Mythological Prints

A series of prints featuring mythological themes with characters such as satyrs, Hercules, and centaurs, illustrating narratives and scenes from classic tales.

Albrecht Altdorfer (German, 1480 or before-1538), Centaur with a Vase, c. 1515-1525, engraving

Conversion of St. Paul (recto); Man Seen from Back (verso). After Giovanni Antonio de'Sacchis, called Il Pordenone; Italian, c. 1483-1539. Date: 1500-1599. Dimensions: 360 x 275 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white (oxidized) (recto), and black chalk and touches of red chalk (verso), on blue laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Antwerp, Galle, Cornelis (II), Italy, Bella, Stefano della, Ertinger, Franz, Ornamenti di Fregi, Frisian with three putti and two leopards, The leopards leap over the garland of vines that the putti are carrying., print, ornament print, prints, ornament prints, height 80 mm, width 246 mm, 1640, print maker, printmaker, 1650 - 1678, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after design from, Publication (Event), Publication, Southern Netherlands, 1615 - 1678-10-18, publisher

unknown, Meulen, Adam Frans van der, Huchtenburg, Jan van, Fallen horses, Two fallen horses lying behind each other, verso - stamped, Left the head and leg of a horse. Behind it the second horse seen from the back., print, prints, height 210 mm, width 343 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1674 - 1733, paper, engraving, engraving (printing process), South Netherlandish, French, 1632-01-11 - 1690-10-15, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Saint John dated 1518 Agostino Veneziano (Agostino dei Musi) Italian. Saint John. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1518. Engraving. Prints

Allart van Everdingen, Reynard Promises to Reveal the Hidden Treasure, probably c 1645 1656 Reynard Promises to Reveal the Hidden Treasure

Young man sitting next to a jug, Jacob Ernst Marcus, 1784 - 1826 print A young man rests in a landscape with a jug next to him, with his hand under his head. Next to him are his hat and staff. Amsterdam paper etching resting - BB - out of doors. container of ceramics: jar, jug, pot, vase

Dahlberg, Erik Jönssen, Suecia Antiqua et Hodierna, Insigne Ducatus Smolandiae, Coat of arms of the landscape Småland, The print is part of an album., print, album sheet, prints, height 250 mm, width 150 mm, print maker, printmaker, 1696 - 1696, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Aldegrever, Heinrich, Germany, Frisian with dancing children, verso bottom center - handwritten, Frisian with thirteen dancing naked children, they dance hand in hand in a circle. Two children are making music outside the circle, one is playing a fiddle, the other a trumpet., print, engraving, ornamental print, prints, engravings, 89, height 51 mm, width 166 mm, German, 1502 - 1561, print maker, printmaker, 1535 - 1535, second quarter 16th century, paper, engraving (printing process), Work conception, after own design by

Un buffle couché, regardant à droite., 1601 - 1700. Etchings., 3 1/4 x 4 3/16 in. (8.2 x 10.6 cm). Paper / Sheet 3 7/16 x 4 7/16 in. (8.7 x 11.2 cm). Cream laid

Plate 13: Two pikemen walking towards the right, each with their pikes in their right hands, from 'Various Figures' (Agréable diversité de figures) 1642 After Stefano della Bella Italian. Plate 13: Two pikemen walking towards the right, each with their pikes in their right hands, from 'Various Figures' (Agréable diversité de figures) 409988

Woodcut by Cranach Workshop from 1545 depicting the devil carried by the Pope and five cardinals, showing figures, composition, and symbolic content.

La Mort et la bûcheron (5th plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

festivity fairs announcement menagerie woodcut by Albrecht Schmidt Augsburg circa 1700 private collection,

Tityus. Nicolas Beatrizet (France, active Italy, 1507- 1565)Michelangelo Buonarroti (1475-1564). Italy, circa 1540. Prints; engravings. Engraving

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Mercurius lulls Argus to sleep, verso lower left - stamped, Mercurius is talking to the giant Argus. He holds his flute in his hand. Behind Mercurius and Argus stands the cow Io. Scene from Ovid's Metamorphoses (Met. I, 682-687)., print, prints, height 256 mm, width 180 mm, Northern Netherlandish, 1600 - 1647, print maker, printmaker, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, - 1660, publisher, uitgever, 1645 - 1660

In Spain: the frogs asking for a king, from 'News of the day,' published in Le Charivari, December 3, 1868. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 10 1/16 × 8 1/8 in. (25.5 × 20.6 cm)Sheet: 11 3/4 × 11 5/8 in. (29.9 × 29.6 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: December 3, 1868. Museum: Metropolitan Museum of Art, New York, USA.

Essempio di recammi, page 13 (recto) 1530 Giovanni Antonio Tagliente Italian Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:Design is a continuation from previous page. Illustration of Orpheus playing music to animals. Scene is possibly set in a forest because of 2 trees on left and right sides.. Essempio di recammi, page 13 (recto) 357722

Fable of Wolf and statue, Aegidius Sadeler, Marcus Gheeraerts (I)

Jacques Callot, Burning Phoenix, 1628 Burning Phoenix

Emperor Nero in a threesome with Otho and an old woman. Othon avec une vieille et Neron. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame 1727 Gaetano Piccini Italian. Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame 345845

William V as a devil, 1786. Draughtsman: anonymous. Dating: 1786. Place: Northern Netherlands. Measurements: h 134 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Tahitian Carrying Bananas 1898-99 Paul Gauguin French. Tahitian Carrying Bananas 337858

Oval representation of a lion lying near a skull. Around the representation a Latin edge lettering, The lion, print maker: Jacob de Gheyn (II), (mentioned on object), Heyman Jacobi, (mentioned on object), publisher: Joos de Bosscher, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1588 - 1592, paper, engraving, h 267 mm × w 345 mm

The Disobedient Prophet. Dated: 1793. Dimensions: overall: 30.2 x 49.8 cm (11 7/8 x 19 5/8 in.). Medium: pen and black ink with wash heightened with blue and cream oil paint over chalk. Museum: National Gallery of Art, Washington DC. Author: Benjamin West.

Various Lions, 1655-90. Abraham Blooteling (Dutch, 1640-1690), after Peter Paul Rubens (Flemish, 1577-1640). Etching; sheet: 14.6 x 19.6 cm (5 3/4 x 7 11/16 in.); platemark: 14 x 17.8 cm (5 1/2 x 7 in.).

The Lion of Saint Mark. Dated: c. 1490. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Gars on the beach, Albert Flamen, Jacques van Merlen, Lodewijk XIV (koning van Frankrijk), 1664

The Prodigal Son. Charles de Sousy Ricketts (British, 1866-1931). Woodcut;

Lying book.

Schut, Cornelis (I), Mary with four cherubs, verso lower left - stamped, print, prints, height 36 mm, width 75 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Deeze os, so large and fat is hydrochloric, / does not miss the stroke bladters, / fed with grass and hay, / despite his fair towel. Leaf with a large representation of a guild OS (also called fairground or prize), decorated with floral wreaths. Under the show an eight-plated verse in two columns. Numbered at the top right: No. 47.

Speculum Romanae Magnificentiae: Two Dogs 1558 Sebastiano di Re Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients compo

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

A Satire on Hogarth and the Rev. C. Churchill. 1763. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

This copper engraving by Sebald Beham depicts three men fighting, showing figures, gestures, postures, movement, and composition in an action scene.

Centaur holding a cudgel, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 18, 1757-1787, Naples.

Italy, Cattini, Giovanni, Putto with an ouroborus, verso - stamped, print, prints, height 45 mm, width 71 mm, 1725 - 1800, print maker, printmaker, 1735 - 1800, paper, papier, engraving, engraving (printing process)

Mercury Sust Argus asleep, Moyses van Wtenbrouck, 1600 - 1647 print Mercury is in conversation with the giant Argus. He holds his flute in his hand. Behind Mercury and Argus is the cow io. Scene from Ovidius' metamorphoses (with. I, 682-687). The Hague paper etching / engraving Mercury lulls Argus into sleep by making music

This copper engraving by Giulio Campagnola, from the late 15th to early 16th century, depicts Ganymede, showing the classical mythological figure with detailed artistic composition.

Basilica of Fornàs de Torelló, mosaics, 5th-6th century. Mahon. Minorca. Balearic islands. Spain.

Jupiter en Ganymedes, Anthony Tempesta, 1606 print Ganymedes is abducted by Jupiter in the form of an eagle. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter

Lazio Viterbo Bagnaia Villa Lante081. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Martin Schongauer, The Eagle of Saint John, c 1490 The Eagle of Saint John

Drawing, Aquarius, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and light brown wash over graphite on white laid paper; 14.6 x 20.3 cm (5 3/4 x 8 in.) matted w/ -1187 Mat: 35.6 x 45.7 cm (14 x 18 in.)

Frederick de Vries, 1597, Hendrick Goltzius, Dutch, 1558-1617, 14 1/4 x 10 9/16 in. (36.2 x 26.83 cm) (plate)14 3/8 x 10 9/16 in. (36.51 x 26.83 cm) (sheet), Engraving, Netherlands, 16th century

Caricature Showing Marie Antoinette as a Leopard 18th century Anonymous, French, 18th century French. Caricature Showing Marie Antoinette as a Leopard. Anonymous, French, 18th century. 18th century. Etching. Prints

Sir Isaac Newton. Etching by L. Cars after F. Boucher.

Two Goats and Three Sheep. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: sheet: 8 15/16 x 10 13/16 in. (22.7 x 27.4 cm)plate: 6 1/2 x 8 9/16 in. (16.5 x 21.7 cm). Date: 1655. Museum: Metropolitan Museum of Art, New York, USA.

Orpheus sitting on a stone holding a string instrument and charming the animals with music. Engraving by A. de Bruyn.

Coat of arms of the Dalsland landscape, Anonymous, 1697 The print is part of an album. paper etching Dalsland The print is part of an album. paper etching Dalsland

Italy, Tempesta, Antonio, Northern Netherlands, Frisius, Simon, Herculean themes, Augiae stabulum egerit, Hercules tending the flock of Geryon, verso - stamped, print, prints, height 97 mm, width 144 mm, 1575 - 1628, print maker, printmaker, 1610 - 1664, paper, etching, Work conception, Italian, 1555 - 1630-08-05

Date: 1681

Drawing, Fountain Design with Three Bronze Animals; Charles Le Brun (French, 1619-1690); France; chalk, brush and gray wash on laid paper; Sheet: 27.6 x 18.2 cm (10 7/8 x 7 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.)

Le Lion et le tigre. Dated: c. 1830. Dimensions: image: 22.6 x 30.5 cm (8 7/8 x 12 in.) sheet: 30.8 x 45.1 cm (12 1/8 x 17 3/4 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Candide Boulanger after Eugène Delacroix.

The Hague, Wtenbrouck, Moyses van, Mercurius lulls Argus to sleep, verso lower left - stamped, Mercurius is talking to the giant Argus. He holds his flute in his hand. Behind Mercurius and Argus stands the cow Io. Scene from Ovid's Metamorphoses (Met. I, 682-687)., print, prent, prints, height 256 mm, width 180 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, papier, etching, engraving, engraving (printing process)

Putti with the attributes of Bacchus. Design for a painting.

Copper engraving by the Master of Saint Sebastian depicting six lions, created between 1460 and 1480.

Mercury in a Chariot Drawn byRoosters. Artist: Unknown After: Pietro Buonaccorsi, called Perino del Vaga, Italian, 1501-1547

Copper engraving by Meister der Berliner Passion from 1450-1470 depicting three bears.

No One Who Puts His Hand on the Plow and Looks Back ia a Follower of Christ. Dated: 1549. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

The Catch, Perthshire, from an album compiled by Sir John Everett Millais, Artist Unknown

A Lion, Lying Toward the Right (on a Base) mid-18th-early 19th century Giovanni Domenico Tiepolo Italian. A Lion, Lying Toward the Right (on a Base). Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). mid-18th-early 19th century. Pen and brown ink, brown wash, over traces of black chalk. Drawings

TheSentinel. Artist: Arthur Fitzwilliam Tait, American, 1819-1905

Hans Burgkmair (1473-1531). "The triumph of Maximilien, Indians following an elephant led by a Cornac". Wood, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. 38104-6 Arc, Austricihian archduke, shield, Cornac, Elephant, Fleche, Indian, Romain, Saint Germanic Emperor, Tambour, Triomphe, Bois

Leopard's Etude Skip Jean-Antoine Watteau (1684-1721). "Leopard study stretching, circa 1720". Black stone and blood. Paris, Cognacq-Jay Museum.

Mr. Eugène Delacroix drawing, vintage engraving. Mr. Eugène Delacroix drawing, vintage engraved illustration. Magasin Pittoresque 1853. Copyright: xZoonar.com/PatrickxGuenettex 10673952

Artist: Abraham Blooteling, Dutch, 1640-1690, Lions. From the series Variae Leonum Icones Pictae à Petro P.Rubens, Etching, platemark: 13.9 × 17.9 cm (5 1/2 × 7 1/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Mariano Nani / 'Bodegón de caza: liebre y varias aves', Second half 18th century, Italian School, Oil on canvas, 72 cm x 48 cm, P00265. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Deus marinus effectus Glaucus Scyllae nuptias ambit, Scylla and Glaucus, verso - stamped, The sea nymph Scylla sits in front of Glaucus, with beard and wriggling fish tail. Glaucus was a fisherman who, after eating magic herbs, turned into a sea centaur and fell in love with Scylla. Title in Latin in bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

The Bruiser (Caricature of Charles Churchill) August 1, 1762 William Hogarth British. The Bruiser (Caricature of Charles Churchill) 399152

Orpheus charming the animals Sellier, P.. still image. Art reproductions, Illustrations. 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Orpheus (Greek mythology), Festoons, Murals , Italy, Animals in art

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Spring, 16th century tapestry woven by Jan Rost for the Medicean Tapestry Factory (Arazzeria Medicea), manufacture of Florence, 1549.

Three pigs lying on their sides, a pigsty and trough beyond. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: sheet: 7 3/8 x 6 3/4 in. (18.8 x 17.2 cm). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Sir Peter Paul Rubens, Lion, c 1612 1613 Sir Peter Paul Rubens (Flemish, 1577 - 1640), Lion, c. 1612-1613, black chalk, heightened with white, yellow chalk in the background, Ailsa Mellon Bruce Fund 1969.7.1

Italy - Emilia Romagna Region - Ravenna - Basilica of St. Vitalis - Evangelist Mark the Evangelist - Detail of Lion - Mosaic

Three weevers on the beach, Albert Flamen, 1664

Rotterdam, Wijnhoven-Hendriksen, Theodorus Johannes, The wreathed ox, verso - stamped, Sheet with a large representation of a guild ox (also called a fairground ox or prize ox), decorated with floral wreaths. The representation is set in a frame with floral tendrils and chalices. Below the representation a two-line verse. Numbered top right: No. 18., print, prent, volksprent, prints, prenten, volksprenten, verso - gestempeld, height 335 mm, width 410 mm, Publication (Event), Publication, Dutch, publisher, uitgever, 1832 - 1850, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Surreal scene, early 16th century, unknown artist, Flemish school, fresco, detached in 1957 from the Casa dello Zecchiere, now in Piazza Velasca, Milan, Lombardy, Italy. Detail.

PARMIGIANINO, Francesco Mazzola, called Il (1503-1540). Legend of Artemis and Actaeon. 1523. ITALY. Fontanellato. La Rocca. Detail. Greyhound. Renaissance art. Cinquecento. Fresco.

Dromedaris.

Lion Monument, Lucerne (from Switzerland 1870 Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 8 x 11 1/8 in. (20.3 x 28.3 cm). Date: June 6, 1870. Museum: Metropolitan Museum of Art, New York, USA.

'The Sentinel', 1913, (1917). Artist: Herbert Thomas Dicksee.

PERRO CEBADO. CULTURA COLIMENSE. - COLECCION DIEGO RIVERA. ARTE PRECOLOMBINO DEL OCCIDENTE DE MEXICO, LAMINA 86. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN.

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