Narrative Biblical and Mythological Scenes

A collection of copper engravings and etchings featuring biblical and mythological narratives, showcasing detailed figures and dynamic compositions in various historical contexts.

Etching by Olivier Dauphin created between 1654 and 1683 depicting the Maenads slaying Orpheus and Midas in the Pactolos River with Dionysos.

Print (France); Designed by François Boucher (French, 1703-1770)

New magic lantern Paul Gavarni (1804-1866). "New magic lantern". Engraving.

Nicolaes Pietersz. Berchem created etchings in the mid-17th to 18th century depicting various scenes with shepherds, showing figures, animals, and rural landscapes.

Photo production of a drawing of a scene from a play by Friedrich Schiller, by Robert Beyschlag, Friedrich Bruckmann, after Robert Julius BEYSCHLAG, c. 1870 - in or before c. 1875 photograph London (possibly) photographic support albumen print adult woman. landscapes

Print, Three Putti; After François Boucher (French, 1703-1770); France; etching on laid paper

Etching and copper engraving by Philipp Galle, created 1582-1583, showing Medici family history with portraits, events, and Florence cityscapes from the Renaissance era.

Copper engraving by Aegidius Sadeler the Younger depicting the martyrdom of St. Stephen, illustrating his death and Christian martyr iconography.

Copper engraving by Peter Paul Rubens from the 17th century depicting various scenes with satyrs, illustrating mythological figures, dynamic poses, and narrative composition.

Franz committed suicide for the robbers to kill him, Daniel Nikolaus Chodowiecki, 1782 print Nummered at the top left: 6. With caption in German. paper etching seeking death, suicide. finding a dead person. Literature. torch

A copper engraving and etching by Jean Joseph Balechou from 1735-1764 depicting Saint Genevieve of Paris, illustrating religious symbols and her figure in a historic context.

Print (France); Published by Charles Leviez (French, 1708-1778)

Two slaves; The two blacks. Two friendly slaves love the same woman. In their drift they kill her with a dagger. In the background, another slave will see this happening.

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), LE TIME DUR (title registered (letter)). Colored lithography, laid paper. Balzac house.

The National Guard moves to the skin, Caricature on the Revolution , Ludwig Louis Freiherr von Pereira-Arnstein -, drawer

Committee of alliance, 1795, Anonymous, After David Hess, After James Gillray, 1799 Cartoon on the (non -existent) committee of alliance, 1795. Possibly based on the existing Committee of General Affairs of the alliance in Lande. The seven members of the committee tackle each other. On the left, a cat tears the arrow bundle of the seven united provinces. Venice paper etching / engraving Cartoon on the (non -existent) committee of alliance, 1795. Possibly based on the existing Committee of General Affairs of the alliance in Lande. The seven members of the committee tackle each other. On the left, a cat tears the arrow bundle of the seven united provinces. Venice paper etching / engraving

Print, Illustration for Hamlet: The Death of Ophelia (IV, 7); France; lithograph on paper; 23.3 × 29.7 cm (9 3/16 × 11 11/16 in.); 1896-31-108

Jeanne, the Redhead, from "The Songs of Béranger" 1829 François-Louis Français. Jeanne, the Redhead, from "The Songs of Béranger". Chansons de Béranger. 1829. Intaglio. Fournier & Perrotin (French). Melchior Péronard (French). Prints

The Charcoal Burners Published 1908 France. Wood engraving in black on cream laid Japanese paper . Louis Auguste Lepère

April, from "Album of Rustic Subjects" 1859 Charles Jacque. April, from "Album of Rustic Subjects". Album de Sujet Rustiques, gravés pour L'Illustration. Charles Jacque (French, Paris 1813-1894 Paris). 1859. Wood engraving. Prints

Lusthauß Alla Mira, Casa Goimanni Genandt, Zawischen Padoa und Venedig; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Album factis, architecture, German graphics, iconography, musical instruments, musicians, German (culture), palaces (architect), genre scenes, games (iconogr.), Band

Allegory of the Night, Christian Bernhard Rode, 1768 - 1769 print paper etching Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa)

Etching by Jacques-Philippe Le Bas between 1727 and 1783 showing various human figures, rendered with attention to detail and expressive form.

Print, LAGRICULTURE; Designed by Pierre-Clément Marillier (French, 1740 - 1808); Print Maker: Pierre-Gabriel Berthault (French, 1737-1831); Published by Louis-Joseph Mondhare (French, 1734-1799); France; etching and engraving on laid paper

Etching by Étienne Fessard from 1758 depicting the portrait of Mimi titled 'The Constancy,' showing formal attire, posture, and facial features.

Jan Lauwryn Krafft's 1762 etchings depict a ruin landscape with a shepherd and a village with a farmhouse, combining natural scenery with rural architecture.

Etching by Claude Ferdinand Gaillard from 1885 depicting Saint George in a pinnate composition, showing the saint, dragon, horse, and allegorical elements in detailed line work.

Shakspeare. First part of King Henry the Fourth, act II, scene II : The road by Gadshill : Prince Henry, Poins, Peto, Falstaff, etc. , Princes, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry IV. Thomas Pennant Barton Collection

Three men at a watchfire, Johann Andreas Benjamin Nothnagel, 1739 - 1804 print paper etching camp-fire; watch-fire

Etching by Jacques Callot from 1633 depicting looting and destruction of a village and an attack on a travel carriage, showing figures, buildings, and detailed chaotic action.

Etching by Giuseppe Cunego from 1781 depicting a landscape with an angler by a river, including figures, water, and terrain features.

Le Baby, dans Grosevenor-Square ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching by Antoine Bouzonnet Stella, created in 1675, depicting Emperor Sigismund in Mantua with detailed architectural and figure elements.

Etching by Melchior Küsel from 1681 showing scenes and figures from Metamorphoses with mythological content.

Lithograph by François Séraphin Delpech depicting Muhammad Ali Pasha on horseback, created between 1800 and 1825. The artwork illustrates the Egyptian ruler in a mounted portrait, emphasizing leadership and authority.

Peasant and Pigs. John Raphael Smith (English, 1752-1812); after George Morland (English, 1763-1804). Date: 1803. Dimensions: 444 × 554 mm (image); 472 × 555 mm (plate); 596 × 890 mm (sheet). Mezzotint on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching and copper engraving by Jeanne Françoise Ozanne around 1780 depicting a cul-de-sac in the Isle of Martinique, showing buildings, street, and surrounding landscape.

The title page: 2 me Suitte de Divers Cris de Marchands. Le Prince, Jean-Baptiste (1734-1781), graphic artist

The Pipe Player, 1770, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 7/8 x 3 13/16 in. (12.38 x 9.68 cm) (image)6 x 4 3/4 in. (15.24 x 12.07 cm) (plate)6 1/2 x 5 5/16 in. (16.51 x 13.49 cm) (sheet), Etching and aquatint in sepia ink, France, 18th century

st, Dr, -signaz -Seipel -Platz - Academy of Sciences - Auda of the Old University - Interior View - Theology Hall - Ceiling Fresco, August Stauda -, photographer

Photo production of a print to a painting by Bartolomé Esteban Murillo; S. John. Murillo National Gallery. Part of English family album with photos of people, travel, cricket and artworks.

Etchings and copper engravings by Robert Daudet depicting landscapes with ruins and soldiers, and a landscape with a horse, created between 1777 and 1821.

Le Marchand de Poulets. Le Prince, Jean-Baptiste (1734-1781), graphic artist

An etching by Ludwig Emil Grimm from 1825 showing a cattle trade with three men and a goat, and two elderly people listening to a girl reading from a prayer book, depicting human figures, animals, and daily life.

Josef Lanzedelly's 1820 lithograph depicts Wilhelm, Hedwig von Hungary, and Johanna von Sicilia, showing detailed portraits with clothing, facial features, and posture.

Two ovals with a young and old couple, Charles Rochussen (attributed to workshop or), 1855 print Two images in with tumbles decorated medallions. Left: a young man who cuts the first letters of their names in a tree in the presence of a young woman. Right: possibly the same pair in the same place at old age. A hourglass and a bow between the medallions. Amsterdam paper etching lovers' meeting. forest, wood

Chinese houses and figures. Suite of six prints. I. Pillement inv. F.A. Aveline sc. London by I. Pillement, a Paris chez Basan, print maker: François-Antoine Aveline, Jean Baptiste Pillement, publisher: Jean Baptiste Pillement, France, 1728 - 1780, paper, etching, engraving

The big fat and beast walk, pl. 3 and 4. Horrifics, Diabolical, Satanic, Demonic, Kempillard, Perigord ... Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "The big fat and beast walking, pl. 3 and 4. The horrific, diabolical, satanic, demonic, Kamillus, Périgourdin ...". Board published in "caricature" of March 22, 1832. Lithography. Paris, House of Balzac.

Copper engraving by Auguste Gaspard Louis Boucher Desnoyers between 1802 and 1803 depicting the beautiful gardener, showing figure, posture, and scene composition.

Etching and copper engraving by William Walker from 1767 depicting Diana and Calisto, showing mythological figures, gestures, drapery, and detailed composition.

Saint John Nepomucene after F. Smuglewiczs painting in the Vilnius Cathedral. Chardon, Francis ainé et Fils (Paryż ; drukarnia ; ca 1821-1880), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher, Smuglewicz, Franciszek (1745-1807), painter

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Le Roslet du Bonhomme (title registered (letter)), 1828. Maison de Balzac.

Fall of Braddock.. Irving, Washington (1783-1859). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Braddock's Campaign, 1755

The dead sailor , Surprise, Dead persons, Sailors, Beaches. Thomas Rowlandson (1756-1827). Prints and Drawings

Adolph Kittendorff (1820-1902); Elisabeth Jerichau Baumann (1819-1881), Paa Brands, 1880's

Les bronzes des Keller sur le parterre d'eau. Keller's bronzes on the grounds surrounding the water.. Favier, Paul. Photographs. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, French , 17th century, Figure sculpture, Allegory (artistic device)

"Etching and copper engraving by Yves Marie le Gouaz showing the port of Granville from the jetty, including ships, water, quays, buildings, and port activities between 1762 and 1816."

Para eso habeis nacido.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, War casualties, Dead persons

Netherlands, Amsterdam, Wijsmuller, Erve, Various representations, verso - stamped, Sheet with 8 representations of various kinds, including ships at sea, a water runner and a sailor who has missed his ship. A caption below each image. The caption below the first image: Dat rokjen is u net van pas... Numbered top right: No. 25., print, prent, volksprent, prints, prenten, volksprenten, height 342 mm, width 405 mm, Publication (Event), Publication, Dutch, publisher, 1828 - 1913, second quarter 19th century, third quarter 19th century, paper, wood engraving, line cliché, letterpress printing, print maker, printmaker

Le retour d'Ulysse. Honoré Daumier (1808-1879). Lithographs

st, castle - interior views - tapestry Turkish wars, Raimund Stillfried von Rathenitz -, Photographer, Anton Schroll , Co, publishing house

Aquatint by Jean Pierre Marie Jazet titled 'The Rising Tide,' produced in the first half of the 19th century.

Print (France); Published by Charles Leviez (French, 1708-1778)

In Katwijk aan Zee, 1850 - 1881 print Leaf with 4 performances of families, children playing and a ship during a storm near Katwijk-on-Zee. Under each performance a two -way verse. Numbered at the top right: No. 15. Leiden paper letterpress printing children's games and plays. family, relationship, descent. fisherman. storm at sea. ships (in general) Katwijk aan Zee

A woodcut created in 1526 depicting a dispute between ravens and crows. The work emphasizes bird figures, interaction, and narrative composition.

Trade cards depicting a badminton game, a baby fishing, an angel feeding a bird, women standing on a veranda, a flower personified, and a man wearing waterproof gear into the ocean. Trade cards. 1876 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Jack-in-the-boxes, Women , Clothing & dress

Copper engraving and etching by Alexis François Girard from 1820 to 1830 depicting the Marin family in a domestic setting, showing multiple figures and interior details.

Woman and a horse / stone in a landscape. Two prints on a leaf. Above a bust of a woman with headscarf and a horse head to the right and under a flat stone in a landscape on which the text: zinc.

He picked up from Jan near Constantine - an illustration to Henryk Sienkiewicz's telling "Fire and Sword". Card VI from the album; Kossak, Juliusz (1824-1899), Trzemeski, Edward (1843-1905); 1886 (1886-00-00-1886-00-00);Henryk (1846-1916), Henryk (1846-1916). With fire and sword, Henry (1846-1916). Trilogy, Jan - Dar, Juliusz (1824-1899) - reproduction, Kossak, Longinus (lit.), Podbipięta, Sienkiewicz, Stano, illustrations for literary works, painting, Polish painting

Pêche au vif.. Avery, Samuel Putnam, 1822-1904. Prints. 1864. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fishing

Voilà une jolie liberté et un beau pays! où un homme n'est pas seulement libre - de venre son nègre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Collage of cut out prints, anonymous, c. 1870 collage. print Collage of cut out prints. Part of an album with 18 blades, covered on both sides with cut prints, probably from 19th-century time shifts. paper

19thcentury, Watercolor and gouache, Sheet: 28.9 × 22.2 cm (11 3/8 × 8 3/4 in.); Framed: 82.6 × 73.3 × 2.2 cm (32 1/2 × 28 7/8 × 7/8in.), AnonymousLender, ILE2011.20.1 , Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Photo production of a scene from Goethe's Herman and Dorothea, Anonymous, After Wilhelm von Kaulbach, c. 1880 - c. 1885 photograph Part of a cover with 21 plates. photographic support albumen print painting, drawing and the graphic arts. literary characters and objects. adult man. adult woman

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