Nativity Scenes by Rembrandt

Artistic etchings of nativity scenes depicting the birth of Christ with vivid character portrayals. Warm, intimate moments captured in detailed lines.

Christ and the woman of Samaria among ruins, James Bretherton, after Rembrandt van Rijn, 1760 - 1781 print paper etching Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

. In 1654 Rembrandt also produced six smaller etchings of scenes from Christs childhood. They are all done in the same open style, with firmly incised etched lines. The shading consists primarily of close parallel lines. The Virgin is shown seated in the glow of an oil lamp. She raises her cloak to proudly show the newborn Christ Child to the shepherds who have gathered around her.

The worship of the shepherds: with the oil lamp.

The Adoration of the Shepherds: with the Lamp Rembrandt (Rembrandt van Rijn) Dutch. The Adoration of the Shepherds: with the Lamp 391983

The worship of the shepherds: with the oil lamp.

Aanbidding door de herders.Christ child lying in a manger in a ruin, radiates light. To the Kribbe Maria, Joseph and shepherds.

An etching by Rembrandt van Rijn depicting the Holy Family, created around 1632, showing Mary, Joseph, and the infant Jesus in a domestic and intimate setting, emphasizing composition, detail, and expression.

Harmensz van Rijn Rembrandt (1606-1669). "Little circumcision (B 48 - 1st state), around 1630". Museum of Fine Arts of the City of Paris, Petit Palais. 26994-9 Bible, Catholic, Religious Ceremony, Chretian Christian, Circumcision, Christ, Etable, Jew, Birth, New Testament, Prist, Biblical Scene

Entombment n.d. After Albrecht Dürer German. Entombment 391340

Worshiper of Shepherds.

Christ and the woman of Samaria among ruins, James Bretherton, after Rembrandt van Rijn, 1760 - 1781 print paper etching Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

The Entombment, Rembrandt van Rijn, c. 1654 print paper etching / drypoint Christ's entombment (possibly by angels)

Glorification of Maria, Jean Honoré Fragonard, After Giovanni Battista Tiepolo, 1763 - 1764 print Maria, sitting on a cloud between the Cherubins, appears on three Benedictine nuns. The holy Rosa of Lima with a crucifix and thorn crown, the holy Agnes of Montepulciano with the Christ child and Saint Catharina of Siena with a rosary. The faces of Rosa, Agnes and the child are not finished. Italy paper etching Mary (without the Christ-child). the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata. female saints (with NAME). the Dominican Tertiary Rosa (Rose) of Lima; possible attributes: anchor, crown of thorns, crucifix, infant Christ (in her arms or on a bunch of roses), lily, (wreath of) roses

Tranking of Christ. The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. Mourning the other figures around the grave. The Doornenkroon is located on Maria's feet. An angel holds a cartouche with a latin text up.

Christ and the Samaritan woman: in the background ruins.

The Circumcision: Small Plate, Rembrandt van Rijn, c. 1630 print paper etching / drypoint circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Three Eastern figures (Jacob and Laban).

Resurrection of Christ; The passion. Christ stands in bright wreath with crucifix after resurrection from his grave and angels hold the lid of his graftombe. Soldiers Inspires in the back and in the corridor of the cave, the three holy women are approaching.

A group of children have gathered in front of St. Nicholas - adorned with a hat and carrying a basket of items on his arm. Behind the children are a man and a woman with a baby. Saint Nicholas is speaking to the children while being illuminated by a candle that is burning., St Nicholas Evening St Nicholas Evening (title on object), print maker: Simon Andreas Krausz, (mentioned on object), The Hague, 1770 - 1825, paper, etching, h 224 mm × w 201 mm

The Entombment, Rembrandt van Rijn, c. 1654 print paper etching / drypoint Christ's entombment (possibly by angels)

La communion dans l'église St. Médard , Communion, Priests, Altars, Choirboys, Alphonse Legros (1837-1911)

Marriage - wedding of Zygmunt August with Archduke Elżbieta; Zajkowski, Andrzej (1851-1914), Matejko, Jan (1838-1893); 1893 (1893-00-00-1893-00-00);

Judas at De Hoge Priesters, Jacob de Wet (I) (attributed to), 1630 - 1675 print The high priests give Judas his silver coins. paper etching Judas goes out to the chief priests, betrays Christ and receives the reward (Matthew 26:14-16; Mark 14:10-11; Luke 22:4-6)

Christ before Pilate: large plate, anonymous, after Rembrandt van Rijn, after 1635 print paper etching Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Christ Preaching ('La Petite Tomb'), Rembrandt van Rijn, c. 1657 print paper etching / drypoint Christ preaching or teaching (in general)

The burial laying.

Praying family for a bedside. In living room where a man, an old woman and a child praying together for a bedstead. There is a sick person in the bed.

Sinterklaa acid, Simon Andreas Krausz, 1770 - 1825 print For Sint Nicolaas - adorned with a hat and a basket with things on the arm - a group of children gathered. Behind the children are a man and a woman with a baby. Sint Nicolaas speaks to the children while he is highlighted by a smoking candle. The Hague paper etching festivities on St. Nicholas (Eve) (December 5). head-gear: cap (+ men's clothes)

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Rembrandt van Rijn, Christ at Emmaus the Larger Plate, 1654 Christ at Emmaus: the Larger Plate

Saint Pierre et Saint Paul à la Porte du Bonhomme Misère , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

Alphonse Legros, The Adoration of the Shepherds (L'adoration des bergers) The Adoration of the Shepherds (L'adoration des bergers)

Peter and John heal a paralyzed man at the temple gate, anonymous, after Rembrandt van Rijn, after 1659 print The performance is based on the text from Acts 3: 4-31. paper etching healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Christ heals the mother -in -law of Petrus, Johannes Pieter de Frey, after Gabriël Metsu, after Joost van Geel, 1797 print Christ is on the bed of the sick mother -in -law of Apostle Peter. He blesses her and lets his one hand rest on her head, the other hand clips the wrist of the sick person. She is healed immediately. Around the bed there are four other apostles that witness the healing. paper etching healing of Peter's mother-in-law (Matthew 8:14-15; Mark 1:29-31; Luke 4:38-39)

Etching by Rembrandt depicting the circumcision of Christ on a small plate, with traces of a cold needle, created around 1630.

Christ heals Peter's mother-in-law. Christ is on the bed of the sick mother-in-law of Apostle Petrus. He blesses her and let his one hand rest on her head, the other hand emples the pulse of the sick. Immediately she is healed. Around the bed are four other apostles that witness the healing.

The messenger. A messenger brings a mission to a king. Possible Simeon who informed Jacob from Josefs dead.

Christ raises Lazarus from his tomb. Etching by G. Zompini, 1758, after G.B. Castiglione.

Three crosses; Rijn, Rembrandt Van (1606-1669); 1653 (1653-00-00-1653-00-00);Christ, New Testament, Golgotha, Christ, New Testament, Rehdigeran (collection), Three Crosses, Christ, New Testament, Crucifixion, Christ, New Testament, Religious performances

The angel leaves the family of Tobias.

The Angel Departing From The Family of Tobias, Rembrandt van Rijn, 1641 print paper etching / drypoint other scenes ~ the book of Tobit

Worship of the shepherds, Johannes Josephus Aarts, 1881 - 1934 print A group of shepherds is surrounded by Mary and the Christ child. Two of them kneel. In the foreground a horizontal dog, in the background a hilly landscape with settlement. Japanese paper (handmade paper) etching adoration of the Christ-child by the shepherds; Mary and Joseph present. dog

Praying old couple; Vreedenamich Paer. Old man and old woman sitting next to each other with folded hands. The Holy Spirit in the form of a pigeon above their heads. Besides them fruits on the ground. Under the show a two-legged Dutch poem.

Wszyscy Święci w MNK Pannemaker, Stephane (1847 1930), Doré, Paul Gustave (1832 1883)

Christ at Emmaus, Rembrandt van Rijn, 1654 print Japanese paper (handmade paper) etching the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Meal in Emmaus, Arnold Houbraken, After Rembrandt van Rijn, 1718 print The two disciples from the story of the Emmausgoers in an interior, shot by candlelight, at a table on which a piece of bread. They look frightened at a third empty chair, from which Christ has just disappeared after he had broken the bread for them. After this action, the disciples had recognized the trailing companion as Christ until then and he suddenly disappeared before their eyes. At the top right: P. 238. Northern Netherlands paper etching / engraving Christ vanishes ~ supper at Emmaus

Alphonse Legros, Procession in a Spanish Church, c. 1863, etching and drypoint on chine.

Of PreDikende Christus ('the small grave').

Sending old woman in an interior. Old woman dressed in a cloak, sitting at a table in an interior, counts coins that are in front of her. She holds a pouch in her left hand.

Judgment of Count William III about the bailiff of South Holland, 1613 print Count William III hands over his sword to the Beul from his sickbed. In the foreground, the Dordrecht schout kneels, on the right the bailiff is prepared for his execution by a priest de confessional. Central show around which can be placed with six small scenes of the successive episodes of the story of the case law of Count William III in the year 1336. Northern Netherlands paper engraving Netherlands

Christ and the woman of Samaria among ruins. prints, etchings, works on paper

Christ and the Samaritan woman; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

Christ at Emmaus: The Larger Plate, Rembrandt van Rijn, 1654 print paper etching the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Family of Loth leaves Sodom.

Christ disappears in front of two students during meal in Emmaus.

The Entombment of Christ (recto); Landscape with a City on a River(verso). Artist: Hermann Weyer, German, 1596-ca. 1621

Praying old couple, Jacques de Gheyn (III), after Jacques de Gheyn (II), 1616 - 1620 print Old man and old woman, sitting side by side with folded hands. The Holy Spirit in the form of a pigeon above their heads. Fruits on the ground next to them. Under the show a two -way Dutch poem. Netherlands paper etching (private) prayer; 'Oratione', 'Preghiere', 'Preghiere a Dio' (Ripa). hands folded with fingers knit. old man. old woman

St. Jerome in a Cave. 1514. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Entombment, Rembrandt van Rijn, c. 1654 print Japanese paper (handmade paper) etching Christ's entombment (possibly by angels)

Rembrandt Harmenszoon van Rijn (1606-1669), Dutch painter. Emmaus pilgrims; The disappearance of Christ. Bistre feather and wash, with white gouache enhancements. Museum of Fine Arts of the City of Paris, Petit Palais. 78832-20 Auberge, Christianity, Clair-Obscur, Dutch School, frightening, fright, Christian iconography, religious iconography, interior, New Testament, Pelerin, Pelrinage, biblical character, holy character, recognize, chretian scene, baroque style, religious subject, surprise, life Of Christ, interior view, XVIIth XVIIth XVII 17th 17th 17 century

Vivant Denon, Christ between His Parents, Returning from the Temple, 1757-1825, etching on laid paper.

Man with money pouch; Give the king (...). A crowd people in a street with cobblestones. The man on the right in the foreground hands over the bearded man left a money pouch. A church in the background.

Refused letter. A messenger, with a bazuin on his back, award a letter a letter. She does not seem to want to take the letter, she has put her arms crossed.

Prisoners in dungeon; Genre scenes. The prisoners are closed to blocks. One of them talks to someone through the hatch in the door. Another looks out through the bars in the window.

Monks in prayer. .

Angio abandoning families Tobias; Rijn, Rembrandt Van (1606-1669); 1641 (1641-00-00-1641-00-00);Old Testament, Tobias, Old Testament, Angel, religious performances

Food division of pilgrims and beggars at a monastery gate, Andries Both, 1636 drawing Italy paper. chalk giving food. feeding the hungry, 'esuriens cibatur' ~ one of the (seven) Acts of Mercy. abbey, monastery, convent ~ Roman Catholic church

Joseph presents his father to the Pharaoh.

Adoration by the Shepherds, print maker: Christian Wilhelm Ernst Dietrich, (mentioned on object), Netherlands, (possibly), 1740, paper, etching, h 189 mm × w 271 mm

Extreme Unction from the series I sette sacramenti (The SevenSacraments). Artist: Johann Anton Riedel, Austrian, 1736-1816 After: Giuseppe Maria Crespi, Italian, 1665-1747

Christ Preaching, c. 1652, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 6 1/8 x 8 1/16 in. (15.6 x 20.5 cm) (sheet), Etching and drypoint, The Netherlands, 17th century, This print's nicknamerather than referring to a tomb, as was long thoughtis derived from the name of the person who may have commissioned it, either Nicolaes or Pieter de la Tombe.

Christ and the Samaritan woman: plate with bent upper edge.

La mort de St. François , Monks, Death, Saints, Francis, of Assisi, Saint, 1182-1226, Alphonse Legros (1837-1911)

Christ and the Woman of Samaria: an Arched Print 1658 Rembrandt (Rembrandt van Rijn) Dutch. Christ and the Woman of Samaria: an Arched Print 392065

Alphonse Legros, Saint Peter and Saint Paul in the Door of M Richard (St Pierre et St Paul a la porte de M Richard Saint Peter and Saint Paul in the Door of M. Richard (St. Pierre et St. Paul a la porte de M. Richard

Christus te Emmaüs: kleine plaat.Mirror-image copy to the Print of the same name from Rembrandt.

The Judaskus; The round passion. From series of twelve prints. Picture framed. Judas coast Christ fascinated by soldiers. Peter with raised sword, Malchus attacks.

Les moines à l'église , Monks, Churches, Alphonse Legros (1837-1911)

Christ at Emmaus: The Larger Plate, Rembrandt van Rijn, 1654 print paper etching / drypoint crucified Christ with Mary, John, and Mary Magdalene

Etching by Rembrandt van Rijn depicting Christ teaching, called 'La Petite Tombe', created around 1652, showing a biblical teaching scene.

H. Hieronymus in prayer, Jan Gillisz. van Vliet, after Rembrandt van Rijn, 1631 print paper etching / engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Ottoman funeral. Vier men carry a deceased person on a portable.

Praying old couple; Vreedenamich Paer. Old man and old woman sitting next to each other with folded hands. The Holy Spirit in the form of a pigeon above their heads. Besides them fruits on the ground. Under the show a two-legged Dutch poem.

A depiction by Thomas Wyck of Jewish social life outside a synagogue, drawn in brown ink and lavated with graphite pencil, showing minor damage and discoloration.

Meal in Emmaus, Anonymous, After Jacob Matham, After Hendrick Goltzius, 1648 - 1656 print Christ with the Emmausgoers at the table, blessing the bread. Amsterdam paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Refused letter. A messenger, with a bazuin on his back, award a letter a letter. She does not seem to want to take the letter, she has put her arms crossed.

Les moines à l'église , Monks, Churches, Alphonse Legros (1837-1911)

De Judaskus, Jacob Cornelisz van Oostsanen, in or after 1517 - 1533 print From series of twelve prints. Frame cut away. Judas kisses Christ who is fascinated by soldiers. Peter with raised sword attacks Malchus. paper pen the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child. Etching.

Worship by the shepherds.

Tranking of Christ. The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. Mourning the other figures around the grave. The Doornenkroon is located on Maria's feet. An angel holds a cartouche with a latin text up.

Epiphany. A cheerful company of Three Kings is celebrating around a dining table. The man with the king hat saves a flute glass of drink. From his mother's lap, a child in the mouth of a dog plasts with the front legs on a stew.

Christ Preaching ('La Petite Tombe'), c. 1652. Rembrandt van Rijn (Dutch, 1606-1669). Etching, drypoint, and burin; sheet: 15.8 x 21 cm (6 1/4 x 8 1/4 in.); platemark: 15.5 x 20.7 cm (6 1/8 x 8 1/8 in.).

Liberation of Peter from prison, Anthony de Vos, 1675 - 1729 print An angel frees the apostle Peter from prison. Dordrecht paper etching at night an angel opens the door of the prison ~ life and acts of Peter

Christ and the scribes: small plate; Recueil De Quatre-Vingt-Cinq Estampes Originales.The Print is part of an al album.

Alphonse Legros, Communion in the Church of Saint Medard (La communion dans l'eglise St Medard) Communion in the Church of Saint Medard (La communion dans l'eglise St.-Medard)

Nativity (Nativité). Dimensions: 24.6 cm x 36 cm, 14 cm x 17.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAURICE DENIS.

Drawing by Cornelis Holsteyn depicting burial in a cemetery, representing one of the seven works of mercy, executed with gray brushwork.

Pilgrims group on pilgrimage, Marie Danse, After Charles de Groux, 1889 print Belgium paper etching pilgrimage, pilgrim(s) under way. procession ~ Christian religion

'Christ and the Centurian at Capernaum'. Germany, No earlier than mid-1780s. Dimensions: 42,3x32,5 cm. Museum: State Hermitage, St. Petersburg. Author: FRANZ ANTON MAULPERTSCH.

The Three Crosses. Ultimately Rembrandt was left with a worn copper plate from which good impressions could no longer be pulled. The solution he devised this time was more radical: he replaced the representation on the copper plate with a new version. While Christ can still be seen on the cross, scores of figures and horses around him have been changed, and the mood is far more ominous than previously.

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