Mythological Scenes and Figures

Elegant etchings depict mythological stories featuring figures like Jupiter, Pomona, and Neptune, intertwined with themes of love and nature, richly detailed and expressive.

Jupiter in Antiope, Gerard de Lairese, 1675 - 1680 print Jupiter surprises the Nymph Antiope in her sleep in the shape of a Sater. The antiope robe has pulled Jupiter aside to be able to rap her. Scene from the metamorphoses of Ovidius. paper etching Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Jupiter in Antiope, Gerard de Lairese, 1675 - 1680 print Jupiter surprises the Nymph Antiope in her sleep in the shape of a Sater. The antiope robe has pulled Jupiter aside to be able to rap her. Scene from the metamorphoses of Ovidius. paper etching Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

. Leucothea, the daughter of the Babylonian king Orchamos, is seduced by Apollo.

Vertumnus en pompona, Giovanni Jacopo Caraglio, after Perino del Vaga, 1515 - 1565 print The naked Vertumnus reaches for a fruit in the hand of the naked Pomona. On the right a Herme and a overgrown foliage. In the undermarge Italian fresh in two columns. Italy paper etching / engraving Vertumnus and Pomona. love-affairs of Vertumnus

Jupiter in antiope, Jean Charles Le Vasseur, 1744 - 1816 print paper engraving / etching Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby. armorial bearing, heraldry

. Allegorical performance with Neptune (as a person's personification), seen on the back, and cybele (as a personification of the earth). Cybele is next to a curnu copia and is crowned by an angel with a laurel wreath. In the foreground a river god, blowing in a shell. With an empty margin under the show.

Sater with a young Bacchus, John Smith (print maker/ publisher) (attributed to), after Rafaël, 1662 - 1742 print paper infancy, upbringing of Bacchus

Death's Door, Print made by Luigi Schiavonetti, 1765-1810, Italian, after William Blake, 1757-1827, British, Text by Robert Blair, 1699-1746, British, Published by Rudolf Ackermann, 1764-1834, British, 1808, published 1813, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm), Plate: 11 3/4 × 6 7/8 inches (29.8 × 17.5 cm), and Image: 9 1/2 × 5 1/2 inches (24.1 × 14 cm), death, door, doorway, elder, knocker, men, nude, religious and mythological subject, rock, sitting, stick, stone, sun, youth

Bacchus drinkend uit een kruik.Bacchus sitting with a wine rank in hand while a child pours wine in his mouth.

Gilles Demarteau the Elder after François Boucher, Allegory of Music with Two Cherubs and Doves (100) Allegory of Music with Two Cherubs and Doves (100)

Two Children, One With A Sword, Another With A Helmet Gabriel Huquier French. Two Children, One With A Sword, Another With A Helmet 394402

Sleeping Diana and her nymphs spied by Saters, Richard Earlom, After Peter Paul Rubens, 1784 print London paper etching satyr(s) spying upon. Diana and her nymphs surprised by satyrs. sleeping; unconsciousness - BB - out of doors. game, hunted animals

Copper engraving by Jacob Matham created between 1607 and 1611 depicting Christ in the grave, weighed by two angels, illustrating a biblical narrative.

Personification of the soul with faith, hope and love. A woman, soul's personification, with three naked children who symbolize the cardinal virtues, hope and love. The children climb on her lap and back. Under the show a verse in Dutch.

Copper engraving by Alexander Voet the Younger depicting a satyr carrying a basket of grapes and oranges accompanied by a bacchanter, produced around 1636.

Achille Devéria (1800-1857) and Rose-Joseph Lemercier (1803-1887). Album with six naked women's subjects: raising it. Lithography on China, 1829. Paris, Carnavalet museum. 76130-10 Album, naked woman, raise, lithography on China, female naked, nudite, six subjects, engraving, bed

Évocation de Kundry (1re planche) , Fictitious characters, Magicians, Magic, Wagner, Richard, 1813-1883. Parsifal. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Ce qui est bon a prendre est bon a garder. Medium: stipple engraving. Museum: National Gallery of Art, Washington DC. Author: Alexandre Chaponnier after Jean-Baptiste Hüet, I.

A red chalk drawing by Peter Simon Lamine depicting the mythological figures Amor and Psyche.

Rinaldo and Armida. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ANGELICA KAUFFMANN.

Copper engraving and etching by Jacques Nicholas Tardieu the Younger depicting Maria Magdalena in a wasteland, created between 1730 and 1791. The artwork shows the figure, gesture, landscape, and expression.

Table of the Temple of Muses: Salmacis and Hermaphrodite (Dutuit 36) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple of Muses: Salmacis and Hermaphrodite (Dutuit 36). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Mother with Sleeping Child, Georges Bellenger, After Pierre Prud'Hon, After Constance Mayer, 1857 - 1918 print Paris paper. mother and baby or young child

Copper engraving and etching by Nicolas Delaunay created around 1786 illustrating the literary figures Angelique and Medor in a detailed scene.

Nymphs and Putti Sleeping, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1787, Engraving

Jupiter appears as a golden rain to Danaë, Robert Strange, After Titian, 1768 print print maker: Londonafter painting by: Naples paper etching (story of) Danae. Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold

Man speaks against Christ; Lunetten with paintings by Carlo Maratti. A kneeling man speaks against the seated Christ with staff, cloak and thorns wreath (Christ as a man of sorrows).

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Medea looking at her two Children, one of whom she has Murdered with a Dagger. Engraving.

Hercules en Antaeus ; Owens Hercules unbeaten.

Engraving by Carlo Antonio Porporati created between 1760 and 1816 depicting Oenone and Paris, showing human figures from Greek mythology in 18th- to early-19th-century style.

"Copper engraving and etching by P. Martenasie depicting Pan and Syrinx, showing mythological figures, gestures, and interaction with natural landscape elements between 1759 and 1771."

March as they came, Simon François Ravenet (Le Vieux), After Carle Van Loo, 1716 - 1774 print Paris paper etching / engraving Mars and Venus as lovers

Trois Amours dont un tient un couronne, de Quatrième Livre de Groupes d'Enfans 18th century Pierre Alexandre Aveline French. Trois Amours dont un tient un couronne, de Quatrième Livre de Groupes d'Enfans 414435

Relief with personification of the element water above bow in the civilian hall of the town hall on the Dam. Relief with personification of the element of water above the right (southern) arch on the east side of the civil room in the town hall on Dam Square in Amsterdam. In her hands she holds a ship, there is a shell wreath on her head. Left of her a stir, oar and enter hook. To the right of her the head of a fish between the reeds. To her feet a fish, lobster and crab. Signed under the right of the middle: C (crossed out). Numbering at the bottom right Added by hand: XCIX N. 1.

Drawing of sleeping nymph. Barocci, Federigo, 1528-1612. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Minerva and Venus, Anonymous, 1700 - 1800

Bacchus, Ceres and Venus, after Michelangelo, Historical, digitally restored reproduction from a 19th century original.

Nymph Van Diana takes an arrow out of the neck of a deer, Jean Louis Potrelle, after Jean Pierre Norblin de la Gourdainine, 1798 - 1824 print paper engraving / etching Hok ruced animals: The very well. Selnanonons, 'Hinfin the nanana' (paria)

Flora, Print made by William Faithorne, 1656-ca. 1701, British, after James Parmentier, 1658-1730, French, Published by Edward Cooper, active 1682 -died 1725, British, undated, Mezzotint on medium, slightly textured, beige laid paper, Sheet: 7 13/16 x 5 13/16 inches (19.9 x 14.7 cm), Plate: 7 5/8 x 5 1/2 inches (19.3 x 14 cm), and Image: 6 1/8 x 5 5/16 inches (15.5 x 13.5 cm), basket, crown, floating, flowers (plants), garlands, goddess, putti, religious and mythological subject, robe, sandals, wings, woman, wreath

Haarlem, Matham, Jacob, Goltzius, Hendrick, Mythological figures, Nymph with a dog, verso lower left - stamped, Seated nymph or female nude with a reclining dog in a landscape., print, prints, height 179 mm, width 119 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1581 - 1631, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after print by, Publication (Event), Publication, publisher

Bacchus on a wine barrel, Pietro Peiroleri, After Peter Paul Rubens, 1758 print Bacchus sits on a wine barrel, while one of his feet rests on a tiger that lies in front of him. Next to Bacchus are a drinking satar and a Maenade. Left in the foreground a peeing child. Four verses in Italian in the lower margin. Print Maker: Italy Publisher: Turin paper engraving / etching (story of) Bacchus (Dionysus), Liber. wine ~ alcoholic drinks. beasts of prey, predatory animals: tiger. urination. drinking. wooden container: barrel, cask, bucket

Copper engraving and etching depicting Adam and Eve, created by Jean Massard in 1780, showing the biblical figures in a Garden of Eden setting.

Jupiter an antiope, willm bass, after anthony van dyck, 1633 - 1672 print Jupiter, in the shape of a Sater, surprises Antiope in her sleep. In addition to Jupiter, the eagle can be seen with Jupiters lightning bolt in his mouth. paper etching Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Italy, Raphael, Vico, Enea, Toilet of Venus, verso - handwritten in brown ink, Venus drying herself after a bath. On the left is Amor., print, prints, verso - stamped, 2.1. - 66., height 185 mm, width 126 mm, print maker, printmaker, 1546 - 1546, paper, engraving, engraving (printing process), Work conception, Italian, 1523 - 1567, after print by, 1483-04-07 - 1520-04-07

Satyr looking in wonder the nakedness of a Maenad, who is lying back turned on a rock, Herculaneum, Campania, Italy, engraving by Rocco Pozzi from a drawing by Vanni from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 32, 1757-1787, Naples.

Faun and Maenad, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 16, 1757-1787, Naples.

A young man sitting and standing; The roller cart ..

Creation of EVA; Adam, first of all awakening, sees Eva ...

A man and woman having sex on a couch, 18th century. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Venus. Engraving.

Landschap put in Adonis; The power of love. .

Cipriani, Fortuna, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 45. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 45. paper. photographic support. cardboard albumen print

Vénus et l'Amour (grande planche) , Goddesses, Gods, Venus Roman deity, Cupid Roman deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

This apainting, titled Education of Achilles, is by the Italian artist Pompeo Girolamo Batoni (1708-1787) in the Uffizi Gallery, Florence. Achilles is at right and is being taught by Chiron. In Greek mythology, Achilles was the famed Greek hero of the Trojan War, the Greek who slew the Trojan prince Hector. Chiron was considered the oldest and wisest of the Centaurs, a tribe of beings that were half-horse and half men that were represented as given to violence. Chiron, however, was not - he was considered wise and kind and with a gift for healing and music. He was also respected as a teacher, and among his pupils, in addition to Achilles, were Aesclepius, Aeneas, and Theseus.

Page 25, vol. 1, Delle antichità di Ercolano, Pozzi, Rocco, d. ca. 1780, Preciado de la Vega, Francisco, 1713-1789, Engraving, 1757-1792

Maria Het Kind Zogend, Giovanni Girolamo Frezza, After Agostino Carracci, After Ludovico Carracci, After Annibale Carracci, 1686 - 1748 print Maria sucks the Christ child in a landscape. print maker: Romeafter drawing by: Italyafter drawing by: Italyafter drawing by: Italyprinter: Rome paper engraving 'Madonna dell'Umiltí' (usually Mary suckling the Christ-child while sitting on the ground). Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

Joseph and Potifar's wife; Biblical scenes; Historia del Testamento Vecchio / Dipinta in Roma Nel Vaticano da Raffaelle di Urbin (...). Joseph in a dormitory, walk away from the woman of Potifar. She grabs his cloak.

Saint Mary Magdalen. Lithograph by F. Hanfstaengl, 1839, after P.G. Batoni, c.1742.

Erotic Series with Couples in Bed, c. 1750 - c. 1800 print In an 18th-century interior, a naked young man lies in a four-poster bed. A naked woman is stripping on him. Next to the bed is a table with a carafe and glasses. France paper etching man and woman cohabiting. bed with tester

To Berlioz (Small Plate), 1895. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Adam in EVA; The first man and the first woman. .

Satyr and Nymph by Carracci, Agostino (1557-1602)/ Nationalmuseum Stockholm/ Italy, Florentine School/ Etching/ Mannerism/ Mythology, Allegory and Literature,Nude painting

Venus Surrounded by Cupids, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1787, Line engraving

Lot and his daughters, in or after c. 1620 - 1630 drawing Zwolle paper. ink brush Lot and his daughters (Genesis 19:30-38)

Amsterdam, Fouquet, Pierre, Paris, Basan, Pierre François, Boucher, François, France, Venus donnant du nectar a l'Amour, Amor fed by Venus with nectar, verso - stamped, print, prints, height 268 mm, width 387 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1739 - 1797, paper, papier, engraving, engraving (printing process), Work conception, 1703-09-29 - 1770-05-30, after a design by, Publication (Event), Publication, publisher, uitgever, Dutch, 1729-02-28 - 1800-04

In love couple sitting in bed, Jacques Louis Copia, After Pierre Prud'Hon, 1797 print Scene Uit Het GEDICHT 'The art of loving' van Pierre-Joseph Bernard. Paris paper etching / engraving (lovers) caressing each other. cupids: 'amores', 'amoretti', 'putti'

Suzanna and the elders. .

Infant Hercules asleep. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: Sheet: 6 1/8 × 5 1/2 in. (15.6 × 13.9 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1625-77.Infant Hercules asleep; lying naked on a cloak, head to right, among leafy branches under tree, his club between his legs; two birds perched above his head, after Parmigianino. Museum: Metropolitan Museum of Art, New York, USA.

Papal court, Poussin, Nicolas, France, Baudet, Etienne, Venus and Amor, verso - stamped, print, prints, height 248 mm, width 291 mm, 1638 - 1711-07-08, print maker, printmaker, 1669 - 1669, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Frans, 1594-06 - 1665-11-19, after, after painting by, French, after design by, granter of privilege

Plate IIII (4): Leda and the Swan. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium) 1734 Cosimo Mogalli. Plate IIII (4): Leda and the Swan. From "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium). Cosimo Mogalli (Italian, 1667-1750). 1734. Etching and engraving. Prints

Children playing, Jean Daullé, After François Boucher, 1750 print print maker: Francepublisher: Paris paper engraving / etching Cupids: 'Amores', 'Amoretti', 'Putti'

Umbria Terni Acquasparta Palazzo Cesi6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bacchus, Louis Desplaces, after Pierre Garnier, 1697 - 1739 print Paris paper engraving / etching (story of) Bacchus (Dionysus), Liber. piece of sculpture, reproduction of a piece of sculpture

Women with flowers and Amor, C.L. Jubier, after Jean Baptiste Huet, 1755 - 1786 print France paper etching flowers. (story of) Cupid, Amor (Eros)

Venus, Louis Marin Bonnet, after Charles Joseph Natoire, 1773 - 1774 print Naked Venus sitting in a landscape with rocks. print maker: Francepublisher: Paris paper etching (story of) Venus (Aphrodite)

Drie Spending Putti on Wolks, Golts Dangerueau, AFERER Francof Brous, 1732 - 1776 print Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Venus crowned by Cupid, after the painting by Boucher. From The Connoisseur Illustrated, Sept-Dec 1916.

Jupiter, Juno and IO, John Smith (Print Maker/ Publisher), After Giovanni Jacopo Caraglio, After Perino del Vaga, After Titiaan, 1709 print London paper Jupiter, shrouded in a cloud, woos Io, daughter of Inachus; Juno may be watching the lovers. Io changed into a cow: to avoid detection by Juno, Jupiter changes Io into a cow (Ovid, Metamorphoses I 611)

The Baby Walker, Rembrandt van Rijn, c. 1646 print paper etching

Woman With Drapery and a Putto (Venus and Cupid). Artist: After François Boucher (French, Paris 1703-1770 Paris); George William Thornley (French, 1857-1935). Dimensions: Mount: 17 11/16 x 12 3/8 in. (45 x 31.5 cm)Sheet: 6 1/4 x 4 1/4 in. (15.8 x 10.8 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving and etching by Pieter van Gunst portraying Hercules and Dejanira, created between 1674 and 1732, representing classical mythological figures in a detailed composition.

Venus Ent Amor, Giovanni Girolamo Frezza, After Pietro Antonio De Pietri, After Francesco Albani, 1704 print The goddess Venus and Amor. Venus has fixed the arrow and arch of Amor. Decoration of a pendentive. print maker: Romeafter drawing by: Italyafter painting by: Italyafter design by: ItalyVaticaanstad paper engraving Venus and Cupid (Cupid not being mere attribute)

Study of a classical sculpture, Study of a marble statue: a lying sleeping woman in antique clothing, piece of sculpture, reproduction of a piece of sculpture, sleeping on the ground - BB - out of doors, L. Hachin (signed by artist), unknown, Jan-1830, paper, engraving, h 227 mm × w 317 mm

Hercules an Antaeus, Andrea Mantega (School of), After Andrea Mantega, 1475 - 1499 print Italy paper engraving the giant Antaeus is lifted in the air and crushed to death by Hercules

Venus Aphrodite and Cupid. Engraving in the crayon-manner.

Three young naked boys standing or sitting between stone blocks, after a painting by Christoffer Wilhelm Eckersberg (January 2, 1783 - July 22, 1853), Historic, digitally restored reproduction from a 19th century original.

Marble statue of Cupid and Psyche kissing from the Capitol in Rome. Copperplate engraving by R.H. Cromck from a drawing by H. Howard in Abraham Rees' Cyclopedia, London, 1818.

Print, Cupid and Psyche; Designed by Francesco Bartolozzi (Italian, 1727-1815); Published by Ackermanns; Italy; engraving in brown ink on white paper; 27.3 × 21.4 cm (10 3/4 × 8 7/16 in.); Bequest of George Campbell Cooper; 1896-3-357

Allegory of Love, Jacobus Buys, 1775 drawing Design for a painting. paper. watercolor (paint) brush (personifications and symbolic representations of) Love; 'Amore (secondo Seneca)' (Ripa). Love: 'Frau Minne' and other allegories

Andromeda aan de rots geketend.Andromeda, the daughter of an Ethiopian king, is closed to a rock by the sea, as a sacrifice to a sea monster. Scene from the metamorphoses of Ovid.

John Hamilton Mortimer, Musical Monster, 1778 Musical Monster

Diana Ontwake Amor, Gaspard Duchange, After Jean-Baptiste Desormeaux, 1715 print print maker: Francepublisher: Paris paper engraving (story of) Diana (Artemis). (story of) Cupid, Amor (Eros). attributes of Cupid: bow

Woman at the toilet, Body care, Cosmetics, Historical, digitally restored reproduction of an original from the period.

Hassan and Namouna Engraver Léopold Flameng French After Henri Regnault French Printer Alfred Salmon French 1872 View more. Hassan and Namouna. After Henri Regnault (French, Paris 1843-1871 Buzenval). 1872. Etching. Léopold Flameng (French (born Belgium), Brussels 1831-1911 Paris). Prints

Floding, Per Gustaf, inventor: J B H Deshayes, work, Sleeping girl, (1000 - 2000), copper engraving, graphics, 30.2 cm x 20.3 cm

Mercury and Venus teach Amor, Arnold de Jode, After Correggio, 1667 print Amor stands between Mercury and Venus and reads from a paper. London paper engraving education of Cupid by Venus and Mercury

Mourir C'est Renaitre (Death and Immortality) 19th century Copy after William Blake British. Mourir C'est Renaitre (Death and Immortality) 383683 Artist: After William Blake, British, London 17571827 London, Mourir C'est Renaitre (Death and Immortality), 19th century, Wood engraving, plate: 8 7/8 x 5 5/8 in. (22.5 x 14.3 cm) sheet: 10 x 6 5/8 in. (25.4 x 16.8 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1932 (32.36.67)

Nine fantastic women's figures. Bottom left a woman with wings, right from the middle a gorgoon, a woman with snakes instead of her. Above the middle a woman on a throne.

Susanna and the Elders 1822-1854 Italy. Charcoal, with graphite, on cream wove paper, laid down on cream wove paper . Antonio Viviani

Gilles Demarteau the Elder after François Boucher, Allegory of Painting with Three Cherubs (99) Allegory of Painting with Three Cherubs (99)

Sleeping Venus, Michiel Mosijn, After Jacob Adriaensz Backer, 1640 - 1655 print The sleeping Venus on a bed. On the right a window with a landscape in the offing. Numbered in the bottom right: N. 39. Amsterdam paper engraving Venus asleep

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