Mythological Paintings

A collection of dramatic mythological scenes showcasing intense action and emotion. Rich colors and baroque elements depict gods and heroes in various dynamic confrontations.

Coronation of Marie de Medici at St. Denis, (Life of Marie de Medici, Queen of France) by Peter Paul Rubens, (1577-1640), France, Paris, Musee du Louvre

J.B.Jouvenet, Die Kreuzabnahme - -

Minerva Expelling the Vices from the Garden of Virtue by Mantegna, Andrea (1431-1506) / Louvre, Paris / ca 1501-1502 / Italy, School of Mantua / Tempera on canvas / Mythology, Allegory and Literature / 159x192 / Renaissance

The Mourning of Christ Nicolas Poussin (1594-1665/French) Oil on canvas Alte Pinakothek, Munich, Germany

interiors of Raphael rooms, Vatican museum, Vatican VATICAN CITY, VATICAN, JUNE 12, 2015 : interiors and architectural details of Raphael rooms in Vatican museum, june 12, 2015, in Vatican city, Vatican Copyright: xZoonar.com/patrickxmichelettix 17111996

'The Triumph of Saint Augustine', 1664, Spanish Baroque, Oil on canvas, 271 cm x 203 cm, P00664. Author: CLAUDIO COELLO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Alexander the Great Cutting the Gordian Knot by Retti, Livio (1692-1751) Rathaus, Schwabisch Hall 1736-1737 Oil on canvas Italy Baroque Mythology, Allegory and Literature Painting

Italy: 'Triumph of Titus and Vespasian', oil on panel, Giulio Romano (1492/1499-1546), 1547. Currently on display in the Louvre Museum, Paris

Moses trampling on the Pharaohs crown. Diziani, Gaspare (1689-1767), painter

LA TRINIDAD Y SANTOS - 1754-1757 - OLEO/LIENZO - 99 x 138 cm - NP 5441 - ROCOCO ITALIANO. Author: CORRADO GIAQUINTO (1703-1766). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

'The Feast of Herod'. Flanders. Dimensions: 36x50 cm. Museum: State Hermitage, St. Petersburg. Author: Peter Paul Rubens (Pietro Pauolo) (school of).

Allegorical Representation of the Expedition to Chatham in 1667, with a Portrait of Cornelis de Witt, Cornelis Bisschop, 1668

Francisco de Zurbaran; Spanish; Fuente de Cantos 1598-1664 Madrid; The Battle between Christians and Moors; at El Sotillo; ca.1637-39; Oil on canvas.

Jester by Alessandro Magnasco, oil on canvas, 1667-1749, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 40x31

José de Ribera / 'Martirio de san Bartolomé', 1644, Óleo sobre lienzo, 202 x 153 cm.

Man drinking before Mausoleum of Theodoric, Ravenna, Italy

Marriage of the King's Son Brunswick Monogramist (16th C./Dutch) Oil on Wood Panel The Cummer Museum of Art and Gardens, Jacksonville, Florida, USA

SALON DE CONFERENCIAS - PINTURA MURAL DEL CUERPO SUPERIOR "EUROPA" - SIGLO XIX. Author: VICENTE CAMARON (1803-1864). Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN.

Solomon sacrifices to idols (Salomone sacrifica agli idoli), by Filppo Abbiati, 17th Century, oil on canvas, 100 x 140 cm

The Adoration of the Shepherds; 1564 Oil on panel Joachim Beuckelaer Flemish; about 1533-1574

Ekman, Anders, work, Morannal ja Oihonna, oil on canvas, painting, 25 cm x 18.5 cm, Photo no. 32107.491, 2005-06-07, photographer: Aaltonen, Hannu, photo type: laakadia,

The Balalaika player Jean-Baptiste LePrince. "The Balalaika player". Oil on canvas, 1764. Paris, Museum Cognacq-Jay.

Annunciation to the Shepherds. After Jacobo Bassano; Italian, c. 1510-1592. Date: 1705-1715. Dimensions: 38 3/16 x 31 1/8 in. (97 x 79 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: JACOPO BASSANO.

Standing man with lying person, anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush

Christ falling on the Way to Calvary and Prayer in the Garden. Episodes of the Passion depicted inside the doors of a devotional triptych. Toledan School. Attributed to Luis de Velasco (ca. 1530-1606) and his son Cristóbal de Velasco (d. 1617). Oil on panel, last quarter of the 16th century. Museum of Santa Cruz. Toledo. Spain.

Marriage of Tobias (Le nozze di Tobiolo), by Giovanni Antonio Guardi, 18th Century, oil on canvas

Humana Fragilitas (Human Frailty), ca 1657, by Salvator Rosa (1615-1673).

Luca Giordano / Felipe II, with his architects, inspects the works of El Escorial, ca. 1692, Italian School, Oil on canvas, 53 cm x 168 cm, P00189. Museum: MUSEO DEL PRADO, MADRID, SPAIN. PHILIP II OF SPAIN.

The Meeting of David and Abigail. Dated: c. 1630. Dimensions: overall (without added strip): 44.7 x 66.3 cm (17 5/8 x 26 1/8 in.) overall (with added strip): 46.4 x 68 cm (18 1/4 x 26 3/4 in.) framed: 67 x 88.3 x 7.9 cm (26 3/8 x 34 3/4 x 3 1/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETER PAUL RUBENS.

Fernandes, Vasco (c.1475-c.1542) Museu Nacional de Arte Antiga, Lisbon Painting 132x104 Bible The Assumption of the Blessed Virgin Mary

Lot leaving Sodom with his family, 1853, by Juan Urruchi (1828-1892), oil on canvas.

GIOTTO di Bondone, 1276-1337, and CIMABUE, 1240-1302, the legend of the discovery of the vocation of a young Giotto, 1857

The Agony in the Garden Nicolas Poussin French 1626-27 Poussin executed this painting at a pivotal moment just after arriving in Rome, when he was brimming with innovation and curiosity but had not yet attained a firm footing in the citys art world. It would soon enter the collection of Carlo Antonio dal Pozzo, the brother of Poussins most significant Roman patron, the antiquarian-connoisseur Cassiano dal Pozzo. A zigzag composition unites two scenes: Christ anticipates his mortal death by crucifixion while his disciples slumber. The foreground figures monumentality and the architecture document Poussins fascination with the classical world, while the treatment of light in this nocturnal scene and the cascade of putti come from his interest in Venetian Renaissance painters. Poussins rare use of a copper support made it a particularly sought-after artwork from the moment it was painted. View more. The Agony in the Garden. Nicolas Poussin (French, Les Andelys 1594-1665 Rome). 1626-27. Oi

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, The Education of the Virgin, Painting, Reproduction of the painting in its original state, Work of art, Historical, A family sits in conversation, surrounded by angels and clouds in a warm, golden evening mood

Francesco Maffei (Vicenza, 1605 -Padua, 1660). The Archangel Michael overthrowing Lucifer (ca. 1656). Oil on stone. 80 x 75 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

The Assumption (after Leandro Bassano) (ca. 1651-1656), painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

Juan de Valdés Leal / 'Finis Gloriae Mundi', 1672, Oil on canvas, 270 × 216 cm. Museum: HOSPITAL DE LA CARIDAD, Sevilla, SPAIN.

Sir Peter Paul Rubens, The Fall of Phaeton, c 1604 1605, probably reworked c 1606 1608 The Fall of Phaeton

Late Avar gilded bronze belt set. Smrdelji, Croatia. 8th-9th centuries. Museum of Croatian Archaeological Monuments, Split, Croatia.

Francisco Bayeu / 'The Glory of the Spirit'. Ca. 1778. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Allegorical frontispiece of Denis Diderot 'Encyclopedie', Paris, 1751-1780. Engraving

Duomo: Raimondi Or San Girolamo Pala By Bernardino Luini. 1521. Como. Italy

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Theotokopuli (El Greco), Domenico (1547 1614)

Félix Henri Giacomotti (1828-1909). "Sketch for the Notre-Dame-des-Champs church. The rest of the Holy Family". Oil on canvas. 1880-1880. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

Flight into Egypt by Tintoretto, detail, 1582-7

Constantius appoints Constantine as his successor by Rubens, Pieter Paul (1577-1640) / Art Gallery of New South Wales / 1622 / Flanders / Oil on wood / Mythology, Allegory and Literature / 61,5x53,4 / Baroque

Fresco in the stairwell, America

Veronese, The Finding of Moses, c 1581 1582 The Finding of Moses

The Iron Age or rather uncontrolled soldiery hunts and kills, detail from The Four Ages of Man, 1637-1640, by Pietro da Cortona (1596-1669), fresco. Stove Room, Palatine Gallery, Palazzo Pitti, Florence.

Landscape with the Legend of Saint Christopher by Jan Mandyn, oil on wood, 1502-1560, 16th century, Russia, St. Petersburg, State Hermitage, 71x98, 5

The Meeting of Leo the Great and Attila, Stanza di Eliodorus, Raphael's Rooms or Stanze di Raffaello, fresco by Raphael, 1512 - 1514, Vatican Museums, Vatican, Rome, Lazio , Italy, Europe

'Calvary (Triptych)'. Netherlands, Between 1545 and 1550. Dimensions: 100,7x86,3 cm. Museum: State Hermitage, St. Petersburg. Author: MAARTEN VAN HEEMSKERCK.

The Lamentation. Andrea Vaccaro; Italian, 1598/1604-1670. Date: 1652. Dimensions: 128 x 156.9 cm (50 3/8 x 61 3/4 in.). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, USA.

Tobias healing his father, by Giovanni Antonio Guardi (1699-1760). Church of the Archangel Raphael, Venice.

David and Goliath, 1542-44

Esther and Ahasuerus. Coypel, Antoine (1661-1722), painter

The Witches Dance, illustration for Burns “Tam OShanter”. Artist: J. Wood, American, active 19th century

Wedding at Cana, Veronese, 1562

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Ribot, Théodule (1823 1891)

The Temptation of St Anthony, 1510-1515, detail from a panel of the Isenheim altarpiece, by Matthias Grunewald (ca 1470-1530).

(FAMILIA DESPUES DE NAUFRAGIO) - SIGLO XIX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Part (lower left) of a ceiling painting with Diana and her companions as main performance. Dating: c. 1676 - c. 1682. Measurements: h 290.5 cm × w 394.5 cm × d 4 cm × w 60 kg. Museum: Rijksmuseum, Amsterdam. Author: Gerard de Lairesse.

Vicente Carducho / 'San Bruno y sus seis compañeros se presentan ante San Hugo', 1626-1632, Spanish School, Canvas, 337,5 cm x 297,5 cm, P05234. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Woman and man by Lucas van Leyden, oil on canvas, 1531, 1489/94-1533, Russia, St. Petersburg, State Hermitage, 89x33, 5

ZURBARAN, Francisco de (1598-1664). Vision of St. 1629. Painted for the cloister of the Merced in Seville. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Polyptych of Archangel Michael, ca.1492. Attributed to Francesco Pagano (late 15th century-early 16th century). National Museum of Capodimonte. Naples. Italy.

Italian school. The Martyrdom of Saint Lawrence. 1564-1567. Oil on canvas (440 x 320). Madrid, The Royal Monastery of San Lorenzo de El Escorial. Author: TIZIANO VECELLIO DE GREGORIO-TICIANO-. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

BARBASAN, MARIANO SPANISH PAINTER. ZARAGOZA 1864 - 1924. "THE NIGHT OF WALPURGIS" (EPISODE OF GOETHE'S OPERA, "FAUST": MEPHISTOFELES AND FAUST MAKE A COVEN). OIL OF 1887. MUSEUM OF FINE ARTS. BUENOS AIRES. SFGP / © KORPA.

Alejandro Ferrant; Manuel Domínguez Sánchez / 'The Annunciation of Porziuncula'. Ca. 1884. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Painting by giovan battista moroni, lonno, Italy

Ceiling fresco by Matthaeus Guenther, Kloster Rott monastery, Rott am Inn, Upper Bavaria, Bavaria, Germany, Europe

The Legend of Santa Sophronia. Date/Period: Late 17th century. Painting. Oil on canvas. Height: 53.3 cm (20.9 in); Width: 221 cm (87 in). Author: Diego Quispe Tito.

DELAUNAY, Jules Elie (1828-1891). The Plague in Rome (Peste ˆ Rome). 1869. Based on The Golden Legend of J. De Voragine, Saint Sebastian's legend. Neoclassicism. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe d'Orsay (Orsay Museum).

PERUZZI, Baldassare Tommaso (1481-1536). The Rape of the Sabines. ca. 1500. On the left side, Romulus awarded a raped woman. On the right side, peace between Romans and Sabines. Frontal panel of a wedding 'cassone' firstly attributed to Pinturricchio. Renaissance art. Cinquecento. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Market scene, Beuckelaer, Joachim (ca. 1533-1574)

Women preparation food by Joachim Beuckelaer, oil on wood, 1566, circa 1533-1574, Holland, Amsterdam, Rijksmuseum, 171x250

Women escaping from the aeries; Murzynowski, Antoni (1818-1896); 19th century (1840-00-00-1896-00-00);State Art collections (Warsaw - 1922-1939) - collections, message (provenance)

David Teniers / 'El mago descubre a Carlos y Ubaldo el paradero de Reinaldo (La búsqueda de Reinaldo)', 1628-1630, Flemish School, Oil on copper, 27 cm x 39 cm, P01827. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER.

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