Mythological Figures in Nature

Etchings featuring mythological figures like Mars and Venus amidst lush landscapes, showcasing themes of love and conflict.

Hermitage by Maerten de Vos, pen, brush, grey paper, 1585-1586, 1532-1603, Russia, Moscow, State Pushkin Museum of Fine Arts, 16, 2x20, 8

The Nativity with Angels 1650-57 Bartolomeo Biscaino Italian. The Nativity with Angels 412503

The Woman and the Owl Original 1500 Germany. Etching in black on ivory laid paper . Master M.Z.

Rest on the Flight in to Egypt, 1632-48. Simone Cantarini (Italian, 1612-1648). Etching;

Satyr Family with Musical Instruments Sitting by a Monument, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching satyr(s) (in general)

Rest on the escape scene with two angels, drawn in black chalk with gray and gray-brown washes by Nicolaes Pietersz. Berchem.

Granida and Daifilo, Claes Moeyaert, 1612 - 1655 print The Shepherd Daifilo kneels for Princess Granida and offers her water. Granida, who gets lost during a hunting party, has hunting dogs with him. Dorilea watches next to the goats. Amsterdam paper etching (scenes from) specific works of literature: Hooft, Granida. dog. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. kneeling figure

Bartolomé Esteban Murillos drawing depicts Saint Dominic, executed in brown ink and wash with black pen.

Amor. Amor is sitting on a stone. He stretches after sleeping. There are arrow and bow on the floor.

A feather drawing by Lorenzo Lolli depicting the Holy Family with John as a child, presented in a lying oval on beveled paper corners.

Drawing by Ignaz Unterberger depicting Jupiter and Juno using redtel, spring, and brown brush on light-brown paper.

Four soldiers, Salvator Rosa, c. 1656 - c. 1657 print A sitting soldier, turned to the left, with a hellaard. Three other soldiers around him. Italy paper etching / drypoint the soldier; the soldier's life. helved weapons, polearms (for striking, hacking, thrusting): halberd

Rest, a Landscape with Figures and Cattle, after Nicolaes Berchem 1871 Jules-Ferdinand Jacquemart Jacquemart made this print after the painting (71.125) by the Dutch Italianate artist as part of a portfolio celebrating the founding collection of the Metropolitan Museum of Art. In his review of the prints, the British critic and etching advocate, Philip Gilbert Hamerton lauded this plate, declaring, "I had not myself supposed that etching could go so far as this in the imitation of a painters manner." Unlike many of the other artists in the portfolio, Berchem made his own etchings, so it is possible Jacquemart had the opportunity to examine the seventeenth-century artists own approach to printmaking.. Rest, a Landscape with Figures and Cattle, after Nicolaes Berchem. Etchings of Pictures in the Metropolitan Museum New York. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1871. Etching, third state of three (Gonse). P. & D. Colnaghi & Co.. Prints

Elijah Visited by an Angel in the Wilderness (I Kings 19:4-8). Artist: Jean-Baptiste Bénard (French, 18th century). Dimensions: 15 1/4 x 9 15/16 in. (38.8 x 25.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785 Woman, Satyr Child, and Goat in a Landscape

Jupiter and Callisto. Wilhelm Janson (Holland, Amsterdam)Antonio Tempesta (Italy, Florence, 1555-1630). Italy, published 1606. Prints; etchings. Etching

Star, Joannes, Amsterdam, Sweelink, Gerrit Pietersz., Prediking van Johannes de Doper, verso lower left - stamped, John the Baptist preaches in the desert. He stands on a rock among listeners. In the background the baptism in the Jordan. In the margin a four-line caption in Latin., print, prent, prints, prenten, height 285 mm, width 253 mm, Noord-Nederlands, 1566 - 1612, print maker, prentmaker, 1593 - 1593, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher

The Sacrifice of Isaac. Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546)

Italy, Rosa, Salvator, The rescue of Oedipus, verso - stamped, The young Oedipus hangs tied by his feet in a tree. A man unties him., print, prints, height 728 mm, width 480 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1625 - 1673, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Apollo shifts Coronis with an arrow, Jacob de Wit, after Godfried Maes, 1706 - 1754 drawing Design for a print. paper. graphite (mineral). ink pen / brush / brush Apollo shoots Coronis, but repenting his act he tries in vain to recall her to life

Sleeping Polder Boy, Johannes Josephus Aarts, 1881 - 1934 print A man in work clothes and with hat, sitting and sleeping on a wooden sofa. At the top left a branch with leaves, below a drinking bottle. On the right in the background a settlement with church tower. paper. chalk engraving working class, labourers. sleeping; unconsciousness - BB - out of doors

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Hagar in the desert, A woman (Hagar) sits at the foot of a large tree., print, prints, height 65 mm, width 67 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, - 1660, publisher, uitgever, 1645 - 1660

The Holy Family on the Flight intoEgypt. Engraver: Jacob Matham, Dutch, 1571-1631 After: Hendrick Goltzius, Dutch, 1558-1617

Amelisz, Jan, Amsterdam, Sweelink, Gerrit Pietersz., Holy Family with the Apple, verso lower left - handwritten in black ink, Landscape with the Holy Family. The Christ Child sits on the lap of his mother Mary. Joseph leans against a tree trunk and watches them eat an apple. In the margin a caption in Latin., print, prent, prints, prenten, Spranger, height 200 mm, width 228 mm, Noord-Nederlands, 1566 - 1612, print maker, prentmaker, 1593 - 1593, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher

Hercules in Lichas, 1804 print Hercules and Licas. Print no. 7 on page 5 in the album 'Raccolta di Soggetti pictures', a Prentalbum with 42 numbered etchings on 28 pages of Luigi Sabatelli (I) himself and from students to his design. paper etching Hercules, raging with pain, hurls Lichas into the sea

Juno, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Juno, from 'Game of Mythology' (Jeu de la Mythologie) 376754

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph points into the distance, copy after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 6 in. × 4 1/4 in. (15.2 × 10.8 cm). Date: ca. 1637-1639 or after. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya, Los caprichos No hay quien nos desate, published 1799 Los caprichos: No hay quien nos desate

Saint Catherine ofAlexandria. Artist: Unknown

Jupiter seduces Callisto in the form of Diana; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. If Callisto has offset her arrow sleeve at the end of the day and her bow has relaxed, Jupiter appeals to her in the form of Diana. Jupiter can be recognized by the eagle at his feet. Jupiter Callisto overwhelmed on the right. On the left, Callisto comes to face the real Diana. Under the show twice two fresh rules in Latin. The print is part of an album.

A brown ink and pencil drawing by an anonymous artist depicting a scene of rest during the flight to Egypt, showing figures and landscape elements.

St. John the Baptist. 1601 - 1628. Palma, il Giovane, 1544-1628. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Etching and aquatint by Francisco Goya showing a great feat in war with dead figures, using ledge needle 1810-1813, first edition 1863.

Seated Nymph. Jean-Baptiste-Marie Pierre (France, Paris, 1714-1789). France, circa 1746. Prints; etchings. Etching

Simone Cantarini / 'Saint John the Baptist in the Desert'. First half of the XVII century. Red chalk on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Le triomphe de la Mort: Les bouches inutiles , Victims, Alphonse Legros (1837-1911)

Two wizards with child who is afraid of snake; Scherzi di Fantasia.

A human sacrifice, engraving from a painting by Auguste Gendron, Salon de 1850, Paris, France, from L'Illustration, Journal Universel, No 417, Volume XVII, February 21-28, 1851.

St Jerome Reading, Rembrandt van Rijn, 1634 print paper etching St. Jerome as hermit in a landscape, reading

Harp playing woman and three putti.

Paris's dream; Paris's opinion. Paris dressed as a knight in a harness, sleeping on the ground at a fountain. Mercurius is with him who appeals to him in his dream. The goddesses Juno, Minerva and Venus are standing around them. A woman at the fountain holds the golden ball.

Man sleeping at the edge of a wood with a woman knealing at his side with one hand on a pot and the other on the shoulder of an old man who gestures with left hand towards the sky. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After () Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: Sheet: 3 3/4 × 3 1/8 in. (9.5 × 8 cm). Date: ca. 1500-1534. Museum: Metropolitan Museum of Art, New York, USA.

The Raising of Lazarus Small Plate Made 1642 Holland. Etching in black on ivory laid paper . Rembrandt van Rijn

Rest on the Flight into Egypt, Simone Cantarini, 1632 - before 1637, draughtsman: Simone Cantarini, (mentioned on object), 1632 - before 1637, paper, pen, h 248 mm × w 249 mm

The Virgin and Child with Saint Martina. Artist: Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596-1669 Rome). Dimensions: 9 5/8 x 12 3/8in. (24.5 x 31.5cm). Date: 1596-1669.This drawing, made in pen and ink by the leading artist of the Roman Baroque Pietro da Cortona, was preparatory for a painting featuring The Virgin with Christ Child and Saint Martina now in the Kimbell Art Museum, Fort Worth (inv. AP 1984.07, oil on canvas, 70 x 58 cm). In this composition, Saint Martina, a third-century martyr who was put to death for refusing to worship idols, gazes at the Christ Child while holding the forked iron hook with which she was tortured, and accepting the palm of martyrdom. The painting and the related drawing are generally dated to1643-45 ca. Cortona was particularly devoted to the cult of the Roman martyr Saint Martina, whose remains were found in 1634 during excavations undertaken for the artist's own tomb in the crypt of the church of the Accademia di San Luca, Rome. T

The Sixth of Ten Commandments, from Die zehe gebot. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 4 3/16 × 5 1/4 in. (10.6 × 13.4 cm). Publisher: Johann Grüninger (German, Markgröningen 1455-1533 Strasbourg). Museum: Metropolitan Museum of Art, New York, USA.

Magician with four Figures near a smoking Altar, from the Scherzi ca. 1743-52 Giovanni Battista Tiepolo Italian. Magician with four Figures near a smoking Altar, from the Scherzi 368691

The four figures under a tree (Bartsch 5) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The four figures under a tree (Bartsch 5). Water-strong on paper, 1645-1675.

Bella, Stefano della, Ornament o grottesche, Ornaments and grotesques, Ornament with girl seen from behind, verso - stamped, A leaf ornament with a girl (a nymph), seen from the back, holding a hare above her head so that the dog on the ground cannot get to her. Above a second dog., print, ornament print, prints, height 164 mm, width 63 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Expression creation

Saint Hieronymus with Crucifix, Titian (Follower of), 1500 - 1620 drawing paper. chalk. ink pen / brush

A young girl, seen from behind, lifting a rabbit into the air for a dog above to grasp, another dog at her feet, from'Ornaments or Grotesques' (Ornamenti o Grottesche). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Series/Portfolio: 'Ornaments or Grotesques' (Ornamenti o Grottesche). Date: ca. 1650-56. Museum: Metropolitan Museum of Art, New York, USA.

Arc decoration of two winged victory figures; Kariatides, swim decorations and allegories. Third sheet from series of 5, unnumbered, second edition.

They Make Use of Them, plate 16 from The Disasters of War Made 1810-1812 Spain. Etching, lavis, drypoint, burin, and burnishing on ivory laid paper . Francisco José de Goya y Lucientes

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), rest in the flight to Egypt. (A. de Vesme 17; Dutuit 156) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Saint Jerome in the Wilderness. Artist: Annibale Carracci (Italian, Bologna 1560-1609 Rome). Dimensions: 9 3/4 x 7 9/16 in. (24.8 x 19.2 cm). Date: ca. 1591.Annibale Carracci was one of the most important artists working in Italy during the late sixteenth and early seventeenth centuries. Together with his cousin Ludovico and his brother Agostino, he played a critical role in what has been labelled 'the reform of painting'. While the corpus of Annibale's prints is small (twenty-two known designs can be securely attributed to him), they were influential and illustrate the aesthetic aims to combine northern Italian naturalism with central Italian principles of design (known as disegno). Trained to use the burin by his brother Agostino, a professional engraver, Annibale soon turned to etching, a technique that allowed him to emulate the quick, fluid pen strokes of his drawings. Here the immediacy of the medium contributes to the expressive intensity of the representatoin of Saint Jerome, w

Italy, Bella, Stefano della, Mary with Child, the young John the Baptist and Saint Elizabeth, sheet - stamped, Mary sits on the ground and suckles the Christ child. In front of her stands the young John the Baptist with his lamb. In the background sits Saint Elizabeth., print, prints, verso - stamped, height 160 mm, width 150 mm, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by, 1620 - 1664, paper, papier, etching, etchings, print maker, prentmaker

Offer van Abraham, Ferdinand was, 1632 - 1680 print Isaac is half naked and fascinated on the floor, there is a stack of firewood near his head. His father Abraham sits next to him and is about to pull the knife out of the sheath, an angel comes from heaven who grabs his arm and holds him back. paper etching / drypoint when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand

Netherlands, Everdingen, Allaert van, Rider in the forest, print, prints, height 116 mm, width 154 mm, Northern Netherlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etchings

Świety Hieronim czytający. Rembrandt van Rijn (1606-1669), graphic artist

History apotheosis; Le Brun, André-Jean (1737-1811); 2. after 18th century (1751-00-00-1800-00-00);Bersohn, Mathias (1823-1908), Bersohn, Mathias (1823-1908)- collections, chronos (mitol.), Time (personification), history (personification), fame (personification), Society of Encouragement of Fine Arts (Warsaw- 1860- 1940) - collection, allegories, apotheosis (iconogr.), Dar (provenance), French drawings

The Holy Trinity in Glory. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: 5 1/4 x 7 15/16in. (13.3 x 20.2cm). Date: 1612-48. Museum: Metropolitan Museum of Art, New York, USA.

Holy Agnes.

Theseus discovers the weapons of his father, Giovanni Benedetto Castiglione, After Nicolas Poussin, 1645 - 1648 print The Greek hero Thesesus, seen on the back, lifts the stone, including the weapons of his father, King Aegeus, lying hidden. His mother Aethra watches, next to her a boy with a torch. paper etching Theseus takes the sword and the sandals of his father Aegeus from under the rock; usually in the presence of his mother Aethra

Les Faiseurs de fagots. Alphonse Legros (French, 1837-1911). Drypoint;

Holy Agnes, intermediary draughtsman: Abraham Bloemaert, draughtsman: anonymous, 1574, paper, pen, brush, h 242 mm × w 187 mm

Etching 'The Holy Hieronymus in a Mountainous Landscape' by Rembrandt van Rijn, circa 1653, depicting Saint Hieronymus in a mountainous setting with compositional elements.

Alphonse Legros, Fagot makers (Les faiseurs de fagots) Fagot-makers (Les faiseurs de fagots)

The Satyr's Dance Bacchanales. 1763. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Depiction of crying figure and Roman warriors showing posture, expression, and armor, drawn with lead handle and grayavings.

Woman with Two Children and a Donkey, plate 21 from the Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, Frsit state, before the number, Italy, 1750-1760, Print, Print

Sitting on the ground, Making love couple in a landscape, Making love couple in a landscape, draughtsman: anonymous, 1700 - 1800, paper, pen, brush, h 145 mm × w 200 mm

Jacob Jordaens (1593-1678), allegory on fertility, About 1623

The Rest on the Flight into Egypt 1593 Gerrit Pietersz. Sweelink An Amsterdam painter and draftsman, Gerrit Pietersz., moved to Haarlem in about 1588-89, to train with Cornelis Cornelisz., a Mannerist artist whose work had a lasting influence on him. While in Haarlem, he made six prints that are arguably his most innovative and beautiful works. Although Pietrsz. was drawn to printmaking while in Haarlem, he, unlike his contemporaries, eschewed the sharp swelling and tapering lines characteristic of Mannerist engraving and turned to etching instead. In contrast to the hard brilliance of the engravings by Goltzius and his school, Pietersz.s etchings are loose and exuberant. The lines seem almost to have a life of their own, as we can see in the looping curls of Josephs beard and hair in The Rest on the Flight into Egypt, or the bunched drapery of St. Cecilias sleeve in St. Cecilia Playing the Organ. Printmaking was something of an experiment for Pietersz. He only executed six etchings

God the Father Seated on a Cloud, Flanked by Two Putti. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 6-1/16 x 5-1/16 in. (15.4 x 12.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Simson en delila, Giuseppe Caletti, 1605 - 1665 print Simson sleeps with his head on Delila's lap. Delila is about to cut Simson's hairs with scissors. Numbered in the top left: 13. Italy paper etching Samson's hairlocks are cut off by Delilah. story of Samson and Delilah (Judges 16:4-21)

The Ford Made 1634 France. Etching on ivory laid paper . Claude Lorrain

The month of August; The months of the year. Four sleeping farmers next to an apple tree. A sower in the background.

Marskramer and his wife resting along the side of the road, draughtsman: Antoon Overlaet, Sébastien Leclerc, 1730 - 1774, paper, pen, h 85 mm × w 86 mm

Rest on the Flight into Egypt, Albrecht Altdorfer, c. 1506 - 1538 print Maria sitting in a landscape, the Christ child on her lap. Joseph is next to her. In the background a mountain landscape with a fortress. Germany paper engraving rest on the flight into Egypt

Follower of Luca Cambiaso, Charity Charity

A Reformational Allegory. Artist: Dirck Pietersz. Crabeth (Netherlandish, Gouda 1501-1574 Gouda). Dimensions: Sheet: 11 5/8 x 8 1/16 in. (29.6 x 20.4 cm). Date: ca. 1550-55. Museum: Metropolitan Museum of Art, New York, USA.

Design for a painting, Design for a hall piece: Dorinda begs Silvio for his love, draughtsman: Dionys van Nijmegen, 1715 - 1798, paper, brush, pen, h 389 mm × w 252 mm

Bootless Peter. Peter with folded hands, kneeling at a rock in a landscape. There is a key for him.

Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis). Artist: Anonymous, Spanish, School of Seville, 17th century. Dimensions: 3-9/16 x 4-3/4 in. (9.0 x 12.0 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Saint Jerome, Saint Jerome sleeping in a cave. He leans with his arm and head on a rock with a skull and a crucifix on it. A book is in front of him. Behind Hieronymus two putti on a cloud and a lion, the monk and hermit Jerome (Hieronymus), possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, Lorenzo Loli (mentioned on object), Italy, 1622 - 1691, paper, etching, h 237 mm × w 177 mm

Sleeping man, a standing woman and a standing man.

Lazio Viterbo Caprarola Palazzo Farnese56. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Johannes van Vliet, Beggar Woman Fleaing a Boy, 1632 Beggar Woman Fleaing a Boy

Lying goat and three sheep by foot of Obelisk with bust of Roman emperor, Johann Heinrich Roos, 1665 print paper etching / engraving landscape with ruins. goat. sheep

Badende woman, seen from behind, Moyses van Wtenbrouck, 1700 - c. 1710 print A naked woman, on the edge of a forest lake, bends over her clothing on the floor. print maker: The Haguepublisher: Amsterdam (possibly) paper engraving / etching 'After the bath' - AA - in the open air

The Flight into Egypt. Dated: c. 1630/1660. Dimensions: plate: 12 x 12 cm (4 3/4 x 4 3/4 in.) sheet: 12.2 x 12.2 cm (4 13/16 x 4 13/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Two Women in a Landscape. Artist: baron Dominique Vivant Denon (French, Givry 1747-1825 Paris). Dimensions: Sheet: 6 7/16 × 9 5/16 in. (16.4 × 23.6 cm). Date: 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

H. Barbara of Nicomedia, draughtsman: Jacob de Wit, after: Peter Paul Rubens, 1705 - 1754, paper, brush, h 190 mm × w 254 mm

Elia fed by the Raven, Gasparo Diziani (attributed to), 1750 - 1760 drawing paper. ink. chalk brush / pen Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food. Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Bartolomé Esteban Murillo / 'The Infant Saint John the Baptist'. Second half of the XVII century. Grey-brown wash, Pencil on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Jacques-Philippe Caresme drawing of satyrs, executed in black chalk with reddish tones.

Two saters play a sleeping nymph. Two Saters played a Nymph, who fell asleep on a resting bed.

'Harvest Time'. Holland, 16th-17th century. Dimensions: 18,7x14 cm. Museum: State Hermitage, St. Petersburg. Author: ABRAHAM BLOEMAERT.

Salmacis en Hermaphroditus; Hermaphroditus et Salmacis unum in corpus abeunt; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.The Nymph Salmacis clings to the body of hermaphroditus on the edge of a lake. Title in Latin in undermarge.

Le Philosophe Seul Giovanni Battista Tiepolo (Italian, Venetian,1696-1770). Le Philosophe Seul, ca. 1740. Etching on white laid paper, image: 9 1/8 x 6 11/16 in. (23.1 x 17 cm). European Art ca. 1740

Ridinger, Martin Elias, inventor: Johann Elias Ridinger, work, Johann Ridinger at his easel, (1000 - 2000), copper engraving, graphics, plate width 25.5 cm, plate height 34.3 cm, leaf width 30.5 cm, leaf height 41.6 cm, image width 22.9 cm, image height 28.4 cm

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