Mythological Scenes with Venus

Intricate prints featuring mythological themes, depicting Venus with Cupid and Adam and Eve in lush landscapes, showcasing classical art style and emotional expressions.

Italy, Polidoro da Caravaggio, Rome, Alberti, Cherubino, Adam and Eve after the Expulsion from Paradise, verso - stamped, Adam is working in the garden. Eve sits on a stone with two small naked boys (Cain and Abel) next to her., print, prent, prints, engravings, height 208 mm, width 166 mm, 1553 - 1615, print maker, printmaker, 1563 - 1615, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543

Venus looks at Amor who makes an arc, Odoardo Fialetti (attributed to), 1617 print Venus and Amor in a landscape. Venus sits in front of a rock wall and looks at Amor who makes his own bow. print maker: VeniceVeniceItaly paper etching Venus and Cupid (Cupid not being mere attribute). Cupid making his bow. attributes of Cupid: bow

Venice, Bembo, Giovanni, Fialetti, Odoardo, Scherzi d'amore, Scenes with Venus and Cupid, Cupid asks Venus for the bow, verso - stamped, Venus and Cupid in a landscape. Venus holds Cupid's bow. Italian verse in bottom margin., print, prints, height 175 mm, width 91 mm, Italian, 1573-07-18 - 1638, print maker, printmaker, 1617 - 1617, paper, papier, etching, etchings, 1543 - 1618, granter of privilege

Amor asks Venus de Boog, Anonymous, After Odoardo Fialetti, in or after 1617 print Venus and Amor in a landscape. Venus holds the bow of Amor. Italian fresh in the lower margin. print maker: Italyprint maker: Veniceafter print by: Venice paper etching Venus and Cupid (Cupid not being mere attribute)

Italy, Polidoro da Caravaggio, Rome, Alberti, Cherubino, Adam and Eve after the Expulsion from Paradise, verso - stamped, Adam is working in the garden. Eve sits on a stone with two small naked boys (Cain and Abel) next to her., print, prent, prints, engravings, height 208 mm, width 166 mm, 1553 - 1615, print maker, printmaker, 1563 - 1615, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543

Sater and a man fight for a woman, Albrecht Altdorfer, after Marcantonio Raimondi, c. 1506 - 1538 print A satar has grabbed a sleeping woman, with his other hand he holds a stick up. Behind him a naked man with a raised stick. Germany paper engraving love-affairs of satyr(s)

Drie schikgodinnen, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print The three branch goddesses in a landscape. The standing Schikgodin Clotho holds the spider skirt, with the rough flax in her other hand. The sitting Lachesis, seen on the back, holds the bobbin and measures the thread. The left hide, the old Atropos, cuts the thread with scissors. paper engraving Fates, spare (Moir)

Fall with female snake, anonymous, after Jan Saenredam, after Hendrick Goltzius, 1597 - 1633 print Eva offers Adam an apple from the tree of knowledge of good and evil. Around a branch of the tree, the snake is wrinkled that has the face of a woman. Around the tree some animals (cat, dog, goat, sheep and parrot). The print has a Latin caption. after design by: Haarlempublisher: Antwerp paper engraving Eve offers the fruit to Adam. cat. dog. ornamental birds: parrot. he-goat, billy-goat. sheep

Copper engraving depicting Saint Sebastian, showing the saint tied to a post and pierced by arrows, created by Meister IB mit dem Vogel in the first third of the 16th century.

A faun sitting on a rock holding a flute in his left hand; a child stands between his knees ca. 1510-27 Marcantonio Raimondi Italian. A faun sitting on a rock holding a flute in his left hand; a child stands between his knees 342632

Venus, Bacchus, and Ceres. Dated: probably 1588. Dimensions: sheet: 29.6 x 21.4 cm (11 5/8 x 8 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.

Copper engraving by Albrecht Altdorfer from around 1520-1525 depicting two satyrs fighting over a nymph, showing figures and dynamic action.

Silenus ondersteund door een Jonge Bacchant, Marcantonio Raimondi, after Rafaël, after Giulio Romano, 1520 - 1525 print Drunk Silenus is supported by a Bacchant. Both hold grape vines. To the right of them are a wine barrel against which a drinking bowl leans. paper engraving Male Bacchant (es). (Story of) Silenus

Aristotle and Phyllis (Campaspe), Hans Baldung Green, 1515 print Aristotle crawls on his hands and feet through his garden with Phyllis (Campaspe) on his back. He wears a Breidel in his mouth and Campaspe urges him to move with a whip. On top of a building, Alexander the Great witnesses this female list. Freiburg paper Aristotle and Phyllis

The fall, Lucas van Leyden, 1529 print Eva hands over the fruit to Adam. In the tree a snake with the face of a man. Low Countries paper engraving Eve offers the fruit to Adam

Venus and the rose. Venus is sitting on a rock in a landscape. She gets a thorn from a rose bush from her foot. In the foreground a rabbit on the right.

. The three arrangement goddesses spin the dial thread and determine the length and end of the wire. Clotho loves the spin skirt in the middle, Lachesis spins the thread and atropos bites the thread with her teeth. At the bottom of the margin two lines in Latin.

Heinrich Aldegrever, Hercules and Atlas, 1550 Hercules and Atlas

Agostino Veneziano's 1516 copper engraving represents Venus and Amor, showing mythological figures rendered with Renaissance engraving methods and precise line work.

Drie schikgodinnen, Jacob Matham (attributed to), after Hendrick Goltzius, 1601 - 1652 print The three branch goddesses in a landscape. The standing Schikgodin Clotho holds the spider skirt, with the rough flax in her other hand. The sitting Lachesis, seen on the back, holds the bobbin and measures the thread. The left hide, the old Atropos, cuts the thread with scissors. Amsterdam paper engraving Fates, spare (Moir)

Dürer, Albrecht, Claesz., Allaert, Netherlands, Monogrammist AC (16th century), Madness, verso lower left - stamped, Rocky landscape with three figures. Half-naked man with hands in hair, woman with bare torso sleeping and man with jug in right hand., print, prent, prints, height 184 mm, width 130 mm, print maker, prentmaker, 1554 - 1554, third quarter 16th century, paper, papier, engraving, engraving (printing process), 1508, Work conception, German, 1471-05-24 - 1528-04-05

Expulsion from Paradise.

Mercury visits HERSE; The loves of the gods; Gods loved ones. Mercury enters the Herme's room, whom he has fallen in love. Hissen is naked in bed. Aglauros, the jealous sister of HERSE, tries to stop Mercury. In the underpermarge Italian fresh in two columns.

Heinrich Aldegrever, Expulsion from Paradise, 1540 Expulsion from Paradise

The Expulsion from Paradise, from The Small Passion 1510 Albrecht Dürer German. The Expulsion from Paradise, from The Small Passion. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). 1510. Woodcut. Prints

Adam and Eve at work. From: The story of Adam and Eve prints, engravings, works on paper

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm). Date: 1508. Museum: Metropolitan Museum of Art, New York, USA.

Venus straft Amor, anonymous, after Odoardo Fialetti, in or after 1617 print Venus and Amor in a landscape. Venus gives Amor a beating. Italian fresh in the lower margin. print maker: Italyprint maker: Veniceafter print by: Venice paper etching Venus and Cupid (Cupid not being mere attribute). Venus punishing Cupid

Apollo and Daphne (reverse copy) n.d. After Barthel Beham German. Apollo and Daphne (reverse copy) 392886

Hercules fights against the river god Achelus, Heinrich Aldgrever, after Anonymous, 1550 print Hercules, standing and struggling with the river god Achelus, behind it the river god lies after it has turned into a sea monster and killed by Hercules. Under the show a two -line text in Latin. Seventh print from a series of thirteen with the works of Hercules. print maker: Germanyafter print by: Venice paper engraving while fighting with Hercules the river-god Achelous changes himself into a serpent

Venus and the rose. Venus is sitting on a rock in a landscape. She gets a thorn from a rose bush from her foot. In the foreground a rabbit on the right.

Pan and Syrinx. Pan chases the Nymph Syrinx. She holds a bundle reed halms in her hands as a symbol for her coming transformation (Ovid, with. 1: 689-713).

Expulsion from Paradise. Beham, Sebald (1500-1550), graphic artist

The Expulsion of Adam and Eve with an angel wielding a sword behind them. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 8 7/16 × 6 1/8 in. (21.5 × 15.5 cm). Publisher: Antonio Caranzano (Italian, active Rome, ca. 1577-ca. 1614). Date: 1591. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Marcantonio Raimondi, first half of the 16th century, depicting a man and woman playing with a ball, showing figure anatomy and spatial composition.

Thisbe finding Pyramus laying on the ground with a knife in his chest 1505 Marcantonio Raimondi Italian. Thisbe finding Pyramus laying on the ground with a knife in his chest 342623

Hercules at the Crossroads. 1498. Dürer, Albrecht, 1471-1528. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Young Hercules in His Cradle dated 1533 Agostino Veneziano (Agostino dei Musi) Italian. The Young Hercules in His Cradle. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1533. Engraving. Prints

Mars, Venus and Cupid 1508 Italy. Marcantonio Raimondiís engraving Mars, Venus, and Cupid was one of his most sought-after works. Mars, the Roman god of war, and Venus, the goddess of love, are depicted with Cupid in front of a background inspired by Albrecht D¸rer. In Roman mythology, the two gods had an affair even though Venus was married to Vulcan, the god of fire. Mars sits with his elbow on his knee as he twists his muscular body to grab Venus by the shoulder. Venus looks down and away, toward Cupid, who pushes a flaming torch, a symbol of passionate love, at her.. Engraving in black on cream laid paper . Marcantonio Raimondi

Teutsche Academie der Bau-Bildhauer-und Maler-Kunst 1675 Joachim von Sandrart German. Teutsche Academie der Bau-Bildhauer-und Maler-Kunst 399639

Venus and Mars. Mars adultery and Venus. Venus is undressed by her nymphs and Mars is stripped of his armor by putti.

Andromeda, in Greek mythology the daughter of the Ethiopian king Cepheus and Cassiopeia, c. 1700, Historical, digitally restored reproduction from a old original.

Mucius Scaevola 1530 Heinrich Aldegrever German. Mucius Scaevola 428387

The Three Fates. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562-1638 Haarlem). Dimensions: 30.0 x 25.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1589. Museum: Metropolitan Museum of Art, New York, USA.

Venus and Vulcan at the Forge ca. 1555 Giorgio Ghisi Italian. Venus and Vulcan at the Forge 367527

Priapus, Arnold Houbraken, 1688 - 1700.

Justice and caution, Cornelis Massijs, 1538 print The naked justice sitting on a debris of a column, blindfolded and with a sword and a scales in her hands. Next to her the caution on the back, with a mirror in one hand and a snake in the other hand. In the background classical architecture and a city. Antwerp paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. ruin of a building ~ architecture

Italy, Parmigianino, Tommaso da Bologna, Bonasone, Giulio, Amor and three putti, Amor, with an arrow in his right hand, is held up by three winged putti. In the foreground are a bow and a quiver. In the background is a landscape with Apollo and Daphne., print, prent, prints, prenten, height 315 mm, width 215 mm, Italian, 1510 - 1576, print maker, prentmaker, 1501 - 1580, paper, papier, etching, etchings, Work conception, after a design by, 1503-01-11 - 1540-08-24

Copper engraving from 1517-1520 depicting Pax, showing the allegorical figure of peace with symbolic elements like doves and olive branches.

Artist: Domenico Beccafumi, Italian, Siena, 1486-1551, Two Nude Men in aLandscape, ca.1520-25, Engraving, platemark: 26.7 × 17 cm (10 1/2 × 6 11/16in.), Italian, 16thcentury, Works on Paper -Prints

The Dream of the Doctor ca. 1498 Albrecht Dürer German. The Dream of the Doctor 336221

Marcantonio Raimondi, Serpent Speaking to a Young Man Serpent Speaking to a Young Man

Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her ca. 1515-27 Marco Dente Italian. Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her 342500

Labor and Vlijt (Labor / Diligentia); The reward of labor, trial, exercise and art. Naked woman is sitting on shot at a naked man and kisses him. All kinds of tools in the foreground (kick, anvil etc). Print from a series of four. Under each print from this series of two lines of Latin and two lines of Dutch.

The works of Hercules: Hercules killing cacus Heinrich Aldegrever (said Trippenmeker, 1502-V1558). The works of Hercules: Hercules killing cacus, B 85, Burin, 1550.

Italy, Ghisi, Giorgio, Perino del Vaga, Neptune and Thetis with sea gods and sea horses, Thetis with two tritons, verso - stamped, The sea nymph Thetis with a trident and two tritons., print, prints, height 220 mm, width 154 mm, Work conception, Italian, 1501 - 1547-10-19, after a design by, 1511 - 1611, paper, engraving, engraving (printing process), print maker, printmaker, 1520 - 1582-12-15

Fortuna offers the cornucopia to Hercules. Lady Fortuna kneels in a mountainous environment with the cornucopia in the hands for Hercules, which leans on his club.

Arion and Nereid. Altdorfer, Albrecht (ca 1480-1538), graphic artist

Venus and Cupid 1506 Lucas Cranach the Elder German Still an even later impression than Hollstein VI.81.105c. The drapery has been drawn on with pen and black ink.. Venus and Cupid 625298

Two Fauns Carrying a Child. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Eurydice comes out of the underworld, monogrammist PS (Germany), After Jacques Prevost, after Marcantonio Raimondi, 1530 - 1580 print Naked Eurydice emerges from a rocksponk. paper engraving Orpheus and Eurydice

Fall of Man 1530 Lucas van Leyden Netherlandish. Fall of Man 364661

Susannah Surprised by the Elders. 1557 - 1600. Carracci, Agostino, 1557-1602. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venus, Amor and Sater. Venus is located in a landscape. Amor is kneeling next to her. On the right is a sater behind a tree and venus and amor.

Leda with the Swan and Hercules as a Child, from The Labors of Hercules. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 3/16 × 2 5/8 in. (10.6 × 6.7 cm). Date: 1550. Museum: Metropolitan Museum of Art, New York, USA.

Mars and Venus surprised by Vulcanus, Jan van de Velde (II), after Willem Pietersz Buytewech, 1621 print Mars and Venus as loved ones on a bed. Left vulcanus with a net. Rotterdam paper etching / letterpress printing Mars and Venus surprised by Vulcan; he catches them in a net

Vatican City, Alexander VII, Rome, Collignon, François, Italy, Carracci, Annibale, Cesio, Carlo, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, Venus and Anchises, Venus and Anchises are sitting on a bed. Anchises takes off the sandal of Venus. In the foreground Cupid leans on the leg of Venus., print, prints, height 228 mm, width 214 mm, Italian, 1622 - 1682, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Work conception, 1560-11-03 - 1609-07-15, after a design by, Publication (Event), Publication, French, 1610 - 1687, publisher, uitgever, 1599-02-13 - 1667-05-22, granter of privilege

Saturn, from "The Seven Planets" 1533 Heinrich Aldegrever German. Saturn, from "The Seven Planets". The Seven Planets. Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). 1533. Engraving. Prints

Venus and Vulcan at the Forge. Giorgio Ghisi (Italy, Mantua, 1520-1582). Italy, mid-1550s. Prints; engravings. Engraving

Portrait of the John Churchill, Duke of Marlborough, Jacob Houbraken, 1708 - 1780 print Bust of John Churchill, Duke of Marlborough in an oval medallion that is flanked by two allegorical figures. In the foreground attributes of a battle, such as banners, drums and a cannon. In the background horsemen with banners on a battlefield. Amsterdam paper engraving / etching

Kastanjeverkoopster; The brown merchant.

Depicts mourning decoration paintings for Grand Duke Cosimo II of Tuscany in SS. Giovanni e Paolo, Venice, engraved on copper in 1621, showing interior arrangements and ceremonial art.

A 1510 woodcut by Albrecht Dürer showing the expulsion from Paradise, featuring Adam and Eve, angel, and landscape on a sheet cut to plate edge.

Expulsion from Paradise, from the Small Passion, copy n.d. After Albrecht Dürer German. Expulsion from Paradise, from the Small Passion, copy 396636

The Three Fates: Lachesis, Atropos and Klotho. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 8 9/16 × 6 13/16 in. (21.8 × 17.3 cm). Date: 1513. Museum: Metropolitan Museum of Art, New York, USA.

Simon and His Daughter (Cimon and Pero). Dated: 1544. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

A 16th-century copper engraving by Melchior Lorch depicting the god Apollo, illustrating classical mythology.

The metamorphosis of Amymone who lies at center leaning on her arm, surrounded by Apollo at left, Neptune at right and two satyrs. Artist: Girolamo Mocetto (Italian, ca. 1470-1531). Dimensions: Sheet (Trimmed): 12 5/16 × 17 1/2 in. (31.2 × 44.5 cm). Date: ca. 1490-1530. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut by Lucas Cranach the Elder from 1506 titled 'Venus and Amor', depicting mythological figures in a stylized composition.

A copper engraving by Marcantonio Raimondi around 1509-1514 depicts the expulsion from Paradise, showing figures, angels, composition, and narrative details.

Italy, Raphael, Dente, Marco, Venus and the Rose, recto lower center - handwritten in brown ink, Venus sits on a rock in a landscape. She removes a thorn from a rose bush from her foot. In the foreground on the right a rabbit., print, prints, verso - stamped, RN, recto lower right - handwritten in brown ink, 20, height 255 mm, width 170 mm, Work conception, Italian, 1486 - 1527, after a print by, 1498 - 1532, paper, papier, engraving, engraving (printing process), print maker, printmaker, 1483-04-07 - 1520-04-07

Venus and Hermes, From Book of Alchemy.

Adam's temptation and EVA in paradise; Eva offers the fruit of the boom of knowledge hair man to.adam and Eva between the animals in paradise. Eva offers Adam an apple from the forbidden tree. The snake that seduces Eva to eat fruits from the tree is clogged under a shrub. Illustration for the Old Testament, Gen. 3, 6. Under the show a title in Hebrew, English, German, Latin, French and Dutch.

Allegory of humor, print maker: Christian Bernhard Rode, 1788, paper, etching, h 143 mm - w 108 mm

Two fauns wear a child in a basket.

Caymox, Cornelius, Spranger, Bartholomeus, Keulen, Sadeler, Johann (I), Caenis embraced by Neptune, verso lower left - stamped, Neptune stands behind the naked Caenis and grabs her to kiss her. Caenis tries to tear herself away. The print has a Latin caption with a reference to the Metamorphoses, book 12., print, prent, prints, prenten, height 210 mm, width 150 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1546-03-21 - 1611-08, after a design by, Publication (Event), Publication, publisher

Venus and Adonis, Giulio Sanuto, After Titian, 1559 print Venus tries to keep Adonis on hunting. The naked Venus has put her arms around Adonis. However, Adonis is ready to leave with spear and hunting dogs. Amor is sleeping on the left under a tree. At the top right a text box with assignment in Italian. print maker: Veniceafter painting by: ItalyItaly paper engraving Venus trying to prevent Adonis from going hunting

Religious illustration with Mary Magdalene by Lucas Cranach the Elder, Woodcut, 1506, 1472-1553, Private Collection, 24x14,3

Hercules and Deianira. Dated: c. 1490/1510. Dimensions: sheet: 5.8 x 2.8 cm (2 5/16 x 1 1/8 in.). Medium: niello print. Museum: National Gallery of Art, Washington DC. Author: Francesco Francia or Peregrino da Cesena.

Adam and Eve. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Block: 8 11/16 × 6 1/16 in. (22.1 × 15.4 cm)Sheet: 8 13/16 × 6 1/4 in. (22.4 × 15.9 cm). Date: 1514. Museum: Metropolitan Museum of Art, New York, USA.

Pan at the left seated next to a standing nymph, to the right Cupid holding cymbals 1531-76 Giulio Bonasone Italian. Pan at the left seated next to a standing nymph, to the right Cupid holding cymbals 392669

Cupid carrying a fowl accompanied by a dog, and another cupid playing a trumpet. Dated: c. 1450. Dimensions: sheet: 3.4 x 4.5 cm (1 5/16 x 1 3/4 in.). Medium: niello engraving. Museum: National Gallery of Art, Washington DC. Author: Maso Finiguerra.

Judgment of Paris. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Alois Petrak (Czech, 1811-1888). Dimensions: Diameter: 1 3/8 in. (3.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Lente: Venus en cupido, Anonymous, After Lambert Lombard, 1568 print Presentation of spring in a series with the four seasons. Venus and Cupido are under a tree in a spring landscape. Left behind a group of young people is making music. Under the performance a Latin verse from an epigram from the Anthologia Latina. paper engraving the four seasons of the year ~ other concepts (e.g. biblical scenes) (+ with scenes showing human occupations ~ seasons and months). Venus and Cupid (Cupid not being mere attribute). spring, 'Ver'; 'Primavera' (Ripa)

Artist: Agostino Carracci, Italian, 1557-1602, After: Orazio Samacchini, Italian, 1532-1577, Charity, Justice, Truth, andPeace, Engraving, sheet: 26.2 × 20.8 cm (10 5/16 × 8 3/16in.), Italian, 16thcentury, Works on Paper -Prints

Arion and a Nereid Albrecht Altdorfer German. Arion and a Nereid 430176

Fall with female snake. Eva offers Adam an apple from the tree of knowledge of good and evil. Around a branch of the tree the snake has been wounded that has a woman's face. Single animals around the tree (cat, dog, goat and parrot). The print is part of an album.

Roof from a Sabin woman, front view; Roof of a Sabin woman. A Roman is riding a saber woman. Front view of a wash model of sculptor Adriaen de Vries. At the bottom of the margin a two-legged text in Latin.

Mercurius in De Wefkunst, Gerard de Lairesse, c. 1675 print Accompanied by Putti Flankeren Mercury, God of the Trade, and the personification of weaving art a sphere placed on a pedestal with banderol. The trumpet flies in the air flies fame. Masts of sailing ships are visible in the background. Print at the bottom left marked: No. paper etching (Story of) Mercury (HERMES). Allegory of Trade; 'commertio della vita Humana' (ripe). Personification of (Art) Academy; 'Academia' (rippa) (+ tapetry weaving, goben making). Fame; 'Fama', 'Fama Buona', 'Fama Chiara' (rippa)

Woodcut by Lucas Cranach the Elder from 1506 depicting Mary Magdalene being carried to heaven by angels, showing figures, gestures, and composition.

Judgment of Paris. Dated: 1534. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master IS.

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