Mythological Figures and Classical Art

Prints illustrating ancient gods and mythological figures. Muscular forms and dramatic poses convey strength, with detailed backgrounds and symbols.

The god Saturn stands on a pedestal with a scythe in his hand. He is biting a child he is holding in his arms., Saturn, print maker: Willem Basse, (mentioned on object), Hendrick Goltzius, (mentioned on object), Jan Saenredam, Amsterdam, 1633 - 1672, paper, etching, h 140 mm × w 95 mm

Apollo; Antique gods. An image of the God Apollo placed in a niche. On the wall hanging attributes from Apollo, such as a jug with a sun and a month, as a symbol for apollos task as a sun god. The four horse heads come from the horses that usually pull Apollos car. Apollo holds a winch as God of poetry and music. Under the show a Latin fresh.

Sculpture of Apollo, Cherubino Alberti, 1577 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Apollo Belvedere; Signs Old Icons i.

Jupiter, Nicolaas Braeu, After Karel van Mander (I), 1598 print An image of the ruler of the Jupiter gods, placed in a niche. Jupiter is wearing a crown and throws the lightning bolt. His symbol, the eagle is at his feet. With a Latin caption. paper engraving (story of) Jupiter (Zeus)

Ligeris. Philips Galle (Holland, Haarlem, 1537-1612). Holland, 1586. Prints; engravings. Engraving

The god Saturn stands on a pedestal with a scythe in his hand. He is biting a child he is holding in his arms., Saturn, print maker: Willem Basse, (mentioned on object), Hendrick Goltzius, (mentioned on object), Jan Saenredam, Amsterdam, 1633 - 1672, paper, etching, h 140 mm × w 95 mm

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses 397524

St. Andrew, from Christ and the Apostles 1530-76 Attributed to Lambert Suavius Netherlandish. St. Andrew, from Christ and the Apostles. Attributed to Lambert Suavius (Netherlandish, ca. 1510-by 1576). 1530-76. Engraving; backed with a print by J. A. Fridrich. Prints

A naked Faun of Faunus, a Roman spirit of the forest, holds grapes and a cornucopia above a panther with its mouth open. From a sculpture in the Palazzo Medici. Copperplate engraving by Richard Collin after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Sculpture of Mercury; Mercurij Statua Marmorea, Apud Alexandrum de Grand (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Riviergod Scaldis; Scaldis; Rivier- en zeegoden; Semideorum Marinorum amnicorumque sigillariae imagines perelegantes.The river god Scaldis (the Scheldt), seated on a stone block. A shell in his hand. In the background the city of Antwerp. The print is part of a seventeen-part series about river and sea uts.

Sculpture of Amor who picks grapes, anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Sater as Kariatide, Richard Collin, After Joachim von Sandrart (I), 1676 print A saat with bokke legs and horns wears part of a building on its head. There is a cloth on the capital on his head that forms a cloak for the figure. paper engraving piece of sculpture, reproduction of a piece of sculpture. satyr(s) (in general). caryatids ~ architecture

Marcus Valerius Corvus, Lucas van Haelwech, after Hendrick Goltzius, 1602, draughtsman: Lucas van Haelwech, Hendrick Goltzius, 1602, paper, pen, h 321 mm × w 232 mm

Sculptuur Van Love on druiven pLuke; Cupid through in a house Io Baptista lugares; Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Standing Hercules ..

Waternimf Arethusa; Arthvsa; Stroom- en waternimfen; Nimpharum oceanitidum, ephydridum potamidum naiadum.The Waternimf Arethusa, seated on a stone block. In her hands a tuil flowers. The print is part of a seventeen-part series about electricity and water nymphs.

François Perrier, The Farnese Hercules, front view (plate 2), 1638 The Farnese Hercules, front view plate 2

Hercules Farnese, Jacob Bos, 1562 print Statue of Hercules, known as Hercules of Farnese. Hercules, muscular and heavily built, is naked in a niche and leans on his club. The lion skin hangs over the club. In the third century AD, the statue was carved from Marble to an antique sculpture by Glycon and is currently in National Archaeological Museum of Naples. Previously it was in Palazzo Farnese, from where it got his name. On a rock next to Hercules a few words in Greek. The print has a Latin caption. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Hercules (Heracles) National Museum

The Martyrdom of Saint Sebastian, with angels crowning him at upper left ca. 1620-32 Willem Panneels. The Martyrdom of Saint Sebastian, with angels crowning him at upper left. Willem Panneels (Flemish, ca. 1600-after 1632). ca. 1620-32. Etching. Prints

Pluto; on verso sketches of a figure, four heads, and a column 1592 Hendrick Goltzius Netherlandish. Pluto; on verso sketches of a figure, four heads, and a column 399878

H. Sebastiaan, Willem Panneels, c. 1610 - 1634 print Landscape with the Holy Sebastiaan tied to a tree and is pierced with an arrow. An angel appears from heaven who crowns him with a laurel wreath. unknown paper etching / engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Du Quesnoy, François, Italy, Po, Pietro del, Saint Andrew, verso - stamped, Saint Andrew with the Cross of St. Andrew., print, prints, height 276 mm, width 198 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, papier, engraving, engraving (printing process), 1597-01-12 - 1643-07-12, after image by

Naked man working on a bellows; Paradigmata Graphics variorum artificum. Study of a naked man sitting on a bag, working on a bellows.

Self-knowledge inspires the conscience with horror; Jakobs ladder or the allegory of the road to eternal salvation. The naked man looks into a mirror. The rod in his hands refers to the horror that comes with self-knowledge. The print has a Latin caption and is part of a fourteenth-part series with the subject the way to achieve eternal salvation.

Sitting naked from the Sixtine Chapel, Cherubino Alberti, After Michelangelo, 1573 print paper engraving the (nude) human figure; 'Corpo humano' (Ripa) Sixtine Chapel (Vatican)

A copper engraving from 1510-1550 depicting the expulsion from paradise, showing Adam, Eve, and an angel driving them out.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Male Nude from Panel of "The Sacrifice of Noah", 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Horace Coccles; The Roman heroes. The hero Horace Cocles feet, a sword raised in the right hand, a shield in the left hand. In the background you can see how he records it on the banks of the Tiber against a whole army. Under the show twice two fresh rules in Latin. This print is part of a series of ten prints, consisting of an unnumbered title print, eight numbered representations of heroes and an unnumbered concluding print.

Hercules and Cerberus. Artist: Engraved by Anonymous, Italian, 16th century; After Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dedicatee: Dedicated to Francesco Angeloni (Terni 1559 or 1587-1652 Rome). Dimensions: plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm). Former Attribution: Formerly attributed to Enea Vico (Italian, Parma 1523-1567 Ferrara). Published in: Rome. Publisher: Published by Philippe Thomassin (French, Troyes 1562-1622 Rome). Series/Portfolio: Ex Antiquis Cameorum .... Date: published ca. 1599-1622. Museum: Metropolitan Museum of Art, New York, USA.

Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from a series of mythological gods and goddesses 368130

Speculum Romanae Magnificentiae: Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova). Artist: Anonymous, Italian, 16th century; Depicts a statue by Bartolomeo Ammanati (Ammannati) (Italian, Settignano near Florence 1511-1592 Florence). Dimensions: sheet: 20 13/16 x 15 15/16 in. (52.8 x 40.5 cm). Draftsman: After drawing attributed to Enea Vico (Italian, Parma 1523-1567 Ferrara). Published in: Rome. Publisher: Published by Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1553.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individu

figure study for a fountain design, Elihu Vedder, American, 1836 - 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, facing the viewer. The arms are uplifted, basin on boy's head, and pedestal, are suggested., USA, ca. 1890, Drawing, Drawing

Hercules and omphal. Classical architecture with Hercules, almost entirely naked, with clubs and laurel wreath, leaning on knee of bare sitting omphal.

Tied up naked man and naked figure with give up arm. Draughtsman: Marco Zoppo (attributed to). Dating: 1453 - 1478. Measurements: h 273 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Roof of a Sabine woman, rear view, Jan Harmensz. Muller, After Adriaen de Vries, 1643 - 1666 print A Roman is robbing a Sabine woman. Back view of a washing model by sculptor Adriaen de Vries. At the bottom of the margin a two -line text in Latin. paper engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast. piece of sculpture, reproduction of a piece of sculpture

Sculpture of an unknown prince; Sculptures from ancient times. Sculpture of an unknown prince, without head. Caption in Latin. Print is part of an album.

River God Tamesis, Philips Galle, 1586

Ceres; Aema Ceres docuit segetum spem credere suicis; Goden in nissen.The Goddess Ceres stands with a burning torch and two snakes in a niche.

Naked woman, seen from the front., Philips Galle, 1589 print Naked woman, seen from the front. She keeps her arms spread and has a flower in the right hand. The print is part of a thirteen -part series about the foundations of drawing. Antwerp paper engraving human figure of ideal proportions, e.g. academic nude - AA - female human figure

Personification of poetry, Arnold Houbraken, 1710 - 1719

Figure, from Six Figures Académiques Artist's working dates 1725-1765 France. Etching on cream laid paper . Carle van Loo

Arethusa. Philips Galle (Holland, Haarlem, 1537-1612). Holland, 1587. Prints; engravings. Engraving

Pluto, Jacob Binck, After Giovanni Jacopo Caraglio, Florentine Red After, 1510 - 1569 print The God Pluto is in a niche with the Cerberus. Numbered below: 7. paper engraving (story of) Pluto (Hades), Dis Pater, Orcus. Cerberus, the three- or many-headed dog; 'Cerbero' (Ripa)

Design for a Term with Two Embracing Satyrs, from: Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes (...) 1645 Jean Le Pautre French. Design for a Term with Two Embracing Satyrs, from: Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes (...) 399253

Mucius, Hendrick Goltzius, 1586 print The hero Gaius Mucius Scaevola, a sword in the right hand, the sheath in the left hand. In the background you can see how he stimulates his right hand for King Porsenna fearlessly in the fire. Twice two verses in Latin under the performance. This print is part of a series of ten prints, consisting of an unnumbered title print, eight numbered representations of Helden and an unnumbered closing print. paper engraving Gaius Mucius Scaevola before Porsena: he thrusts his right hand into the flames (the body of the king's secretary who erroneously had been killed instead of Porsena may be seen lying on the ground)

Domitian, 24. Oktober 51, 18. September 96, war vom 14. September 81 bis zu seinem Tod römischer Kaiser, historisches Rom, Italien, digitale Reprodukt...

Hendrik Goltzius, Pluto, 1588 1590 Pluto

Sitting naked from Sistine Chapel; Michelangelo's Ignudi from Sistine Chapel. Sitting naked young man, seen from the front. From series of 20 prints with Michelangelos naked in the Sistine Chapel.

Plate 19: Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 19: Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from a series of mythological gods and goddesses 368141

Hercules Killing Nessus, from The Labors of Hercules 1550 Heinrich Aldegrever German. Hercules Killing Nessus, from The Labors of Hercules 404385

The Great Hercules or 'Knollenman', 1589. Hendrick Goltzius (Dutch, 1558-1617). Engraving; sheet: 56.3 x 40.1 cm (22 3/16 x 15 13/16 in.); image: 54.2 x 40 cm (21 5/16 x 15 3/4 in.). The exaggerated and unnatural musculature of this figure may suggest that the Netherlandish artist Hendrick Goltzius had never studied a real human body. Indeed, he pulled from a mixture of sources including classical sculpture, Italian art, and his imagination. Goltzius ushered in Mannerism in Northern Europe, a style that featured exaggerated forms and metaphorical and allegorical subject matter. Known for his skill with an engraving burin, he transformed the technique, creating engraved lines that taper and swell to emphasize volume and form to extreme effect.

Adam and Eve Focusing Paradise According to Raphael Sixtin (CIS) (Bartsch 2) Marc Antoine Raimondi (1480-vers1534); Michelangelo (Michelangelo Buonarroti, says). Adam and Eve pursuing from Paradise after Raphael at the Sistine (CIS) (Bartsch 2). Burin. 16th century.

Saint John the Baptist. Dated: 1591. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cherubino Alberti after Michelangelo.

Asclepius, Greek god of medicine with serpent-entwined staff. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Ancient Roman sculpture of a horse tamer with chlamys cloak, fig leaf, military breastplate and horse's head. From a sculpture of Castor and Pollux in the Fontana dei Dioscuri, originally in Constatine I's Baths, removed to Piazza del Quirinale. Mislabeled Alexander the Great and Bucephalus. Copperplate engraving by Richard Collin after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

A naked woman character as a personification of beauty, with a globe in her right hand to a chain and a casser and a lily branch in her left hand. A ray wreath in the background. Print from a series of 41 symbols.

Statue of the young Marcus Aurelius, 1636 - 1647 print Statue of the young Marcus Aurelius, a cloak over the shoulders, with a bullet in his left hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Marcus Aurelius, the Roman emperor. classical history (+ full length). adult man

Beham, Barthel, Sea god on dolphin, verso - stamped, print, prints, height 44 mm, width 26 mm, 1502 - 1540, print maker, 1525 - 1525, second quarter 16th century, paper, engraving, engraving (printing process)

Statue of Mylitta, the Assyrian Goddess of fertility, in classic robe. Around the image a armor, jewelry and clothing. On the basis the name of the goddess.

Figure study of a sitting male nude with lifted right arm, Jacob Christof Le Blon (attributed to), after Johann Kencckel, 1677 - 1741 print paper sitting figure

This 1589 copper engraving by Hendrick Goltzius depicts a large-scale image of Hercules. The print showcases Goltzius's skill in rendering intricate details and dynamic compositions, characteristic of his Mannerist style.

Pyramus and Thisbe. Thisbe sees Pyramus lying on the floor and pours into a sword. Pilot pressure, unfinished print: only ThisBe and Pyramus are largely off, the rest of the show has been designated with contour lines.

Trompetblazende engel, Léon Davent, after Francesco Primaticcio, 1540 - 1556 print paper etching angels

The seated naked man at left being beaten with a fox's tail ca. 1510-27 Marcantonio Raimondi Italian. The seated naked man at left being beaten with a fox's tail 342655

De Grote Hercules, 1596 - 1652 print Hercules with lion skin on the back and big club over the right shoulder, out, overly muscular, wide -legged in a landscape in which references to his actions. Print Maker: Haarlem Publisher: Amsterdam paper engraving (story of) Hercules (Heracles)

Jupiter, 1592 print Jupiter, seated in a niche, a lightning bolt in his right hand, an eagle at his left foot. This print is part of a series of eight prints of classical gods, based on paintings by Polidoro da Caravaggio on the facade of a Roman house, seen and checked by Goltzius in Rome. paper engraving (story of) Jupiter (Zeus)

Triton, Gerard ter Borch (I), c. 1614 - 1616, draughtsman: Gerard ter Borch (I), Zwolle, c. 1614 - 1616, paper, brush, h 139 mm × w 102 mm

Study for the cradle of the king of Rome: the Tiber sees up the nascent star

Sebald Beham, Adam Standing, 1524 Adam Standing

Nicolaus Beatrizet after Michelangelo, Striding Man Striding Man

The man wearing the base of a column according to Raphael (Bartsch 476) Marc Antoine Raimondi (1480-vers1534). The man wearing the base of a column according to Raphael (Bartsch 476). Fight, chisel. 16th century.

Saturn devours his child, Jacob Binck, after Giovanni Jacopo Caraglio, 1530 print Saturn, Roman god of agriculture, devours one of his children. In the niche his attribute, a scythe. Under the print is the inscription DivorVM Genitor SVMMI Satvrnvs Olympi. Copy to a print by Giovanni Jacopo Caraglio. Germany paper engraving Saturn devouring his children

Statue of a naked gladiator, 1636 - 1647 print Statue of a naked gladiator. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. male persons from classical history

Illustration of Saint Job, depicted in a copper engraving print from 1505 to 1527, representing his patience and suffering described in the Bible.

James Barry, 1741-1806, Irish, Jonah, c. 1800. Etching.

Saint Christoffel, Guido Reni, 1585 - 1642 print Saint Christoffel walking with a stick and the Christ child on his shoulder. Italy paper etching the giant and martyr Christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant Christ

The Great Hercules; The Knollenman. Hercules with lion skin on the back and large clubs over the right shoulder, full, overly muscular, widely standing in a landscape in which references to his actions. Latin lines under the representation three times.

. Summer personification: a standing man with corn shifting in a landscape. In the background mowing figures and a sun half behind a hill. At the top of the corresponding signs of the zodiac: virgin, lion and lobster.

Neptune; Eight classic gods. Neptunus, standing in a niche, a trident in his right hand, a forest reed or seaweed in his left hand. This print is part of a series of eight prints of classical gods, based on POLIDORO DA CARAVAGIO paintings on the facade of a Roman house, seen and named by Goltzius in Rome.

Sculptuur Van Marsyas; Marsia image of Rome (...); Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Holy Job with ulcers on his body; S IOB ..

Anatomical study of three figures with stretched arms; Peter Paul Rubens drawing book.

Male nude, sitting, back over.

The Penitent Thief, 1 of 8 prints from the series Eight Repentant Sinners from the Old and NewTestament. Publisher: Jacques de Gheyn II, Dutch, 1565-1629 After: Karel van Mander I, Dutch, 1548-1606

Apollo Met Lier, Cornelis Bloemaert (II), After Giovanni City Guidi, c. 1636 print Image of the God Apollo with a winch in his hand. His hair is held together with a hair band. This image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Man with Torch at Temple Door published ca. 1599-1622 Engraved by Anonymous, Italian, 16th century Italian. Man with Torch at Temple Door 371848

Titus Manlius Torquatos. Hendrik Goltzius (Netherlands, Mülbracht now Bracht-am-Niederrhein, 1558-1617). Holland, 1586. Prints; engravings. Engraving

Hendrik Goltzius, The Great Hercules, 1589 The Great Hercules

Bacchus, #7 in a series of Eight AntiqueGods. Artist: Hendrick Goltzius, Dutch, 1558-1617 After: Polidoro da Caravaggio, Italian, ca. 1499-ca. 1543

Nude Man Carrying a Rudder on His Shoulder; Titian (Tiziano Vecellio), Italian, about 1487 - 1576; about 1555 - 1556; Black chalk, heightened with white chalk, on blue paper; 28.7 x 15.6 cm (11 5/16 x 6 1/8 in.)

Academy of a Seated Nude Holding a Staff, c. 1735/50. Edmé Bouchardon (French, 1698-1762). Red chalk; sheet: 56 x 42.5 cm (22 1/16 x 16 3/4 in.).

Cornelisz. van Haarlem, Cornelis, Haarlem, Matham, Jacob, Diana and Apollo as Luna and Helios, Diana as Luna, verso lower left - stamped, Diana seen from the back, depicted as the moon goddess Luna with the crescent moon on her head. Pendant of Apollo as the sun god Helios (Sol)., print, prent, prints, engravings, height 339 mm, width 225 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1589 - 1593, paper, papier, engraving, engraving (printing process), Work conception, 1562 - 1638-11-11

Hercules Farnese. A big picture of Hercules, leaning on his knots. Until 1787 this image was in the Palazzo Farnese, hence the name Hercules Farnese. The image is placed in a niche.

Statue of a young man, 1636 - 1647 print Statue of a naked man, possibly an emperor, standing at a tree trunk. The left hand fog, a rug hangs over the left arm. At the bottom of the tree trunk the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. male persons from classical history

Zomer (summer), Jacob Matham, after Hendrick Goltzius, 1589 print Personification of the summer: a standing man with corn sheaves in a landscape. Mowing figures in the background and a sun half behind a hill. At the top of the corresponding signs of the zodiac: Virgin, lion and lobster. Haarlem paper engraving summer, 'summer'; 'Estate' (Ripa)

Zon (Sol), Jan Collaert (II), After Jan van der Straet, After 1585 - 1628 print Oval list with a base of the naked god sol or apollo. He has a winch in his hand. Next to him is the Hellhond Cerebus. The print has a Latin caption and is part of a series about the seven planets and their gods. paper engraving Apollo as sun-god, i.e. Sol (Helius), Titan. sun as celestial body

This copper engraving by Marcantonio Raimondi from the first half of the 16th century depicts a young man with two bodies, showing posture, facial expression, clothing, and the surreal arrangement of dual figures.

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