Mythological Scenes and Narratives

Engravings and etchings depicting mythological and biblical stories, including Venus, Aristotle, and Joseph, featuring intricate details and expressive figures.

Estius, Franco, Congiet, G., Matham, Jacob, Antwerp, Jode, Pieter de (I), Aristotle and Phyllis, verso - stamped, Phyllis, stripped of her clothes, rides Aristotle who crawls on her hands and knees in a study. On the right a table, on which are a terrestrial and celestial globe, books, inkwell, and a candlestick. Left in the background In the background Aristotle as a scholar., print, prints, recto lower right - stamped, height 221 mm, height, 301 mm, Southern Netherlands, 1570 - 1634-08-09, print maker, printmaker, 1588 - 1592, paper, engraving, engraving (printing process), Northern Netherlands, 1571-10-15 - 1631-01-20, Work conception

Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand ca. 1520-30 Anonymous. Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand 342598

Estius, Franco, Congiet, G., Matham, Jacob, Antwerp, Jode, Pieter de (I), Aristotle and Phyllis, verso - stamped, Phyllis, stripped of her clothes, rides Aristotle who crawls on her hands and knees in a study. On the right a table, on which are a terrestrial and celestial globe, books, inkwell, and a candlestick. Left in the background In the background Aristotle as a scholar., print, prints, recto lower right - stamped, height 221 mm, height, 301 mm, Southern Netherlands, 1570 - 1634-08-09, print maker, printmaker, 1588 - 1592, paper, engraving, engraving (printing process), Northern Netherlands, 1571-10-15 - 1631-01-20, Work conception

This 1607 etching by Giovanni Lanfranco illustrates the biblical story of Joseph and Potiphar's wife, capturing the moment of attempted seduction and Joseph's resistance.

Esau coming to Isaac for the blessing. Colour lithograph by L. Gruner after N. Consoni after Raphael.

The Death of Lucretia. Paulus Moreelse. 1612. Prints; woodcuts. Chiaroscuro woodcut from three blocks

Judge Herkinbald (Archambauld) Stabbing His Nephew 1553 Heinrich Aldegrever German. Judge Herkinbald (Archambauld) Stabbing His Nephew 428392

Ceres turns Lyncus into a Lynx, Jacob Gole, after Gerard de Lairesse, 1670 - 1724 print Ceres turns Lyncus into a lynx because he tries to kill Triptolemus out of jealousy in his sleep. Amsterdam paper engraving Lyncus changed into a lynx: Ceres changes Lyncus into a lynx when he is on the point of murdering the sleeping Triptolemus (Ovid, Metamorphoses V 657)

Thetis smears her mortal child Achilles with ambrosia, hoping to make him immortal. She sits on a lounger on a balustrade. In the foreground a box containing the ambrosia leaves. In the background Peleus is approaching. In the middle below: 3. Third print from a series of fourteen with scenes from the life of Achilles, Thetis smears Achilles with ambrosia Scenes from the life of Achilles (series title) Vitam et mortem achilli., print maker: J. Alexander Janssens, Victor Honoré Janssens, Zuid-Nederland, c. 1700, paper, engraving, etching, h 164 mm × w 130 mm

Allegory of Birth. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: sheet: 10 13/16 x 16 5/16 in. (27.4 x 41.5 cm) borderline. Date: 1558. Museum: Metropolitan Museum of Art, New York, USA.

Jupiter a dana, monogramist fms, after French Floris (i), 1538 - 1599 print Jupiter falls down on Danaë in the form of golden rain or light, while she is lying on a resting bank. Her old servant watches from behind a curtain. In the distance a face on Argos. At the bottom of the margin a single -line caption in Latin. print maker: Low Countriesafter design by: Antwerppublisher: Antwerppublisher: Antwerp paper engraving Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold

Venus and Amor; Nascitur Ad Fructum Mulier, Prolemque. Venus and Amor are naked on a bed under a canopy.

Fight between Odysseus and Irus, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print Upon returning home on Ithaca, Odysseus is confronted with the beggar Irus. In a fight between the two, Odysseus Irus knocks down. Paris paper etching / engraving Ulysses' fight with Irus, the beggar (Homer, Odyssey XVIII)

Aristoteles en Phyllis, Pieter de Jode (I) (attributed to), after G. Congiet, 1698 - 1737 print Phyllis, stripped of her clothing, rides Aristotle who crawls around in a study migration. On the right a table, on which an earth and a sky, books, ink cooker, and a candlestick. Left in the background in the background Aristotle as a scholar. print maker: Antwerp (possibly)publisher: Amsterdam paper engraving Aristotle and Phyllis

Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius 1530-60 Agostino Veneziano (Agostino dei Musi) Italian This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.. Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius. The Story of Cupid and Psyche as told by Apuleius. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). 1530-60. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). Prints

Three Maries. William Say (England, Norfolk, Lakenham, 1768-1834)Annibale Carracci (Italy, Bologna, 1560-1609). England, 1824. Prints; mezzotints. Mezzotint

Suzanna and the elders, Two elders hide behind a wall and peep at Suzanna bathing at a fountain, Susanna bathing, usually in a near fountain and sometimes accompanied by two female servants, Abraham Bloteling (mentioned on object), Amsterdam, 1652 - 1690, paper, engraving, h 357 mm × w 278 mm

. Two naked children at a fire pot. One child tries to emphasize grapes of the grape food from the other. Under the show a two-legged fresh in Dutch, indicating that grapes are fierce in the winter time. Left below numbered: 101.

Heilige Familie, Battista corner of Moro, After Giulio Romano, 1524 - 1575 print Maria and Anna wash the Christ child. Joseph is there. In the background Elisabet and the little John the Baptist. On the right a woman with a jug. On the left a woman in a four -poster bed. Italy paper etching Holy Family, and derived representations

Apollo seduces Leucothe, G. Rijckius, Robert de Baudous, 1615.

Venice, Titian, Cort, Cornelis, Joseph and Potiphar's Wife, verso - stamped, Potiphar's wife lies naked on a four-poster bed. Joseph flees from her (to the right) and is seized by her by his cloak., print, engraving, prints, engravings, TYCIAN INVENIT, lower left - engraved, height 203 mm, width 260 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1560 - 1565, second quarter 16th century, third quarter 16th century, paper, engraving (printing process), Work conception, Italian, 1488 - 1576-08-27

Photo production of drawing Raphael from Windsor Castle, man kills in bed lying woman.

Offer from Isaac, Philippus Velijn, 1821 print Abraham with his tied son Isaac, looking up to heaven. Bottom right: bl. 62. Netherlands paper etching the sacrifice of Isaac (Genesis 22)

Adam's death bed.

Sleeping woman in bed. .

David onthoofdt Goliat, c. 1627 - after 1669 print Goliat is on the ground. David raises the sword of Goliat above the head, ready to behead Goliat. On the right in the foreground is the pendulum with which David swung a stone against Goliat's forehead. paper engraving David beheads Goliath with a sword

Jacques Callot (1592-1635). "Notre-Dame de l'Annonciade de Florence miracles", "The oppressed woman". Quite the first number of a suite of 42 pieces (Lieure 118, Meaume 300). Froz, 1615-1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99594-23 Burin, Gravure

Man and Woman with two children, Anonymous, After Michelangelo, 1552 print paper engraving mother and child(ren), woman and child(ren) (family group). father and child(ren), man and child(ren) (family group)

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), And Ah! Let Pity Turn Her Dewy Eyes.., 1801. Etching on moderately thick, moderately textured, cream wove paper.

. The half-naked Susanna is sitting on the edge of the bath. Two elders are harassed during bathing. In the background a fountain with cupid on a swan. The print has a Latin caption.

A witch points at Cupid above, Mars Ares (?) behind her. Engraving by L. Boel after A. Allegri, il Correggio.

Portrait of Nicolo Barbarigo and the personification of military victory, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Nicolo Barbarigo on the front. On the back, Victoria writes on a shield hanging on a palm tree. On the pedestal is the military victory, a harnessed woman with a spear and a wall crown. Behind her some broken banners. Two prisoners of war left and right. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). prisoner of war (after the battle). Victoria as Roman personification. trees: palm-tree. banner, standard (as symbol of the state, etc.)

Italy, Beatrizet, Nicolas, A draughtsman at the statue of the Tiber (Marforio), verso inset sheet - stamped, Statue of the river god the Tiber, also called Marforio, one of the speaking statues of Rome, in the Roman Forum. On the right a draughtsman sits on a marble block. Text in bottom margin., print, prints, height 132 mm, width 218 mm, Work conception, French, 1515 - 1565, after a print by, 1500 - 1599, paper, papier, engraving, engraving (printing process), print maker, printmaker

Sleeping Venus. The sleeping Venus on a bed. On the right a window with a landscape in it. Legal under numbered: N. 39.

King Lyncus Turned Into a Lynx by Ceres, Print made by Jacob Gole, 1660-1737, Dutch, after Gerard de Lairesse, 1640-1711, Flemish, Published by Nicolaes Visscher, 1649-1702, Netherlandish, between 1675 and 1700, Mezzotint on moderately thick, moderately textured, beige laid paper, Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm) and Image: 13 3/8 x 17 5/16 inches (33.9 x 44 cm), battle, bed, crown, fighting, flying, goddess, Greek mythology, king (person), Lyncus changed into a lynx: Ceres changes Lyncus into a lynx when he is on the point of murdering the sleeping Triptolemus (Ovid, Metamorphoses V 657), lynx, men, murder, pillow, religious and mythological subject, sleeping, sword, woman

Loveless Disarming Himself. Unknown Artist (French, early 19th century); after Jacques-Louis David (French, 1748-1825). Date: 1819-1829. Dimensions: 257 × 394 mm. Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Held, Maria Ursula .

Copper engraving by Hendrick Goltzius depicting Mars and Venus, produced in 1588.

Saint Melania the older as a hermit, Anonymous, After Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1590 - 1662 print paper engraving female saints. anchorite, hermit

Venus Aphrodite and Cupid. Engraving bearing monogram of A. Dürer.

Allegories Op Geboorte, Giorgio Ghisi, After Girolamo da Pontremoli, After Giulio Romano, 1560 print A woman gives a newborn baby to two putti. On the left is a woman with a burning torch. On the right is a woman who just gave birth. There are two women next to the bed. In the background Apollo on his solar wagon. paper engraving woman giving birth (lying-in). cupids: 'amores', 'amoretti', 'putti'. Apollo as sun-god, i.e. Sol (Helius), Titan

Joanna of Castile and Leon, daughter of Ferdinand and Isabella, has her insanity aggravated by the death of her husband, Philip I, archduke of Austria, king of Castile 1506

Honoré Daumier, L'ouie, 19th century L'ouie

Psyche and the sleeping amor; Story of Amor and Psyche. Three scenes with amor and psyche depicted in one room. Amor is sleeping in the middle in the middle. Psyche is on the edge of the bed and holds an oil lamp above amor. On the right sits psyche with the arrivals of Amor. On the left is psyche, amor at his leg gripping while he plots the window. Italian text in two cartouches in undermarge. Numbered bottom left: 13.

Holy Basilius the Great as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print Holy Basilius the Great as a recluse studies in his hermit's cell. On the Verso is a fragment French text from the edition. print maker: Amsterdampublisher: Low Countriespublisher: Antwerp paper engraving male saints (with NAME)

Joseph and Potiphar's Wife. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1634. Dimensions: 90 x 114 mm (image/plate); 92 x 117 mm (sheet). Etching on buff laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Jean-Baptiste Girard sees the cross wound under the chest of Marie-Catherine Cadière on her bed, Jacques Gabriel Huquier (attributed to), c. 1735 print Jean-Baptiste Girard sees the cross wound under the chest of Marie-Catherine Cadière on her bed. Part of the series of 32, often erotic tinted, prints dedicated to the scandal around Marie-Catherine Cadière and the Jesuit Jean-Baptiste Girard in 1730-1731. paper etching sexual abuses of monks. witch, sorcerer with the devil and/or demons

. Plaster grave of Engelbert II and his wife in the Grote Kerk in Breda. Above and under different coats of arms. There are arms equipment on the cover plate.

Woman with a spider skirts and two children; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 67.

Young man with mantle, Frederick Bloemaert, after Abraham Bloemaert, after 1635 - 1669 print Standing man, front view, who holds his cloak by hand. Utrecht paper engraving adult man

The Good Samaritan, draughtsman: anonymous, Netherlands, 1600 - 1699, paper, pen, h 68 mm × w 90 mm

Umbria Perugia Terni Palazzo Posta e Telegrafo8. Hutzel, Max 1960-1990 Post-medieval: Frescos (19th/20th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cupid in Psyche's Arms 1530-1540 Italy. Engraving in warm brown ink on cream laid paper . Master of the Die

The adoration of the shepherds. Lithograph by F. Hanfstaengl, 1838, after Antonio Allegri, il Correggio.

A man bursting into a bedroom with a menage a trois, 18th century. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.

Suzanna and the elders, Jan Gillisz. van Vliet, after Jan Lievens, 1632 - 1636 print paper etching / engraving Susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants

Man Sleeping On A Window-Sill, Esaias Boursss, 1662 A man is sleeping on a wide windowsill (or niche in a wall). It is lying with raised knees on his left side and wears a hip cloth raised above the knees (Veshti, Lungi), one of which hangs over the edge; His torso is uncovered. Below him is a canvas - probably his wrap (Chadar) that was rolled up at the end as support for his head. Given his clothing, the man can come from South India, and worked in Colombo. Page 73 from a sketchbook with 117 sheets. Sri Lanka paper. ink brush Asiatic races and peoples: Indians. head-gear (with NAME) Sri Lanka. Colombo

A 1752 copper engraving and etching by Pierre François Basan showing Lucretia and Sextus Tarquinius, a scene from Roman history.

The Lamentation of Christ. Artist: Franz Anton Erich Moritz Steinla (German, 1791-1858); After Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). Dimensions: Plate: 14 9/16 × 17 1/16 in. (37 × 43.3 cm). Publisher: Luigi Bardi (Italian). Date: 1841. Museum: Metropolitan Museum of Art, New York, USA.

Print of Willem van Oranje on his purge bed, 1584. Print of Willem van Oranje lying on his purge bed, July 10, 1584. A sweetheart of his side, the dog at his feet.

Bliżej Kultury unknown

Francisco de Goya (Spanish, 1746-1828). El sueño de la razon produce monstruos. (The sleep of reason produces monsters.), 1796-1797. From Los Caprichos, no. 43. Etching and aquatint. Plate: 213 mm x 150 mm (8.39 in. x 5.91 in.).

Illustration No. 2 (from 12) to medieval and modern history, posted in: Almanac de Gotha pour l'anneé 1793. Gotha, Chez C. W. Ettinger (copy) Geyser, Christian Gottlieb (1742 1803), Chodowiecki, Daniel Nikolaus (1726 1801)

Angels Mourning over the Dead Christ ca. 1690-1720 Nicolas Pitau French. Angels Mourning over the Dead Christ. Nicolas Pitau (French, Paris before 1670-1724). ca. 1690-1720. Etching. Theodor van Merlen II (Flemish, Antwerp 1609-1672 Antwerp). Prints

Samson and Delilah, attributed to Jan Lievens, c. 1626 - c. 1630

Le Verrou. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Maurice Blot after Jean-Honoré Fragonard.

Praal Graf of Engelbrecht II of Nassau and his wife Cimburga van Baden; Grafstede van Engelbregt den 11. Grave of Nassau, Lord of Breda, and from Limburg Markgravin van Baden, Zyne Gemalinne. Praal grave of Engelbrecht II of Nassau and his wife Cimburga van Baden in Prinsenkapel of the Grote Kerk in Breda. At the top right: p.81b.

Cover of Engelbert II of Nassau and his wife, Jan Caspar Philips, 1736 - 1775 print Cover of Engelbert II and his wife in the Grote Kerk in Breda. Up and below different coats of arms. There are armor equipment on the cover plate. Amsterdam paper etching / engraving grave, tomb. armorial bearing, heraldry Big church

S. Eugène, évêque et martyr (St. Eugene, Bishop and Martyr), November 15th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year) Jacques Callot French Publisher Israël Henriet French 1636 This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series. View more. S. Eugène, évêque et martyr (St. Eugene, Bishop and Martyr), November 15th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Cupid and Psyche. Pierre Lelu; French, 1741-1810. Date: 1793. Dimensions: 185 × 407 mm (plate); 189 × 503 mm (sheet). Etching, with black chalk, graphite, and estompe on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jean Baptiste Oudry, On trouve le corps mort de l'hote que l'on avait cache, 1727 On trouve le corps mort de l'hote que l'on avait cache

Drunkenness. Charles Rambert (French, c. 1836-1867, died before 1899); printed by Kaeppelin. Date: 1851. Dimensions: 409 × 266 mm (image); 431 × 290 mm (primary support); 526 × 393 mm (secondary support). Lithograph, possibly from a zinc plate, or zincograph, in black crayon, pen and ink, scraping and tusche on cream wove paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Rambert.

. Psyche spends the god amor in his sleep. She has an oil lamp in her hands. The print has a Latin caption.

The dance of death: a mother and child. Etching by R. Dagley, 182-.

St.Mark. Engraver: Giulio di Antonio Bonasone, Italian, ca. 1510-after 1576 After: Pietro Buonaccorsi, called Perino del Vaga, Italian, 1501-1547

The suicide of Pyramus and Thisbe. Thisbe and Pyramus lie dead in front of the tomb of Ninus, having stabbed themselves with the sword next to them. Thisbe was a Babylonian virgin who was loved by Piramus. They lived in neighboring houses, and since their parents didn't want them to get married, they talked to each other through a hole in the garden wall. Once they arranged to meet at the tomb of King Ninus, and Thisbe, who was the first to arrive there, heard the roar of a lion and ran away in fright, dropping her robe. The lion seized the robe and tore it. When Piramus arrived and saw the robe, he concluded that a lion had killed Thisbe and killed himself. Thisbe returned to the tomb, saw Piramus dead and killed himself too, Historical, digitally restored reproduction from a 19th century original .

Tomb of Nicolaes Nomius. Graftombe of Nicolaes Nomius, with an image of the lacquered on the tomb. There is a crucifix and a skull at his feet. His name and titles on the Tomb.

Cimon and Pero (Caritas Romana). Pero gives her father, who is fascinated in prison, the chest. Cimon sits on the ground in the straw a canvas around his agent. On the right a tried window. Under the show the weapon shield of and an assignment in Latin to Bishop Karel van den Bosch.

Susanna and the elders. Susanna is robbed by two elders during her bath. She is sitting at a fountain while one of the men touches her shoulder and grabs the other her dress and makes a gesture to silence her.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXX. Meucio lies in bed and watches the apparition of his dead friend Tingusso., print, book illustration, prints, height 72 mm, width 80 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Antwerp, Rijckaert, David (III), Weert, Jean de, Zeven gezond, verso lower left - stamped, A sleeping young man sits against a pillow and supports his head with his hand. Below the image is a four-line poem in Dutch., print, prent, prints, prenten, height 190 mm, width 140 mm, Zuid-Nederlands, 1625-04-01, print maker, printmaker, 1636 - 1700, paper, engraving, engraving (printing process), Dutch, 1612 - 1661-11-11

Touching C. Allard. "Tutching". Etching.

The bodies of Johan and Cornelis de Witt after their murder. Johan de Witt aka Jan de Witt, 1625 - 1672 and his brother Cornelis de Witt, 1623 - 1672. Both were Dutch politicians, Johan being the Gr

Half-title page with etching after drawing of Saint Joseph, plate 2, from Raccolta di alcuni disegni del Barberi sic da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino). Etcher: Giovanni Battista Piranesi, Italian, 1720-1778 After: Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666

Lot and his daughters. .

Three putti with a tray with three jars, Stefano della Bella, 1620 - 1664 print Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. salver

Hercules kills the dragon Ladon, 1696 Ladon monitors the garden of the Hesperides. Hercules beats him with his club. Page 76 Recto from a sketchbook with 91 sheets. paper. pencil. watercolor (paint) brush Hercules kills Ladon, the dragon which kept the tree of the Hesperides

Aesacus and Hesperia; Aesacus Eperies Mortem Dolens Ex Scopulo Se Praecipitans Abit in Mergum; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.Hesperia is bitten by a snake. Aesacus runs in a panic towards Hesperia. In the background, aesacus throws out of despair of a rock. Title in Latin in undermarge.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), Egoist (title given by the author), 1906. Black Pierre and Blue Watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Brunhilda (545/550 613) daughter of the Viziegocki king Atanagild, wife of the Frankish king of Austraria, Sigebert I Brunhilde CORL, Adolf (1840 1894), Casel, F.

Rape of Lucretia, Agostino Veneziano, After Rafaël, 1523 print Lucretia, naked in her bed, tries to ward off the attacking Sextus Tarquinius with sword. In the back a man enters the room. On the right in the foreground two mating dogs. paper. ink engraving / pen the rape of Lucretia: Sextus Tarquin threatens her with a dagger or a sword

Plate Five from Misery Made 1851 France. Lithograph in black on cream China paper, laid down on ivory wove paper (chine collÈ) . Charles Rambert

PAMELA OEVIGURE NEE-ORED�S Prove prevast, Vines.IRE and Peaches, Volume I Anglais, Voine Deaches Osni fins with uneron, arms or. Uculstration of Printing Deview (aqued Anthony Fran�ois, Distrus Balvost) and Marillier. Museums of the city of the city of Paris, Petit Palais.

Shakspeare. Julius Caesar, act IV, scene III : Brutus' tent, in the camp near Sardis : Brutus & the ghost of Caesar , Ghosts, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Julius Caesar. Thomas Pennant Barton Collection

Print made by John Smith, 1652-1743, British, Woman Undressing, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Slapende Venus, anonymous, after Giorgione, after 1510 print The naked Venus is sleeping in the foreground. A landscape in the background. Italy paper etching bed. Venus asleep

Blendinger, Johann Heinrich Stecher: Kohl, Andreas

Jan Kochanowski (1530 SYCYNA 1584 Lublin) Pet of the Renaissance Era, Translator, Prepass of the Poznań Cathedral Chapter in 1564 1574, Court Poet Stefan Batory in 1579, Royal Secretary and Sandomierz Army in 1579 1584 Jan Kochanowski with His Wife on the Corpse Ursula Styfi, Jan (1841 1921)

Marcantonio Raimondi possibly after Raphael, Raphael's Dream, c 1508 1509 Raphael's Dream

Bliżej Kultury unknown, Villemur

of 2