Mythological Scene with Figures

A dramatic oil painting depicting a mythological scene with figures interacting, featuring rich colors and dynamic movement, embodying Baroque style.

The Rape of the Daughters of Leucippus, Rubens, Pieter Paul (1577-1640)

Following Victory at Lepanto, Felipe II offers Prince Fernando to Heaven - Titian

Andrea Vicentino (1539-1614). Italian painter. The Raising of Lazarus, c. 1600. Oil on canvas, 114 x 146 cm. National Museum of Fine Arts. Valletta, Malta.

MARTIRIO DE SAN BARTOLOME -PINTURA (*1591/+1652). Author: JUSEPE DE RIBERA. Location: COLEGIATA. Osuna. Seville. SPAIN. SAN BARTOLOME APOSTOL / NATAEL / NATANAEL.

Putti Sharpening Their Arrows. Valerio Castello (1624-1629). Oil on panel, 89.8 x 72cm.

Historical illustration from the 19th Century, after a painting by Annibale Carracci, 1560-1609, a painter in the Baroque style, Jerusalem Delivered, La Gerusalemme Liberata, an epic poem by Torquato Tasso, 1544 - 1595, an Italian poet

Bacchus, Ceres and Amor by Aachen, Hans von (1552-1615) / Art History Museum, Vienne / ca. 1600 / Germany / Oil on canvas / Mythology, Allegory and Literature / 163x113

'Mercy'. Netherlands, First half of the 16th century. Dimensions: 114x92 cm. Museum: State Hermitage, St. Petersburg. Author: LAMBERT LOMBARD.

Hercules kills the lion Nemean. Date/Period: 1555 - 1556. Oil painting on wood. Height: 85 mm (3.34 in); Width: 123 mm (4.84 in). Author: Marco Marchetti from Faenza.

Baptism of Christ (Matthew 3:13-17; Mark 1:9-11; Luke 3:21-22). Heemskerck, Maerten van (1498-1574), painter

The Healing Artist Unknown (Italian) David David Gallery, Philadelphia

Theodoor van Thulden (1606-1669). Flemish painter. Allegory of the Dutch city of Antwerp. The richly dressed female allegorical figure, seated on a throne depicts the city of Antwerp, flanked by an old man to her left representing time. Oil on canvas. Detail. National Museum of Fine Arts. Valletta. Malta.

The sacrifice of Abel, 1634, by Charles Mellin (1600-ca 1649), oil on canvas, 38x29.5 cm.

Return from the Fields, c. 1846-47. Jean-François Millet (French, 1814-1875). Oil on fabric; framed: 68 x 60 x 10 cm (26 3/4 x 23 5/8 x 3 15/16 in.); unframed: 46.2 x 37.8 cm (18 3/16 x 14 7/8 in.).

The Choice between Virtue and Passion, Paolo Veronese (follower of), 1590 - 1680 painting The choice between virtue and passion. A boy turns away from the outstretched hand of a minimal young woman with loose outerwear on the left to a standing woman on the right. In the background the Portico of a temple. canvas. oil paint (paint) man in flight (one-sided courting). strife between Virtues and Vices, Psychomachy. chastity versus sensuality. Good Behaviour. Virtuousness; 'Amor di Virtí¹', 'Attione virtuosa', 'Guida sicura de' veri honori', 'Virtí¹', 'Virtí¹ insuperabile' (Ripa). 'Frau Welt'

Allegory of Caritas - Copy unknown

Saint Jerome in the Wilderness. Workshop of Veronese (Paolo Caliari); Italian, 1528-1588. Date: 1580-1590. Dimensions: 53 1/8 × 69 7/8 in. (134.8 × 176.6 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Workshop of Paolo Veronese.

Parysa; Flinck, Goverrt (1615-1660); 2. PO. XVII century (1650-00-00-1699-00-00);Wilhelm Heinrich von Brandenburg (1648-1649), allegories, Dutch painting, figural scenes, mythological scenes, purchase (provenance)

Manlius Hurled From The Rock, 1818. By William Etty

Martyrdom of Saint Agatha, by Maestro di Bovino,

Vincent Sellaert / 'The Charity', 1550-1560, Flemish School, Oil on panel, 163 cm x 105 cm, P02207. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Cadmus sowing dragon's teeth, workshop of Peter Paul Rubens, 1610 - 1690

Venice, carnival, Giovanni Domenico Tiepolo, 1727 - 1804, title of the works, Pulcinella in love, 1759 - 1797, cm 195 x 161.

Juan Bautista Martínez del Mazo (Copy after: Rubens, Peter Paul) / 'Dido and Aeneas'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Joachim Wtewael, The Judgement of Paris, 1615, oil on canvas, National Gallery, London, England, Great Britain.

David and Bathsheba - Jan Matsys, 1562

'Cupid Disarmed', c. 1715, Oil on canvas, 47 x 38 cm. Author: Jean Antoine Watteau. Location: MUSEO CONDE. CHANTILLY. France. CUPID. AMOR MITOLOGIA.

Carrying the Dead, Evariste Vital Luminais, (1822-1896/French), Located in the collection at, Hotel de Ville, Lyon.,

Vienna, Austria, Angelica and Hermit

Francisco de Zurbarán / 'Hercules Slaying the Nemean Lion', 1634, Spanish School, Oil on canvas, 151 cm x 166 cm, P01243. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

'David with the Head of Goliath', c. 1630, Oil on canvas, 142 x 135 cm. Author: JUAN LUIS ZAMBRANO (1598-1639). Location: MUSEUM OF FINE ARTS. CORDOBA. SPAIN.

Ambrogio da Fossano, called Bergognone (1453-1523). Italian Renaissance painter. St. Jerome, ca. 1510. Oil and tempera on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy.

The Rape of Europa. De roof van Europa. Dating: c. 1735 - c. 1740. Measurements: h 57.7 cm × w 72.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Nicolaas Verkolje (mentioned on object).

Apollo and the Muses, 17th century, artist unknown, Emilian school, Sala Stendhal (Stendhal Hall), first floor, Palazzo Spinola, Milan, Lombardy, Italy.

Dido's Dream- 1697 - 124,5x125 cm - oil on canvas - Italian Baroque. Author: SOLE GIOVANNI. Location: KUNSTHISTORISCHES MUSEUM / MUSEO DE BELLAS ARTES. WIEN. AUSTRIA.

Detail of the Fire in the Borgo, by Giulio Romano, 1514, Raphael Rooms, Apostolic Palace, Vatican Museums,. Rome, Italy

SAN JUAN BAUTISTA EN EL DESIERTO - 1641 - OLEO/LIENZO - 182x150 cm - NP 1108 - BARROCO ESPAÑOL. Author: JUSEPE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Moses Striking the Rock 1596 Abraham Bloemaert Netherlandish Extended, contorted, and preternaturally muscled bodies are a hallmark of Bloemaerts style, which art historians refer to as Mannerism. In the middle ground at left, nearly hidden in shadow, Moses strikes a rock to provide water for the Israelites during their flight from Egypt. But other figures such as the monumental bare-breasted woman with a water pitcher on her back overshadow the ostensible subject, revealing the painters priority to be the depiction of a variety of idealized bodies inspired by a dialogue with contemporary Italian art.. Moses Striking the Rock 435680

Mythological Scene; Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian (Ferrarese), about 1490 - 1542); Italy; about 1524; Oil on canvas; 163.8 × 145.4 cm (64 1,2 × 57 1,4 in.)

'Descent from the Cross'. Flanders, Circa 1617-1618. Dimensions: 297x200 cm. Museum: State Hermitage, St. Petersburg. Author: Peter Paul Rubens (Pietro Pauolo).

Love of Centaurs, Rubens, Flanders. 1635, oil on wood, Fundación Calouste Gulbenkian, ("Fundação Calouste Gulbenkian"), Lisbon, Portugal.

'Hercules Fighting Against Anteus', 1634, Oil on canvas, 136 cm x 153 cm, P01246. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. HERCULES. ANTEO.

The Deposition of Christ. Date/Period: 1553. Oil painting on wood. Height: 263 mm (10.35 in); Width: 175 mm (6.88 in). Author: AGNOLO BRONZINO.

La muerte de Abel The Death of Abel. Date/Period: 1851. Painting. Oil on canvas Oil on canvas. Height: 2,450 mm (96.45 in); Width: 1,690 mm (66.53 in). Author: Santiago Rebull.

Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), Rinaldo and Armida, 1771. Oil on canvas.

Clorinda rescues Olindo and Sophronia by Preti, Mattia (1613-1699) / Musei di Strada Nuova, Genoa / 1645 / Italy, Roman School / Oil on canvas / Mythology, Allegory and Literature / 248x245

Venus and Amor. Venus and Amor. Venus sits naked on a garment on the ground. She holds a burning heart in her left hand and puts her right arm over the shoulders of Amor who is about to shoot an arrow. At the bottom left of two pairing pigeons, on the rug are a few flowers.

LA SERPIENTE DE METAL. Author: JUSEPE LEONARDO DE CHAVACIER (1601-1652). Location: MUSEUM OF FINE ARTS. Malaga. SPAIN. MOSES.

Young. Sebastian; unknown, Aachen, Hans von (1552-1615); End of the 16th century (1574-00-00-1600-00-00);Foreign painting

The Birth of the Dauphin at Fontainebleau (The Marie de' Medici Cycle) by Rubens, Pieter Paul (1577-1640) / Louvre, Paris / 1622-1625 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 394x295 / Baroque

Venus and Adonis, Bartholomeus Spranger, c. 1585 - c. 1590

Der heilige Sebastian / St. Sebastian. Date/Period: Ca. 1618. Painting. Oil on canvas. Height: 200 cm (78.7 in); Width: 128 cm (50.3 in). Author: PETER PAUL RUBENS.

Rest on the Flight into Egypt, by Caravaggio, 1596, Doria Pamphilj Gallery, Rome, Italy, Europe

Tarquinius and Lucretia, 1515, by Titian (ca 1490-1576), oil on panel, 84x68 cm.

The Holy Burial and Christ tied to the column. Episodes of the Passion depicted inside the doors of a devotional triptych. Toledan School. Attributed to Luis de Velasco (ca. 1530-1606) and his son Cristóbal de Velasco (d. 1617). Oil on panel, last quarter of the 16th century. Museum of Santa Cruz. Toledo. Spain.

Jael and Sisera, Guidobono, Domenico (1668-1746)

Psyche Rescued by Naiads, 1750. Attributed to Jean-Baptiste-Marie Pierre... Previously attributed to Hugues Taraval. Psyche sits at the centre and is supported by four female naiads. A male naiad can be seen behind the group, on the far right. From the collection of Madame de Pompadour, Jeanne Antoinette Poisson, recorded in the inventory of lhôtel de Pompadour, Paris, 26 July 1764.

Scene from the myth of Cupid and Psyche, 1794, by Felice Giani (1758-1823), tempera wall painting, Palazzo Laderchi, Faenza, Emilia-Romagna. Italy, 18th century.

St Sebastian and a Scoundrel, by Artista ferrarese, 1620, 17th Century, oil on panel. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. St Sebastian torturer naked: nude drape: cloth drapery light shadow.

Allegory of Fiesole. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in). Author: Giorgio Vasari.

Fountain of Youth.Detail.Fresco, 1534-37, by Rosso Fiorentino,real name Giovanni Battista Rosso (1494-1540).

Cupids Disarming Sleeping Nymphs. Dated: c. 1690/1705. Dimensions: overall: 52.4 x 75.5 cm (20 5/8 x 29 3/4 in.) framed: 71.1 x 93.7 x 7.6 cm (28 x 36 7/8 x 3 in.). Medium: oil on copper. Museum: National Gallery of Art, Washington DC. Author: GIUSEPPE MARIA CRESPI.

Time Unveiling Truth about 1745-50 Oil on canvas Giovanni Battista Tiepolo Italian Venetian; 1696-1770

The abduction of Europa, by Luca Giordano (1634-1705), oil on canvas, 176x230 cm.

Guercino / 'Penitent Magdalene', 1645-1649, Italian School, Oil on canvas, 119,8 cm x 101,2 cm, P00203. Museum: MUSEO DEL PRADO, MADRID, SPAIN. MARY MAGDALENE.

Branki; Lesser, Aleksander (1814-1884); Ok. PO. 19th century (1840-00-00-1860-00-00);LESSER -BLATTEKA - collection, gift (provenance)

A Bathing Nymph Taken by Surprise by a Satyr. A nymph surprised at her bath by a satyr. Dating: c. 1630 - 1635. Measurements: support: h 58.2 cm × w 50.6 cm. Museum: Rijksmuseum, Amsterdam. Author: Moyses van Wtenbrouck.

The daughters of Cecrops opening the basket which holds baby Erichthonius, by Luca Giordano (1634-1705), oil on canvas, 76.5x133.5 cm.

The Parable of the prodigal Son, Batoni, Pompeo Girolamo (1708-1787)

DETALLE DE LOS HERMANOS DE JOSE - LA TUNICA DE JOSE - 1630 - RESTAURADO EN 1989 - Conjunto 7331. Author: DIEGO VELAZQUEZ (1599-1660). Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. JOSE HERMANOS. JACOB HIJOS.

Corrado Giaquinto, Italian (1703-1766), Autumn, c. 1740-1750, oil on canvas

Susanna and the Elders, Hendrik de Clerck, 1620 - 1630 painting Suzanna and the elders. Suzanna is naked at a fountain between the two old men. The man on the left touches her, the man on the right points to her jewelry and clothing. panel. oil paint (paint) the elders making advances towards Susanna

VERONESE, Paolo Caliari, called Paolo (1528-1588). Lot and His Daughters Fleeing from Sodom. mid. 16th c. Renaissance art. Cinquecento. Venetian school. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Naked women relaxing under trees by Sebastiano del Piombo, Oil on canvas, 1512, 1485-1547, Italy, Florence, Galleria degli Uffizi, 189x285

Premier deuil (El primer duelo), Bouguereau, William Adolphe, 1888, oleo sobre tela, Museo Nacional de Bellas Artes (MNBA), Buenos Aires, republica Argentina, cono sur, South America

The Lost Son, 17th century, artist unknown, Emilian school, Sala Stendhal (Stendhal Hall), first floor, Palazzo Spinola, Milan, Lombardy, Italy.

Samson and Delilah, Jan Lievens, 1630 - 1635 painting Simson and Delila. Simson has fallen asleep on Delila's lap. Delila offers scissors a shocking Philistine. canvas. oil paint (paint) Samson asleep in Delilah's lap; she is usually shown beckoning to a Philistine or putting a finger to her lips

Luca Giordano (b. 18 October 1634, d. 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, The Martyrdom of Saint Sebastian, Painting, Reproduction of the painting in its original state, Work of art, Historical, A bound man against a dark, dramatic background

'An Allegory of Summer'. Germany, The second half of the 16th - early 17th century. Dimensions: 22,5x17,5 cm. Museum: State Hermitage, St. Petersburg. Author: Johann Rottenhammer.

Susannah and the Elders by Reni, Guido (1575-1642)/ National Gallery, London/ 1622-1625/ Italy, Bolognese School/ Oil on canvas/ Baroque/ 117x151/ Bible

Mars & Venus, Allegory of Peace; Louis Jean François Lagrenée (French, 1725 - 1805); France; 1770; Oil on canvas; 64.8 × 53.8 cm (25 1,2 × 21 3,16 in.)

Venus and Mars, Venus and Mars, paintings by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, record date not stated

Resurrection, Bronzino, Agnolo, .

J.de Ribera, Mary Magdalen

Venus and Cupid. Date/Period: 1809. Painting. Oil on canvas. Height: 914 mm (35.98 in); Width: 718 mm (28.26 in). Author: Henry Howard.

Flight to Egypt, Hunt, William Holman, 1881

Amphitrite, 1775-1830. Thomas Stothard. In ancient Greek mythology, Amphitrite was a sea goddess and wife of Poseidon and the queen of the sea.

A Satyr. In Greek mythology, satyrs - half-men and half-goats - were said to live in the woods and mountains. In17th-century literature, they dwelt in the pastoral paradise of Arcadia, where one could lead a carefree life. The satyr here is presented as a shepherd of goats and sheep. He looks up from playing his flute to smile at the viewer.

Baldassare Peruzzi (1481-1536). Italian architect and painter. Villa Farnesina. Renaissance. Detail Frescoes. Polyphemus. Cyclope. Rome. Italy.

EL AIRE - SIGLO XVII - OLEO/LIENZO - 194 x 77 cm - NP 191 - BARROCO ESPAÑOL. Author: ANONIMO ESPAÑOL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Diana and nymphs (Bath of Diana). Malarz francuski XVII/XVIII w., painter, Malarz francuski XVIII w., painter

England, London, Trafalgar Square, National Gallery, Painting of The Finding of Moses by Orazio Gentileschi dated 1630

Pietro Facchetti (Copy after Raphael (Raffaello Sanzio)) / 'The Sun. Apollo with the Sign of Leo'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Waterfall by Georg Kaspar von Prenner, oil on canvas, 1743, 1720-1766, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 75, 5x62

Print made by Adriaan van der Werff, 1659-1722, Dutch, Pyramus and Thisbe, undated. Mezzotint on medium, slighlty textured, blued white, laid paper.

Allegorical scene (Venus and Adonis); French painter (Fl. 18th century); 1700-1725 (1701-00-00-1800-00-00);Adonis (Mitol.), Venus (Mitol.), French painting, allegorical scenes

Hagar giving Ishmael water from the Miraculous Well in the Desert. Charles Paul Landon (1760-1826). Oil on canvas, 75 x 103cm.

Procession of Bacchus /Paint.by Mura/C18

Detail, Les Romains de la Decadence (The Romans of the Decadence), 1847

Cut, gilded and multi -colored aedicular list ,, c. 1400 - c. 1950 Cut aedical list. The upper gear has a flat top, underneath a kind of egg list, then a border with a simple Acanthus leaf motif, a border with very short cannelures and a kind of egg list. Below that is a Frisian with a gilded angel's head with grape vines on either side on a blue surface. The lower stake has no sees but a horizontal top. This includes a hollow, gilded edge, then a Frisian with a gilded angel's head with grape vines on either side on a blue surface, underneath a gilded egg list and a flat edge. The styles consist of gold -plated ionic columns with dark colored cannelures and wrapped with leaf vines on which gilded birds are located. The leaf vines and the birds are very damaged. There are a flat edge and a border with a gilded, interrupted twin pearl around the day side. The frame is damaged and is full of woodworm holes. Italy wood (plant material) cutting / gilding

'Saint Sebastian', 1636, Oil on canvas, 127 cm x 100 cm, P01095. Author: JUSEPE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

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