Natural Disasters and Historical Events

Prints illustrating historical floods, agricultural scenes, and significant events in a narrative style, capturing human reactions and emotions.

Party celebrating farmers, Pieter Holsteyn (II), 1624 - 1673 drawing paper. ink pen / brush dancing at wedding feast - DD - out of doors. one pair dancing; man and woman dancing as a couple (+ out of doors (sports, games, etc.))

Sad v okrestnostiakh Tiflisa-tanets "Lezginka".. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Petites figures XIV.. Artist: Paul Gavarni, French, 1804-1866

Louis Candide Boulanger, Scenes from Faust, 1830s Scenes from Faust

. Cartoon on the departure of the Hertog van Brunswijk from the Netherlands, October 14, 1784. The thick Duke is expressed by Prince Willem V on a wheelbarrow the country. As a result of the Prince O.A. Kaat Mossel. From the clouds, Van Oldenbarnevelt watches while the fame blows on her bazing. On the leaf under the plate a declaration of the claim to two columns in rhyme. The print includes a two-point bladder leaf.

Samuel Rawle, 1771-1860, British, Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry, 1801. Engraving on slightly textured, medium, white wove paper.

Domestic life of the Bataven, Jacob Folkema, After Cornelis Pronk, 1702 - 1767 print Agriculture, animal husbandry and yacht at a Batavian settlement. On the right, Batavian women with children walk naked in a river in the distance. Print left and top right marked: I. part fol. 10 - I. part fol. 11. paper etching extinct, 'historical' peoples (with NAME)

Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon ca. 1780-90 Giacomo Guardi Italian. Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon. Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). ca. 1780-90. Pen and brown ink, gray wash. Drawings

Jump Rope, from The Games of the Urchins of Paris. Jean-Baptiste Tilliard (French, 1740-1813); after Augustin de Saint-Aubin (French, 1736-1807). Date: 1770. Dimensions: 227 × 181 mm (plate); 362 × 263 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Stable of the postal; A postcard; POSTE PRÈS D'ANVERS. In an open stable, horses and riders are together. There is a mountain of hay against the rear wall. A beggar walks past the entrance with a wooden leg. Outside a city gate and city wall. Numbered top left: Pantheon PL XXXVII.

Village Wedding, 1785. Charles-Melchior Descourtis (French, 1753-1820), after Nicolas Antoine Taunay (French, 1755-1830). Lavis-manner color engraving and etching; sheet: 36.7 x 27.6 cm (14 7/16 x 10 7/8 in.); border: 30.7 x 23.3 cm (12 1/16 x 9 3/16 in.).

Scene from Ukraine (in: Pamjatnaja Kniażka); Grews, R. (St. Petersburg; Fl. Ca 1860-1870), Trutovsky, Konstantin Alexandrovič (1826-1893), Voenna tipographic (Petersburg; Printing house; Fl. Ca 1860-1870); 1864 (1864-00-00-1864-00-00);

A lithograph by Auguste Raffet from 1832 titled 'My Emperor is the Most Cooked', depicting a satirical or narrative scene involving a figure of an emperor.

Print, A Bivouac Fire on the Potomac River, from Harper's Weekly, December 21, 1861, pp. 744-745.; Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on newsprint paper; Overall: 38.8 x 55.8 cm (15 1/4 x 21 15/16 in.)

La Noce au Chateau. Dated: 1789. Dimensions: image: 30 x 22.6 cm (11 13/16 x 8 7/8 in.) plate: 39.5 x 29.3 cm (15 9/16 x 11 9/16 in.) sheet: 45 x 33.8 cm (17 11/16 x 13 5/16 in.). Medium: color aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Philibert-Louis Debucourt.

Alexandre de Laborde / Passeig Nou de Barcelona, del libro de viaje "Voyage pittoresque et historique de l'Espagne", siglo XIX. M.H.C.B.

Priezd Imperatora Aleksandra Nikolaevicha na villu Naslednago Printsa Virtembergskago; Pereezd Imperatora Frantsuzov Napoleona III, iz Shtitgarta na villu Naslednago Printsa Virtembergskago Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Events of October 5, 1789 - The Ladies of the Hall and Other Women Starting from Paris for Versailles Jean-Fran�ois Janinet (1752-1814). "Events of October 5, 1789 - The ladies of the Halle and other women from Paris for Versailles". Engraving.

Allegorical representation of war threat in Sweden. Draughtsman: Jan Brandes. Dating: 1787 - 1808. Place: Skälsebo. Measurements: h 200 mm × w 299 mm; h 455 mm × w 600 mm. Museum: Rijksmuseum, Amsterdam.

The cemetery in the Gorsselse Veld near Zutphen for the Van der Capellen family and Joan Derk van der Capellen to the Pol, 1784-1785, Jacobus Buys, 1784 - 1785 drawing paper. ink pen / brush historical events and situations. monument, statue. grave-building, monumental tomb. historical persons Gorssel. Zutphen

Outdoor Scene of Women in Domestic Activities in Nurnberg,. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 5 x 7 in. sheet: 7 3/4 x 11 1/2 in.. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Christoph Erhard.

Le manége. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Storming of the Bastille, Isidore Stanislas Henri Helman, After Charles Monnet, 1795 - 1796 print print maker: Franceafter drawing by: Francepublisher: Paris paper etching revolution, revolt. firearms: cannon Bastille

Le Tambourin Made 1788-1794 France. Louis-Marin Bonnetís color-printing repertoire included these variations on the fashionable pastel portrait genre. Softly layering multiple chalk-manner plates in colored inks, he completed the images with gold-leaf-accented frames. As the use of gold leaf was strictly regulated in France, Bonnet created an elaborate ruse the English titles, sometimes misspelled, and printerís address on the paper frame suggest that these prints were published in London, not Paris. Patently 18th century, with a hint of the boudoir, the resulting works closely resemble highly finished pastels.. Color aquatint (ash manner), with etching and engraving, on ivory wove paper . Charles Melchior Descourtis

Amsterdam, Tollenaar, Dirk Wijbrand, September 1864, De Asch-Karreman aan Amstels Inbewoneren, Fair print of the Amsterdam ash cart men for the year 1864, verso - stamped, Fair print on behalf of the ash cart men (cart man or garbage man) in Amsterdam, September 1864. View of the fair on the Botermarkt with the Regulierswaag. Two garbage carts on the market. At the bottom a poem in two columns. On behalf of H. Sluiters, the cartman of district no. 30., print, picture, fairground print, prints, pictures, Frederik Muller History plates, height 345 mm, width 215 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1864 - 1864, paper, letterpress printing, wood engraving

Claes Cornelisz. Moeyaert depicts Josef allowing Benjamin to find the cup using black chalk, brown lavated, and white highlights on blue paper, showing figures and interaction.

Woodcut by Hans Burgkmair depicting Hungarian fencers with stalks and paves in the Triumphal Procession of Emperor Maximilian I, first edition 1526, printed 1796.

Design for a fan. Artist: Anonymous, Austrian, 18th century. Dimensions: Sheet: 11 1/2 x 32 13/16 in. (29.2 x 83.4 cm). Date: 18th century.An unusual but rich source for information on gardens, this eighteenth-century fan is as delightful an object to view today as it must have been for its original owner. In a witty way, the fan displays the various entertainments offered in what looks like the prototype of an amusement park, possibly the Prater in Vienna, famous for such public entertainment. The activities one could choose from are shown in all their detail: here couples try shooting targets, there ladies swing high up in a flimsily constructed forerunner of the Ferris wheel, propelled by hand. Other visitors, all dressed in equally exaggerated outfits, walk around pointing at various delights or enjoy refreshments. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of (presumably) a print of Jan Steen's quack, c. 1875 - c. 1910 photograph Part of leporelloalbum with 28 photos of Amsterdam and the surrounding area. paper. photographic support. cardboard albumen print quack, charlatan, mountebank, 'saltimbanco'. hand-cart. patient, sick person. dog

Jaarmarkt in Utrecht early 12th century, Jaarmarkt in Utrecht early 12th century. Visitors to the market walk past the stalls at a church, market, Utrecht, Christiaan Lodewijk van Kesteren (mentioned on object), Netherlands, 1865 - 1870, paper, steel engraving, h 202 mm × w 244 mm

Kermesse. Teniers, David II (Flemish, 1610-1690) (designed after) painter Coppens, Augustin (Flemish, 1668-1740) (designed after, attr.) painter Borcht, Pierre van der (Flemish, act.1712-d.1763) (workshop) weaver c. 1720-1740 Tapestry Dimensions: H 3.05 x W 3.26 m Tapestry Materials/Techniques: wool (warp: 8/9cm); silk Culture: Flemish Weaving Center: Brussels Ownership History: Private coll. (un ancien hôtel on rue des Petits-Carmes), Brussels. Belgium, Brabant, Brussels, Musées royaux d'art et d'histoire. Before inn, groups of figures seated at tables feast; hurdy-gurdy player entertaining children; seascape with sail boats in background Brussels (Musées Royaux), Tapisseries (1956), 85,86, no.101, pl.105 Destrée, Les tapisseriesR (1910), 28, no.39 Marillier, Teniers Tapestries (1932), 13-15, 46-48 Related Works: Panels in set: GCPA 0239696, 0239699, 0239726-0239727

Auguste Lepère after Daniel Vierge, Le Cabaret du Coq de Bruyère au Bois de Meudon, 1888 Le Cabaret du Coq de Bruyère au Bois de Meudon

Charles-Melchior Descourtis, Le Départ de l'Enfant Prodigue, 1763-1820, color engraving on paper.

Benevolence November 25, 1792 Samuel Alken. Benevolence. After Thomas Rowlandson (British, London 1757-1827 London). November 25, 1792. Etching and aquatint. S. W. Fores (London). Prints

Chalk and gray wash drawing by Stefano della Bella depicting two men attacking a rider on a forest slope, showing figures, gestures, horse, and forest terrain.

John Griffiths, active 1764-1774, The Open-Air Preacher, undated. Watercolor with pen and gray ink over graphite on medium, slightly textured cream laid paper.

After: George Caleb Bingham, American, 1811-1879, StumpSpeaking, Mezzotint, Proof printed on print, black and white, by Gautier, image: 56.7 × 76.8 cm (22 5/16 × 30 1/4 in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Charles Melchior Descourtis after Nicolas Antoine Taunay, Noce de Village (Village Wedding), 1785 Noce de Village (Village Wedding)

Unknown, Fashionable Promenades of EuropeLongchamps, Champs Elysées, Paris, 1858, wood engraving on paper.

Vue deVincennes. Artist: François Boucher, French, 1703-1770 After: Jean-Antoine Watteau, French, 1684-1721

After Winslow Homer, The Morning Bell, 13 Dec. 1873, wood engraving on newsprint.

Monument to J.M. Baron von Kropff, 1793; Early column or grave needle. Reeled in memory of (...) J.M. Baron von Kropff (...). Allegoric monument for Joachim Maurits Baron van Kropff, Dissels in the defense of Klundert against the French army, February 25, 1793. For a tomb, two prospective loving figures, constitution and national love. In the air the fame with two wreaths. On a medallion with a monument with a portrait. In the background the defense of the fortress and get it out of the water from his body. In the caption an eighty verse. An explanation is one of the print.

Corinth, (Cenchrea), Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving

Encampment of Spanish Travelers Halte espagnole , print maker: Jacques Aliamet, (mentioned on object), after: Philips Wouwerman, (mentioned on object), le Comte, (mentioned on object), print maker: France, after: Netherlands, publisher: Paris, 1750, paper, etching, engraving, h 353 mm × w 408 mm

Zomer, Aegidius Sadeler (II), After Pieter Stevens (I), After Pieter Stevens (II), 1624 - c. 1650 print Sheep are blown in a river along a village. On the right bank, they are shaved under the trees and the wool is collected in baskets. On the left the village with a wooden bridge over the water. print maker: Praagpublisher: Venice paper engraving summer ~ human activities (the four seasons of the year). shearing (sheep). tools, aids, implements ~ crafts and industries: scissors. bridge in village across river, canal, etc.. dipping, washing (sheep or other animals). summer, 'Aestas'; 'Estate' (Ripa) (+ with scenes showing human occupations ~ seasons and months)

River landscape with a gondolier, Jacques Couché, After Annibale Carracci, 1786 - 1808 print Standing gondolier in a gondola in which two men. In the river on the right a fisherman. Completely framed by a decorative frame. paper etching / engraving landscapes. gondola. armorial bearing, heraldry

Garigliano Passage (Italy) 1793 Jean Jacques de Boissieu French. Garigliano Passage (Italy). Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1793. Etching and drypoint with roulette; fifth state of five. Prints

A Royal Party Admiring the Sunset atop the Hesselberg Mountain. Dated: 1801. Dimensions: sheet: 42.8 x 37.1 cm (16 7/8 x 14 5/8 in.). Medium: watercolor, gouache, and pen and gray ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Georg von Dillis.

Arrival in Paris Deadly remnants of Napoleon, December 13, 1840.

Women hanging out clothes to dry; in the foreground is an open-air cistern. Engraving by De Ligny.

Restoring the Red Light District in Haarlem, 1573, William Unger, After Charles Rochussen, 1871 - 1873 print The repair of the Red Light District in Haarlem after the conquest of the city by the Spaniards, July 1573. Under the supervision of a Spanish soldier, women are lugging the clouds of building materials to a breach in the city wall. print maker: Germanyafter drawing by: Netherlandsprinter: München paper etching building activities Haarlem

Ein Viehmarkt im Bayerischen Oberlande. A cattle market in bavarian overlands.. Adam, Benno Raffael, 1812-1892. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Domestic animals, Dwellings

A "MACHITUN" IN ATLAS OF THE PHYSICAL AND POLITICAL HISTORY OF CHILE, 1854. Author: GAY CLAUDIO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Kermesse. Teniers, David II (Flemish, 1610-1690) (designed after) painter Vos, Josse de (Flemish, act.1700-1721) (workshop) weaver c. 1700-1725 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Before inn, figures dance, drink & smoke; figure standing on inverted tub plays violin; another kermesse scene in village in background (BRD) stylized foliage lined by inner narrow band of "bead & spindle" motif, scallop shell & scrolling foliage, each in corner; (UPR BRD) gathering of musical instruments with mask in center; (LWR BRD) gathering of musical instruments with vessel in center; (L & R BRD) crowned lamps, in center French & Co. stock sheet missing from archive, 3221 () Marillier, Teniers Tapestries (1932), 15, pl. 3 Related Works: Panels in set: GCPA 0239683, 0239714-0239716

Apparators of Gozo island; Costume de Ghozo; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

Scenes from an Alpine festival in the Canton of Berne, Switzerland, 1805. Wrestling 1, alpine horn players 2, rock tossing 3 and prize distribution 4. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

La maraude, plate 4 from the series Les grandes miseres de laguerre. Artist: Jacques Callot, French, 1592-1635

DijkBrraak van de Waaldijk near Nijmegen, 1809, Johannes de Vletter, after Jan Lodewijk Jonxis, 1809 - 1811 print Netherlands paper etching

Hubert Robert, A Roman Capriccio with the Pyramid of Gaius Cestius, 1781 or later A Roman Capriccio with the Pyramid of Gaius Cestius

The Proclamation of Large Orders / Halles (IT)

Artist: Jules Ferdinand Jacquemart, French, 1837-1880, Platd’Urbino, Etching, image: 15.8 cm (6 1/4in.), Yale Art LibraryTransfer, French, 19thcentury, Works on Paper -Prints

Farmer's Nooning. Dated: c. 1840. Dimensions: image: 33 × 41.6 cm (13 × 16 3/8 in.) sheet: 35.2 × 45.8 cm (13 7/8 × 18 1/16 in.). Medium: lithograph in black. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.

The Cart Horse (from The Life of a Racehorse, or The High-Mettled Racer) July 20, 1789 Etched by Thomas Rowlandson. The Cart Horse (from The Life of a Racehorse, or The High-Mettled Racer). "The Life of a Racehorse," or "The High-Mettled Racer". Etched by Thomas Rowlandson (British, London 1757-1827 London). July 20, 1789. Etching and aquatint. S. W. Fores (London). Prints

The National Bank, Caricature, Austrias nationalities are sitting together on the National Bank, which is supported by folk confidence, income tax and abolition of the monasteries, Josef d, Lanzedelly Lanzedelli, Lancedelli -, Lithographer, Jakob Loder, Printer, Anton Paternos widow, publishing house

Earth (Terra), Jan van de Velde (II), after Willem Pietersz Buytewech, 1622 print Landscape representing the Earth element: many figures with baskets on a market where the yields of the country are traded. Fourth print from a series of four with landscapes as imaginations of the four elements. Northern Netherlands paper etching / engraving earth (one of the four elements). 'Terra', 'Carro della terra' (Ripa). market. going to the market

Painting farmer's wedding by Pieter Brueghel II; Pieter Brueghel de Jonge said "De Hesche".

She Lov'd Me for the Dangers, plate three from Othello 1844 France. Etching, engraving, and roulette on paper . Théodore Chassériau

Breakthrough of the Waaldijk at Loenen, 1809; Breakthrough of the Waal-Dijk at the Loendersche Bosch. In Louwmaand 1809. Breakthrough of the Waaldijk at the forest at Loenen during the flood of January 1809. Along the shore highly shreds of ice floes. In the foreground and background people are looking for a safe place. See the pendant.

Richter, Ludwig, Views in the environs of Rome, Ponte Salaro, View of the Ponte Salario, recto lower left - embossed, print, prints, verso - stamped, height 154 mm, width 202 mm, German, 1803-09-28 - 1884-06-19, print maker, printmaker, 1831 - 1831, paper, papier, etching, etchings

The first May in Prater, template for, Gallerie Drollerie Scenen for the theater newspaper, st year, No, Johann Christian Schoeller -, artist

Washing League to Batavia, Anonymous, After Joan New Court, 1682 print paper engraving / etching / letterpress printing bee-hive Batavia

Chasovnia na meste ubieniia Sv. Kniazia Borisa.. Passek, Vadim, 1807-1842. Illustrations, Prints. 1840. General Research Division

Jakutów summer apartments; Unknown, Niemirów, Leopold (1810-1883), Draeger, F. (Moscow; Litographic insole; Ca 1850-1860); 1856 (1856-00-00-1856-00-00);

GRABADO-MERCADO DE NEGROS-COLONIZACION DEL BRASIL- NEGRERO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Views. Krzemieniec; Bichebois, Louis-Pierre-Alphonse (1801-1850), Bayot, Adolphe Jean Baptiste (1810-1866), Seydlitz, Józef Narcyz (1789-1845), Lemertcier, Rose Joseph (Paris 1899), Wilcza Ski, Jan Kazimierz (1806-1885); 1850 (1850-00-00-1850-00-00);

Outdoor scene, at night. A man in a sedan chair, being carried by two others toward left. Date: ca. 1820. Graphite, pen and ink, brush and watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

George Morland, 1763-1804, British, Set of Four: The Angry Farmer, 1790. Hand colored stipple engraving.

Brochocki, Walery (1847-1923), Spring; from: "Tygodnik Ilustrowany" 1876, no. 24, vol. I. Brochocki, Walery (1847-1923), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Choromański, A. (fl. 1870-1881), woodcutter

Louis-Philippe Fuyant. (IT)

The West India Washer-Women, Print made by Agostino Brunias, 1728-1796, Italian, active in Britain (1758-70; 1777-80s), after Agostino Brunias, 1728-1796, Italian, active in Britain (1758-70; 1777-80s), 1779, Stipple engraving and etching on moderately thick, moderately textured, beige wove paper, Sheet: 19 13/16 x 13 1/8 inches (50.4 x 33.3 cm), Plate: 12 3/8 x 9 3/8 inches (31.5 x 23.8 cm), and Image: 8 13/16 x 6 15/16 inches (22.4 x 17.7 cm), barefoot, carrying, child, children, cloth, earrings, genre subject, infant, jewelry, labor, landscape, laundry, mother, nude, paddle, river, rocks (landforms), trees, turbans, washing, women, workers, working, West Indies

Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, A Notch, or Dance of Dommies before a Moghul Gentleman, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Bottles; Zajkowski, Andrzej (1851-1914), Krajewska, Julia (Fl. 1884-1888), Konopacki, Jan Zdzis AW (1856-1894); 1884 (1884-00-00-1884-00-00);

Francisco de Goya (Spanish, 1746-1828). Even Worse (Tanto y Mas), 1810- 1815 (printed 1863). From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Iceberg of ice cream, 1823; Facial on an iceberg, three quarters of uuren from Harlingen located, being high 70 feet and wide 80 feet, so as it showed on the 26 January 1823. Iceberg of iceberg iceberg in Friesland in the area of Harlingen, 26 January 1823. On the Iceberg climb several people and see three Dutch flags. In the foreground visitors on the ice. See also the pendant.

Newspaper excerpt, Flooding of the Vienna Prater-Auen as a result of the ice cream jar, on February -, Gustav Imlauer, Xylographer

Feast in the Coroados village, in Mato Grosso, Historia naturalis palmarum, Atlas of a journey in Brazil, Leipzig 1823 - 1850, Johan Baptist von SPIX, 1781 - 1826, Bavarian zoologist, and Karl Friedrich Philip von MARTIUS, 1794 - 1868, Switzerland

Kurdy okrestnostei Karsa.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Reproduction of a painting: Aleksander Lesser (1818-1884), Wydobycie królowej Wandy z Wisły Retrieving queen Wanda from the Vistula; from: `Kłosy` 1884, vol. XXXIX, no. 1007, p. 257. Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

The bloodhound business. (see page 292). Illustrations. 1864. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division. Slavery, Bloodhound

Gabriel Jacques de Saint Aubin, Les chaises (lower half), 1760 Les chaises lower half

The title page Diverses Vues de Livoni. (Le moulin); Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Brandel, Konstanty-collection, Estonia, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni - Illustrations, Leitgeber, Witold - collection, Vernet, Claude -Joseph (1714-1789), Dar (provenance), French (culture), landscapes, title cards

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