Nature and Landscape Studies

Artworks featuring serene landscapes, trees, and natural elements, illustrating the harmony between humanity and nature in different styles.

Horse stables, Gambar, c. 1921 copper (metal) etching

Maruru (Offerings of Gratitude), from Noa Noa. Paul Gauguin (French, 1848-1903); printed by Max Kahn (American, born Russia, 1902-2005). Date: 1893-1894. Dimensions: 203 × 349 mm (image); 240 × 395 mm (sheet). Woodcut from a boxwood block, in gray on grayish ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hokitika Cemetery. drawings, works on paper

Farmhouse Surrounded by Trees. Armand Séguin; French, 1869-1904. Date: 1888-1898. Dimensions: 182 × 304 mm (image); 182 × 304 mm (plate); 307 × 448 mm (sheet). Etching in warm black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Cairati, Gerolamo (1860 1948)

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Drawings

Horse stables, Gambar, c. 1921 copper (metal) etching

Man on a couch on a waterfront, anonymous, c. 1900 - c. 1930 drawing A man on clogs is sitting next to a house on a couch along the waterfront. There is a rowing boat on the quay and trees and a bridge over the water can be seen in the background. paper. India ink (ink). pencil pen / brush sitting figure. landscapes with waters, waterscapes, seascapes (in the temperate zone). rowing-boat, canoe, etc.

Playing children in the Zandplek, in the Scheveningse Bosjes. Draughtsman: Willem Bastiaan Tholen. Dating: 1870 - 1931. Measurements: h 288 mm × w 385 mm. Museum: Rijksmuseum, Amsterdam.

Sunset Over the Hill, last half 1800s. Alphonse Legros (French, 1837-1911). Watercolor and gouache; sheet: 44 x 36.4 cm (17 5/16 x 14 5/16 in.); secondary support: 44 x 36.4 cm (17 5/16 x 14 5/16 in.).

The Tuileries Garden. Pierre Bonnard; French, 1867-1947. Date: 1925. Dimensions: 350 × 272 mm. Etching on ivory wove paper, retouched with graphite. Origin: France. Museum: The Chicago Art Institute, USA.

Barth Erwin (1880-1933), Menry Pichelswerder in Berlin-Spandau (1926): Perspective view with a view of the side path. Light break on the box, 110.2 x 75.6 cm (including scan edges) Barth Erwin (1880-1933): Ehrenmal Pichelswerder, Berlin-Spandau

Snow. Dated: c. 1910. Dimensions: plate: 8.7 x 8.7 cm (3 7/16 x 3 7/16 in.) sheet: 21.1 x 18.9 cm (8 5/16 x 7 7/16 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Elbert Burr.

Ghost Cypress. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 9 7/8 × 12 3/16 in. (25.1 × 30.9 cm)Plate: 7 15/16 × 9 15/16 in. (20.2 × 25.2 cm). Date: 1914-25.Florida. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Edward Alfred Goodall, 1819-1908, British, Perugia, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

Sur le chemin; Jasi Ski, Feliks Stanis Aw (1862-1901), 1908 (print); 1899-1900 (block) (1899-00-00-1900-00-00);Art Nouveau (style), Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, landscapes, Polish (culture), genre scenes, purchase (provenance )

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, A Love Song, a Love Song, from Twelfth Night(?), Gouache, watercolor, ink, White wove, 17.6 × 25.5 cm (6 15/16 × 10 1/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Egrets in the Snow. Attributed to Suzuki Harunobu ; Japanese, 1725 ()-1770. Date: 1763-1770. Dimensions: 27.6 x 20.6 cm (10 7/8 x 8 1/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute, USA.

A pencil drawing by Ferdinand Georg Waldmüller dated 1826-1829 showing multiple sketches of people, objects, and landscape features.

Ghost / sketch of horses. (double sided drawing) Head, Marian (1926 2019)

Barques sur un étang; Jasi Ski, Feliks Stanis Aw (1862-1901); after 1893 (1893-00-00-1900-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), landscapes, Poland (culture), ponds (geogr.), Purchase (provenance), swans (zool.), Łódz

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359105

Hanging. Probably designed by the Haslemere Peasant Industries; England, Surrey. Date: 1899-1901. Dimensions: 161.3 × 94.6 cm (63 1/2 × 37 1/4 in.). Linen, plain weave; appliquéd with linen, plain weave; embroidered with cotton in stem, buttonhole, and satin stitches. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Fort Manaar of the River seen by C. Steiger, Hübner & Van Santen Roeloffzen, 1890 - 1910 photograph Amsterdam paper. photographic support. cardboard drawing, sketch Fort Manaar (Ceylon)

Castle on a hill, Lodewijk Schelfhout, 1912 print A castle on a hill in a hilly landscape covered with trees. Paris paper drypoint landscape with tower or castle. low hill country

Robert Polhill Bevan, 1865-1925, British, Over the Bank, Exmoor, ca. 1895. Watercolor, with pen, in gray ink, and black ink on moderately thick, slightly textured, cream, wove paper.

Study of a treetrunk. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Landscape dedicated to Xiang Yuanbian dated 1578 Wen Jia Chinese The second son of Wen Zhengming (1470-1559), Wen Jia followed the precedent of his father and his father's mentor, Shen Zhou (1427-1509), and developed a thorough mastery of the painting styles of the four great masters of the late Yuan dynasty. Here, Wen Jia re-created the style of the Yuan master Wu Zhen (1280-1354), with its softly contoured mountains defined in pale texture strokes set off by dark black foliage dots.Wen painted this work for the famous art collector Xiang Yuanbian (1525-1590). In his longer inscription he transcribed the text of Summer Song, composed by the poet and official Huangfu Fang (1503-1582). In his shorter inscription he dedicated the painting to Xiang on the occasion of Xiang's fifty-fourth birthday. Xiang's enthusiasm for the work is attested to by the presence of fifteen of his seals.. Landscape dedicated to Xiang Yuanbian. Wen Jia (Chinese, 1501-1583). China. dated 1578. Hanging scroll; i

Kind, Bl. 5, Op. XI. Klinger, Max (1857-1920), graphic artist

Figure of the Mother of God, adored by fauns. Malczewski, Jacek (1854-1929), draughtsman, cartoonist

Wintergezicht, folio. .

Chikugo, section of sheet no 17 from the series Cutout Pictures of the Provinces (Kunizukushi harimaze zue) 1852 Japan. Color woodblock print; section of harimaze sheet . Utagawa Hiroshige

Flowers of a Hundred Worlds (Momoyogusa): Suminoe (Suminoe), 1909-10. Kamisaka Sekka (Japanese, 1866-1942). Color woodcuts with gold and silver; sheet: 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.). This print from a set of three woodblock printed albums displays the graphic design prowess of Kamisaka Sekka. The images were first distributed one by one to subscribers to the series but later were reissued in bound form, like this book, for mass consumers. Each print features a vignette taken from nature or Japanese literature. Many of the scenes have a long history in Japan, originating in the 900s or 1000s and having been interpreted by all manner of artists since that time. Sekkas selections hew closely to precedents from the Rinpa style originated by painter Tawaraya S?tatsu (c. 1570-c. 1640) and calligrapher Honami K?etsu (1558-1637).

Henri Jules Ferdinand Bellery-Defonaines (French, 1867 - 1910). L'Illusion, 1897. Color lithograph on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

Jorasse, Print made by William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Nach Dillis. Horst Janssen; German, 1929-1995. Date: 1973. Dimensions: 435 x 588 mm (plate); 592 x 777 mm (sheet). Etching and aquatint in blue green on pale orange laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Woman strolling along ariverbank. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

A Woman Walking along a Country Road (La Femme sur la Route). Dated: 1879. Dimensions: plate: 15.4 x 20.6 cm (6 1/16 x 8 1/8 in.) (irregular) sheet: 24 x 26.4 cm (9 7/16 x 10 3/8 in.). Medium: etching and aquatint with drypoint on wove paper. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Knows in Brittany (landscape Rubczak, Jan (1884-1942); around 1911 (1905-00-00-1915-00-00);

Tile tableau with farm in landscape. Tile tile of twelve tiles (4 x 3) with a purple painted farmhouse in a landscape with figures in the foreground within a frame of leaf raft.

The Big Tree. Dimensions: overall (approximate): 40.8 x 31.9 cm (16 1/16 x 12 9/16 in.). Medium: pen and brown ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Bamboo, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Full and leafy bamboo shoots create this motif. Silk threads were added to support the structure of the stencil., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Sweat; Makowski, Tadeusz (1882-1932); around 1927 (1927-00-00-1927-00-00);Contemporary painting, landscapes, purchase (provenance), École de Paris (style)

Winter Scene, Russia Il'ya Efimovich Repin (Russian, 1844-1930). , 1876. Opaque watercolor, translucent watercolor, and graphite on blue wove paper, 10 1/8 x 6 11/16 in. (25.7 x 17 cm). Ilia Repin painted this wintry landscape outside, on blue paper that creates an atmospheric backdrop, in his hometown of Chuguev (now Chuhuiv, in present-day Ukraine) on December 11, 1876, according to the Cyrillic inscription that is visible at the bottom of the watercolor. Repin made this sketch after returning from an artistic sojourn in Europe, a place that, he observed in 1872, “needs a flood of fresh strength from the provinces.” European Art 1876

Abend, Karl Wiener , Artist

Visiting a Friend in Autumn. Artist: Okada Beisanjin (Japanese, 1744-1820). Culture: Japan. Dimensions: Image: 53 11/16 x 11 9/16 in. (136.4 x 29.4 cm)Overall: 72 3/4 x 18 3/8in. (184.8 x 46.7cm).The water swirls beneath the pilings of the house on the river,the clouds encircle the mountainsides,on every branch the red leaves of autumn,the wooden gate opens to the guests.Beisanjin's poem and paintingActive in the late eighteenth and early nineteenth centuries, Beisanjin created spirited works that made a colorful contribution to the late phase of Nanga painting. A rice merchant by trade, Beisanjin associated with the sophisticated aesthetes of Osaka's literati circles, which inspired him to cultivate his avocation of painting. His brusque and seemingly naive brushwork has a certain power that captures the vivacious spirit of Osaka, a flourishing center of commerce and finance. Tanomura Chikuden (1777-1835) wrote that Beisanjin's paintings "are not what one could call technically

A Greek Woman Sitting on a Stone Wall. Paul René Gauguin; Norwegian, 1911-1976. Date: 1958-1959. Dimensions: 377 x 491 mm (plate); 391 x 500 mm (sheet, sight). Aquatint, with roulette and burnishing, drypoint, and selective wiping of plate tone on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Colored woodcut by Leopold Blauensteiner from 1903 depicting pastries in the snow, showing objects, snow, and surrounding surface details.

Gathering clouds. Gustav Kampmann (Germany, 1859-1917). Germany, circa 1899. Prints; lithographs. Lithograph printed in black and tan on greenish laid paper

Wall Paper. Dated: c. 1936. Dimensions: overall: 64.2 x 52.3 cm (25 1/4 x 20 9/16 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Albert Levone.

The Circle of the Falsifiers Dante and Virgil Covering their Noses Because of the Stench Inferno, canto XXIX Made 1827 England. Hand-colored engraving on India paper, laid down on wove paper (chine collÈ) . William Blake

Henryk Ziemb O (1879-1949), Ukrainian d Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); around 1908 (1903-00-00-1913-00-00);

Drawing, Design for Stained Glass Window; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, graphite on paper mounted on illustration board; Image: 17.3 x 9.4 cm (6 13/16 x 3 11/16 in.) Sheet: 26.3 x 12.5 cm (10 3/8 x 4 15/16 in.)

Cart. Louis-Rémy Robert (French, 1811 - 1882)

Dune landscape with a view of the sea. Draughtsman: Jan Toorop. Dating: 1906. Measurements: h 138 mm × w 179 mm. Museum: Rijksmuseum, Amsterdam.

Snowy Rooftops and Trees. Artist: Arthur Dove (American, Canandaigua, New York 1880-1946 Huntington, New York). Dimensions: 5 x 7 in. (12.7 x 17.8 cm). Date: ca. 1935. Museum: Metropolitan Museum of Art, New York, USA.

Siege of a city on the bank of a river, depicting the events related to the Siege of Nineveh. The artwork is dated 1853 and was published by J. Murray in London. It features elements related to forts and fortifications, campaigns, and notable historical figures such as Sennacherib, the King of Assyria. The image also highlights the geographic context of Nineveh, an extinct city, and its proximity to bodies of water

Arbonne: Le Gros Sablon. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1908. Dimensions: 81 × 120 mm (image); 177 × 214 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Hudson from Riverside Drive. Dated: 1914. Dimensions: image:121 x 76mm sheet:140 x 89mm. Medium: halftone offset lithograph. Museum: National Gallery of Art, Washington DC. Author: Rachael Robinson Elmer.

Edouard Vuillard, Across Country (A travers champs), 1897 1898 (published 1899) Across Country (A travers champs)

John Thomas Serres, 1759-1825, British, Dover Castle, North East, 1/2 North (one of five drawings on one mount), undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

England: 'The Flood of Noah', ink and pigment on parchment, William de Brailes, Oxford, c. 1250

Monkey Bridge in Kai Province (Koyo Saruhashi no zu). Utagawa Hiroshige ; Japanese, 1797-1858. Date: 1836-1847. Dimensions: 73 x 25.1 cm (28 3/4 x 9 7/8 in.). Color woodblock print; vertical oban diptych. Origin: Japan. Museum: The Chicago Art Institute, USA.

Oskar Laske's 1950 gouache shows farmers plowing a field with a manor and pond in the background, capturing figures, landscape, and activity.

Paris (VIIE arr.), France The exhibition of decorative arts, pavilion of stained glass, the sea, Léon-Paul Fargue and G. Bastard collaborator , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , Pavillon du Vitrail , La Mer , Léon-Paul Fargue et G. Bastard collaborateur). Sea , ocean, represented animal , fantastic animal, interior view, decorative arts, fish, stained glass, exhibition, exhibition of decorative arts, algae, ephemeral architecture, Animal , Habitat , Architecture , Art, EAD - Galie des Vitraux - Le Fond de la Mer France, Paris, Exhibition of decorative arts, Galerie des Vitraux "Le Fond de la Mer

The acclimatization garden, sketch for the Town Hall Paul Vayson (1842-1911). The acclimatization garden, sketch for the Town Hall. Oil on canvas, 1888.

Landscape with hot air balloon, Max Beckmann, 1918 - 1919 München paper drypoint München paper drypoint

Stefan Filipkiewicz, Książeczka Halusi Little Hala’s book, book of poems for little children. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Jabłoński, T. i Spółka (Kraków ; zakład reprodukcyjny ; 1890-1926), reproduction atelier, Filipkiewicz, Stefan (1879-1944), draughtsman, cartoonist, Centnerszwer, Gabriel i Spółka (Warszawa ; księgarnia nakładowa), publisher, Altenberg, Herman (Lwów ; księgarnia nakładowa ; 1880-1934), publisher

Castle in Moonlight. James Makgill Heriot Maitland (Scottish, 1837 - 1902) mid-19th century Drawing and paper cutting of a castle next to a lake with a full moon reflecting in the water. (Recto) lower center, cut from the paper: "No. 3";

Artist: Katsushika Hokusai, Japanese, 1760-1849, Amida Waterfall Deep in the Distance on the Kiso Road, from the series Tour of Waterfalls in VariousProvinces, ca.1834-35, Ukiyo-e; polychrome woodblock print, sheet: 14 1/2 × 9 5/8 in. (36.8 × 24.5cm), Japan, Japanese, Edo period(1615-1868), Works on Paper -Prints

The Courtesan Nanaaya of the Kadokanaya and Her Attendant 1771-1786 Japan. Color woodblock print; hashira-e . Isoda Koryusai

Landscape with a bridge and city full page illustration against the poem Flame rhythm in: Zygmunt Lubicz Zaleski, on a narrow sleep and storm. Tadeusz Józef Makowski, Warsaw Paris Kraków: Centnerszwer I SKA, 1914, p. 109 arranged and decorated. Makowski, Tadeusz (1882 1932), Centnerszwer and S ka, Reiff, A. Heymann

Dancing Town (The Top of the World). Dated: 1922. Dimensions: image: 54.3 x 44 cm (21 3/8 x 17 5/16 in.) sheet: 71 x 58.4 cm (27 15/16 x 23 in.). Medium: black chalk, pen and brush and black ink, and pen and white ink with scratching out over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: George Bellows.

Ornament with Eagle and Garlands. Artist: Aug. Strubeker (German, active 19th century) . Dimensions: sheet: 9 5/16 x 13 5/8 in. (23.7 x 34.6 cm). Date: 1833. Museum: Metropolitan Museum of Art, New York, USA.

Puy Bariou and Creuse (near Crozant) Armand Guillaumin (1841-1927). "The Puy Bariou and the Creuse (near Crozant)". Pastel on paper, circa 1895. Museum of Fine Arts of the city of Paris, small palace.

Barth Erwin (1880-1933), Bismarckplatz in Stolp (1928): Perspective view with a view over the square on the Bismarck monument. Coal on transparent, 29.7 x 42.2 cm (including scan edges) Barth Erwin (1880-1933): Bismarckplatz, Stolp

WITH THE MARQUIS OF LORNE IN CANADA

Alte Weide; Luntz, Adolf (1875-1934); 1895 (1895-00-00-1895-00-00);

Colored woodcut by Karl Schmoll von Eisenwerth depicting a garden scene with plants, pathways, and architectural elements, emphasizing natural forms and composition.

Fayette Anthony Dapron, Afterglow, 1928, drypoint on paper.

Game of the spinning head and the fly. Board game with a big representation of a spider in a large spider web with numbered boxes. In the background a river landscape and different animals. In the undermaster the game rules in letterpress.

Cloaked man in landscape - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

There is a Happy Land, a "Wiggle Much" design. Artist: Herbert E. Crowley (British, London 1873-1939 Zurich). Dimensions: Sheet: 8 7/8 × 11 5/16 in. (22.5 × 28.7 cm). Date: ca. 1910. Museum: Metropolitan Museum of Art, New York, USA.

Jane Meade, Le Lapin Agile, 1867, aquatint on paper.

Illustration to the Divine Comedy by Dante Alighieri, Dalí, Salvador (1904-1989)

A watercolor sketch with deck white by Rudolf von Alt depicting 'Die Kurpromenade' in Teplitz, created in 1876, emphasizing landscape, architectural elements, and spatial composition.

Anefo photo collection. Art auction in Bouw van Waay van Waay in Amsterdam View day: Painting "fence in treey landscape" by Karel Apple /. 21 February 1969. Amsterdam, Noord-Holland

Raining fish. In: 'Der Wunder-reiche Uberzug unserer Nider-Welt....' by Erasmus Francisci; 1680.

Ex Libris Maria DeWitt Jesup. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 4 15/16 × 3 1/2 in. (12.5 × 8.9 cm)Plate: 3 1/16 × 1 15/16 in. (7.8 × 5 cm). Date: 1914.Bookplate for Maria DeWitt Jesup. Museum: Metropolitan Museum of Art, New York, USA.

Ex Libris van Jaromír Malý, Josef Hodek, 1866 - 1927 paper book. woman (showing herself) undressed, quasi-nude. landscapes

$Cimeti \ `ere a ballancourt; Jasi Ski, Feliks Stanis Aw (1862-1901), 1908 (print); around 1896-1897 (block) (1895-00-00-1908-00-00);Art Nouveau (style), Ballancourt-Sur -ssonne (France), Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, cemeteries, French (culture), French graphics, Polish graphics, city landscapes , Poland (culture), purchase (provenance)$

The Road To The Monument, 1850-1880. Elijah Walton..

He Careth for You, Christmas & Santa

Landscape with hikers: funeral procession (). Design for a print.

Travelling on ox; two cards from the album: Fugaku hyakkei (100 Views of Mt. Fuji),. Katsushika, Hokusai (1760-1849), graphic artist

Drawing by Ferdinand Boberg. Värmland, Färnebo hd. o sn., Persberg, Nordic

Drawing Funnen omärkt i magasinet.

Clearing. Dressler, Adolf (1833-1881), draughtsman, cartoonist

Loving couple in thickets. Draughtsman: Peter van Straaten (signed by artist). Dating: 1945 - 2010. Place: Amsterdam. Measurements: h 247 mm × w 286 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with a horse and cart. Draughtsman: Gerard ter Borch (II). Dating: c. 1645 - 1681. Place: Zwolle. Measurements: h 90 mm × w 420 mm. Museum: Rijksmuseum, Amsterdam.

Male at Zonblantang aan Zee, Félix Edouard Vallotton, 1892 print paper sunset. evening. sea (seascape)

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