-century etching by an unknown engraver depicting a frieze of putti with ornamental design and decorative motifs.

The Fisherman's Hut, 1765, Jean-Baptiste Le Prince, French, 1734 - 1781, 2 3/16 x 4 1/2 in. (5.56 x 11.43 cm) (image)2 1/2 x 4 13/16 in. (6.35 x 12.22 cm) (plate)5 1/4 x 7 in. (13.34 x 17.78 cm) (sheet), Etching, France, 18th century

Etching by Stefano della Bella from 1642 depicting diverse figures in landscapes and cityscapes, showing human and animal activity in detailed compositions.

Etching by Claude Henri Watelet, 1730-1786, depicting an interior with a fireplace and a monkey playing cards, showing detailed furniture, figure, and 18th-century European domestic scene.

Etching and copper engraving by Claude Nicolas Malapeau between 1781 and 1796 depicting Louis XV and Louis XIV, showing their portraits, regalia, and formal attire in 18th-century style.

Etching by Melchior Küsel depicting scenes from the Old Testament, created in the 17th century, illustrating biblical narratives and figures.

Etching and copper engraving by Jean Moyreau depicting a refreshment district, created in 1737, showing people in social and commercial interaction in 18th-century urban setting.

Tobias Stimmers 1583 woodcut depicts holy representations including the Jesse Tree and the Annunciation, illustrating biblical figures, symbols, and European printmaking techniques.

Pierre Etienne Moitte's engraving from 1747 depicts the mythological story of Aeneas, highlighting characters, gestures, and narrative composition using copper engraving and etching techniques.

A 16th-century etching by Jost Amman showing rulers with their heraldic coats of arms, emphasizing rank and lineage.

This 1598 etching by Antonio Tempesta shows multiple hunting scenes with hunters, dogs, and game in Renaissance Italian landscapes, emphasizing movement and detail.

RomeINSE Offerscène, Cécile Beauvallet, 1820 Ornamentprentem with, among other things, a Roman sacrificial scene and various sculptures. Part (4th CAH. N. 24) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens Dans Le Style Antique'. paper etching ornaments ~ art. animal sacrifice ~ Roman religion. piece of sculpture, reproduction of a piece of sculpture

Copper engraving and etching by Jean Baron between 1636 and 1660 depicting the Plague of Ashdod.

Kurzweil ; Würfler, Pan III 3. Orlik, Emil (1870-1932), graphic artist, Pan-Verlag (Berlin ; wydawnictwo ; 1895-1900), publishing house

Etching by Richard Earlom from 1810 depicting shepherds in front of an ancient temple and farmers dancing in a rural landscape, showing figures, architecture, and natural elements.

Etching by an unknown engraver, created between 1550 and 1700, showing representations from the large hall in the Palazzo Te in Mantua, including figures and architectural elements.

Six performances with Indian use, Daniel Nikolaus Chodowiecki, 1786 print The prints are numbered at the top right of one to six. With caption in German. paper etching Asiatic races and peoples: Indians. widow. human sacrifice ~ non-Christian religions. public baths - AA - in the open air. traffic and transport. ruler, sovereign. trunked animals: elephant. (carrying a person in a) sedan-chair

Photo production of a print of a scene from Heidenröslein, representing a shepherd and a woman ..

Copper engraving by Claude Mellan created between 1630 and 1688 depicting Apollo in the sun's chariot and Venus with Adonis, showing mythological figures and celestial elements.

Aquatint by Wilhelm Alexander Wolfgang von Kobell showing evening occupations at a military camp, produced in 1794.

Etching by Cornelis Visscher depicting women washing on a river while a shepherd washes their feet, created between 1628 and 1658.

Etching by Claes Jansz Visscher depicting landscapes with farmhouses, created between 1600 and 1652, showing rural buildings, fields, and surrounding environment.

Balthasar Jenichen's etching 'View of Tunis; The Siege and Take of Nicosia by the Turks' (1570-1573) depicts the military events during the Ottoman expansion in Cyprus, illustrating the siege and capture of Nicosia.

Lithograph by Heinrich Friedrich Füger depicting personifications of Philosophy, Jupiter, and Pallas in a round image, created between 1815 and 1873, showing symbolic figures and attributes.

Triumphag from Vulcanus, triumphar with various gods; Triumphers. Upper print: cave with the vulcanus workshop, drawn by four cyclopes. Lower print: car where various classical gods run out (O.A. Apollo, Jupiter, Saturn, Mercury). These prints are part of a series of triomf cars, copies in mirror image to details of illustrations from a book about the festivities (O.A. a tournament) in the Ducal Palace in Nancy on February 14, 1627.

Etching by Nicolaes Pietersz. Berchem produced between 1726 and 1780 depicting an ambiguous terrain, showing figures and 18th-century landscape engraving techniques.

Arrival of Maria Anna van Austria in Lisbon, 1708; Ankefft der Portugesischen Braut zu Lisbon. Arrival of Archshertogin Maria Anna van Austria in Lisbon as the future bride of King Johan V from Portugal, October 27, 1708. In the foreground the queen surrounded by hofdames with musical instruments and a mirror or portrait. In the background the arrival of the fleet that traveled the Archduchin to Lisbon. At the bottom left of a cartouche with the description of the events in German. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Copper engraving and etching by various artists from the 18th century depicting peasant genre scenes, showing figures, gestures, domestic activities, animals, and rural landscapes.

An etching by Pieter Jansz. Quast around 1638 depicting rural farmers with domestic bedding and interior objects.

Etching and aquatint by Maria Catharina Prestel depicting a seascape with waves and distant horizon, created between 1753 and 1798.

Etching by Jan van de Velde II depicting various market scenes, created between 1613 and 1641, showing vendors, buyers, stalls, and daily commerce activities.

An etching by Johann Elias Ridinger from 1736 showing wild KAZ or kuder, emphasizing growth in old age and offspring from third to sixth litter.

The Servant, 1769, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/8 x 2 7/8 in. (10.48 x 7.3 cm) (image)4 5/8 x 3 3/8 in. (11.75 x 8.57 cm) (plate)6 15/16 x 4 7/16 in. (17.62 x 11.27 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century

Etching by Jan de Visscher showing a spinner with a herd in front of a rock face, created between 1653 and 1712, depicting figures, animals, and landscape features.

Reproductory van La Glissade door Pierre Edouard brother, Anonymous, after Pierre Edouard brother, c. 1871 - in or before 1876 photomechanical print paper painting, drawing and the graphic arts. boy (child between toddler and youth). child and nature (games and plays)

62. Mier Saul with her sons in the war; 63. Betsabea He David; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Jakobs Ladder, Anonymous, 1711 - 1728 print paper etching / engraving the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder

Etching by Johannes Glauber from 1661-1726 showing a design for a ceiling painting, including figures, ornamental elements, and compositional layout for decorative purposes.

Lithography depicting the large triumphal car with the pair of teams Acrimonia and Virilitas, created by Albrecht Dürer after 1800.

Etching by Adriaen Frans Boudewyns showing a landscape with a hunting scene, 1664-1711.

Simon François Ravenet created an etching between 1757 and 1821 depicting the movement of a convoy with horses and carts along a road.

Landscape with ruins and a grotesque vase, 1767 - 1770 print Landscape with ruins and a grotesque vase. Part of Group Prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets. paper etching landscape with ruins. vase ~ ornament

A copper engraving and etching by Hendrick Goltzius depicting the measurement of a whale, created in 1594, illustrating a maritime scene with human figures and natural elements.

Etching by Bartolomeo Pinelli from 1817 showing historical scenes of Rome, including streets, public spaces, and buildings.

Copper engraving and etching by Johann Ambrosius Siebmacher from 1593-1596 depicting battle scenes and city views, showing figures, architecture, and landscape composition.

Bären, Bl. 6; Hesse, Johannes (1847-1916), Menzel, Adolph (1815-1905), Verlag von Gebrüder Rocca (Berlin, Getynga; Publisher; 1815-1874); 1851 (1851-00-00-1905-00-00);

1783 etching and aquatint by Johann Adam von Bartsch portraying the birth of Adonis with detailed human figures and classical mythological elements.

Photo reproduction of a print, representing Johann Wolfgang von Goethe who skates on a frozen river in Frankfurt ..

Reproductory van The torture of adulterers Door Jules-Arsène Garnier, Anonymous, After Jules-Arsène Garnier, c. 1871 - in or before 1876 photomechanical print paper painting, drawing and the graphic arts. adulterer. corporal punishment in public

Six performances with the short poems by Ludwig Hölty, Daniel Nikolaus Chodowiecki, 1793 print Berlin paper etching churchyard, cemetery. lovers' meeting. resting - BB - out of doors. grave digger. burial. harvest. cortege, funeral procession

Faces with thistles, artichokes and butterflies. .

Etching by Abraham Rademaker depicting Dutch landscapes with historical buildings, created between 1700 and 1725.

Aquatint print by Benedikt Piringer from 1813 titled 'The Oath of Love; Do Not Forget Me', depicting a romantic pledge between two figures.

A woodcut by Sebald Beham from the first half of the 16th century depicting the nose dance in Hümpelsbrunn with participants performing the ritual and musical elements.

Etching by Albert Flamen showing emblems, created in 1672, depicting symbolic designs and iconography.

"Brennus" from The Complete Works of Béranger 1836 J. J. Grandville. "Brennus" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Auguste Raffet (French, Paris 1804-1860 Genoa). Prints

Reproduction of three paintings by Henryk Siemiradzki (1843-1902): Viaticum, At the Monastery, Christ with Martha and Maria ; from: `Wędrowiec` 1905, no. 38 (September 23), p. 720-721. Hanfstaengl, Franz Kunstverlag (Monachium ; firma wydawniczo-fotograficzna ; 1852-1980), photographer, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

A woodcut by Niclas Stör Edelmann after 1500 depicting two sticks, showing simple objects rendered in detailed line work on paper.

This etching by Carl Philipp Schallhas depicts the Chotec garden in Brigittenau, showing garden layout, pathways, plants, trees, and architectural elements, created between 1783 and 1797.

This 1803 etching by Johann Adam von Bartsch depicts Ariadne and Bacchus riding a chariot pulled by two panthers, emphasizing mythological figures, animals, and movement.

Copper engraving and etching from 1636 depicting an allegorical or ceremonial scene praising Ferdinand, showing figure composition and 17th-century engraving techniques.

Photo production of a drawing of the Alexandermosaic from the Faun house in Pompeii, Giorgio Sommer, After Anonymous, c. 1860 - c. 1880 stereograph Naples photographic support. cardboard albumen print floor-covering

Fountain and Garenwinster. Two performances on a leaf. Above: the operation of a fountain in a landscape. Under: Ways to tie yarn.

Etching by Christoph Jamnitzer depicting grotesque motifs including imaginative creatures, ornamental designs, and fanciful elements from around 1600.

Corpse of Willem IV, 1752, plate 19, 1753 - 1755 Members of the Stadholder's administrative device. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 19. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft Members of the Stadholder's administrative device. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 19. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Copper engraving and etching by Gilles Rousselet from 1675 depicting the biblical scene of the discovery of baby Moses in the Nile with figures and setting.

Etching by Jacques Tortorel from 1569-1570 depicting events in France between 1559 and 1570, showing historical scenes and figures.

Schip Met Peleus, Web en Thetis, anonymous, after Remy Cantagallina, after Giulio Parigi, 1624 - 1631 print A ship with a bird head as a bow and a tree as a mast. Peleus, Telamon and Thetis are on the stern. paper etching ships (in general). the story of the Argonauts: the quest for the Golden Fleece. (story of) Peleus and Thetis

Children's scenes, 1869 - 1882 print Leaf with 3 scenes with children. A caption under each image. Numbered in the top left: No. 74. maker: Europeprint maker: Europeprint maker: Europepublisher: KampenNetherlands paper letterpress printing child. children's games and plays

The fallen statue of Rameses II at Memphis. The soft mud in which it is embedded has perfectly preserved the well-cut features and all the front part of the figure. During about eight months of the year it is partly covered by the waters of the overflowing Nile.. Fenn, Harry (1838-1911). Prints, Illustrations. 1881 - 1884. Dorot Jewish Division. Ramses II, King of Egypt , Statues, Memphis (Extinct city)

Karel I, Henrietta Maria and Maria de 'Medici in St James' Palace, 1639 Charles I of England, his wife Henrietta Maria, their children and Maria de 'Medici in a room in St James' Palace. There are significant gentlemen in an arc around them. The walls of the room are decorated with Fleur-de-Lys. On the left is a bust of a man. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching St James's Palace Charles I of England, his wife Henrietta Maria, their children and Maria de 'Medici in a room in St James' Palace. There are significant gentlemen in an arc around them. The walls of the room are decorated with Fleur-de-Lys. On the left is a bust of a man. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching St James's Palace

A woodcut by Erhard Schön after 1491 depicting the large rosary, showing devotional imagery and figures in religious context.

. The sledevaart on 24 January 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (October 3, 1574) and the establishment of the University of Leiden (8 February 1575). The fourteen slides in three rows among each other, numbered 1-3, with indication of the subject of the carriage. Stands without the owl at Minerva.

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