Mythological Figures in Engravings

Engravings depicting Hercules and other mythological figures engaged in battles or interactions, showcasing dynamic forms and intricate details.

Saint Sebastiaan tied to column, Marcantonio Raimondi, 1500 - 1520 print paper engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Hercules Fighting the River-God Achelous, from The Labors of Hercules. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 3/16 × 2 5/8 in. (10.7 × 6.7 cm). Series/Portfolio: The Labors of Hercules. Date: 1550. Museum: Metropolitan Museum of Art, New York, USA.

Hercules and Atlas; Working from Hercules. Hercules of the front, with the sky globe on his shoulders. Next to him is atlas that points to the sky vowel with a pointer. Under the show a two-legged text in Latin. Ninth print from a series of thirteen with the works of Hercules.

Copper engraving by an unknown artist depicting young and old bacchants, created between 1515 and 1550, showing Dionysian ritualistic celebration with figures.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, The Prophet Jonah, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

A satyr carrying a nymph on his back and another raising his right hand to slap her ca. 1510-27 Marcantonio Raimondi Italian. A satyr carrying a nymph on his back and another raising his right hand to slap her 342626

. Saturn that gives his child, in his hand a scythe and above his head the astronomical symbol for his planet. Standing in an oval cartouche with the two signs of the zodiac at the top: Capricorn and waterman.

Sculptuur van een man met een hoorn des Overvloed; Geny seen in the Capitol; Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Saint Sebastiaan tied to column, Marcantonio Raimondi, 1500 - 1520 print paper engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Hendrik Goltzius after Polidoro da Caravaggio, Bacchus, probably 1592 Bacchus

Autumn, 1606 print The personification of autumn, bacchus figure with grapes and other fruits in the hands. On his head a wreath of vineyards. At the top of the three constellations Libra, Scorpio and Sagittarius. paper etching / engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa). zodiacal signs of the autumn season

Speculum Romanae Magnificentiae: Apollo Belvedere. Artist: Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). Dimensions: mount: 13 3/8 x 11 1/8 in. (34 x 28.3 cm)sheet: 10 1/4 x 6 9/16 in. (26 x 16.6 cm). Date: ca. 1514-36.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri

Sol; Eight classic gods. Sol, standing in a niche, a winch in his right hand, a bow in his left hand, over his shoulder a tube with arrows. This print is part of a series of eight prints of classical gods, based on POLIDORO DA CARAVAGIO paintings on the facade of a Roman house, seen and named by Goltzius in Rome.

Adam and Eva, Johann Sadeler (I), After Chrispijn van den Broeck, 1575 print Adam and Eva under the tree of the knowledge of good and evil. Adam in the foreground with a fruit in the right hand. Eva is offered a fruit from the snake. The first print of a 39-part series with the subject of people from the Old Testament. Antwerp paper engraving Adam and Eve (not in biblical context)

Hercules Slaying The Lernean Hydra. Hercules, standing and from the front, with clock raised. In addition to him the Hydra of Lerna, a six-member sample. Under the show a two-legged text in Latin. Fourth print of a series of thirteen with the works of Hercules.

Diana Embracing Endymion. Carracci, Annibale, 1560-1609. 1657. Cesi, Carlo, 1626-1686. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A copper engraving by Jacob Binck from 1510-1520 depicting two naked men, showing human anatomy, posture, and interaction between figures.

Water, 1586 print Woman, standing by a rock, leaning the right arm on a large vase from which water flows. In the background the baptism of Christ. Two lines of Latin under the performance. This print is part of a series of the four elements. paper engraving water (one of the four elements)

Saturnus, anonymous, after Jacob Matham, after Hendrick Goltzius, 1717 - 1732 print Saturn who swallows his child, a scythe in his hand and above his head the astronomical symbol for his planet. Standing in an oval cartouche with at the top of the two signs of the zodiac: Capricorn and Waterman. Amsterdam paper engraving Saturn and his children ('Planetenkinder')

Time with Pluto, Neptune and Jupiter. 1501 - 1600. Bonasone, Giulio, approximately 1498-approximately 1580. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Image of a faun with bacchus on his shoulders, Cornelis Cort, c. 1570 - c. 1575 print A faun is in a niche and wears the young Bacchus on his shoulders. On the left a tree stump on which the skin of a goat and a pan flute. Rome paper engraving infancy, upbringing of Bacchus. piece of sculpture, reproduction of a piece of sculpture

Venus strife amor; Scenes Metière in Amor (Kopieën); Love jokes.venuus and amor in the landscape. Venus gives amor to beating. Italian Verse in undermarge.

Jupiter (from The Planets) ca. 1597 Jacob Matham Netherlandish. Jupiter (from The Planets) 398830

Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After () by Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: 11 3/4 x 8 3/4 in. (29.9 x 22.3 cm). Date: 1506. Museum: Metropolitan Museum of Art, New York, USA.

Heilige Sebastiaan, Odoardo Fialetti, After Jacopo Tintoretto, 1583 - 1638 print Saint Sebastiaan sits against a tree, riddled with arrows. print maker: Italyafter painting by: Venice paper etching martyrdom, suffering, misfortune, death of St. Sebastian

Christ supported by an angel standing on a cloud. Artist: After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 9 5/8 × 6 5/8 in. (24.4 × 16.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Lucas van Leyden, Spes (Hope), 1530 Spes (Hope)

Man op Kruken, Jan de Bisschop, After Cigoli, 1668 - 1671 print Sitting man next to his crutches. This print was made to a painting by Cigoli from healing the paralyzed man by Peter and John. Northern Netherlands paper etching person with a physical disability. crutches. disabilities, deformations

Hercules struggles with Antaeus. Hercules holds antaeus to his waist. Because Antaeus was invincible as long as he remained in contact with the earth, Hercules lifted him off the ground. On the left are the lion's skin and the clubs of Hercules. On the right in the background a lapsed antique temple.

Dood Van Cleopatra, Venetian Augustine, After Baccio Bandinelli, 1515 print Cleopatra stands for a curtain. The snake has wrapped herself around her arm and bites her chest. Her right foot stands on a pedestal and with her right arm she leans on an amphora. A village in the background. Italy paper engraving death of Cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs

Standing Neptune with trident and a shell raised by him. Bottom left: 1706.

Hercules and Cerberus published ca. 1599-1622 Engraved by Anonymous, Italian, 16th century Italian. Hercules and Cerberus 371868

Waternimf Mareotis; Mareotis; Stroom- en waternimfen; Nimpharum oceanitidum, ephydridum potamidum naiadum.The Waternimf Mareotis (the lake Mariout), seated on a stone sofa. The print is part of a seventeen-part series about electricity and water nymphs.

Hercules Killing the Dragon Ladon, from The Labors of Hercules. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 3/16 × 2 5/8 in. (10.7 × 6.7 cm). Series/Portfolio: The Labors of Hercules. Date: 1550. Museum: Metropolitan Museum of Art, New York, USA.

Hercules Slaying the Lernean Hydra, Heinrich Aldegrever, after anonymous, 1550 print Hercules, standing and seen from the front, with raised club. Next to him the Hydra van Lerna, a six -member monster. Under the show a two -line text in Latin. Fourth print of a series of thirteen with the works of Hercules. print maker: Germanyafter print by: Venice paper engraving (2) the Hydra of Lerna is killed by Hercules

Print, The Man of Sorrows (with Hands Raised); Albrecht Dürer (German, 1471-1528); Germany; engraving on paper; 12.2 x 7.7 cm (4 13/16 x 3 1/16 in.)

Depicts a doctor experiencing a dream, illustrated as a copper engraving print by Giovanni Antonio da Brescia at the end of the 15th century and first half of the 16th century, showing figures and symbolic elements.

Man wears woman on his back and a Satyr, Andrea Mantegna (School of), After Andrea Mantegna, 1490 - 1600 print Italy paper engraving satyr(s) (in general). male sex; man. female sex; woman

Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right 1506 Marcantonio Raimondi Italian. Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right 342590

Atalanta and Meleager ca. 1640-70 Johannes Meyssens. Atalanta and Meleager. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). ca. 1640-70. Etching. Prints

unknown, Sadeler, Raphael (I), Spranger, Bartholomew, Johann (I), Neptune surprises Caenis, verso lower left - stamped, Neptune stands behind the naked Caenis and grabs her to kiss her. Caenis tries to tear herself away. The print has a Latin caption with a reference to the Metamorphoses, book 12., print, prints, height 141 mm, width 90 mm, Work conception, South Netherlands, 1550 - 1600-08, after print by, 1580 - 1628, paper, engraving, engraving (printing process), print maker, printmaker, 1546-03-21 - 1611-08, after design by, Publication (Event), Publication, 1560, publisher

Saturn holding an Infant and a Scythe, from The Seven Planets 1533 Heinrich Aldegrever German. Saturn holding an Infant and a Scythe, from The Seven Planets 399022

Jupiter, anonymous, after Jacob Matham, after Hendrick Goltzius, 1717 - 1732 print Jupiter with lightning in his hand and at his feet are attribute: the eagle. In addition to his head, the astronomical symbol for his planet. Standing in an oval cartouche with at the top of the two signs of the zodiac: fish and archer. Amsterdam paper engraving Jupiter and his children ('Planetenkinder')

. Mercury, with a caduceus in his hand and a winged hat (petasus) on his head. To the right of him the astronomical symbol for his planet. Standing in an oval cartouche with the two signs of the zodiac at the top: twins and virgin.

Albrecht Altdorfer, Bathing Woman, c 1520 1530 Bathing Woman

Martin Schonguer (around 1450-1495). Le Grand Saint Sébastien (Bartsch 59). Engraving (chisel), 1485-1491. Museum of Fine Arts of the City of Paris, Petit Palais. 76854-28 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Print, Venus (or Galatea) and Cupids Supported by Dolphins; Designed by Agostino Carracci (Italian, 1557 - 1602); Italy; engraving on laid paper; 15 × 10.6 cm (5 7/8 × 4 3/16 in.); 1896-31-7

Roof of a Sabine woman, front view, Jan Harmensz. Muller, After Adriaen de Vries, 1643 - 1666 print A Roman is robbing a Sabine woman. Front view of a washing model by sculptor Adriaen de Vries. At the bottom of the margin a two -line text in Latin. paper engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast. piece of sculpture, reproduction of a piece of sculpture

APOLLO PYTHIAS, the Greek god of the arts, including divination : there were sanctuaries and oracles dedicated to him, notably at Delphi where he slew Python

Two fighting putti. .

Relief with personification of the element fire above bow in the civilian hall of the town hall on Dam Square. Relief with personification of the element fire above the left (northern) bow on the east side of the civilian room in the town hall on Dam Square in Amsterdam. In his one hand a torch, in the other a bundle lightning bolts. Under his foot flames with a salamander in it. Legal under numbered: C. N. 1.

Georg Pencz, Paris Writing Words of Love to Oenone Paris Writing Words of Love to Oenone

A young naked man standing at left leaning on the trunk, another seen from behind, holding two snakes in his right hand and a convex mirror in his raised left hand. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: Sheet: 8 1/4 × 5 11/16 in. (20.9 × 14.5 cm). Date: ca. 1510-27. Museum: Metropolitan Museum of Art, New York, USA.

Venus and Adonis. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Teodoro Ghisi (Italian, 1536-1601). Dimensions: sheet: 12 7/16 x 8 3/4 in. (31.6 x 22.2 cm) borderline. Date: ca. 1570. Museum: Metropolitan Museum of Art, New York, USA.

Hercules Killing the Dragon Ladon, from The Labors of Hercules 1550 Heinrich Aldegrever German. Hercules Killing the Dragon Ladon, from The Labors of Hercules 428428

Kain kills Abel ..

Public trap of Adam and Eva in Boom of knowledge of good and evil with snake, monogramemist NF (engraver), after Marcantonio Raimondi, After Rafaël, 1510 - 1560 print paper engraving Temptation and Fall (scenes with both Adam and Eve)

Personification of painting, Anonymous, 1612 - 1652 print The personification of painting, presented as almost naked woman, is behind an easel and paints the three graces. Next to her is a woman with a helmet, possibly Minerva, viewing the painting. On the ground, two children enjoy themselves with a drawing marker, a banderole and the sculpture of a head. Amsterdam paper engraving (story of) Minerva (Pallas, Athena). picture, painting. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). sculptor at work

Caution (Prudentia), Anonymous, After Jacob Matham, After Hendrick Goltzius, 1601 - 1652 print A female figure with a second sight on the back of her head as a personification of care (prudentia). In one hand she has a mirror and two snakes in her other hand. Amsterdam paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Neptune, 1592 print Neptunus, standing in a niche, a trident in his right hand, a bunch of reed or seaweed in his left hand. This print is part of a series of eight prints of classical gods, based on paintings by Polidoro da Caravaggio on the facade of a Roman house, seen and checked by Goltzius in Rome. paper engraving (story of) Neptune (Poseidon)

Nilus. Philips Galle (Holland, Haarlem, 1537-1612). Holland, 1586. Prints; engravings. Engraving

This first-half 16th-century copper engraving by Marcantonio Raimondi depicts the allegorical figure Pax, highlighting posture, symbolic gesture, and Italian Renaissance printmaking.

A young naked man standing at left leaning on the trunk, another seen from behind, holding two snakes in his right hand and a convex mirror in his raised left hand ca. 1510-27 Marcantonio Raimondi Italian. A young naked man standing at left leaning on the trunk, another seen from behind, holding two snakes in his right hand and a convex mirror in his raised left hand 342653

Sculptuur Jongen met een van Doorn at the Voet; spinario; The statue of the bronze in Rome in the Capitol; Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Jost Amman, Swiss (1539-1591), Apollo, c. 1580, pen and black ink on laid paper

Hercules carries the celestial globe on his shoulders Based on a classical sculpture, Hercules carries the celestial globe on his shoulders Hercules the Tower of Heaven , print maker: Antoni Zürcher, Netherlands, 1765 - 1837, paper, etching, engraving, h 176 mm × w 130 mm

Young and an old goat heath. Two naked goat herders. The older has a wreath and a arm around the young goat heath. This handles his hand to the wreath and holds a flute in the other hand.

Vellert, Dirck, Venus sailing in a shell, verso lower left - stamped, Nude Venus in shell with sail, oar and burning torch. In the sky Cupid with bow and arrow., print, prent, prints, height 73 mm, width 48 mm, South Netherlands, 1485 - 1547, print maker, printmaker, 1524-10-20 - 1524-10-20, first quarter 16th century, paper, engraving, engraving (printing process)

This copper engraving by Israhel van Meckenem, from the last third of the 15th century, depicts Saint Sebastian, showing figure, posture, and detailed composition.

Terms of Hercules and Deianira. .

Eva offers Adam an apple from the tree of knowledge of good and evil. Around a branch of the tree the snake has been wounded that has a woman's face. Around the tree some animals (cat, dog, goat, sheep and parrot). The print has a Latin caption.

Albrecht Dürer, The Dream of the Doctor (Temptation of the Idler), 1498 1499 The Dream of the Doctor (Temptation of the Idler)

Psyche gives Venus the jug. Psyche presents to Venus, the goddess of love, a jug that she has achieved at Proserpina in the underworld.

Nuremberg, Solis, Virgil, Adam with the forbidden fruit, verso - handwritten in brown ink, print, prints, verso - stamped, 113, height 106 mm, width 88 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

Venus sailing in a shell. Naked Venus in shell with sail, oar and burning torch. To the sky Cupid with arrow and bow. Miss angle lower left and part from the bottom of original print, as a result, the signature and part of the date has been lost.

Sol, Heinrich Aldegrever, 1533 print Apollo naked and seated on a throne, next to him a sun, phaeton kneels in front of him and asks to be allowed to ride the solar car. One from a series of seven prints with gods that depict the planets. Germany paper engraving Apollo as sun-god, I.E. Sol (Helius), Titan. Phaethon Asks Apollo (SOL) for the Chariot of the Sun

Apollo with Lyre and Cupid. Artist: Paolo Farinati (Italian, Verona 1524-1606 Verona). Date: ca. 1568. Museum: Metropolitan Museum of Art, New York, USA.

Sculpture of Apollo, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

A Roman Warrior with Fasces. Artist: Leendert van der Cooghen (Dutch, Haarlem ca. 1610-1681 Haarlem). Dimensions: sheet: 6 3/4 x 4 1/2 in. (17.2 x 11.5 cm). Date: 1666. Museum: Metropolitan Museum of Art, New York, USA.

Hercules Worstelt met Antaeus, Marcantonio Raimondi, after Giulio Romano, 1520 - 1522 print paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

The Fatal Bellman, Print made by George Richmond, 1809-1896, British, 1827, Engraving on moderately thick, smooth, cream wove paper, Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm), Plate: 2 11/16 x 1 7/8 inches (6.9 x 4.7 cm), and Image: 2 9/16 x 1 11/16 inches (6.5 x 4.3 cm), bell, castle, clock, clouds, death, figure study, hat, hills, landscape, light, literary theme, Macbeth, play by William Shakespeare, nude, owl, plume, sky, sword, trees

Marcantonio Raimondi's 1513-1520 copper engraving shows a satyr with a child, featuring classical forms, gestures, and a mythological scene.

This copper engraving print by Meister HL from around 1533 depicts 'The Pain Man,' illustrating a figure undergoing or representing suffering. The work is notable for its detailed lines and expressive rendering typical of early 16th-century German engravings.

Waternimf Large Philips Galle, 1587 print The Water Nymph Largia. The print is part of a seventeen-part series about electricity and water nymphs. Antwerp paper engraving other Nereids (or sea-nymphs) (with NAME)

Calpurnius, 1586 print The hero Marcus Calpurnius Flama, seen on the left. In the background you can see how he saved consul Attilius Calatinus from an ambush with a small army. Twice two verses in Latin under the performance. Haarlem paper engraving male persons from classical history (CALPURNIUS, M.)

The Expulsion of Adam and Eve with an angel wielding a sword behind them 1591 After Cherubino Alberti (Zaccaria Mattia) Italian. The Expulsion of Adam and Eve with an angel wielding a sword behind them 651982

Triton Carrying a Child. Dated: c. 1507. Dimensions: sheet (trimmed to plate mark): 15.8 x 10.9 cm (6 1/4 x 4 5/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: NICOLETTO DA MODENA.

Termen Van Hercules en deïanira, Giulio Bonasone, After Polidoro da Caravaggio, 1501 - 1580 print paper etching piece of sculpture, reproduction of a piece of sculpture. (story of) Hercules (Heracles)

. Bacchus has his drinking snap. He wears a crown of grapes and winger leaves on his head and a goat skin around his shoulders. A grape eating sater behind him. The top corners of the list are decorated with saters heads, the beads with drinking glasses.

Johannes de Baptist with a sheep, Laurent de la Hire (attributed to), after Laurent de la Hire, 1616 - 1656 print print maker: Francepublisher: Paris paper etching series of scenes from the life of John the Baptist. sheep

Dienstbaarheid, Raffaello Schiambinosso, 1605 print Personification of service (Servitus) as a woman with a yoke on her shoulders. Italy paper etching yoke. city-view, and landscape with man-made constructions

Venus is on a waterfront and pinches water from her hair, Marcantonio Raimondi, 1506 print Venus stands on a waterfront and pinches water from her hair. An apple pierced in the tree behind her with an arrow. paper engraving birth of Venus; Venus Anadyomene: after Uranus' castration Venus rises from the sea wringing the water from her hair; usually she is awaited by the Hours

Nuremberg, Beham, Barthel, Caritas Romana, Pero suckling the chained Cimon in prison, verso middle right - stamped, The story of Cimon and Pero or Caritas Romana is an example from classical literature of the love of children for their parents. The father Cimon and his daughter Pero figure here in an allegory of youth and old age with a sexual approach., print, prent, prints, prenten, height 55 mm, width 36 mm, 1502 - 1540, print maker, prentmaker, 1525 - 1525, second quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, after own design by

Canto I, 1787-1788, William Hayley's 'The Triumphs of Temper' facing p.60, etching and engraving on wove paper, design size: 10.5 x 6.9 cm (4 1/8 x 2 11/16 in.), William Sharp (artist) British, 1749 - 1824, Thomas Stothard (artist after) British, 1755 - 1834, William Blake (artist) British, 1757 - 1827, Mary Ann Flaxman (artist after) British, 1768 - 1833

This early 16th-century woodcut by Jan Gossaert depicts Hercules and Omphale, showing figures, gestures, attire, and mythological narrative in Flemish printmaking.

Bacchus with a Drinking Bowl, Hendrick Goltzius, 1593 - 1597 print The young god Bacchus is halfway, in oval, bunches of grapes in the left hand, a bowl in the right hand, vines around the head. A small satie next to him. A mountain in the background. Two lines of Latin under the performance. This print is part of a series of three prints of classical gods. Haarlem paper engraving (story of) Bacchus (Dionysus), Liber

Christ supported by an angel standing on a cloud. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 9 3/8 × 5 13/16 in. (23.8 × 14.8 cm). Date: 1600-1610. Museum: Metropolitan Museum of Art, New York, USA.

Sebald Beham's 'The Rhetoric' is a copper engraving depicting the personification of Rhetoric, highlighting posture, gesture, and symbolic attributes.

Transience, Anonymous, After Heinrich Aldegrever, After Albrecht Dürer, 1529 - 1610 print Imagination of transience. A naked woman, seen from the side, standing by a grave. In her left hand an hourglass and a canvas, a fruit in her right. There are a skull, a shovel and a sphere at the open grave. paper engraving (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa). Hourglass. Skull as symbol of 'Vanitas'

Amsterdam, Koning, Wilhelmus, Goltzius, Hendrick, Matham, Jacob, De zeven planeten serie B, Sol, Zon (Appolo), Apollo, or the personified sun, with bow and arrow. Above his head the astronomical symbol for his planet. Standing in an oval cartouche with the two signs at the top: Sun and Leo., print, prent, prints, prenten, height 118 mm, width 77 mm, Work conception, Noord-Nederlands, 1571-10-15 - 1631-01-20, after a print by, 1597 - 1597, paper, papier, engraving, engraving (printing process), print maker, printmaker, 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, - 1732, publisher

Judith 16th century Anonymous, Italian, 16th century Italian. Judith 391566

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