Mythological Scenes and Nymphs

Artworks depicting mythological themes with naiads and classical figures, featuring intricate landscapes and ornamental elements, often in a romanticized style.

Italy, Carracci, Agostino, Bologna, Brizio, Francesco, Mary suckling the Christ child in a landscape, recto lower right - handwritten in brown ink, Mary is seated under a tree in a landscape. She is suckling the Christ child who is standing between her legs., print, engraving, prints, verso - stamped, N 61, height 311 mm, width 221 mm, Italian, 1574 - 1623, print maker, printmaker, 1595 - 1595, paper, papier, engraving (printing process), Work conception, 1557 - 1602-03-22

Fountain with Naiade, Jean Baptiste Marie Pierre, c. 1740 print paper etching Naiads, river- and spring-nymphs; usually carrying an urn; 'Naiadi, ninfe de' fiumi' (Ripa). auricular ornament, lobe style ~ ornament. garden fountain

Pastorale 18th century Gabriel Huquier French. Pastorale 413450

Juno near Venus in her chariot with Cupido, Mattheus Terwest, 1600 - 1604 drawing paper. ink. graphite (mineral) pen / brush (story of) Juno (Hera). (story of) Cupid, Amor (Eros). triumph of Venus; 'Carro di Venere' (Ripa). chariot, triumphal car

Hercules en Jole, Samuel Bottschild, 1693 print paper etching Hercules wooing Iole. ornamental birds: parrot. spinning-wheel. dog. cupids: 'amores', 'amoretti', 'putti'

Man and young woman in sleeping naked man for forest edge, Marcantonio Raimondi, after Francesco di Francia, 1510 - 1527 print paper engraving sleeping; unconsciousness

The Annunciation to Saint Joseph 1725-75 Carlo Innocenzo Carloni. The Annunciation to Saint Joseph. Carlo Innocenzo Carloni (Italian, Scaria 1686-1775 Scaria). 1725-75. Etching; second state of two. Johann Daniel Herz the Elder (German, Augsburg 1693-1754 Augsburg). Prints

St. Jerome tempted by theDevil. Artist: Stefano Magiore, Spanish, active 17th or 18th century After: Domenichino (Domenico Zampieri), Italian, 1581-1641

Mercury plays flute for Argus, 1728 Under the shadow of a few trees, Mercury plays in the form of a shepherd on his flute for Argus. He tries to make his hundred eyes fall asleep. The Caduceus, a magic wand surrounded by snakes, betrays who he really is. Argus monitors the cow io on behalf of Juno. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Under the shadow of a few trees, Mercury plays in the form of a shepherd on his flute for Argus. He tries to make his hundred eyes fall asleep. The Caduceus, a magic wand surrounded by snakes, betrays who he really is. Argus monitors the cow io on behalf of Juno. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving

. A Sater and a woman's figure in a landscape cover the eyes against light from the rising sun. The Sater leans leaning against a stone with a Haut relief on it. Copy to the print of hold brooks from part 2 of a series of prints with symbols.

Italy, Carracci, Agostino, Bologna, Brizio, Francesco, Mary suckling the Christ child in a landscape, recto lower right - handwritten in brown ink, Mary is seated under a tree in a landscape. She is suckling the Christ child who is standing between her legs., print, engraving, prints, verso - stamped, N 61, height 311 mm, width 221 mm, Italian, 1574 - 1623, print maker, printmaker, 1595 - 1595, paper, papier, engraving (printing process), Work conception, 1557 - 1602-03-22

Scherzi di Fantasia: Satyr Family with the Obelisk, 1750-60. Giovanni Battista Tiepolo (Italian, 1696-1770). Etching;

Copper engraving by an unknown artist titled 'The Calm on the Run', depicting a landscape scene with figures in motion, animals, and natural elements, created around 1589.

Jeune fille sacrifiant sur l “autel de lamitie” (A Young Girl Sacrificing on the “Altar of Friendship”). Artist: Ange-Laurent de La Live de Jully, French, 1725-1779 After: François Boucher, French, 1703-1770

Charles Nicolas Cochin II, Gaiety and Grief, 1774 1775 Gaiety and Grief

The Prodigal Son Kneeling Repentant among Swine. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: 15-1/4 x 10-15/16 in. (38.7 x 27.8 cm). Date: 1615-73.Painter, draftsman, etcher, poet, actor, wit, satirist, and social-climber, Salvator Rosa was without doubt one of the most colorful and temperamental personalities of the seventeenth-century art world. Landscape-rugged and wild rather than pastoral or arcadian-always had a central place in his oeuvre. Unlike Dughet, Claude, and other contemporaries, however, Rosa was inspired not by the seductive, mute shadows of the ancient world that lingered in the ruins strewn across the Roman countryside, but rather by the natural landscape's more tempestuous aspect-what he described in a letter of 1662 as its "terrific beauty" and "savage wildness." It is no wonder that Rosa's sensibility has always been considered proto-Romantic. This drawing is a study for a painting by Rosa, Prodigal Son Herding Swine, executed i

Drawing, The Adoration of the Shepherds; Antonio de' Dominici (Italian, ca. 1730-after 1800); Italy; red chalk on cream laid paper; 26.8 x 19.2 cm (10 9/16 x 7 9/16 in.)

Rest on the flight to Egypt, Michel Dorigny, after Simon Vouet, 1649 print France paper engraving / etching rest on the flight into Egypt

Giovanni Benedetto Castiglione, Pan and Olympus, c 1645 1647 Pan and Olympus

Title print from Flora germanica by G.F. Hoffmann Chodowiecki, Daniel Nikolaus (1726 1801)

Italy, Procaccini, Camillo, Rest on the Flight into Egypt, verso - stamped, The Holy Family rests in a landscape during the Flight into Egypt. Mary suckles the Christ Child and the donkey drinks water., print, prent, prints, height 175 mm, width 256 mm, Italian, 1555 - 1629, print maker, printmaker, 1556 - 1629, paper, papier, etching, etchings, Work conception, after own design by

Woman with three children, Moyses van Wtenbrouck, 1645 - 1660 print A woman sitting on a rock holds her bare breasts. A child stretches his arms to her. Two other children are playing on a rock -covered rock on which lies a vase. print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving mother and child(ren), woman and child(ren) (family group)

Amor with the Noorderster with a woman, Jan van Vianen, 1686 print Amor has a planetarium with an excellent star in his hand and stands aside of an elegant dressed lady, sitting under a tree. As the Noorderster always indicates the north, a lover will always look up the eyes of his loved one. Thirty -ninth Emblem from Emblemata Amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). orrery, planetarium (+ variant)

Marriage of Bacchus and Ariadne, Magdalena van de Passe (Possible), c. 1636 - 1670 print The crowned Ariadne is sitting next to Bacchus, while a saat fills her drinking bowl. Another Sater kneels. At the front are the leopards that normally attract Bacchus' car. paper engraving wedding of Bacchus and Ariadne

A Mother with two Children, from the Scherzi ca. 1740 Giovanni Battista Tiepolo Italian. A Mother with two Children, from the Scherzi 399447

Satyr and Silenos, from Sculpturae VeterisAdmirata. Artist: Joachim von Sandrart, German, 1606-1688

Shepherd boy with a goat playing. Shepherd boy, on flat stone or zerk sitting with a goat playing; Two sheep behind him.

Jupiter fed by the goat Amalthea, Schelte Adamsz. Bolswert, after Jacques Jordaens, 1596 - 1659 print The goat Amalthea is milked by a nymph for the little Jupiter. He sits on the right as a naked child on the floor with a bottle in his hand. On the left is a smiling sater with tambourine. Under the show is a verse in Latin. paper engraving Amalthea, the nymph, usually in the shape of a goat, suckles the new-born Jupiter. tambourine. satyr(s) (in general)

Vignette from the Galerie des Glaces, Versailles early 18th century Bernard Picart Bernard Picart was a successful engraver active in France and the Netherlands. This drawing belongs to a group of studies he made after works by Charles Le Brun, the leading painter and coordinator of royal projects under Louis XIV. Rather than transcribe an entire composition, he used each sheet to study a vignette of a few figures.. Vignette from the Galerie des Glaces, Versailles. Bernard Picart (French, Paris 1673-1733 Amsterdam). early 18th century. Pen and brown ink, brush and gray wash. Drawings

The Penitent St. Mary Magdalen. Artist: Charles Parrocel (French, Paris 1688-1752 Paris). Dimensions: 19 5/16 x 13 1/16 in. (49.1 x 33.2 cm). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

The Rest on the Return from Egypt 1575 Cornelis Cort Netherlandish. The Rest on the Return from Egypt. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1575. Engraving. Lorenzo Vaccari (Italian, active Rome, ca. 1575-1608). Prints

Music in the open air, Valentin Lefèbvre, After Titian, 1682 print A young man plays a bass gamba in a landscape. A woman, seen on the back, sits next to him with a flute in her hand. The print is part of a 53-part series of prints to paintings by Titian and Veronese. paper etching small group of musicians, chamber orchestra, jazz band - CC - 'concert champíªtre'. sheep. mountains

Sculpture consisting of three figures ..

Fortune flying above the globe, partly naked, emptying a purse in her raised right hand and holding a staff in her left, a winged putto pulling her forelock, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Girolamo Scarsello (Italian, Bologna 1624-1678). Dimensions: Sheet (Trimmed): 9 3/8 × 7 5/8 in. (23.8 × 19.4 cm). Date: ca. 1660-80.After a painting by Reni. Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Saint Jerome. Domenico Piola (Italian, 1627-1703); or Jan Steen (Dutch, 1626-1679). Date: 1646-1703. Dimensions: 200 x 133 mm. Pen and brown ink, with brush and brown wash, over black chalk on ivory laid paper, laid down on cream wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Plate from, Nella Venuta 1764 France. Etching in black on ivory laid paper . Franz Edmund Weirotter

Lot and his daughters, Philips Galle, After Anthonie Blocklandt, 1557 - 1570 print Lot sits on the ground for a cave. He is embraced by one of his daughters. The other daughter pours him wine. On the left a table on which a bowl of fruits. In the background the fire of the cities of Sodom and Gomorra. Haarlem paper engraving Lot's daughters make their father drunk

Four amors with a goat grapes picking, nicolas chaperon (rejected attribution), after nicolas chaperon, 1622 - 1652 print print maker: Franceprint maker: Franceafter painting by: Francepublisher: ParisFrance paper etching / engraving goat. cupids: 'amores', 'amoretti', 'putti'. bunch of grapes

A child and a satyr child playing with a goat. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed to plate): 8 11/16 × 9 3/8 in. (22.1 × 23.8 cm). Date: ca. 1657. Museum: Metropolitan Museum of Art, New York, USA.

The satyr family, Monogrammist AS (16th century), after Albrecht Dürer, 1587, In a forest, a satyr plays his flute for a nymph and her baby., draughtsman: Monogrammist AS (16e eeuw), Albrecht Dürer, 1587, paper, pen, h 251 mm × w 164 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Venus and Adonis. Fifteenth number of a suite of 52 pieces. (A. de Vesme 525; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Idyll at a fountain, Jan de Bisschop, After Titian, 1667 drawing Idyll of a shepherd dressed in animal skin with a girl near a large stone fountain between trees. Design for a print. paper. ink pen / brush pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. ornamental fountain. utilitarian, public pump or water fountain

Woman kneeling in front of Magicians and other Figures, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 9 x 6 11/16 in. (22.9 x 17 cm)Sheet: 9 3/8 x 7 in. (23.8 x 17.8 cm). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA.

Les deux Confidentes (The two Confidants) 18th century Jean Ouvrier French. Les deux Confidentes (The two Confidants) 414300

Moses Saved from the Nile, 1650-57. Bartolomeo Biscaino (Italian, 1632-1657). Etching;

La Fargue drawing of a fortune teller reading a girl's hand, executed in gray pen with brown and gray wash.

Telemachus and Mentor arrive on the island of Calypso, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Mentor lifts Telemachus on the island where they are received by a nymph. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. I. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving Telemachus and Calypso. ornament ~ festoon, garland

Dronken Silenus, Annibale Carracci, 1597 - 1600 print The drunk Silenus is on the floor. Two saters feed him drunk. The show is caught in a round list of grape vines with two putti with grape bunches in between. Italy paper engraving (story of) Silenus. satyr(s) (in general). drunkenness. cupids: 'amores', 'amoretti', 'putti'. grape

Christ and the Woman of Samaria at theWell. Artist: Franz Karl Palko, Silesian, 1724-1767

The Virgin with the Blessing Child in a Landscape. Altdorfer, Albrecht (ca 1480-1538), graphic artist

Vignet with two putti. A putto is sitting on a stone winch and is raised by a second putto with a trumpet. On the ground lies the symbol of eternity, a snake that bites itself into its own tail.

Scenes of the Prophet Ahijah: Ahijah and Jeroboam, 1604. Jan Saenredam (Dutch, 1565-1607), Jan Saenredam (Dutch, 1565-1607), after Abraham Bloemaert (Dutch, 1564-1651). Engraving; sheet: 25.5 x 19.5 cm (10 1/16 x 7 11/16 in.).

Summer (L'Été) ca. 1735 Charles Joseph Natoire French. Summer (L'Été) 371621

Goltzius, Hendrick, Muller, Jan Harmensz., The Creation of the World: Creation of Man, print, prints, height mm, width mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1581 - 1628, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), rest in the flight to Egypt. (A. de Vesme 16; Dutuit 155) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with the story of the Merciful Samaritan: The Samaritan helps the victim on his horse, Jaspar de Isaac (attributed to), 1564 - 1654 print paper etching a Samaritan tending the wounds of the traveller

Italy, Farinati, Paolo, Love (Caritas), verso - stamped, A woman (Caritas) with three small children in a landscape., print, prints, height 225 mm, width 231 mm, Italian, 1524 - 1606, print maker, printmaker, 1534 - 1606, paper, papier, etching, etchings

Venus gives Aeneas his armor, Pietro Testa, c. 1640 print Venus gives Aeneas the armor that Vulcanus has made for him. A harness hangs on the left in a tree and a shield, helmet and sword are presented to Aeneas by putti. On the right a river god. Italy paper etching Venus hands over the armour to Aeneas. cupids: 'amores', 'amoretti', 'putti'. river personified, 'Fiumi' (Ripa)

Virgin and Child with St. John, 1500s. Antonio da Trento (Italian, c. 1508-c. 1550), after Parmigianino (Italian, 1503-1540). Chiaroscuro woodcut;

Italy, Bella, Stefano della, Flight into Egypt, verso - stamped, Mary sits with the Christ child on a donkey. Joseph fills a jug with water at a spring., print, prints, height 255 mm, width 194 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Expression creation

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), rest in the flight to Egypt. (A. de Vesme 17; Dutuit 156) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Three Cupids Holding a Helmet Louis Félix de La Rue French. Three Cupids Holding a Helmet 394761

Italy, Mary with Child, verso - handwritten in brown ink, Mary sits against a tree and feeds the Christ Child. On the right a stable., print, prints, verso - stamped, 6.2. - 11, height 148 mm, width 238 mm, print maker, printmaker, 1550 - 1649, paper, papier, etching

Etching by Pier Francesco Mola created between 1647 and 1666 depicting the Holy Family resting during the flight to Egypt, showing religious figures in a biblical narrative.

Knight embraces a woman while others watch. .

Fight of triton; Dietrich, Christian Wilhelm Ernst (1712-1774); 1763 (1750-00-00-1764-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, German graphics, mythological scenes, genre scenes, tritons (mitol.), Fight (genre scenes)

Holy Family with Saint Elizabeth and Saint John the Baptist, copy in reverse after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 5 1/16 × 7 5/16 in. (12.8 × 18.5 cm). Date: ca.1639 or after. Museum: Metropolitan Museum of Art, New York, USA.

Abraham drives Hagar and Ismaël, Jan Lievens, 1625 - 1674 print paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Althaea Putting the Fatal Log on the Fire, 1712. Bernard Picart (French, 1673-1733). Red chalk on beige laid paper, incised for transfer; sheet: 29.4 x 27.5 cm (11 9/16 x 10 13/16 in.).

Telemachus and Mentor arrive on the island of Calypso, C. Crignion, 1774 print London paper etching Telemachus starts out with Mentor, in search of his father. Telemachus and Calypso

Woman surrounded with goods by Anonymous artist, print, Private Collection, 26x18, 5

Diana, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Diana, from 'Game of Mythology' (Jeu de la Mythologie) 376864

The Madonna and Child. Dated: c. 1655. Dimensions: plate (cut within platemark at top): 43.4 x 31.1 cm (17 1/16 x 12 1/4 in.) sheet: 43.6 x 31500 cm (17 3/16 x 12401 9/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Venus and Cupid on a Cloud 1730-67 Johann Justin Preissler. Venus and Cupid on a Cloud. Johann Justin Preissler (German, 1698-1771). 1730-67. Engraving. Georg Martin Preissler (German, Nuremberg 1700-1754 Nuremberg). Prints

Bacchus; Quam Male Dive Tuos, Effundis Bacche Racemos. Abstinous Tam Charam Nil Facit Illa Manum. Bacchus, crowned with wingerd leaves and grapes, stands in a landscape with a thyrsus and a bunch of grapes in his hands. He squeezes the grape tray and let the juice catch in a dish that is held by a ma. The child who is at the Maainade tries to catch some of the grape juice. On the right in the background, Maenaden play the flute.

Bacchanales: The Satyr's Dance , 1763. Jean-Honoré Fragonard (French, 1732-1806). Etching; sheet: 14.8 x 21.3 cm (5 13/16 x 8 3/8 in.); image: 13.6 x 20.3 cm (5 3/8 x 8 in.).

Old man and child under a tree along a path, 1829 - 1894 A church in the background. Drawing in a frame. Page 29 Verso from a sketchbook with 35 sheets. paper. chalk sitting figure (+ old male (human being)). child. fence, wall, paling

Two women with a Sater, Pierre Denis Plumier, 1700 - 1721 print On the floor is a satap with his face down. Two women are half over him, each with a arm raised in the air. There is a child with one of the women. There is a shepherd's staff in the foreground. paper etching Satyrs, Fauns, Sileni

Diana an endymion, 1656 print The goddess Diana embraces the eternally sleeping young man Endymion. A dog sleeps in the foreground. Two putti in the background. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Diana (Luna) visiting the sleeping Endymion

Entombment 1792 Austria. Black chalk on ivory laid paper, tipped onto ivory laid paper . Michael Kock

Drawing, Bacchanalian Scene; Johann Sebastian Bach (German, 1685 - 1750); Germany; pen and grey ink, brush and grey, green, and pink watercolor washes on off-white laid paper, with watermark of fleur-de-lis in a shield surmounted by a crown. (probably dutch paper similar to briquet no. 7165.); Overall: 42.2 x 34.9 cm (16 5/8 x 13 3/4 in.)

Bathsheba at the Bath 1750 Antoine Pesne French. Bathsheba at the Bath 386916

Bacchus, Ceres in Pomona. .

Saint Jerome. Guido Reni; Italian, 1575-1642. Date: 1630-1635. Dimensions: 216 x 139 mm (plate); 227 x 150 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The Madonna with SS. Catherine, Rose from Lima, and Agnes from Montepulciano. Jean Honoré Fragonard (French, 1732-1806); after Giovanni Battista Tiepolo (Italian, 1696-1770). Date: 1763-1764. Dimensions: 217 × 135 mm (image/sheet); cut within platemark. Etching on buff laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Seated woman and Bearded Man in a Landscape 1740-1802 Attributed to Giuseppe Canale Italian. Seated woman and Bearded Man in a Landscape 400515

Smell; The five senses. A half-naked lady is in a garden and smells of a rose. Next to her is a dog. Print from a series of five allegorical representations of the senses.

LAnge annoncant a Joseph de senfuir en Egypte. Artist: Charles-Nicolas Cochin the Elder, French, 1688-1754

Venus and Adonis (). On the left a cupid with bow; Right hunting dogs.

Virgin and Child early 16th century Parmigianino (Girolamo Francesco Maria Mazzola) Italian. Virgin and Child 391578

Study for Mercury and Herse 1644-1654 France. Black chalk, with brush and brown and gray wash, on paper . Laurent de La Hyre

Woman with basket, a putto with rakish tools and two goats. .

A Shepherd and Young Women in a Bower, from "L'Artiste" Various artists/makers 19th century

Five musical women in a landscape.

A black chalk and brown ink drawing by Abraham van Diepenbeeck showing the victim of Abraham on polygonally cut paper, with traces of white, graphite inner edge, and stains at the sloping edges.

Jean Honoré Fragonard after Annibale Carracci, The Two Prophets, 1764 The Two Prophets

Vertumnus tries to seduce Pomona, Moyses van Wtenbrouck, 1645 - 1660 print Vertumnus, in the form of an old woman, holds the chin of the naked Pomona. She holds pruning in her hand. Scene from Ovidius metamorphoses (with. XIV, 654-669). print maker: The Haguepublisher: Antwerp (possibly) paper etching / engraving Vertumnus and Pomona

Mother with Two Children 18th century Jurriaan Cootwijk Dutch. Mother with Two Children 414173

Abraham Ofort Isak. .

Juda and Thamar. Pieter Lastman; Dutch, 1583-1633. Date: 1603-1633. Dimensions: 215 x 178 mm (image); 218 x 179 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

The young couple and death Harmensz van Rijn Rembrandt (1606-1669). The young couple and death (B 109 - Single State, 1st event), 1639.

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