Mythological Heroes in Engravings

Engravings of mythological scenes featuring heroes like Hercules, showcasing dramatic struggles and classical themes in Renaissance art.

Rome, Rossi, Giovanni Giacomo de', Italy, Carracci, Ludovico, Agostino, Annibale, Mitelli, Giuseppe Maria, L'Enea Vagante pitture dei Caracci, Wanderings of Aeneas, Man Subduing a Harpy, verso - stamped, Console with a Nude Man, One of the Soldiers of Aeneas, Sitting on a Harpy., print, prints, height 335 mm, width 206 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1663 - 1663, paper, papier, etching, etchings, 1560-11-03 - 1609-07-15, after a painting by, 1557 - 1602-03-22, 1555 - 1619-11-13, 1627 - 1691, printer

Silenus supported by a young Bacchant, Anonymous, After Marcantonio Raimondi, After Rafaël, After Giulio Romano, 1520 - 1575 print Drunk Silenus is supported by a Bacchant. Both hold grape vines. To the left next to them are a wine barrel against which an inverted drinking bowl leans. paper engraving Male Bacchant (es). (Story of) Silenus

Hercules fights against the Achelus river god; Working from Hercules. Hercules, standing and struggling with the Achelus river god, behind it lies the river god after he has changed in a sea monster and killed by Hercules. Under the show a two-legged text in Latin. Seventh print from a series of thirteen with the works of Hercules.

Hercules struggles with antaeus; Life of Hercules. Hercules holds the giant antaeus to his waist. Because Antaeus was invincible as long as he remained in contact with the earth, Hercules lifted him off the ground. In addition to them, an old woman is watching on the floor. In the background a landscape with buildings and ruins. A cartouche without text in the undermarge.

Rome, Rossi, Giovanni Giacomo de', Italy, Carracci, Ludovico, Agostino, Annibale, Mitelli, Giuseppe Maria, L'Enea Vagante pitture dei Caracci, Wanderings of Aeneas, Man Subduing a Harpy, verso - stamped, Console with a Nude Man, One of the Soldiers of Aeneas, Sitting on a Harpy., print, prints, height 335 mm, width 206 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1663 - 1663, paper, papier, etching, etchings, 1560-11-03 - 1609-07-15, after a painting by, 1557 - 1602-03-22, 1555 - 1619-11-13, 1627 - 1691, printer

David winner of Goliath according to Raphael (Bartsch 11) Marc Antoine Raimondi (1480-vers1534). David winner of Goliath according to Raphael (Bartsch 11). Burin. 16th century.

Venus, Bacchus en Ceres (Without CEARE AND BACCHO CROFT Venus), Jacob Matham (attributed to), after Hendrick Goltzius, 1601 - 1652 print Venus and Amor surrounded by Bacchus, with a lifted bowl and wine vines on the head, and Ceres, seen on the back, next to a horn of abundance and with corners in the hair. Venus is accompanied by Amor who provides her corners and a bunch of grapes. Illustration of the saying 'sine cerere et baccho friget venus' (without ceres and bacchus freezes venus), or, without food and wine, love freezes. Amsterdam paper engraving Without the COVER AND BACCHO CLOVE VENUS

Hercules in battle with the Hydra of Lerna. Hercules, raised with knots above his head, battle with the six-member Hydra by Lerna.

Faun with flute plays with child.

Prudence, from the series The Seven Virtues. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm). Date: 1530. Museum: Metropolitan Museum of Art, New York, USA.

Venus Finding Mars Asleep. Artist: After Luca Penni (Italian, Florence 1500/1504-1557 Paris); Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed): 11 11/16 × 10 7/8 in. (29.7 × 27.6 cm). Date: ca. 1545. Museum: Metropolitan Museum of Art, New York, USA.

Hercules on the Tweersprong, Anonymous, After Jan Saenredam, 1589 - 1657 print The young Hercules is under a tree and leans on his club. He must choose between virtue and the vice. Virtue is on the left. She wears a long robe and a helmet. She holds a spear in her hand. She points to a tableau with the narrow, rocky path that is climbed by different people. On the right is the naked vice. She holds the hand of Hercules. There is a fall at her feet. Above her a tableau with an abundant banquet. Under the performance a four -line, Latin text with a description of the scene. After Design by: Northern Netherlands Amsterdam paper engraving Hercules at the cross-roads, 'Herkules am Scheidewege': the choice of Hercules

Venus controls a Sater, Anonymous, 1500 - 1599 print The standing Venus has held a saat in his hand and horn, and stands on his lap with her foot. On the right Amor who holds the arm of the satie. paper engraving satyr(s) (in general). Venus and Cupid (Cupid not being mere attribute). landscapes

Venus kamt haar van Amor; Scènes met Venus en Amor; Scherzi d'amore.Venus and Amor in a landscape. Venus combs the hair from Amor. Italian verse in undermarge.

Thetis with two tritons; Neptune and thetis with sea uts and sea horses. The Zeenimf Thetis with a trident and two tritons.

Venus and the dead Adonis; The loves of the gods; Godenlijfden.The Naked Venus Squats next to the Dead Body of Adonis. Right is amor. In Underwear Italian Fresh in Two Columns.

Copper engraving on thin paper by Marcantonio Raimondi depicting Hercules and Nessus, created around 1509-1510, showing the mythological encounter.

Hercules Defending Hippodameia Against Centaurs. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Coming in Amor, Anonymous, c. 1550 - C. 1650 print Venus is sitting on her lap with Amor. She grabs Amor at his left arm. Italy paper etching Venus and Cupid (Cupid not being mere attribute)

David with the head of Goliath ca. 1515-16 Marcantonio Raimondi Italian. David with the head of Goliath 342529

Laocoon and Sons Defending Themselves from Snakes. Brosamer, Hans (ca 1500-1552), graphic artist

Love; Caritas; Seven virtues. Personification of virtue love: woman with two children, putto holds circular band above her head.

A man whips Fortuna, the goddess of fortune and fate in Roman mythology, Historical, digitally restored reproduction of an original from the period

PYRAMUS en Thisbe, Heinrich Aldegrever, after Marcantonio Raimondi, 1553 print The dead pyramus, lying naked on the floor next to a fountain. Next to him is Thisbe, who is about to put a knife in her chest. In the background the lion with her cloak. At the top left a cartouch with a two -line text in Latin. Germany paper engraving Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

Ancestors issued from Limbes after Francesco Francia (Bartsch 41) Marc Antoine Raimondi (1480-vers1534). Ancestors delivered from Limbes after Francesco Francia (Bartsch 41). Fight, chisel. 16th century.

Old man leaning on a stick and gesting young fat man, Marcantonio Raimondi, after Francesco di Francia, 1510 - 1527 print Italy paper engraving old man. fat and thin (human types)

The Expulsion from Paradise. 1543. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

La Hire, Laurent de, France, Lacourt, de, David and Bathsheba, verso - stamped, print, prints, height 415 mm, width 328 mm, print maker, printmaker, 1620 - 1694, paper, papier, etching, etchings, French, 1606-02-27 - 1656-12-28, after, after painting by, Work conception

Italy, Parmigianino, Bonasone, Giulio, Mercurius gives Minerva a panpipe, verso - stamped, print, prints, height 256 mm, width 194 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1590, paper, papier, etching, etchings, Work conception, 1503-01-11 - 1540-08-24

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'. Artist: Master of the Die (Italian, active Rome, ca. 1530-60); After Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481-1536 Rome). Dimensions: sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm) approximately. Date: 1530-60. Museum: Metropolitan Museum of Art, New York, USA.

March came in Cupido.

Thetis met twee tritons, anonymous, after Perino del Vaga, c. 1511 - c. 1611 print The Zeenimf Thetis with a trident and two tritons. Italy paper engraving (Settry.) Thess; 'Hin the Men, Norfu't Mirgin' (rea)

Amor and Psyche. Amor and Psyche are together with their child (full-up bag) on a chaise longue in a landscape. A winged figure keeps laurel circuits above the heads of Amor and Psyche. Right cast Ceres water on the hand of amor. His hand leans on a scale that is worn by Juno. In the background a group of Saters sacrificing a goat for a god image. There is a dog in the foreground.

Copper engraving by Lucas Hugensz. van Leyden from 1529 depicting the biblical fall of man.

Mary sits and carries the Christ child in her arms. John the Baptist is seated next to her. Both Christ and John are between three and five years old. An angel standing behind Mary hands the Christ Child a flower. In the other hand, the angel holds an apple. The format of the original painting is given in Latin, Mary with Christ and John, print maker: D. Claessens, (mentioned on object), D. Claessens, (mentioned on object), after: Camillo Procaccini, (mentioned on object), Italy, 1650 - 1670, paper, etching, engraving, h 191 mm × w 142 mm

Venus a Mars, Jacob Matham, 1599 - 1600 print The adultery of Mars and Venus. Venus is undressed by her nymphs and Mars is stripped of his armor by Putti. Haarlem paper engraving Mars and Venus disrobed by cupids and the Graces

Jan Pietersz Saenredam, after Hendrik Goltzius, The Cult of Venus, 1596 The Cult of Venus

Deianeira receiving the poisoned tunic from Nessus, and the wounded centaur falling to the ground at left. Artist: Anonymous; After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Dimensions: Sheet (Trimmed): 13 1/16 × 8 13/16 in. (33.1 × 22.4 cm). Date: ca. 1650-1700. Museum: Metropolitan Museum of Art, New York, USA.

Apollo and Daphne dated 1515 Agostino Veneziano (Agostino dei Musi) Italian. Apollo and Daphne. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1515. Engraving. Prints

Drunk Silenus. The Drunk Silenus is supported by Saters. Silenus has a wreath of wingerd leaves on the head.

Copper engraving by Andrea Zoan depicting two eager figures, showing posture, gesture, and interaction, from late 15th to early 16th century.

Saint Sebastiaan tied to tree with a man with a crossbow next to him, master IB with the bird, 1500 - 1515 print paper engraving the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Portrait of Amalia from Solms; Histoire de l'Entrance de la Reyne Mere du Roy Tres-Chrestien, Dance Les Provinces Unies des Pays-Bas .. Portrait of Amalia. She is in a leaving with an orange branch in her right hand. The three gratients offer her palm leaves. Two times of French text twice in the undermarge. The print is part of a book about Maria de 'Medici to the Netherlands's visit.

Nuremberg, Solis, Virgil, Scenes from the Life of Hercules, Hercules and the Nemean Lion, verso - handwritten in brown ink, print, prints, verso - stamped, 65, height 87 mm, width 51 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Albrecht Dürer, The Dream of the Doctor (Temptation of the Idler), 1498 1499 The Dream of the Doctor (Temptation of the Idler)

Fontainebleau, Primaticcio, Francesco, Italy, Ghisi, Giorgio, Paintings in the Galerie d'Ulysse in Fontainebleau, Apollo, Pan and a putto blowing a horn, verso - stamped, print, prints, height 294 mm, width 169 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1530 - 1582, paper, engraving, engraving (printing process), Work conception, 1504-04-30 - 1570-09-14

Venus and Love - Bartsch 138 Lucas de Leyde (1494-1533). Venus and Love - __Bartsch 138. Burin. 1528.

Venice, Rasciotti, Donato, Caliari, Carlo, Italy, Sadeler, Aegidius, Angelica and Medoro, verso lower left - stamped, The loving couple Angelica and Medoro beside a stream. Cupid lies next to them on the ground with a burning torch in his hands as a symbol of their love. Medoro carves their names in a tree. On the right a putto with a goat. The print has an Italian caption about the epic story Orlando furioso., print, prent, prints, height 314 mm, width 422 mm, Zuid-Nederlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), 1570 - 1596, after, after painting by, Publication (Event), Publication, Italian, publisher

Apollo en Diana, Albrecht Dürer, 1501 - print Apollo takes its bow. Diana is sitting next to him with a deer. Nuremberg paper engraving (story of) Apollo (Phoebus). (story of) Diana (Artemis)

. An Oreade, with glasses on the nose, removes a thorn from the foot of a Sater. The Sater is supported by a female and a young Oreade. At the bottom of the margin a two-legged text in Latin.

Lucas van Leyden, Adam and Eve Lamenting the Death of Abel, 1529 Adam and Eve Lamenting the Death of Abel

Tomyris hiding King Cyrus' head. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Adam and Eva are growing over the Dead Abel; History of Adam and Eva. EVA with arm raised, Adam with a hand for his face. The body of Abel is on the ground.

Copper engraving by Marcantonio Raimondi, first half of the 16th century, depicting a man striking Fortuna, showing allegorical symbolism, figure dynamics, and detailed composition.

A bespectacled artist paints a nude woman outdoors. The model is on her knees on the floor looking at herself in a mirror held up by a putto. Behind the easel a doctor looking at a urinal and a two men with astrolabe and compass on a globe. To the right in the foreground are various measuring instruments. In front a cat and in the back right an eagle. Below the representation is the Latin translation of: I know from experience that this does the beholder both harm and pleasure, Allegory of Perception, print maker: Jan Saenredam, (mentioned on object), Hendrick Goltzius, (mentioned on object), publisher: Johannes Janssonius, (mentioned on object), print maker: Noord-Nederland, Haarlem, publisher: Amsterdam, 1595 - 1600 and/or 1616, paper, engraving, h 244 mm × w 185 mm

Putto performs a Sater grapes. .

Christ shown to the people. Draughtsman: anonymous. After Bartolomeo Passarotti. Dating: 1538 - 1620. Measurements: h 253 mm × w 211 mm. Museum: Rijksmuseum, Amsterdam.

Amor sleeping in a tent. .

Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left ca. 1515-27 Marco Dente Italian. Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left 342505

Autumn; Autumnus; The four Seasons. Autumn's personification, bacchus figure with grape food and other fruits in the hands. A wreath of vines on his head. At the top of the three constellations scales, Scorpio and Sagittarius.

Copper engraving by Marcantonio Raimondi illustrating the biblical expulsion from paradise, showing Adam and Eve leaving Eden under divine command.

Two seated angels, facing left, reading from a song book, from The Angels' Concert. Artist: Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome); After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: Sheet: 7 1/2 × 4 13/16 in. (19 × 12.2 cm). Series/Portfolio: The Angels' Concert. Date: 1583. Museum: Metropolitan Museum of Art, New York, USA.

. An Oreade, with glasses on the nose, removes a thorn from the foot of a Sater. The Sater is supported by a female and a young Oreade. At the bottom of the margin a two-legged text in Latin.

Judgment of Paris (copy). Artist: After Barthel Beham (German, Nuremberg ca. 1502-1540 Italy); Jacob Binck (German, Cologne 1494/1500-1569 Kaliningrad (Königsberg)). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the central section of The Mirror of Virtue; Cornelis Ketel (Dutch, 1548 - 1616); Netherlands; about 1594; Pen and brown ink, brown wash, heightened with white; 25.8 × 21.7 cm (10 3,16 × 8 9,16 in.)

Albrecht Dürer's 'The Doctor's Dream' (c. 1498) is a copper engraving depicting a doctor asleep, experiencing a vision of a nude woman surrounded by symbolic objects, demonstrating Dürer's precision in line and composition.

Venus and Cupid Artist's working dates 1506-1540 Italy. Engraving on paper . Jacopo Francia

Time tightening nodes / brothers and friends. (IT)

Two putti with a lion, Louis Ferdinand I Elle, After Gerard van Opstal, After Tetelin, 1654 print print maker: Francepublisher: Paris paper etching cupids: 'amores', 'amoretti', 'putti'. beasts of prey, predatory animals: lion. Reasonableness. ornament ~ medallion

Linden, Gerard onder de, Amsterdam, Zeeman, Abraham, Four putti studying and painting, verso - stamped, Four putti together. Two of them are reading books. A putto is painting a landscape with a writer next to a globe under a tree. A fourth putto is measuring the globe with a compass. The vignette of publisher and printer Gerard onder de Linden. In the middle above his motto: Tiliae sub tegmine tutus., print, prent, prints, prenten, height 59 mm, width 130 mm, Dutch, 1696 - 1754-10-25, print maker, printmaker, 1724 - 1724, paper, papier, etching, etsen, engraving, graveren (drukprocedé), Publication (Event), Publicatie, publisher

Statue of Caunos rejecting the advances of his sister Byblis. Restoration by Pierre le Gros the Younger of an antique statue of Cupid and Psyche in Rome. Cavni et Byblidis statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

The seven cardinal virtues: 7 boards - 2. Hope (SPES) - Bartsch 128 Lucas de Leyde (1494-1533). The seven cardinal virtues: 7 boards - 2. Esperance (SPES) - Bartsch 128. Burin. 1530.

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Reliefs in the Loggia of Raphael, Venus and Cupid, Cupid stands with his bow before the seated Venus and takes her by the arm., print, prints, height 164 mm, width 132 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1483-04-07 - 1520-04-07, after a design by, after design by, Publication (Event), Publication, 1627 - 1691, publisher

Copper engraving by Albrecht Dürer depicting three genius figures as a coat of arms, created around 1500, showing figure, posture, and heraldic elements.

Seduction of Adam. Adam and Eve in the Hof van Eden. Eva offers Adam De Apple. On the left the tree of knowledge of good and evil. The hose winds around the trunk.

Italy, Mary with the Christ Child, verso - stamped, print, prints, height 112 mm, width 64 mm, print maker, printmaker, 1500 - 1599, paper, papier, etching, etchings

Albrecht Dürer (1471-1528). Apollo and Diane (Bartsch 68). 1504-1505. Museum of Fine Arts of the City of Paris, Petit Palais. 77214-23 Savage animal, arc, weapon, deer, deesse, divinity, Greeco-Roman de divine, Greek debit, brother and sister, twin, mythology Greeco-Roman, female nude, male nude, naked naked, nudite, female nudite, male nudite, renaissance , Pull, 16th 16th 16th 16th 16th 16 Central, engraving

God Forbids to Eat from the Tree. Dated: 1540. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

Man fighting with wife as personification of Fortuin (Fortuna), Marcantonio Raimondi, 1510 - 1527 print Man grabs a woman with her hair. The woman is because of her attributes, two small globes under her feet and a rudder, recognizable as the personification of Fortuin (Fortuna). paper engraving Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Requirement of Adam and Eva in Paradise, Hans Sebald Beham, 1536 print paper engraving Temptation and Fall (scenes with both Adam and Eve)

Hercules Squeezing Antaeus to Death, from the series The Labors ofHercules. Artist: Heinrich Aldegrever, Germany, 1502-1555/61

Mars and Venus; Gods and goddesses as loved ones. Mars and Venus as loved ones. Mars offers Venus his flaming heart. Venus is accompanied by Amor who focused his arrow on the heart of Venus. In the margin a four-line caption, in two columns, in Latin, which refers to the love between Mars and Venus. Print from a series with gods and goddesses as loved ones.

Depicts two satyrs interacting with a nymph, created as a copper engraving print by Marcantonio Raimondi around 1506.

Achilles mourns the death of PatroUlus, J. Alexander Janssens, after Victor Honoré Janssens, c. 1700 print Achilles leans, mourning, on the dead body of his friend Patrucus. Next to them is Thetis, comforting, with her hand on the shoulder of Achilles. In the foreground Achilles' harness and armor. Left in the background grieving soldiers. In the middle: 11. Eleventh print from a series of fourteen with scenes from the life of Achilles. South of the Netherlands paper engraving / etching Achilles mourning over the body of Patroclus. homosexual love

Venus en anchises Anonymous, after Annibale Carracci, 1570 - 1659 print Venus and anchises are in bed. Anchises takes off the sandal of Venus. In the foreground, Amor leans on the leg of Venus. print maker: Italyafter painting by: Rome paper etching Venus and Anchises

Perseus en Andromeda, anonymous, after Jan Saenredam, after Hendrick Goltzius, 1601 - 1651 print Andromeda, the daughter of an Ethiopian king, is chained to a rock. In the background, Perseus beats the sea monster to come and save Andromeda. paper engraving Perseus kills the sea monster (or turns it into stone by showing it the Gorgon's head) to release Andromeda; sometimes her parents Cepheus and Cassiopea watch the scene

The Expulsion from Paradise from The Story of Adam and Eve. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 3 7/16 × 2 1/2 in. (8.7 × 6.4 cm). Date: 1540.Adam and Eve fleeing towards the left, while the Angel raises his sword at right. Based on Genesis 3:23-24. Plate 5 from a series of six engravings. Museum: Metropolitan Museum of Art, New York, USA.

fine arts, Baldung, Hans, called Grien, (1484 / 1485 - 1545), woodcut, 1513, private collection,

Two men bend rod crooked and wife slides ring on finger man, anonymous, after Marcantonio Raimondi, after Francesco di Francia, 1510 - 1575 print paper engraving

Italy, Raphael, Romano, Giulio, Bonasone, Holy Family with the Young John the Baptist among Ruins, verso - stamped, The Holy Family with the Young John the Baptist in a Landscape with Ruins. Behind Joseph and Mary hangs a drapery., print, prints, height 358 mm, width 253 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), 1499 - 1546-01-11, after, after painting by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Lucas van Leyden, The Fall of Man, c 1530 The Fall of Man

Battle between Ulysses and Irus, Jan Harmensz. Muller, Gerard van Keulen, Franco Estius, 1589

Hans Sebald Beham, The Expulsion from Paradise, 1543, engraving on paper.

Two Fauns Carrying a Child ca. 1500-1600 Anonymous, Italian, 16th to early 17th century Italian. Two Fauns Carrying a Child 342984

Amsterdam, Muller, Harmen Jansz, Spranger, Bartholomeus, Jan Harmensz., Sine Cerere et Baccho friget Venus, Venus, Bacchus en Ceres, Bacchus and Ceres Leaving Venus, verso - stamped, Bacchus and Ceres leaving Venus. Venus and Amor are sitting by a fire, because they are cold. Illustration of the saying 'Sine Cerere et Baccho friget Venus' (without Ceres and Bacchus Venus is cold), or, without food and wine love freezes., print, prints, height 508 mm, width 356 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1595 - 1599, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1546-03-21 - 1611-08, after a design by, Publication (Event), Publication, Netherlands, 1540 - 1617-10-07, publisher

Jacopo Francia, Lucretia, c 1510 Lucretia

Jan Wierix, Adam and Eve, 1566, engraving on paper.

Roof of a Sabin woman, rear view; Roof of a Sabin woman. A Roman is riding a saber woman. Rear view of a laundry model of sculptor Adriaen de Vries. At the bottom of the margin a two-legged text in Latin.

The young Saint John the Baptist kneeling before the young Christ who embraces him, a lamb at right. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 6 1/4 × 5 3/16 in. (15.8 × 13.2 cm). Date: ca. 1600-1640.Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Europe's robbery.

A drawing by Hendrick Goltzius depicting Hercules fighting the Hydra, using pen with highlighted and tinted details, showing dynamic figures and mythological action.

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