Mythological Narratives in Prints

Engravings depicting mythological tales, including sirens and Odysseus, showcasing dramatic interactions between humans and mythical beings.

Rome, Duchet, Claude, Italy, Polidoro da Caravaggio, Master of the Dice, Abduction of Helen, verso - stamped, Helen is abducted by the Trojans. On the right Helen is sitting on one of the Trojan ships. On the left a large ship with Greek soldiers in armor., print, prints, height 246 mm, width 396 mm, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), plate tone, Work conception, Italian, German, after print by, 1490 - 1543, after design by, Publication (Event), Publication, French - 1585, publisher

Put met haalboom..

Copper laundry vessel or rinsing basin in the court of the tabernacle; Cuve d'airain ..

Various species of seafood, first part, lobster (Robert-Dumesnil 417, Bartsch 3) Albert Flamen (1620-1674). Various species of sea fish. Part One: the lobster (Robert-Dumesnil 417, Bartsch 3). Floor, 17th century.

Acción de 250 pesos de la Real Compañía de Comercio de Barcelona, 1759. Foment del Treball Nacional de Barcelona.

King Jacobus II fled at night in a rowing boat, 1688, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing night. rowing-boat, canoe, etc.. flight, running away; pursuing. flight of ruler from adversary

Pluto who is in love with Proserpina, Crispijn van de Passe (I), 1602 - 1607 print Pluto stands on his car that is pulled by sea horses. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Pluto in love with Proserpina

Northern Netherlands, Drawing of the horrible justice in Achin, Punishment of criminals on Atjeh, 1603, Punishment of criminals on Atjeh by chopping off body parts, March 1603. Two ships at a river mouth on Atjeh, in the foreground two standing men, on the left a man without hands and feet, on the right a courtier without nose, ears and upper lip. Part of the illustrations in the report of the first voyage to the East Indies for the VOC under Van Warwyck and De Weert in 1602, No. 3., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 135 mm, width 170 mm, print maker, prentmaker, 1644 - 1646, second quarter 17th century, paper, papier, engraving, engraving (printing process)

The king of Kochin riding on an elephant, attended by his Nayros; Small Indian vessels used on the Coast of Malabar. Prints, Illustrations. 1745 - 1747. Rare Book Division. Vessels, Kings, Malabar (India)

Venetian print of the seventeenth century. engraving. parade gondola.

Ornamented borders of Tartary oak (Quercus McCormickii), anchors and a polar bear round circular images of the Antarctic Ocean with penguin and boat. Pencil drawing by E. Wilson, c.1844.

First Incarnation, Ceremonies et coutumes religieuses de tous les peuples du monde, Picart, Bernard, 1673-1733, Engraving, 1723-1743, Plate, 38, follows p. 116 (suppl.) and precedes p. 117 (suppl.). Plate 38, consists of four engraved images; this is a detail view of the top left image only (it is not an overall view of Plate, 38).

Four fish on the beach, Adriaen Collaert, After 1598 - 1618 print A harder, a flying grinding cock, a rude and an unknown fish are washed up on the beach with some shells. In the background a sea with a few ships. The print is part of a series with fish as the subject. Antwerp paper engraving bony fishes: mugil. sea (seascape). bony fishes: rockling. bony fishes: gurnard

Siren between Two Ships. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Jona and De Walvis, 1645 - 1646 print During the heavy storm, Jonah is thrown overboard by the fishermen. He is swallowed up by a whale. After surviving three days and nights in the belly of the fish, the fish jonah spits on the land. The print is part of an album. paper letterpress printing Jonah is swallowed by a great fish, (sea)monster, whale, dolphin, or the like. after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed

Rolled by polar bears When loading the slides, 1596. The crew is raided by polar bears when loading the sleds with provisions from the ship, October 25, 1596. Jacob van Heemskerck and Gerrit De Veer Keep the bears with remote remote halibreed. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 16.

Bosch, Jheronimus, Bruegel, Pieter (I), Heyden, Pieter van der, Northern Netherlands, The legal investigation of the States, The big fish eat the small fish, cartoon on the fall of Johan van Oldenbarnevelt, 1619, Cartoon on the fall of Johan van Oldenbarnevelt and the Remonstrants, 1619. Depiction of the proverb 'the big fish eat the small ones'. Prince Maurits cuts open a large fish 'Barnevelsche Monster' with the Knife of Justice. In the mouth of the fish and in the water are other small fish with the names of the most famous Remonstrants. In the foreground a father points to the scene and teaches his son 'Siet sone dit heb' ick zeer lange gheweten, That the big fish eat the small ones'. In the background lie the cities of Utrecht and The Hague., print, picture, cartoon, prints, pictures, Frederik Muller History plates, height 248 mm, width 318 mm, print maker, printmaker, 1619 - 1619, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, Southe

Medea Destroying Jason's Family and Home. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Allegory of War and Peace. Dated: 1499. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Beach scene with a man who points to a smoking lighthouse, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1711

Seven of diamonds: Shipwright.. 1702. Parsons, William Barclay, 1859-1932. Prints, Playing cards. Rare Book Division

Aalmis, Purple tile picture, hunt for polar bear, Dutch in the polar ice, tile picture material ceramics pottery glaze wood, baked 2x glazed painted Five wide five tall Yellow shard Aalmis Aelmis

Het Arminiaans Serpent. Regtspleging van Oldenbarnevelt (series title). Draughtsman: anonymous. Dating: 1708 - 1795. Place: Netherlands. Measurements: h 23.5 cm × w 19 cm. Museum: Rijksmuseum, Amsterdam.

Israel Henriet or Abraham Bosse after Jacques Callot, The Siege of La Rochelle (plate 14 of 16; set comprises 1952897 112), 1628 1631 The Siege of La Rochelle plate 14 of 16; set comprises 1952.8.97-112

Allegorical print showing the union of France and Austria after the marriage of Napoleon I to Archduchess Marie Louise (1791-1847)

The Dutch Virgin and the ship of State, Pieter van Woensel, 1797 - 1798 The Dutch Virgin sees standing on the coast how the disrupted Dutch ship of State is taken by a sloop in tow. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1798'. Netherlands paper etching Netherlands The Dutch Virgin sees standing on the coast how the disrupted Dutch ship of State is taken by a sloop in tow. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1798'. Netherlands paper etching Netherlands

Sky chart of the north and south starry sky in Mercator projection Sterre kaert of hemels pleyn, waer door men kan wete hoe laet dat het is over de hele aertkloot (...) (title on object), print maker: Johannes de Broen (I), (mentioned on object), Remmet Teunisse Backer, (mentioned on object), publisher: Johannes van Keulen (I), (possibly), print maker: Amsterdam, Enkhuizen, publisher: Amsterdam, publisher: Amsterdam, 1684 - 1709, paper, engraving, h 480 mm × w 582 mm

Entrance of Hendrik van Lotharingen, Jacques Callot, 1627 print On the right Hendrik van Lorraine, dressed as Roman warrior, standing on a salamander pulled by a swan. On the left a group of musicians on the back of a phoenix. Below that three triumph cars, one with the perseverance pulled over time, one with the steadfastness pulled through a dragon and one with the faithful by two dogs. Above the show a inscription in French. This print is part of a series of illustrations for a book about the festivities (ao a tournament) in the Ducal Palace in Nancy on February 14, 1627. Nancy paper etching chariot, triumphal car. fabulous animals ~ birds: phoenix. salamander (fabulous animal); salamander as spirit of fire. Perseverance, Resolution, Determination; 'Perseveranza' (Ripa). Father Time, man with wings and scythe. Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa). dragon. Fidelity; 'Fedeltí' (Ripa). dog Nancy

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Turbulent water in Haarlemmermeer, 1755; Unusual water movement in the Haarlemmer lake, on Nov. 1 1755; Illustration for the national history. Presentation from National History. Unusually turbulent water, During Quiet Weather, in the Haarlemmermeer on November 1, 1755. On the water boats in Need, on the shore a man looks.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. Three rounds with Latin legend. Twelfth number of a suite of 34 pieces. (A. de Vesme 952-957. Incomplete; Dutuit manuscript, Italian school, page 83. n ° 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jona and De Walvis, 1740 print During the heavy storm, Jonah is thrown overboard by the fishermen. He is swallowed up by a whale. After surviving three days and nights in the belly of the fish, the fish jonah spits on the land. A title above the show. Below six verses and a reference to Jonah 1: 15-17. The print is part of an album. paper letterpress printing Jonah is swallowed by a great fish, (sea)monster, whale, dolphin, or the like. after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed

Copper engraving by Benedetto da Montagna, early 16th century, depicting a centaur and soldier arguing around a nymph in a mythological scene.

King Louis XIII and Cardinal Richelieu in a barge, Crispijn van de Passe (II), 1618 - 1630 print Louis XIII, King of France and Cardinal Armand-Jean du Plessis, Duke of Richelieu, on a turbulent river in a barge with the coat of arms of France. They both wear an order chain of the Order of the Holy Spirit. The king gives the anchor to Richelieu. From the king's mouth comes a banderole with two lines in Latin. In the margin a two -way caption in French that refers to the strong influence that Richelieu had on the policy of Louis XIII. Paris paper engraving knighthood order of the Holy Spirit. sailing-ship, sailing-boat (with NAME)

Jacques Callot, Oyster with Pearl Oyster with Pearl

Duin landscape with a man, looking at a ship, Gillis van Scheyndel (I), After Jan Porcellis, 1645 print North Netherlands paper etching dune coast. ships (in general)

Amsterdam, Danckerts, Cornelis (I), Keyser, Hendrik de (I), Nouveau Livre des Dieux et Deeßes De la Marine Bouckje van Zeegoden en Goddesses, Europe on a chariot, The chariot is drawn by two bulls., print, ornament print, prints, ornament prints, height 99 mm, width 214 mm, Work conception, 1565-05-15 - 1621-05-15, after a design by, 1623 - 1656, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

The two ships and a heavenly phenomenon, 1596, Anonymous, After Gerrit de Veer, 1598 print The two ships of Barendsz and Van Heemskerck and a heavenly phenomenon on the third tour, 4 June 1596. Opposite page 46 in: 'Warhafftige Relation. Der Dreyen Newen Unerhörten Seltzamen Schiffart So Die Holländischen und Seeländischen Schiff .... Anno 1594, 1595 und 1596 performed '(1598). Nuremberg paper engraving New Zembla

This miracle work is very well known / is depicted in this print (...), inherit widow Cornelis founder, 1715-1813 print Leaf with a large performance about the Sardammer Taurus. Bottom left the bull Boer Jacob Egh, farmer Trijn Jans flies above them, who loses her child. On the right a boy with a kite and behind it finishing the bull. The whole is caught in a decorative frame with tendrils, animals and flowers. Numbered at the top right: No. 162. publisher: Amsterdamprint maker: Netherlands paper letterpress printing bull. farmers. tales and fairy tales: Savagery of the Bull

Allegory on Francesco II de'Medici. Francesco II de'Medici troning on an island, flanked on either side by gods and musicians. In the foreground a group of tritons with the coat of arms of the De'Medici family. In the background ships at sea.

Navigator discovering new land, engraving,

Two of hearts: Cross = Staff.. 1702. Parsons, William Barclay, 1859-1932. Prints, Playing cards. Rare Book Division

Born to work; Laboris et Sollartiae Natvra Commoda PraemiMIG; Rewards for labor and trout. A young child sucks on the chest of nature of nature (kind). A globe floats in the air, with all kinds of tools that man used in his daily work. Above the globe a bird flies: as a bird is created to fly, so it lies in the nature of man to work in his life. The print has a Latin caption and is part of a series about the rewards of human labor.

Sculpture of the Nile River, Anonymous, 1584 print Image of the river god de Nile with attributes a horn with fruits, a sphinx, crocodiles and small boys. Title in Latin at the top left. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. personification of river Nile; 'Nilo' (Ripa) Nile

A young child sucks at the breast of the personification of Nature (Natura). A globe of the world floats in the air, with all kinds of tools that man uses in his daily work. A bird flies above the globe: just as a bird was created to fly, so it is in the nature of man to work in his life. The print has a Latin caption and is part of a series on the rewards of human labour, Born to work Laboris et Solartiae natvra commoda Praemivm, Rewards for labour and industriousness (series title)., print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Joannes Galle, (mentioned on object), print maker: Haarlem, Haarlem, publisher: Antwerp, 1572 and/or 1638, paper, engraving, h 210 mm × w 247 mm

Antwerp, Galle, Cornelis (III), Cornelis (II), Angel defends man from evil, verso - stamped, Depiction of Mat. 6, 13: And lead us not into temptation, but deliver us from evil. An archangel defends man against a group of devils. In the background a ship in stormy weather., print, prent, prints, prenten, height 67 mm, width 93 mm, Southern Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1638 - 1678, paper, engraving, engraving (printing process), 1642 - 1679

Do Not Turn Back When You Arrive at the End' fol. 26 verso / 27 recto, 1512/1514, Speculum principis (Mirror for Princes), pen and brown ink with watercolor on two joined sheets of laid paper, overall: 16.4 x 21.7 cm (6 7/16 x 8 9/16 in.), French early 16th Century (artist)

Aurora Borealis resmbling reapers in the sky, observed in 1660.

Narcissus Cascade in the garden of Palace Het Loo; The Cascade of Narcissus, to the Eastern Garden Zyde; Neerlandse Veldtbracht, or 't Lust Hof founded by Z.B.M. Willem III at 't Lo (...). The cascade with a picture of Narcissus on the east side of the large garden of Palace Het Loo. Print is part of an album.

Five fish on the beach; Fishing; PISCIVM VIVAE ICONES. A sprat, a carp, a harder, a small cod and a seafall are together with some shells washed up on the beach. In the background the sea and a harbor quay. The print is part of a series of fish as subject.

A 1565 copper engraving by Cornelis Cort from the series The Seven Free Arts depicting Geometria (geometry) with allegorical figures, instruments, and geometric diagrams.

Man Born to Toil, from The Reward of Labour and Diligence, plate 1 1572 Philips Galle Netherlandish A baby representing mankind suckles at one of Naturas seven breasts. Suspended in her vicinity is a giant sphere to which are stuck all manner of tools, as if magnetized. In medieval schools of thought, work involving the manipulation of matter, including the production of "artificial forms"—in other words, art—had not enjoyed the same status as pursuits such as philosophy and theology. This image attests to the newfound prestige accorded to the professional class in Europe, who over the course of the sixteenth century successfully argued for the value of labor and the virtues of work in support of a meaningful existence.. Man Born to Toil, from The Reward of Labour and Diligence, plate 1. The Reward of Labour and Diligence. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). 1572. Engraving, second state of four (New Hollstein). Prints

Noordelijke Nederlanden, Cartoonprent on Cromwell as the hideous Tailman, 1652, Northern Netherlands, Cartoon on Cromwell as the hideous Tailman, 1652. Oliver Cromwell with a long serpent's tail filled with coins. On the right Fairfax offers him three crowns. In the background Admiral Blake and members of the English parliament. On the left a Dutchman and a Zeelander cut the tail, assisted by a Frisian, an Irishman, Prince Rupert, a Scot and a royalist. Top left a small scene of the English selling stolen goods. Copy without the accompanying text sheet., print, engraving, cartoon, prints, Frederik Muller Historieplaten, height 258 mm, width 348 mm, print maker, printmaker, 1652 - 1652, third quarter 17th century, paper, papier, etching, etchings, engraving (printing process)

Alburnus. Ables ouAblettes. Artist: Albert Flamen, French, ca.1620-after 1693

Mine ventilation shaft topped with a device to extract the stale air from the mine. H is a vane to make the barrel revolve so that is always facing in the optimum wind direction. From 'De re metallica', by Agricola, pseudonym of Georg Bauer (Basle, 1556). Woodcut.

Allegory of the wind, engraving from Architecture ou art de bien bastir (Architecture or the art of building well), Volume I, by Marcus Vitruvius Pollio, 1547, Paris.

America (18th c.). Growings of the Indians of the basins of Orinoco and Amazon rivers. Italian engraving of 1780. Etching.

Klaudia Felizitas, Archduchess of Austria.

Crocodilos consiciendi ratio, 1590 - 1596, 1590 - 1596, Francoforti ad Moenum, Publisher, typis J. Wecheli, Engravings

Antwerp, Collaert, Adriaen, Piscivm vivae icones, Fish, Four fish on the beach, verso bottom center - stamped, A swordfish, a mullet, a catshark and a weever fish lie washed up on the beach together with some shells. In the background the sea and some ships. The print is part of a series with fish as subject., print, prints, width 188 mm, height, 124 mm, Work conception, South Netherlands (before 1775), 1560 - 1618-06-29, after a design by, 1598 - 1618, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Hollowing out a wooden boat, United States of America, engraving by Vernier from Etats-Unis d'Amerique, by Roux de Rochelle, L'Univers Pittoresque, published by Firmin Didot Freres, Paris, 1837.

Two sp there at a fishnet, Albert Flamen, 1664 print print maker: Parisafter own design by: Parispublisher: ParisFrance paper etching crustaceans: crab

Allegory on the Peace of Westphalia (right page), 1648. Allegory on the Peace of Westphalia (Left Sheet), 1648. The show on the right page shows above heaven with angels and under King Philip IV, various princes and the delegates of the States General in the clouds. The Prince of Orange drops an oath. A Dutch text runs through the clouds. In the clouds also the fame that makes the news of the peace. A text sheet with a Dutch verse belongs to the print

Pot de vin, arrestons arbitraires... , Politicians, Historians, Presidents, Lawyers, Kings, Thiers, Adolphe, 1797-1877, Persil, J.-C. Jean-Charles, 1785-1870, Montalivet, Marthe Camille Bachasson, comte de, 1801-1880, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

They climbed, he was still out.

The people eater eater The people eater eater ". Anonymous engraving drawn from the revolutionary newspaper" Revolutions of Paris ".

The coffin of Membersberg at the Galg, 1619; Municipal Gillis Lyk. The coffin with the remains of Gilles from Ledenberg hanging on the gallows in the dunes outside of The Hague, 15 May 1619.

CARROZA REALIZADA PARA LA CANONIZACION DE SANTO TOMAS DE VILLANUEVA CANONIZADO EN 1658 POR ALEJANDRO VII - GRABADO SIGLO XVII. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

In the foreground two men who have dug a hole in the earth, and are putting fire in it, so that the iron melts In the background they are beating the iron into the desired shape and grinding it smooth on a stone In the margin a legend in Dutch, Khoikhoi smelting and working iron, print maker: Matthijs Pool, (mentioned on object), intermediary draughtsman: Matthijs Pool, (mentioned on object), Amsterdam, 1727, paper, engraving, etching, h 290 mm × w 171 mm

Various Sea Fish Species, Part Two, Herring (Robert-Dumesnil 430, Bartsch 16) Albert Flamen (1620-1674). Various species of sea fish. Second part: herring (Robert-Dumesnil 430, Bartsch 16). Floor, 17th century.

Geometria (geometry); The seven liberal arts. Geometria, a woman with a townromer on her head, measures the distance between two points with a passer on a globe. Two men look with her. Measuring instruments and books lie on the floor. A path and a snake try to climb along the round of the globe. In the background ruins of antique buildings.

Diving Water Estate de Poishes, Frimi�re Partia, Le Bargeau (Robert-Dumesnil 453, Barersch 39) Albert Flamen (1620-1674). Divases An EDECEM OF Be Winery. REMIRIE STAE: Sbeau then (Robert-Dumesnil 453, Baresch 39). Eau Dictionary forta, Xvie peiat.

Siege of Saint Martin on the Île de Ré, July -November 1627 (Randwerk, part top right), Jacques Callot, After Charles Delorme, 1629 - 1631 print Sixteenth part (central map, part in the top right) of a print of the siege of the Citadel Saint Martin on the Île de Ré in 1627, which was carried out by English troops led by the Duke of Buckingham and was ended by French troops led by Cardinal Richelieu. On this magazine on the right the weapon of Louis XIII and middle/left a performance (surrounded by military attributes) of French boats trying to reach the besieged Saint Martin on the Île de Ré. Left and in the middle the letters 'Martinianae', part of the inscription of the print. Paris paper etching / engraving siege. armorial bearing, heraldry. ornament ~ cartouche. siege. warfare; military affairs (+ naval force). ships (in general). battle. fortified city Island of Re

Quineau, G., Hecke, Johannes van den, Kessel, Theodorus van, Alcune animali, Various animals, verso - stamped, A braying donkey, a sheep and two rams stand together at a monumental stone on which is written the title of the series of prints of which this print is a part., print, engraving, title page, prints, etchings, height 75 mm, width 103 mm, 1620 - 1660, print maker, printmaker, 1654 - 1654, paper, papier, etching, intermediary draughtsman, after drawing by, Publication (Event), Publication, publisher

Design for an English Political Satire. Artist: Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: 8 3/4 x 12 1/16 in. (22.2 x 30.6 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

THOMAS of CantimprŽ (1201-1276). Codex Granatensis: De natura rerum. 15th c. Illustration about licorice. Edition of Granada of the original of the 13th C. Gothic art. Miniature Painting. SPAIN. ANDALUSIA. Granada. Granada University Library.

Amsterdam, Visscher, Claes Jansz. (II), Collaert, Adriaen, Piscium Vivae Icones, Fish, Six fish, verso - stamped, A whitefish, a stockfish and four other fish. Each fish is provided with its name. The print is part of a series with fish as subject., print, prent, prints, height 125 mm, width 190 mm, print maker, printmaker, 1634 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, South Netherlands (before 1775), 1560 - 1618-06-29, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Bears swimming around a fleet of ships. Date: 1555

Three sole tongues on the beach, Albert Flamen, 1664 print print maker: Parispublisher: ParisFrance paper etching fishes

Man in Cape for a mansion, Dirk Eversen Lons, 1622 A man, seeing diagonally from the front, standing on the bank in a water -rich landscape. He wears a hat and is dressed in a cape. In the background a mansion located on the water. Amsterdam paper. ink etching / engraving / pen clothes, costume (+ men's clothes). country-house

Auca from the visit of Charles IV to Barcelona, 1802.

Print in upper right corner numbered: 314., Nine images of different water spouts, print maker: Jan Luyken, (mentioned on object), publisher: Jan Bouman, Amsterdam, 1682, paper, etching, h 172 mm × w 134 mm

Animalia Aqvatilia et Cochiliata (Aqva): Plate XIV. Dated: c. 1575/1580. Dimensions: page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.). Medium: watercolor and gouache, with oval border in gold, on vellum. Museum: National Gallery of Art, Washington DC. Author: Joris Hoefnagel.

A group of fairies dancing in a ring close to the doorway of their fairy mound Date: circa 1600

Evrito Echione e Etalide Argonote. Dimensions: plate: 8.9 x 13 cm (3 1/2 x 5 1/8 in.) sheet: 8.9 x 13.2 cm (3 1/2 x 5 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet after Remigio Cantagallina.

Public Granaries Along the River by unknown artist

Woodcut illustration of a gigantic snake devouring a ship and men aboard. circa 1563.

December, anonymous, 1664 print Winter landscape with figures on the ice. In the middle of a Capricorn. paper letterpress printing December and its 'labours' (+ with Capricorn (December)). skates (winter sports). horse-sleigh

Sauna (Russian) bath. From an early 19th century hand-coloured copperplate print.

Jonas spit out by Walvis, Cornelis van Dalen (I), after Pieter Lastman, 1612 - 1665 print Jonas is spit out by the whale and thrown on the coast. The performance with Jonas in the lead role relates to the person Isaac Boddens mentioned in the undermarge, working in the Warmoestraat in Amsterdam, according to the inscription. paper etching / engraving after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed

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