Mythological Figures and Scenes

Engravings and etchings featuring mythological themes, showcasing dramatic gestures, historical narratives, and stylized depictions of nudity.

Murillo, Bartolomé Esteban, S. John. Murillo National Gallery, Photographic reproduction of a print after a painting by Bartolomé Esteban Murillo, Part of an English family album containing photographs of people, travels, cricket and works of art., photograph, photo, reproduction, photographs, height 82 mm, width 126 mm, photographer, 1860 - 1870, paper, papier, photographic paper, albumen print, albumine print, Work conception, after a print by, Spanish, 1618-01-01 - 1682-04-03

Copper engraving and etching by Louis Simon Lempereur circa 1763 showing swimmers, emphasizing figures, water, gestures, and composition.

Copper engraving and etching by Pieter Tanjé depicting the story of the rape of Lucretia, created around 1752, showing figures in a dramatic historical and mythological scene.

Hebe, Nicolaas Braeu, after Karel van Mander (I), 1598 print An image of the goddess of youth Hebe, placed in a niche. Hebe wears an amphora and a drinking cup. Before she married Hercules, she was the wine gift star of the gods. Under the show a Latin verse. paper engraving (story of) Hebe (Juventas)

Copper engraving and etching by Wolfgang Kilian from the 16th-17th century depicting a satyr and nymph, showing mythological figures and natural setting.

Vérité (petite planche) , Fictitious characters, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Print, Three Putti; Designed by François Boucher (French, 1703-1770); Print Maker: Louis-Félix Delarue (French, 1730 - 1777); Published by Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Murillo, Bartolomé Esteban, S. John. Murillo National Gallery, Photographic reproduction of a print after a painting by Bartolomé Esteban Murillo, Part of an English family album containing photographs of people, travels, cricket and works of art., photograph, photo, reproduction, photographs, height 82 mm, width 126 mm, photographer, 1860 - 1870, paper, papier, photographic paper, albumen print, albumine print, Work conception, after a print by, Spanish, 1618-01-01 - 1682-04-03

Saint Sebastiaan cared for by the Holy Irene; La Tenera Pietade in Donna Alberga. Saint Sebastian, pass through arrows, is tied to a tree. He is provided by the Holy Irene and two other women.

Leda and De Zwaan, Anonymous, After Paolo Veronese, 1730 - 1780 print France paper engraving / etching Jupiter, in the shape of a swan, and Leda

Copper engraving by Hendrick Goltzius depicting Mars and Venus, produced in 1588.

Owning an attack on a woman by a masked man, F.B. Lorieux, After P.J. Chaillou, 1791 print France paper etching mask. being attacked; defence

Engraving by William Ward from 1792 depicting the rest during the escape to Egypt, showing figures, landscape, and late 18th-century European printmaking techniques.

Etching by Abraham Blooteling depicting Daniel in the lions' den, created between 1656 and 1690, showing Daniel and surrounding lions in a biblical scene.

La tentation de saint Antoine , Saints, Temptation, Anthony, of Egypt, Saint, approximately 250-355 or 356. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Copper engraving by Schelte Adamsz. Bolswert depicting the allegorical representation of Compassion, showing a human figure expressing empathy and care, created in the 17th century.

Naked young woman for an old man on corn sheaves. .

Creation of EVA. Adam awakens from his sleep and sees Eva who has just created from his rib.

Meno Haas (1752-1833), Illustration with four people about a sick boy in a forest, (1797)

Cimon and Pero (Caritas Romana). Pero gives her father, who is fascinated in prison, the chest. Cimon sits with a cloth around his agent. On the right a Traky window with two petal soldiers.

Portret van Josephine, Auguste Thomas Marie Blanchard, after Pierre Prud'hon, 1829 - 1898 print paper etching historical persons. emperor - BB - female ruler

Etching by Pierre Alexandre Aveline from 1738 depicting a female nude figure in classical pose.

Psyche looks at the sleeping Cupido, John Smith (print maker/ publisher), after Alessandro Turbi, 1662 - 1742 print Psyche spied the God Amor in his sleep. She has an oil lamp in her hands. paper Psyche, holding a lamp, gazes at the sleeping Cupid, who awakens when a drop of hot oil falls on him

Odalisk gets coolness crashed under a palm tree, Joseph Félon, 1850 - 1851 print printer: Parispublisher: London paper. odalisque. fan

Scene from tasso's gerusalemme liberata. Scene from Tasso's Gerusalemme Liberata (Canto 10). Print No. 22 on Leaf 12 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Jupiter and Danaë. Danaë is on a bed and Jupiter drops down her down in the form of golden light from a cloud. An old woman, Danaë's servant, and a goat look. This print is part of an album.

Man and wife with a winch, Johann Friedrich Moritz Schreyer, after Johann David Schubert, 1794 print Dresden paper etching lute, and special forms of lute, e.g.: theorbo. more than one musician with instrument

Etching by Alexandre Chaponnier in the Dotier manner, created between 1773 and 1830, depicting a model posed for artistic study.

A copper engraving and etching by Pietro Vitali from 1786 depicting Venus and Adonis, illustrating mythological figures from classical tradition.

Woman with child in a landscape, Philippus Velijn, 1820 print A woman plays with a child in a landscape. Bottom right: bl. 8. Netherlands paper etching mother and baby or young child. mother-love

Goetterdoemmerung. Siegfried et les Filles du Rhin (1re planche) , Fictitious characters, Heroes, Siegfried Legendary character, Wagner, Richard, 1813-1883. Ring des Nibelungen. Götterdämmerung. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Vulcanus and Ceres at De Smidsoven, John Smith (print maker/ publisher), After Giovanni Jacopo Caraglio, After Perino del Vaga, After Titian, 1708 print London paper (story of) Vulcan (Hephaestus). couple of lovers. love-affairs of Ceres

Copper engraving and etching by Benoit Louis Henriquez from 1777 depicting Venus disarming Love in a classical allegorical composition.

Copper engraving and etching by Gilles Rousselet between 1630 and 1686 depicting Christ with symbols of renewal often associated with spring.

Théodore Chassériau, Apollo and Daphne, 1844, lithograph on paper.

. Prometheus clenched to the rocks of the Caucasus.

Death's Door, from "The Grave," a Poem by Robert Blair 19th century Copy after William Blake British. Death's Door, from "The Grave," a Poem by Robert Blair 383679 Artist: After William Blake, British, London 17571827 London, Death's Door, from The Grave, a Poem by Robert Blair, 19th century, Etching, plate: 9 9/16 x 5 7/16 in. (24.3 x 13.8 cm) sheet: 11 11/16 x 6 9/16 in. (29.7 x 16.7 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.2401)

Sappho's Death Young ladies, you see where love leads us Under our feet so dainty and small The wretched chasm of an abyss Into which we eventually fall,” plate 49 from Histoire Ancienne 1843 France. Daumierís 50-print series Stories from Antiquity appeared in Charivari over about a year. The Greek poet Sappho is said to have killed herself over a love affair, though specific details of her death are scant. Here Daumier added a helpful Cupid to nudge the unhinged but indecisive figure over the edge, while Charivari writers supplied verses significantly less artful than Sapphoís Young ladies, you see where love leads usUnder our feet so dainty and smallThe wretched chasm of an abyssInto which we eventually fall.. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

Vatican City, Paulus V, Italy, Guercino, Pasqualini, Giovanni Battista, Venus and Adonis with Amor, verso - handwritten in brown pencil, Venus and Adonis partly undressed in a landscape. Next to Venus stands Amor with a drawn bow., print, prints, verso - stamped, No. 57, height 173 mm, width 254 mm, Italian, 1585 - 1634, print maker, printmaker, 1620 - 1620, paper, papier, engraving, engraving (printing process), plate tone, Work conception, 1591-02-08 - 1666-12-22, after a design by, 1552 - 1621, granter of privilege

Faam, Henri Fantin-Latour, c. 1903 - c. 1904 print paper Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) (+ personification)

Women and angels crown a bust of Gioachino Rossini, Henri Fantin-Latour, 1903 print Florence paper historical persons. William Tell. honouring the artist with laurel wreath

Chasseresse , Hunters. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Copper engraving by Jan Harmensz. Muller around 1598 depicting the Roman event known as the Sabine womens abduction. The artwork shows figures, gestures, expressions, and architectural elements in late 16th-century European style.

Marius at Minturnae ca. 1796-1800 François-Xavier Fabre A Neoclassical painter and collector, whose bequest formed the foundation of the Musée Fabre in Montpellier, Fabre began his career in the studio of Jacques Louis David and continued his studies in Rome. Royalist sympathies led him to take up residence in Florence in 1793, where he remained for much of his career. This aquatint illustrates an episode from Plutarch's Lives where the Roman general Marius fled Rome, after being exiled by his enemies in the Senate, only to be captured outside the town of Minturnae, where local authorities ordered him to be executed. Fabre depicts the confrontation between the imprisoned former general Marius and the Cimbrian soldier sent to execute him.. Marius at Minturnae 707456

Pencil drawing by Gilles Demarteau between 1742 and 1776 depicting a seated satyr, combining mythological subject with figure study.

Vénus et l'Amour (petite planche) , Goddesses, Gods, Venus Roman deity, Cupid Roman deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Copper engraving and etching by Simon Vallée between 1700 and 1730 representing Apollo and Isse with mythological themes.

Inspiration (2e planche) , Musicians. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Nude Man Seated and Another Standing, with a Woman and a Baby Lightly Etched in Background ca. 1646 Rembrandt (Rembrandt van Rijn) Dutch. Nude Man Seated and Another Standing, with a Woman and a Baby Lightly Etched in Background 391772

Évocation de Kundry (1re planche) , Fictitious characters, Magicians, Magic, Wagner, Richard, 1813-1883. Parsifal. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Old man in reading accompanied by an angel, Richard de Saint-Non, after Jean Honoré Fragonard, After Domenichino, 1771 print paper etching reading the Bible or other religious books. angels

Abel sits distressed beside his thankless sacrifice. Autotype after F.J. Shields, 1877.

Drawing, Ignudo from Sistine Chapel ceiling; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Michelangelo Buonarroti (Italian, 1475-1564); France; red chalk on paper

This etching by Semolei, from 1530-1561, depicts St. Jerome in the wilderness and John the Baptist in the desert, reflecting Renaissance religious themes and engraving techniques.

Statue of Roman god Pan and the shepherd Daphnis. Also identified as Pan and Apollo, Marsyas and Olympos, Satyr and Boy. From the Farnese collection, now in the National Museum at Naples. Apollinis et Panos statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Landscape with bathing woman, polynice Auguste Viette, 1852 print paper. etching washing and bathing - AA - in the open air. nude with covered genitals - AA - female human figure. forest, wood

A copper engraving by Marco Dente, created between 1655 and 1690, depicting Venus removing a thorn from her foot, showing the figure, gesture, and composition.

A copper engraving by Jan Harmensz. Muller from 1593 depicting the mythological scene of Mercury (Merkur) abducting Psyche, showing classical figures in motion.

Daphnis gets a cricket from Chloë's dress, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, 1800 print Paris paper etching Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

Sleeping Venus and Amor. .

Isaak promises Esau a second blessing; Paintings in the Loggia of Rafael; Imagins Veteris AC Novi Testamenti; Rafael Bible. Isaak is in bed and promises his son Esau, who is at the footstep, a second blessing. Jacob and Rebekka are on the left in the background. Bible verse under the show. Print is part of an album.

Antonio Ricciani engraved and etched a copper print between 1790 and 1827 depicting Nessus and Deïaneira from Greek mythology, illustrating figures in a mythological scene.

Joseph and Potiphar's Wife 1793 Joseph Adrianus Clarot. Joseph and Potiphar's Wife. Joseph Adrianus Clarot (Austrian, Brussels ca. 1770-1820 Vienna). 1793. Mezzotint; proof before letters. Prints

Lithography by Peter Paul Rubens, 1801-1832, depicting the biblical story of Samson and Delilah with detailed figures, gestures, and compositional elements.

Boetvaardige Maria Magdalena, Annibale Carracci, 1591 print Maria Magdalena is praying for a crucifix in a landscape. In front of her are a skull and a book and is an ointment pot. Italy paper etching / engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Oedipus (Oedipe). Dated: 1876. Dimensions: plate: 25.5 × 18 cm (10 1/16 × 7 1/16 in.) sheet: 48.6 × 32 cm (19 1/8 × 12 5/8 in.). Medium: engraving on chine collé. Museum: National Gallery of Art, Washington DC. Author: Ferdinand Gaillard, after Jean-Auguste-Dominique Ingres.

Print (France)

An etching by Angelika Kauffmann depicting the sleeping Venus, created in 1786. The work emphasizes mythological figure, repose, and composition.

Allegorie 19th century François-Nicolas Chifflart. Allegorie. François-Nicolas Chifflart (French, Saint-Omer 1825-1901 Paris). 19th century. Etching. Prints

Gilles Demarteau, the Elder after François Boucher, Three Cherubs Playing on Dolphin Like Wave Three Cherubs Playing on Dolphin Like Wave

Young woman picks flowers, Charles Etienne Leguay, 1820 print Paris paper picking flowers. adolescent, young woman, maiden

Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1740-1779, British, 1778, Etching, Sheet: 16 1/8 x 10 11/16in. (40.9 x 27.2cm)

Sitting woman with three children, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 39. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 39. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Seated philosopher, monogrammist FP (Italy; 16th century), c. 1500 - c. 1599 print A man with a beard, sitting with a book on your lap. Behind the man a putto. Italy paper etching scholar, philosopher

Female Satyr and Satyrkind with Spinrok, Mary Hector Rupert Cantineau, After Jean Baptiste Carpeaux, 1885 - 1909 print paper etching / drypoint non-aggressive, friendly or neutral activities and relationships of satyr(s) - LL - female satyrs (in general). distaff

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Copper engraving by Claude Mellan from 1670 depicting a portion or section of a figure or scene, emphasizing detail, line work, and composition.

Daphnis in Chloë, Anonymous, after Pierre Prud'hon, 1820 - 1860 print Paris paper etching / engraving Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

Etching and copper engraving by Sir Robert Strange from 1741-1792 depicting the mythological figure Amor in a classical 18th-century composition.

Copper engraving and etching by Claude Duflos, created between 1680 and 1727, depicting Jupiter and Semele from classical mythology.

Lying Venus Met Amor an anteros.

Wszyscy Święci w MNK Payne, Albert Henry (1812 1902), Glücksberg, Michał (1838 1907), Correggio, Antonio Allegri da (Ca 1489 1534)

Boy with Faun, Friedrich Müller, 1774 print Boy with faun on his shoulder. paper etching satyr(s) (in general)

Angelo Campanella's copper engraving 'Venus Wounded by Cupido' depicts the mythological scene of Venus being struck by Cupid's arrow, showcasing Campanella's skill in mythological illustration.

Nymph and satyrs , Supernatural beings, Satyrs Greek mythology, Nymphs Greek deities. Thomas Rowlandson (1756-1827). Prints and Drawings

Le Lion amoureux 1886 Félix Bracquemond French. Le Lion amoureux 384768

An etching by Gerard de Lairesse from 1670 showing the biblical story of Doubting Thomas.

Lady Godiva nude behind a curtain, Arthur Sterck, After Joseph Van Lerius, 1888 print paper etching / engraving Lady Godiva. woman (showing herself) undressed, quasi-nude

Lazio Viterbo Viterbo S. Lorenzo, Cathedral9. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

A Berlioz (petite planche) , Composers, Fictitious characters, Sculpture, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Two Prophets. Dated: 1764. Dimensions: sheet: 13.6 × 18 cm (5 3/8 × 7 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Honoré Fragonard after Annibale Carracci.

Venus and Cupid; Libreto di Diversi Figurine Dissignato da Fran. Parmensis et conservata Nella Collezione Arondelyna, 1638. The naked Venus has the arch of Cupid in its left hand and keeps him away from Cupido, trying to take the bow back. Print from a series to various drawings by Parmigianino from the Arundel collection.

The passage of the torrent. (registered title)

Oedipe chez le Sphinx. Honoré Daumier (1808-1879). Lithographs

Etching by Edme Bouchardon depicting a female figure in classical pose, created in 1738, showing anatomical details and period style.

Erotic Series with Couples in Bed, c. 1750 - c. 1800 print In an 18th-century interior, a nude couple lies on a bed. Behind them is a folding screen, two paintings hang on the wall. France paper etching man and woman cohabiting. bed with tester

They Make Use of Them, plate 16 from The Disasters of War 1810-1812 Spain. Etching, lavis, drypoint, burin, and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Cupid and Cephisa: 'One Day as I was Walking in the Woods...', Print made by Thomas Burke, 1749-1815, British, after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), Published by Thomas Burke, 1749-1815, British, 1789, Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper, Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm), Plate: 18 5/8 x 13 1/8 inches (47.3 x 33.3 cm), and Image: 14 3/8 x 11 7/16 inches (36.5 x 29 cm), arrows, bow, braids, child, cut, dress, flowers (plants), grass, holding, knife, love, man, mountains, mythology, oval, preparing, religious and mythological subject, sandals, sitting, sleeping, standing, stopping, toga, tree, walking, wings, woman, woods

Personification of Courage Samson conquers the lion The performance is reminiscent of Samson overcoming the lion, but is intended here as a personification of Courage. The print is part of an album, Samson kills the lion with his bare hands, Courage, Bravery, Valiance, Manliness, 'Ardire magnanimo et generoso', 'Gagliardezza', 'Valore', 'Virtù heroica', 'Virtùell dell'animo e del corpo' (Ripa), Robert van Audenaerd (mentioned on object), Rome, 1673 - 1743, paper, engraving, h 182 mm × w 181 mm

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