Mythological Transformations

Etchings depicting scenes from 'The Metamorphoses,' showcasing transformations and allegorical figures in mythological contexts.

Etching by Costantino Cumano showing St. Hieronymus in a wasteland, depicting the saint with symbolic objects and barren landscape, created between 1760 and 1803.

A woodcut and etching by an unknown engraver from 1610-1650 depicting three representations of Mary and Mary Magdalene in a barren landscape using chiaroscuro technique.

The Fall and Redemption of Man: Christ Descending into Hell, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Aquatint depicting Salome presenting the head of John the Baptist, created between 1760 and 1850 by an unknown engraver.

Woodcut by Albrecht Dürer after 1508 depicting scenes from the Small Woodcut Passion, showing Christ, figures, and narrative elements.

An etching by Johann Adam Klein from 1818 depicting a horse with foal, a horse tracking scene, and soldiers in detailed composition with landscape elements.

Pierre Dufour engraved 'The Path of Human Life' in 1570, depicting allegorical figures representing stages of human life in copper engraving format.

Council meeting at the Batavians, Harmanus Vinkeles, After Engelbertus Matthias Engelberts, 1786 print Council meeting at the Batavians. Leaders or elders of the tribe meetings were under a tree. Netherlands paper etching extinct, 'historical' peoples (with NAME) Netherlands

Copper engravings and etchings by Lucas Kilian depicting portraits from the 16th and 17th centuries, showing detailed facial features, attire, and compositional arrangement.

This 1717-1726 etching by various artists represents multiple human figures in different poses and clothing, capturing aspects of daily life and social conduct.

An etching by Pieter Soutman created in 1642 depicting the hell of the damned, showing tormented figures in a religious and allegorical scene with detailed 17th-century engraving techniques.

Triton in fight with a sea monster, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print A triton, with a naked female figure on his back, in fight with a sea monster. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving triton(s). monsters of the sea

Lazio Roma Monterotondo Palazzo del Municipio02. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching and copper engraving by Jean Moyreau depicting a hay merchant, created in 1741.

François Perriers 1645 etching depicting a Roman relief.

Photo production of an engraving by Trajanus between the city of Rome and the victory by Marcantonio Raimondi, Benjamin Delessert, after Marcantonio Raimondi, c. 1848 - in or before 1853 photograph photographic support salted paper print (story of) the emperor Trajan

Etching by Jacob Ernst Marcus depicting figure studies including a sleeping maid, an angler, and a woman seen from the back, created in 1808.

Etching by Arnold Houbraken, 1675-1719, illustrating allegorical personifications and symbols with identifiable iconographic elements.

An etching by Leopold Flameng, produced between 1836 and 1911, titled Angelika; Nymph; Grave of Lady Montague. The work depicts mythological and memorial themes, created with precise etched linework.

Copper engraving by Nicolaes de Bruyn created between 1606 and 1652 depicting the Vision of Ezekiel, illustrating biblical imagery and figures in a religious scene.

16th-century etching by Wolfgang Lazius showing a textual layout with decorative borders and precise lettering for printing purposes.

Copper engraving by Francesco Brizio depicting Saint Rochus with the founder, created between 1602 and 1603.

Seven drawings,including four decorative motifs and two scenes of interiors. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 1/16 x 6 5/8 in. (35.7 x 16.9 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Frances Lichten, Patchwork Bedspread, c 1936 Patchwork Bedspread

An etching by Friedrich Brentel from 1609 depicting Frederick, Duke of Saxony, showing his portrait, regalia, and formal posture within a compositional layout.

Etching by Gabriel Huquier, 1729-1735, depicting scenes titled 'Graceful Rest' and 'Fun'.

Etching by Paul van Somer from 1677, depicting the biblical scene of Lazarus being raised from the dead, showing multiple figures, gestures, and interior architectural elements.

Reproduction of an engraving of a scourge, Simonau & Tooey, after Anonymous, c. 1868 - in Or Before 1873 photomechanical print paper photolithography whip. torture

Etching and copper engraving created by Johann Adam von Bartsch in 1803 showing figures resting during an escape, with detailed landscape and compositional elements.

Raffaello Schiaminossi's etchings for Ridolfo Capo Ferro's fencing manual include scenes with biblical backgrounds, providing contextual settings for the depicted fencing techniques. These illustrations were part of a series of 43 published in Siena in 1610.

Etching by Wenzel Hollar from 1665 showing fables with animals, humans, and symbolic motifs, conveying moral stories in landscapes and interior scenes.

Neptunus on his car, 1635 - 1660 print Neptunus is sitting on his car pulled by sea horses. This print is part of an album. paper engraving (story of) Neptune (Poseidon)

Wonderful Human Figures, Anonymous, 1665 - 1667 print Two pasted prints with wonderful human figures. On the left a centaur (fig. I) and two saters (fig. II-iii). Nummered at the top left: 33. Right six deformed human figures (Fig. I-VI). Numbered at the top right: 34. On a smaller format sheet paper. Part of the seventh album with drawings of reptiles, amphibians and natural history ensembles. The seventh of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. paper engraving satyr(s) (in general). anthropomorphic beings (legendary or not) with heads, limbs or organs of an abnormal number, in abnormal places or of an abnormal shape). wild man, wodewose, woodehouse. centaurs

Artemis / Lucretia, Giovanni David, 1753 - 1790 print Leaf with two performances. Above: Artemisia mourning at a large urn. There are a scepter and a crown next to her. Below: Lucretia who is about to pierce herself with her dagger. paper etching suffering, misfortune of Artemisia. suffering, misfortune of Lucretia

Copper engraving by Cherubino Alberti from 1591 showing John the Baptist in the Last Judgment scene of the Sistine Chapel, focusing on figure, gesture, and setting.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Amman, Jost (1539 1591), Solis, Virgilius (1514 1562)

Drawing examples of Flying Putti, Pieter de Jode (I), 1629 print Ticks examples of six flying putti in different postures. This print is part of an album. paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Woodcut by Stefano della Bella for 'I Principii del disegno' showing studies of eyes, ears, hands, and feet using clair-obscur technique, created around 1641.

Copper engraving and etching by Jacques Firmin Beauvarlet around 1761 depicting the mythological abduction of Europa by Zeus.

A woodcut by Hendrick Goltzius, 1588-1589, depicting Bacchus and Mars with figures, gestures, and mythological elements using chiaroscuro technique.

Gallery of French Modes and Costumes, 1783, 151 of TT 251: Coëffure with Virginian (...). ZESTIEN VERSCHILENDE DAMESKAPSELS MET HOEDEN, MUTTS OF VERSIERING, IN VIER RIJEN VAN VIER, VERDEELD IN KADERS MET OVALEN. Van Linksboven Naar Rechtsonder: 'Coëffire to Virginiene. Coëffure at the Barrier of Thetis. Coeffure at Beaumes-Nile. Coëffure in the beautiful season. Hat with silvanire. Hat to the beautiful Sophie. Hat to Santo Domingo. Coeffure at Saracen. Coëffure at the Armancourt. Hat at the Holy Olive. Hat at the pelletier. Hat at the Marquaix. Hat with marinette. Galant hat for the ball. Hat in La Breteuil. Bonnet to the Jeannette. ' Procent of Serie TT. 41st French costume notebook, 11th follower of fashionable coex in 1783, gallery of French modes and costumes. Prant Staat Nummer 151, Maar is Tevens Ook Nummer TT 251.

Peirano-grave monument at the Staglieno cemetery in Genoa, c. 1870 - c. 1900 photograph Part of Reisalbum with photos of sights in Italy and southern France. Knee paper. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture). grave-building, monumental tomb Genua. Holy camp

A copper engraving and etching by Joachim von Sandrart from 1630-1686 depicting the months of July and August, showing seasonal activities, figures, and landscape.

Etching by Gerard de Lairesse from 1661-1711 representing the season of spring with floral elements, trees, and human figures in a pastoral landscape.

Copper engraving by Cornelis Bloemaert illustrating epic narratives of antiquity and mythological scenes for a book, produced between 1635 and 1655, showing detailed figures and classical composition.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Copper engraving by Philipp Galle depicting nymphs. Created in 1587, illustrating classical Roman mythology and mythological female figures.

The five orders of periwigs , Wigs, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818. William Hogarth (1697-1764). Prints

Title print with leopard. Title Print with a leopard behind a rock. Title print of a series of eight numbered prints with '' to life '' drawn leopards, the series of tie rope.

Etching by Romeyn de Hooghe showing different wrestling scenes, produced in 1674.

Woodcut by Hans Schäufelin from the late 15th to mid-16th century depicting the triumphal procession of Emperor Charles V, showing figures, banners, horses, attendants, and architectural background.

Raffaello Schiaminossi contributed to Ridolfo Capo Ferro's fencing manual by creating a series of 43 etchings, published in Siena in 1610. These etchings depict various fencing techniques, providing visual representations to accompany the instructional text.

A colored woodcut from 1473 depicting Giovanni Boccaccio's 'The Woman Claris,' showing figures, gestures, attire, and narrative elements.

An etching by Jacques Fricquet, created between 1663 and 1716, depicting the allegorical figure of Generosity, emphasizing giving and benevolence in a symbolic composition.

Reproduction of a print of a letter B and a letter C designed by Theodoor de Bry, decorated with mythological figures, tools and fruit, anonymous, c. 1875 - in or before 1880 photomechanical print Antwerpafter design by: Diest paper photolithography fancy letters. Classical Mythology and Ancient History. fruits

Triumphar of the steadfastness, triumphar with an army leader and cupid; Triumphers. Upper print: Triumphag with a personification of the steadfastness, drawn by a dragon. Lower print: triumphar with an army leader (Mars) And Cupid, drawn by two people. These prints are part of a series of triomf cars, copies in mirror image to details of illustrations from a book about the festivities (O.A. a tournament) in the Ducal Palace in Nancy on February 14, 1627.

Battle of Höchstädt, 1704. Battle of Höchstädt. Victory of the Allies under the Duke of Marlborough and the Prince of Savoy on French and Bavarian troops on August 13, 1704, at Höchstädt and Blenheim. Presentation of the battle in a richly decorated ornamental frame with at the top of a map of the battle. At the bottom of a cartouche with a description of the battle in German. In the left edge ornaments and figures related to victory, which on the right side of the defeat. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Etching by Romeyn de Hooghe depicting wrestling scenes with multiple figures, produced in 1674.

Etching by Nicolas François Bocquet from 1690 showing an allegorical representation of astronomy with celestial symbols and figures.

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), L'Amour et les trois enfants ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographique. Blanquart-Évrard, Louis-Désiré (1802-1872), printing house, Delessert, Benjamin (1817-1868), photographer, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

Etching attributed to an unknown engraver ('unbestimmt') featuring studies of heads and facial expressions, produced between 1655 and 1703.

Copper engraving by Cornelis Bloemaert depicting Maria with the child, produced between 1620 and 1692.

Copper engraving and etching by Aegidius Sadeler the Younger depicting Roman emperors Claudius and Nero Claudius Caesar, created between 1585 and 1629.

Photo production of a drawing by Rafaël, Adolphe Braun & Cie., 1880 - 1900 photograph paper. photographic support. cardboard carbon print

An etching by Annibale Carracci depicting Saint Jerome in meditation, showing detailed facial expression and contemplative posture, created between 1580 and 1609.

Bookplate for Leonard Cox, Kenyon Cox, American, 1856-1919, Pen and black ink, brush and white gouache on thin, light brown paper, Nude female figure riding a unicorn with a stylized fish tail. Other figures, including putti, to either side. Below: 'LEONARD COX - HIS BOOK', USA, ca. 1900, mythology, Drawing, Drawing

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