Mythological Scenes and Allegories

A collection of classical etchings depicting mythological tales, including figures of Apollo, Marsyas, and representations of nature and human virtues, featuring intricate details and dramatic express

Requesting Hieronymus in the desert, Gérard Audran, After Domenichino, 1650 - 1703 print print maker: Francepublisher: Paris paper etching / engraving St. Jerome tempted by a dance of young girls

Apollo felt Marsyas. The Sater Marsyas is tied to a tree and is skinned by Apollo.

A copper engraving by Hendrick Goltzius from 1589 representing the golden age of the world, showing classical figures and symbolic elements.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), two children playing with a goat (A. de Vesme 102; dutuit 191) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

In. Hieronim of a penance; Le Febre, Valentin (1642-1680), Titian (CA 1488-1576), Camen, Jacob Van (1595-1657); 1682 (1682-00-00-1682-00-00);

Allegory on the elaboration of superstition and hypocrisy. The personnifications of nature and speech are under the foot through a belchtled man with dagger and torch. The man is pushed by a woman who hides behind a mask.

Venus and Adonis. Venus and Amor try to keep adonis from hunting. Adonis holds a spear in hand and he holds two hunting dogs on the line.

Holy family with snake and putti, Laurent de la Hire, 1639 print France paper etching Holy Family, and derived representations. snakes. cupids: 'amores', 'amoretti', 'putti'. cross as symbol of Christ

The merciful Samaritan, Quirin Boel, After David Teniers (II), After Jacopo Bassano, 1660 print The Merciful Samaritan pours oil on the wounds of the rovers robbed man and lays a bandage. In the distance, the priest and the Leviet make themselves off. On the right on a hill you can see how the traveler was attacked by the robbers. Print from the catalog of Italian paintings by Leopold Willem, governor of the Southern Netherlands, Theatrum Pictorum compiled by David Terniers; The dimensions of the original painting are in the sub -margin. Southern Netherlands paper etching the good Samaritan (Luke 10:30-37)

A Bacchanian Scene, Print made by Johann Ulrich Kraus, 1655-1719, German, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 7 3/8 × 5 1/2 inches (18.7 × 14 cm), baby, bacchanalia, columns, dancing, horns, lust, men, nudes, party, reclining, religious and mythological subject, satyrs, tambourine, trees, vines, women, wreaths

Requesting Hieronymus in the desert, Gérard Audran, After Domenichino, 1650 - 1703 print print maker: Francepublisher: Paris paper etching / engraving St. Jerome tempted by a dance of young girls

Maria appears to Willem van Rievaulx, Carlo Cesio, After Giovanni Lanfranco, c. 1632 - c. 1682 print Maria appears to Saint Willem van Rievaulx together with two other female figures. In the background the demons that Willem van Rievaulx fought with. print maker: Italyafter painting by: Romepublisher: Rome paper etching devil(s) and demons. the Virgin Mary. landscapes

unknown, Schut, Cornelis (I), Thisbe robs herself of life, verso lower left - stamped, Thisbe throws herself on Pyramus' sword, after finding her lover dying at the fountain. The smeared veil that led to the misunderstanding lies behind her., print, prints, height 178 mm, width 232 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etsen, Work conception, after a design by, granter of privilege

Artist: Simone Cantarini, Italian, 1612-1648, The Rest on the Flight intoEgypt, Etching, sheet: 22 × 17 cm (8 11/16 × 6 11/16in.), Italian, 17thcentury, Works on Paper -Prints

Abundance Michel Dorigny French After Simon Vouet French Publisher François Tortebat French 1666 View more. Abundance. Michel Dorigny (French, Saint-Quentin 1616/17-1665 Paris). 1666. Etching. François Tortebat (French, Paris ca. 1621-1690 Paris). Prints

The Rape of Europa ca.1636 Simone Cantarini Italian After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.. The Rape of Europa 669462

Landscape with byblis and caunus. Byblis is in love with her brother Caunus, who for her road flight. Byblis ultimately changes to a water source. Amor is flying in the air, the eyes. With an empty margin.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Angelica, e Medoro in varj modi / Legati iusienne di diversi nodi, 1773. Engraving.

Diana in bread, 1656 print Pan gives the goddess Diana, floating through the sky, snow -white wool and wins her love. Next to Pan is a goat, the symbol of the lust. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Diana (Luna) allured by Pan with a fleece or a bundle of wool (Virgil, 'Georg.' III 391-393)

Juno and the peacock; History of Argus. The hundred-eyed giant Argus, who had to guard Juno Io, was killed by Mercury. In memory of Argus Juno took his eyes and put them in the tail of her peacock. Mercury holds the chopped head of Argus while Juno gets the eyes out one by one and places them on the feathers of her peacock. The print is part of a four-part series of prints with scenes from the mythological story of Argus

Death of Adonis, M. Martinet, After Pietro Bianchi, 1809 print paper engraving / etching death of Adonis: he is killed by a boar

Italy, Carracci, Agostino, Omnia vincit Amor, verso - stamped, Amor fighting Pan in a landscape. On the right are two nymphs., print, prints, height 99 mm, width 115 mm, Work conception, Italian, 1557 - 1602-03-22, after a print by, 1599 - 1599, paper, etching, etchings, print maker, printmaker

Landscape with shepherds and shepherds, Bernard Picart, 1718 print Allegorical representation with shepherds and shepherds in a landscape. They make music, dance, get married, and edit the country. Left in the background pegasus. In the background, women grieving around a burial monument. In the air two putti with a Bijenkorf (a symbol of eloquence) and two putti with a banderol on which the title in Dutch. In the margin the impression in Dutch. print maker: Amsterdamafter drawing by: Amsterdampublisher: Rotterdam paper etching / engraving making music; musician with instrument. dancing. Pegasus, the winged horse. honey-comb. grave, tomb

Thisbe mapping with the dying Pyramus. At the foot of the fountain, Thisbe deposit on the body of the dying Pyramus. In the background the lion walks that with his mouth the veil of Thisbe smeared with blood and gave a cause for misunderstanding.

Adam and Eva after the expulsion from Paradise, Cherubino Alberti, After Polidoro da Caravaggio, 1563 - 1615 print Adam is working in the garden. Eva sits on a stone with two small naked boys next to her (Cain and Abel). print maker: Romeafter design by: Italy paper engraving Temptation and Fall: Adam and Eve in paradise (after the Fall) (Genesis 3:8-21)

Diana and Actaeon; Landscapes with mythological and biblical performances. The young Prince Actaeon encounters in the forest on the cave where Diana takes a bath with her nymphs. Because he has seen her nude, Diana changes him as a punishment immediately in a deer. Actaeon has surprised his arms.

Michel Dorigny, Bacchanal with Sleeping Bacchus, 1650s Bacchanal with Sleeping Bacchus

Allegorical woman figure and minerva in a landscape. Landscape with a woman's figure, in her hands a metronome and an olive branch, her foot on a rabbit. For her father's attributes. She is accompanied by Minerva and two putti, with a winch and caduceus in the hands. In the foreground a river with a man in the water. He sticks out his tongue to a harp on the shore. In the background figures that are tortured in hell. In the middle of numbered: iii.

Vissende Putti, Anonymous, After François Boucher, 1751 - 1808 print Numbered in the middle: No. 8; bottom right: 1; At the top right 34. paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Angling

Holy family with snake, putti and cross, Laurent de la Hire, 1639 print print maker: Francepublisher: Paris paper etching / engraving Holy Family, and derived representations. snakes. cupids: 'amores', 'amoretti', 'putti'. cross as symbol of Christ

Landscape with H. Hieronymus that translates the Bible.

Revenge goddesses encourage Althaea to burn Meleagers wood block; History of Meleager. Althaea, the mother of Meleager, throws under the influence of two revenge gods, the wood block from Meleager in the fire. Meleager had a twist for the Caledonian boar are both uncles, the brothers of his mother, killed. At Meleagers birth, the three arrange goddess had determined that he would not die before a certain wood block would have been digested. From revenge althaea throws the block back into the fire. Under the show an explanatory text in French and English.

St Jerome reading in the desert, 1565, by Cornelis Cort, Titian Vecelli.

Three Grates and a Putto, Simon Fokke, 1759 print The three gratians dance to the music that makes a putto on his tambourine. In the air, Venus is pulled on her victory cart by two pigeons. Two men have a conversation in the background. Amsterdam paper etching (story of) Venus (Aphrodite). Graces (Charites), generally three in number; 'Gratie' (Ripa). tambourine

Bacchanal before an altar to the gods ca. 1645 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Bacchanal before an altar to the gods 393215

Cain kills Abel, Crispijn van de Passe (I), After Maerten de Vos, 1591 print Cain is about to kill Abel with a donkey jawbone. On the right two sacrificial altars: The sacrifice of Abel is approved by God (the smoke rises), the sacrifice of Cain is rejected (the smoke refers). In the background, Adam and Eva kneel at the body of Abel. In the margin a two -way caption in Latin. Antwerp paper engraving the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. Adam and Eve discover the dead body of Abel and grieve over it

Jacob guarding Laban's flock 1613-24 Theodore Cruger. Jacob guarding Laban's flock. Theodore Cruger (German, active from 1613, died 1624). 1613-24. Engraving. Prints

Jupiter, Neptune, and Pluto offering their crowns to the arms of Cardinal Borghese 1642-43 Simone Cantarini Italian. Jupiter, Neptune, and Pluto offering their crowns to the arms of Cardinal Borghese 371498

Allegory on the elaboration of superstition and hypocrisy, Reinier Vinkeles (I), after Cornelis Ploos van Amstel, 1770 print The personifications of nature and reason are run by a blindfolded man with dagger and torch. The man is pushed by a woman who hides behind a mask. Amsterdam paper etching / engraving 'Superstitione' (Ripa). Rage, Anger. mask. lightning, flash of lightning, thunderbolt

Peleus, in harness, catches the water nymph Thetis with a cloth around her neck. Thetis lies on the waterfront, against the reed. Second print from a series of fourteen with scenes from the life of Achilles, Peleus captures Thetis Scenes from the life of Achilles (series title) Vitam et mortem achilli., print maker: J. Alexander Janssens, Victor Honoré Janssens, Zuid-Nederland, c. 1700, paper, engraving, etching, h 161 mm × w 133 mm

Three Cupids, Two Playing Music, One Holding Palm Leaves Louis Félix de La Rue French. Three Cupids, Two Playing Music, One Holding Palm Leaves 394762

A mythological drawing by François Verdier depicting Apollo and Hyacinth, rendered in black chalk with gray wash and white chalk heightening.

Dialog tussen de Herders Tityrus en Meliboeus, Jacob Folkema, after Louis Fabritna Dubourg, 1703 - 1767 print Surrounded by their cattle, the two Shepherds Tityrus and Melibuus have a conversation in the open air. This illustration was made at the first poem from Vergilius' Bucolica. paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Noah's sacrifice after the flood, Louis de Deyster, 1666 - 1711 print Noah sacrifices animals on altar as a thank you for going ashore after the flood. In the lower margin of Latin text from: Gen 8 paper etching Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)

Picart, Bernard, Folkema, Jacob, Allegory of the arts, verso - stamped, The laureate Apollo is surrounded by his nine Muses as he writes. In the foreground, putti are playing on the left and right. The representation is set in an elegant frame and decorated with herms on either side., print, prints, height 58 mm, width 125 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etsen, Work conception, Noord-Nederlands, 1673-06-11 - 1733-05-08

Sleeping Venus. Venus is sleeping on the shore of a lake. Putti fly through the sky and play with their arrow and arches. Two faunen manen to rest so that Venus does not wake up. Also a love couple, shepherd and shepherdess, has discovered the sleeping Venus.

Italy, Guercino, Rossi, Girolamo (I), Two Children, A child, lying on his stomach, places his hand on the shoulder of a second child who is kneeling. The kneeling child is pulling on a curtain., print, prints, height 196 mm, width 264 mm, Italian, 1627 - 1669, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Work conception, 1591-02-08 - 1666-12-22

Etcher: Jean-Honoré Fragonard, French, 1732-1806, After: Johann Liss, German, 1597-1631, Saint Jerome and theAngel, Etching, image: 15.2 × 10.4 cm (6 × 4 1/8 in.), French, 18thcentury, Works on Paper -Prints

Teiresias stores two pare hoses; Ovidius' metamorphoses. Teiresias beats two pairing snakes in a forest. He then changed in a woman. Seven years later he changed back in a man, after having beaten two pairing snakes again; This can be seen on the left. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the third series.

Virtumnus in Pomona, Jacques Chéreau, After François Marot, 1698 - 1729 print print maker: Francepublisher: Paris paper engraving / etching Vertumnus and Pomona. statues, sculptures in garden

Venus is surrounded by different putti. Her triumphar, drawn by swans, is behind her. The print has a French caption.

Sacrifice to the GodPan. Artist: Jean Jacques Lagrenée, French, 1739-1821

The nymph Salmacis embraces the hermaphroditus in a pond. Below the depiction two lines of Latin text twice. This print is part of a series of 52 prints depicting stories from Ovid's Metamorphoses. This series is divided into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the third series., Salmacis and Hermaphroditus Ovid's Metamorphoses (series title), print maker: Hendrick Goltzius, (workshop of), print maker: Robert de Baudous, (workshop of), Hendrick Goltzius, (mentioned on object), print maker: Haarlem, print maker: Netherlands, publisher: Netherlands, 1615, paper, engraving, h 179 mm × w 254 mm

Drawing (Italy)

Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi ca. 1765 Augustin de Saint-Aubin French. Vignette (Tome I.er, page 164, lib. II, fab. 15), depicting Cephalus and Aurora, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi 427753

Diana discovers the pregnancy of Callisto. Callisto, a nymph of Diana, is seduced by Jupiter. Diana rejects her to her, while other nymphs Callisto undress to reveal her pregnancy. A mountain landscape in the background. This print is part of an album.

Sadeler, Johann (I), Munich, Schwarz, Christoph, Warning against adultery and venereal disease, verso lower left - stamped, Landscape in which on the left a fountain with a statue of Venus and Cupid. Water flows from Venus's breasts. The fountain is the source of a stream, in which a dog urinates in the foreground. A scholar stands next to the source and points to it. Despite his warning, a shepherd drinks from the stream. On the left foreground an adulterous woman with horns on her head. She plays the lute and is probably the personification of Lust. The print has a Latin caption with warnings against adulterous women from the Book of Proverbs and the Book of Ecclesiastes., print, prints, height 240 mm, width 303 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1588 - 1595, paper, papier, engraving, engraving (printing process), German, 1545 - 1592-04-15, intermediary draughtsman, after a drawing by, writer

Les deux amants (The TwoLovers). Artist: Gabriel de Saint-Aubin, French, 1724-1780

Allegorical representation with tomb, Allegorical representation with various personifications around a tomb. A skeleton tries to hit the man lying on the tomb with a spear. Devilish figures are flying in the sky. A putto is crying at the foot of the tomb, grave, tomb, Death as skeleton, devils in the form of (fabulous) animals, Simon Fokke (mentioned on object), Amsterdam, 1722 - 1784, paper, engraving, h 96 mm × w 157 mm

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Reconstructed from two fragments. Northern Netherlands paper engraving the meeting between Esau and Jacob

Bacchus on a wine barrel. Bacchus is sitting on a wine barrel while one of his feet rests on a tiger that lies in front of him. In addition to Bacchus there are a drinking Sater and a Maainade. Left in the foreground a pensioning child.

La recompense des Sciences 1640-1713 After Carlo Maratti Italian. La recompense des Sciences 400396

Jean-Baptiste Patas (Engraver) (After Veronese, Paolo (Paolo Cagliari)); Antonio Martínez (Drafstman); Calcografía Nacional (The seller) / 'Cephalus and Procris'. 1791 - 1800. Taille douce: etching and engraving on wove paper; 1791 - 1800. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

. The shepherd and shepherdess in a shelter in each other's arms for a severe storm. A flute and sheet music on the ground. A herd of cows, flight over each other, panic flight.

Autre Repos dans la fuite en Egypte. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Putti with jewelery box; Emblemes d'Amour. Two putti with a jewelry box. A putto keeps a ring up. A broken bow for them on the ground. In the background a country house on a river. One can improve a loved one than with virtue. Thirty-seven emblem from Emblemata Amatoria.

Death of Adonis. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 8 7/16 x 12 in. (21.5 x 30.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

. Europe and its servants of service entertain themselves with Jupiter in the form of a bull. Europe is already on the back and looks heavenly. Above her head two putti fly with a laurel wreath and a pear. In the background one of Europe rides into the bull decorated with flower wreaths. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Four naked children's figures at a garden vase (winter). Four naked children's figures in a landscape, with garlands. One of them has grape vegetables and leaves around the head and another hews up to a komfoor.

Leto after the birth of Apollo and Diana. Leto after the birth of her children Apollo and Diana on the island of Delos to which they were banned by Juno.

Landscape with putti. Putti at a Herm in a landscape. Two of them play music, two others dance. In the foreground a putto with a rake that indicates an open book.

Zomer, Louis Félix de la Rue (Le Jeune), After François Boucher, 1741 - 1765 print Personification of the summer with three amors with grain. Paris paper etching summer, 'summer'; "Estate" (bank). Cupids: 'Love' '' Amoretti '' Putti '

Copper engraving by Pieter de Bailliu illustrating the mythological story of Rinaldo and Armida, showing figures, a landscape, and architectural features, created around 1644.

Ceres surrounded by putti and fertility symbols, Michel Dorigny, after Simon Vouet, 1644 print Numbered in the bottom right: 5. France paper engraving / etching Ceres, patroness of agriculture

Jupiter Verbant Cupido from heaven, Jan Snellinck (i), Chrispijn van den Broeck (Rejected Attribution), c. 1575 - c. 1580 drawing paper. paint (coating). ink pen / brush suffering, misfortune of Cupid. (story of) Jupiter (Zeus)

Triumph of Bacchus, D. Brunn, After Anthony Van Dyck, 1628 print paper engraving triumph of Bacchus; 'Carro di Bacco' (Ripa). beasts of prey, predatory animals: leopard

The Lovers 16th century Anonymous, Italian, 16th century Italian. The Lovers 391586

Three nymphs and two saters bathing. For a trees covered with water with water, there are three nymphs and two saters to bathe. In the background right a Nymph and Sater for an antique ruin.

Angélique en Médor, Nicolas Chasteau, After Louis Silvestre (II), 1690 - 1750 print France paper engraving / etching Medoro. Angelica

The Mystic Marriage of St. Catherine. Artist: After Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice); After a design by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); After Marco Angolo del Moro (Italian, Verona () ca. 1537-after 1586). Dimensions: Sheet: 6 3/4 × 4 3/4 in. (17.2 × 12 cm). Date: 16th century.Reverse copy of a print by Marco Angolo del Moro after Schiavone. Schiavone based his print on a design by Parmigianino. Museum: Metropolitan Museum of Art, New York, USA.

Venus and Adonis embraced each other; Perditè a Venere Adamatur Adonis; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.venus and Adonis Embrace Each Other Under a Tree. Title in Latin in undermarge.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Academy of Plato, Salvator Rosa, 1662 print Plato is surrounded by seven men in a wooded area. On the right a man leans against a tree while he speaks with Plato. In the front left is a man on the floor. Bottom left two lines of text in Latin. Italy paper etching / drypoint philosophy. debate, discussion (~ meeting)

Elia is fed in the wilderness by the Raven, Jan Saenredam, after Abraham Bloemaert, 1604 print The prophet Elia is on the ground in the wilderness. Two ravens come to bring him food. The print has a Latin text in the lower margin. paper engraving Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Cain andAbel. Engraver: Jan Harmensz. Muller, Dutch, 1571-1628 After: Cornelis Cornelisz. van Haarlem, Dutch, 1562-1638

Italy, Sirani, Giovanni Andrea, Elisabetta, Rest on the Flight into Egypt, verso - stamped, On the left Mary is breastfeeding the Christ child. On the right Joseph is sitting with a book. In the background a landscape., print, prints, height 168 mm, width 179 mm, Italian, 1638-01-08 - 1665-08-28, print maker, printmaker, 1648 - 1665, paper, papier, ink, inkt, deck paint, dekverf, etching, etchings, plaattoon, pen, brush, Borstel, Work conception, after own design by, 1610-09-04 - 1670-05-21

A Sater Caught by Putti and Venus, Giovanni Pietro Possenti, 1628 - 1659 print Landscape with Venus and Putti on a stone on the left. Venus kisses a putto. On the right three putti with a trapped satar. Italy paper etching satyr(s) (in general). satyr(s) (in general) - suffering, misfortune. cupids: 'amores', 'amoretti', 'putti'. (story of) Venus (Aphrodite)

Apollo and De Muzen, Louis of France (Duke of Burgundy), 1697 - 1712 print France paper etching (story of) Apollo (Phoebus). Apollo and the Muses, Apollo Musagetes

Jupiter en I, Pietro Sante Bartoli, After Pietro Testa, 1645 - 1700 print Jupiter has turned Io into a cow. Juno on the right that Jupiter comes to check. Front right a group of putti with an eagle. print maker: Italyafter design by: Italypublisher: Rome paper etching / engraving Io changed into a cow: to avoid detection by Juno, Jupiter changes Io into a cow (Ovid, Metamorphoses I 611)

Lot and his daughters, Joseph-Marie Vien (I), 1748 print Rome paper etching Lot's daughters make their father drunk

Leda and De Zwaan, Etienne Desrochers, After Correggio, 1713 print print maker: Parisafter painting by: Romepublisher: ParisParisFrance paper engraving / etching Jupiter, in the shape of a swan, and Leda

Levi, Dirck Volckertsz. Coornhert, 1550 print Levi, the third son of Jakob. He has a flaming sword in his hand, the symbol for grams. Out of uncontrollable anger, Levi and his brother Simeon had destroyed the city of Sichem. Levi is sitting on a bear, also an attribute of anger. In addition to Levi, the statue of Gramschap. She drives a spear through the back of a kneeling man. All attributes refer to Jakobs blessing from Levi (Genesis 49). The print is part of a series about the twelve sons of Jakob and Patriarchs of Israel and has a Dutch and Latin caption. Haarlem paper etching / engraving male persons from the Old Testament (with NAME) (not in biblical context). Rage, Anger. beasts of prey, predatory animals: bear (+ animals used symbolically). Jacob blesses his sons

Sylvio and Dorinda, Print made by William Faithorne, 1656-ca. 1701, British, Published by Edward Cooper, active 1682 -died 1725, British, between 1680 and 1703, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 9 1/8 × 12 5/8 inches (23.1 × 32 cm) and Image: 8 7/8 x 12 5/8 inches (22.5 x 32 cm), archer, arrows, bow, bushes, cape, dog (animal), drama, dying, falling, genre subject, holding, hunter, hunters, Il Pastor Fido (The Faithful Shepherd), 1590, leopard, literary theme, men, mythology, nymph, old, pastoral, pelt, putti, running, sandals, togas, tragedy, tree, trees, woman, woods, wound

Pamper from Adam and Eva from Paradise, François Chéreau (I), After Domenichino, 1709 print France paper engraving / etching expulsion of Adam and Eve from paradise (Genesis 3:22-24). beasts of prey, predatory animals: lion - FF - fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). horse. sheep

Ceres looking for Proserpina, Gerard de Lairesse, 1670 - 1675 print Ceres, goddess of agriculture, drives veiled with a torch in her hand on a car drawn by dragons. She is looking for her daughter Proserpina who was robbed by Pluto. In the foreground, women are sitting by a stream in which sample -like creatures swim. Scene from the metamorphoses of Ovidius (with 5: 438-445). paper etching most important deeds: Ceres in search of her daughter Proserpina, whom Pluto carried off

Diana Visiting the Sleeping Endymion. Artist: Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). Dimensions: 11 7/16 x 14 15/16in. (29 x 38cm). Date: 1729-1804. Museum: Metropolitan Museum of Art, New York, USA.

Iosaphat, pl. 1 of 25 from the series Trophaeum Vitae Solitariae (MaleHermits). Publisher: Johann Sadeler I, Flemish, 1550-1600 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Rafael Sadeler I, Flemish, 1560-1628

The Holy Family Being Ferried Across the River. 1753. Tiepolo, Giovanni Domenico, 1726-1804. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Jesus Christ , Flight into Egypt, Jesus Christ , Family

St. Benedict Delivering a Possessed Man. Carracci, Lodovico, 1555-1619. 1667 - 1700. Giovannini, Giacomo-Maria, 1667-1717. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Expulsion from Paradise, Adam and Eve are chased away from paradise by an angel with a flaming sword. The print is part of a seven-part series with scenes from the Bible book Genesis, expulsion or Adam and Eve from paradise (Genesis 3: 22-24), Gerard de Lairesse (mentioned on object), 1665, paper, etching, h 221 mm × w 249 mm, Frankenthal, c. 1759-1762

Lazio Viterbo Caprarola Palazzo Farnese390. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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