Nature-Themed Prints and Etchings

A series of nature-focused prints and etchings featuring landscapes, trees, and serene environments, highlighted with delicate textures and soft tones.

Allegory of medicine, draughtsman: Jacques Kuyper, 1788, paper, ink, pen, brush, height 109 mm × width 147 mm

David Lucas, Milford Bridge, 1826, etching on chine collé on cream wove paper.

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

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La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Arcadisch landschap.Design for a painting.

Village Road, plate four after Pictures of Farms, Country Houses and Rustic Villages (Praediorum villarum et rusticarum casularum icones). Claes Jansz. Visscher (Dutch, 1587-1652); after Unknown Flemish Artist, misidentified as Pieter Bruegel, the elder (Flemish, 1525/30-1569). Date: 1612. Dimensions: 100 x 154 mm (image); 104 x 158 mm (plate); 118 x 171 mm (sheet). Etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Claes Jansz. Visscher, II.

Allegory of medicine, draughtsman: Jacques Kuyper, 1788, paper, ink, pen, brush, height 109 mm × width 147 mm

Ascending country road. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 63 mm × w 97 mm. Museum: Rijksmuseum, Amsterdam.

Footbridge (La passerelle). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Near the Mill (Pres du moulin). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Alphonse Legros, Old Village (Ville vieille) Old Village (Ville vieille)

Old Village (Ville vieille). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Face at Tine in Braamse, draughtsman: Egbert van Drielst, 1755 - 1818, paper, brush, h 228 mm × w 372 mm

The fruit harvest, Allaert van Everdingen (possibly), 1631 - 1675, draughtsman: Allaert van Everdingen, (possibly), 1631 - 1675, paper, brush, h 133 mm × w 210 mm

Print portfolio `Croquis a LEau-Forte par Henri Rouart`, chart 3: Scene in the park. Rouart, Henri Stanislas (1833-1912), graphic artist, Deltre, Auguste (1822-1907), publisher

Man with rake by a barn Landscapes (A-F) (series title), print maker: Carel Lodewijk Hansen, Netherlands, c. 1780 - 1840, paper, etching, h 143 mm × w 227 mm

Forest face. Draughtsman: Simon de Vlieger. Dating: 1610 - 1653. Measurements: h 408 mm × w 484 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with tomb, Abraham Genoels, 1650 - 1723 print A landscape with a tomb centrally Paris (possibly) paper etching landscapes. grave, tomb

Saint Valéry en Caux Pankiewicz, Józef (1866 1940)

Caruelle d'Aligny, Théodore Claude Félix (n.1798-01-24-D.1871-02-24), landscape with a tower (main title), 1826. Graphite pencil. Petit Palais, Museum of Fine Arts of the City of Paris.

Joseph Mallord William Turner, Apuleia in Search of Apuleius Apuleia in Search of Apuleius

Figure on a country road in Valkenswaard. Leaf 37 Recto from a sketchbook with 42 sheets.

Landscape with a Pedimented Temple and Two Figures. Artist: Giovanni Francesco Grimaldi (Italian, Bologna 1606-1680 Rome). Dimensions: Sheet: 12 3/8 x 8 7/16 in. (31.5 x 21.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

La liseuse: La lecture sous les arbres , Trees, Alphonse Legros (1837-1911)

Un village , Villages, Alphonse Legros (1837-1911)

Harmensz van Rijn Rembrandt (1606-1669). "La Chaumière surrounded by boards" (B 232 - 1st state), 1648. Museum of Fine Arts of the city of Paris, Petit Palais. 27016-19 Campaign, canal, landscape, engraving, house

Krajobraz z chatami i rybakiem. Morgenstern, Carl Ernst (1847-1928), graphic artist

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Landscape with ruin and two figures, print maker: Willem Matthias Jan van Dielen, (mentioned on object), Netherlands, 1859, paper, etching, h 123 mm × w 196 mm

A set of pencil sketches by Ferdinand Georg Waldmüller illustrating various themes such as architecture, landscape, and human figures, emphasizing structure and proportion.

A figurehead placed on a tree, drawn in black chalk by Jan Josefsz van Goyen, with restoration in the upper right corner.

Return from the Market. Louis Auguste Lepère; French, 1849-1918. Date: 1911. Dimensions: 145 × 198 mm (image); 154 × 219 mm (plate); 197 × 254 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rhine, Rembrandt van, Farm and stables, with a seated draughtsman, verso lower left - stamped, print, prints, height 130 mm, width 208 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1643 - 1647, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Landscape with woman and child Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Landscape with woman and child. Graphite pencil, white chalk rehaught, faded on paper.

Near Arnhem, Barend Cornelis Koekkoek, 1813 - 1862, draughtsman: Barend Cornelis Koekkoek, 1813 - 1862, paper, h 250 mm × w 330 mm

On the Test, Francis Seymour Haden, English, 1818-1910, Etching, England, 1859, Print, Print

Plate 7, Traité de la Gravure à l'Eau-Forte: Traveler on a Road in a Forest, 1866. Maxime Lalanne (French, 1827-1886). Etching and drypoint; sheet: 24.9 x 17.5 cm (9 13/16 x 6 7/8 in.); platemark: 18.3 x 11.6 cm (7 3/16 x 4 9/16 in.).

Francis Seymour Haden, 1818-1910, British, Newcastle in Emlyn, 1864. Etching and drypoint on medium, slightly textured, cream laid paper.

Cottages beside a Canal with a Church and Sailing Boat, c. 1645, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 5 1/2 x 8 1/4 in. (13.9 x 20.9 cm) (sheet), Etching and drypoint, The Netherlands, 17th century

Tuscany landscape. Jabłczyński, Feliks (1865-1928), graphic artist

Bord de la Loire , Rivers, Alphonse Legros (1837-1911)

Jean-Baptiste-Camille Corot, Souvenir d'Italie, 1866, etching on chine collé.

Mountainous Landscape with a Rock, Trees, and Buildings. Artist: Domenico Campagnola (Italian, Venice () 1500-1564 Padua). Dimensions: 6 7/8 x 5 13/16 in. (17.5 x 14.7 cm). Date: ca. 1520.Domenico Campagnola, the adopted son of the painterand engraver Giulio Campagnola, became a noted draftsman,engraver, and painter in his own right. He executed numerousdrawings, primarily of landscapes, intended as finished worksof art; Domenico has thus been called the first "draftsmanby profession." This sheet is an excellent example of hisearly style, which was influenced by Titian. The variation ofthe pen line--from the broad, heavy cross-hatching in theforeground to the more dense lines in the distant buildings--imparts a rhythmic intensity to this otherwise tranquil scene. Museum: Metropolitan Museum of Art, New York, USA.

Jakob Gauermann's 1798 red chalk drawings depict a forest landscape with figures and a city with mountains, emphasizing natural scenery, architecture, and spatial composition.

Sir Robert Smirke the younger, 1781-1867, British, Perugia to the North, 1804. Graphite on moderately thick, moderately textured, beige, wove paper.

The Tower of Henry VIII. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1856. Dimensions: 117 × 158 mm (image); 287 × 360 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Francis Seymour Haden, 1818-1910, British, A Byroad in Tipperary, 1860. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

Sub Tegmine... Francis Seymour Haden; English, 1818-1910. Date: 1859. Dimensions: 227 × 152 mm (image/plate); 341 × 266 mm (sheet). Etching and drypoint on cream Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Alphonse Legros, French, 1837-1911, Le Long de laRive, Drypoint and etching, platemark: 17.6 × 21.7 cm (6 15/16 × 8 9/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

View of a cemetery near Thessaloniki, Louis Godefroy, 1917 print paper etching / drypoint landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc. Thessaloniki

A Bellot, 1915. Auguste Louis Lepère (French, 1849-1918). Etching;

Le Petit Pont. Alphonse Legros (French, 1837-1911). Etching and drypoint;

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Knotwilgen on the Waterkant, Augustinus Jacobus Bernardus Wouters, 1839 - 1904 print Face over a water with four pollard willows. In the foreground two figures in a sloop and a mill in the background. paper etching trees: willow. windmill. rowing-boat, canoe, etc.

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Axel Theodor Kittendorff (1821-1868); His Harder (1792-1873), trae on a sacrapor by the sea, (1840)

Bord de la Loire , Rivers, Alphonse Legros (1837-1911)

The Gardens of Horace. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1855. Dimensions: 367 × 295 mm (image); 377 × 310 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lincent. Fonteyn by Lainsan (title on object). Draughtsman: Constantijn Huygens (II). Dating: 13-Oct-1675. Measurements: h 104 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

River Bank. Dated: 1635 or after. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jacques Callot.

Rydal, Capt. Thomas Hastings, 1778-1854, British, 1836, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm) and Binding: 10 5/8 inches (27 cm)

The Road to Houssoye. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 181 × 266 mm (image); 192 × 275 mm (plate); 245 × 320 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Mill-Wheel. Dated: 1874. Medium: etching (and drypoint) in dark brown. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Souvenir dOstie (Memory of Ostia). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Under Brzozami according to the painting of Johan Edvard Bergh. Czech Magazine. Bong, Richard (1853 1935), Bergh, Johan Edvard (1828 1880)

Draftsman landscape (Bartsch 219) Rembrandt (1606-1669). The distributor landscape (Bartsch 219). Fight, European paper. 1645. Museum of Fine Arts from the city of Paris, small palace.

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, pen and ink, brush and watercolor on tracing paper, A man upon a vehicle which is drawn by two horses points the direction to a walker. Two women are shown at the side of the road. Two riders ride backwards., France, 1845-1850, Drawing, Drawing

People on the terrace at a garden. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 210 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Angers, létang Saint-Nicolas (Angers, Saint-Nicholas Pond). Artist: Auguste Lepère, French, 1849-1918

Old Customs House, Rome. Jean Jacques de Boissieu (French, 1736-1810); after Jacob van Ruisdael (Dutch, 1628/29-1682). Date: 1807. Dimensions: 185 × 301 mm (image); 238 × 346 mm (plate); 248 × 365 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pencil sketches by Ferdinand Georg Waldmüller depicting a variety of subjects, including natural landscapes, human figures, and architectural forms, highlighting detail and structure.

Haarlem, Barbiers, Pieter Bartholomeusz., Six representations including landscapes, cityscapes and figures., verso - stamped, On the left a woman at a ruin, above that a bridge with a boat underneath. Depicted larger is a landscape with a river, cows, trees, a house, a mill and boats. On the right half of the sheet at the top a resting walker with below that a woman, seen from the back, with a child in her arms and on her skirt. Depicted larger is a moonlit garden with a pond and a garden house., print, prent, prints, prenten, height 218 mm, width 274 mm, height 215 mm, width 267 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, prentmaker, 1809 - 1837, paper, papier, lithografie (technique), zinkografie

Karel Dujardin, Title Page with Fountain, 1652 Title Page with Fountain

The Great Oak Made 1907 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Jean Baptiste Camille Corot, Ambush (L'Embuscade), 1858 Ambush (L'Embuscade)

The Debacle of DeLesseps. Artist: Joseph Pennell, American, 1857-1926

Woman with basket on her head in fordable place, Hendrik Jozef Franciscus van der Poorten, 1841 print paper etching wading, paddling - AA - female human figure

Chteau Touraine. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 134 x 98 mm (image, trimmed within plate mark); 138 x 98 mm (sheet). Etching with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Little Poigny. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 76 x 90 mm (image/plate); 79 x 92 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Landscape with Farm Laborers. Charles Émile Jacque; French, 1813-1894. Date: 1845. Dimensions: 111 × 198 mm (image); 116 × 205 mm (chine); 121 × 206 mm (plate); 301 × 425 mm (sheet). Etching on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Presumably a hedge closes the street. Sheet 3 verso from a sketchbook with 31 sheets, Dead end street with a figure, draughtsman: Bramine Hubrecht, 1892 - 1913, paper

Opłotki wiejskie ze strumykiem w sztucznym korycie. Morgenstern, Carl Ernst (1847-1928), graphic artist

Ruins of the San Lorenzo Vecchio near Bolsena, Bartholomeus Breenbergh, 1639 - 1640 print paper etching landscape with ruins San Lorenzo Vecchio. Bolsena

A By-Road in Tipperary. Francis Seymour Haden; English, 1818-1910. Date: 1860. Dimensions: 191 × 287 mm (image/plate); 220 × 357 mm (sheet). Etching and drypoint on ivory Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Ferry (Le Bac). Dated: 1850. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

Rijn, Rembrandt van, View of some houses with trees and a tower, verso center right, print, prints, Libert de Beaumont 1784, verso lower left - pen in brown, verso center bottom, height 122 mm, width 320 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1649 - 1653, second quarter 17th century, third quarter 17th century, paper, etching, etchings, plate tone, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Lattice Work and Reflecting Pool at Arcueil. Jean-Baptiste Oudry; French, 1686-1755. Date: 1744-1747. Dimensions: 305 × 234 mm. Charcoal with stumping, and with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Heernburg in Rijswijk. Draughtsman: anonymous. Dating: 1600 - 1800. Measurements: h 91 mm × w 149 mm. Museum: Rijksmuseum, Amsterdam.

Autumn - Sowing Grain, John Hassell, 1767-1825, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, open etching as published

Jean Baptiste Camille Corot, Souvenir of the Sole Valley (Souvenir de la Vallee de la Sole), 1871 Souvenir of the Sole Valley (Souvenir de la Vallee de la Sole)

At Scoutton, 1812-1813, by John Crome. Gift of Sir John Ilott, 1969.

Moonlight scene with figures for a hut, Franz Edmund Weirotter, 1760 print Three people outside with two huts and a few trees, in the moonlight. paper etching moonlight. rural housing, e.g. country-house, villa, cottage

Etched by Joseph Mallord William Turner, 1775-1851, British, Dumbarton Rock, between 1813 and 1823. Etching, printed in brown ink on medium, slightly textured, cream wove paper.

Zagroda. Menzel, Adolph (1815-1905), graphic artist

Landscape with a wooden bridge, Allaert van Everdingen, 1631 - 1675, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, pen, brush, h 120 mm × w 160 mm

. Landscape with a rich a farm and a hay manure. For the farm a group of two women and two men, from whom one swings a pig. Trees at farm and hay manure have been adapted compared to previous states. On the left on a trail a walking man. In the background a hay manure and church tower. Before the air. Twelfth print from a series of thirteen with months.

Two Cottages ca. 1636 Rembrandt (Rembrandt van Rijn) Dutch Rembrandt is rightfully considered the outstanding Dutch artist of the seventeenth century. He was a masterful painter, draftsman, and etcher who keenly observed his surroundings and summarized his vision with the seeming effortless handling of the brush, pen, and stylus.This energetic drawing deftly combines the summary and the specific. The apparent sketchiness of the second cottage and trees is as deliberately sought as the elaborately detailed first cottage, its figures, and the carriage lacking a wheel. Rembrandt appears to have used white gouache in areas where he found his pen and ink definition unacceptable. The drawing has been grouped with a number of sketches Rembrandt made in the outskirts of Amsterdam in the early 1640s, when he also produced several comparable landscape etchings.. Two Cottages 459318

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