Nautical Scenes and Maritime Art

A collection of prints showcasing ships navigating turbulent seas, featuring various vessels, storms, and maritime activities, rendered in detailed engravings and etchings.

Velde, Willem van de, Greenwood, John, Three sailing ships at sea, verso lower left - stamped, Three Dutch sailing ships on a rough sea., print, prints, width 301 mm, height, 213 mm, Northern Netherlands, American, 1727-12-07 - 1792-09-15, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, roulette, intermediary draughtsman

Sea Piece, Captain William Baillie (Kilbride,Co. Carlow, Ireland, 1723 - 1792)

A yacht and three warships in a storm. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 5 × 11 in. (12.7 × 28 cm)Sheet: 5 1/4 × 11 1/16 in. (13.4 × 28.1 cm). Series/Portfolio: Sea Storms4 plates. Date: 1665.A yacht tossed by waves of the stormy sea in foreground at right, warships on both sides behind, barrel floating at center foreground. Museum: Metropolitan Museum of Art, New York, USA.

Brik and other ships on a wide waters, Gerrit Groenewegen, 1793 print Seascape with sailing ships and in the foreground a sloop with two figures. One of the men in the sloop is rowed, while the other pours out a fishing net at the rudder. This print is part of a series of five prints with different sailing ships. In the margin on the right: 3. Rotterdam paper etching ships (in general)

A Merchant Man Careened for Caulking the Hull 17th century Reinier Nooms, called Zeeman Dutch. A Merchant Man Careened for Caulking the Hull 381316 Artist: Reinier Nooms, called Zeeman, Dutch, Amsterdam ca. 16231664 Amsterdam, A Merchant Man Careened for Caulking the Hull, 17th century, Etching; second state(), sheet: 4 1/2 x 8 1/8 in. (11.5 x 20.6 cm). The Metropolitan Museum of Art, New York. Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 (24.63.471)

Armed Three-Master Anchored Near a City from The Sailing Vessels. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Frans Huys (Netherlandish, 1522-1562). Dimensions: plate: 9 1/8 x 11 9/16 in. (23.2 x 29.4 cm)sheet: 10 1/4 x 13 3/8 in. (26.1 x 33.9 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA.

Sailing three-master with a lighthouse and sailing ships in the background; Fluyt; Sailing ships. The print is part of a six-part series with performances of different sailing ships.

Renier Zeeman (around 1623-1667). Several vessels and marchands ship n ° 2: a marchand vessel in fairing to caulk the shell (Hollstein 89). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Redout van Willemstadt, Bonaventura Peeters (I), 1624 - 1652 print View of the defenses of Willemstad, located on the sea coast. Antwerp paper etching permanent fortifications. sea (+ landscape with figures, staffage) Willemstad

Seascape with naked figures in a rowing boat, Gerrit Groenewegen, 1764 - 1826 print Seascape with different ships. On the right side at the beach is a rowing boat with five naked figures that swim or prepare for this. There are also three figures on the beach. Rotterdam paper etching / engraving rowing-boat, canoe, etc.

Velde, Willem van de, Greenwood, John, Three sailing ships at sea, verso lower left - stamped, Three Dutch sailing ships on a rough sea., print, prints, width 301 mm, height, 213 mm, Northern Netherlands, American, 1727-12-07 - 1792-09-15, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, roulette, intermediary draughtsman

Port with ships, in the air the fall of Icarus. A port with two large ships. A group of fishermen hangs their nets to dry and counts their catch. In the background a city. In the air the fall of Icarus, and Daedalus that surrounds indignant. Under the print a verse in Latin and a poem in Dutch about moderation.

View of Amsterdam with Ships in Foreground, 1701. Ludolf Backhuysen (Dutch, 1631-1708), Ludolf Backhuysen (Dutch, 1631-1708). Etching; sheet: 22.4 x 29.4 cm (8 13/16 x 11 9/16 in.); platemark: 18 x 23.5 cm (7 1/16 x 9 1/4 in.).

Waterproof making of the bodies of two ships; Thirteen scenes with ships. Two large sailing ships passed through coasters, men standing on a raft around the ships working on the waterproofing of the hulls. Totally left a flute, a merchant ship.

Seascape with different ships at a yard, Reinier Nooms, 1656 - 1659 print Several large sailing ships and a rowing boat near a yard. paper etching / drypoint sailing-ship, sailing-boat

Renier Zeeman (around 1623-1667). Several vessels and marchands ship n ° 7: a vessel dismantled in a rocky bay (Hollstein 94). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Seascape with two three masters, Adam Silo, 1689 - 1760

Leading of the ship De Zon, 1768, Reinier Vinkeles (I), 1769 - 1773 print The launch or expiration of the corner ship De Zon in front of the VOC on the Scheepstimmerwerf at the East India Zeemagazijn in Amsterdam, in the presence of Stadholder William V and Princess Wilhelmina van Pruisen, 2 June 1768. Part of a press series with title print and 14 plates of the Inreming van de Prins and Princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving public festivities on the occasion of royal events. launching a ship East Indian sea warehouse

Three Caravels in a Rising Squall with Arion on aDolphin. Engraver: Frans Huys, Flemish, ca.1522-before 1562 After: Pieter Brueghel the Elder, Flemish, ca. 1525-1569

Plate 37: Triumphal ship with fireworks display to the right; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Artist: Jacob Neeffs (Flemish, Antwerp 1610-after 1660 Antwerp). Dimensions: Sheet (Trimmed): 11 7/8 × 15 1/4 in. (30.2 × 38.8 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum o

Renier Zeeman (around 1623-1667). Some sea ports n ° 6: Bay with sailboats (Hollstein 101). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. Eat, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Sextroh hunts the Marianne, 1782, Hendrik Roosing, After Jan Kobell (I), 1782 - 1784 print The Zierikzean Kaperkapitein J.W. Sextroh hunts on the English Oostzevaarder The Marianne on November 20, 1782. The ship would later be taken by Pierre Le Turcq. Part of a group of five illustrations of the conquests by Pierre Le Turcq in 1782. In the margin the title with the weapon of Zeeland in the middle. Marked at the bottom right: proof. print maker: Northern NetherlandsNorthern Netherlandspublisher: Rotterdam paper etching / engraving battle (+ naval force). Fourth Anglo-Dutch War

Seascape with various sailing ships, Reinier Nooms, 1651 - 1652 print Different sailing ships on the water, a fishing boat with a net off. print maker: Netherlandspublisher: Amsterdam paper etching / engraving sailing-ship, sailing-boat. sports, games ~ animals (+ net)

Cornelis Ploos van Amstel and Bernhard Schreuder after Jacob Esselens, Canal at Utrecht, 1771 Canal at Utrecht

Plate 38: Triumphal ship with the city of Ghent in the background; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Johannes Meursius On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 38: Triumphal ship with the city of Ghent in the background; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'.

Jipper with full sails sailing to the left; Right shore a farm. Print from a series of eight with marines.

River face, Gerrit Groenewegen, 1764 - 1826 print In the foreground a barge with cattle and two figures. On the left are five cows and two men. A number of ships can be seen in the background. Rotterdam paper etching / engraving ships (in general) - CC - more than one ship

Galley and other vessels in a sea storm Sea storms , print maker: Wenceslaus Hollar, (mentioned on object), Wenceslaus Hollar, (mentioned on object), publisher: Peter Stent, (mentioned on object), London, 1665, paper, etching, h 123 mm × w 271 mm

Elisha Kirkall after Willem van de Velde the Younger, Shipping Scene with Man of War, 1720s Shipping Scene with Man-of-War

View of the eastern part of Amsterdam, seen from the IJ. Ships are sailing in the foreground, the outline of Amsterdam in the distance. In the margin the title in Dutch and French with the city's coat of arms in the center. View of the eastern part of Amsterdam, seen from the Y, Amsterdam vers le point de l'Est, prese du TY., print maker: Mathias de Sallieth, (mentioned on object), intermediary draughtsman: Dirk de Jong, (mentioned on object), publisher: Evert Maaskamp, (mentioned on object), Amsterdam, 1805, paper, etching, engraving, h 280 mm × w 393 mm

South Sea Fishers 1850 France. Etching, drypoint and roulette on ivory wove paper . Charles Meryon

River view with sailing ships and a sloop, Two sailing ships and a sloop in which two figures on a river, river (landscape with figures, staffage), sailing ship, sailing boat, Johannes van Hiltrop (mentioned on object), Utrecht, 1774 - 1814, paper, etching, h 79 mm × w 110 mm

Sailing ships near a harbor; A gaffel Schuyt, and the HAVE of Harlingen; Sea, country, and stream lust. Sailing ships in restless water near a harbor, in the background sail more ships. Two figures look out on the shore over the water. Print is part of a series of prints with performances from different ships.

Dutch Ships at Anchor. Artist: Willem van de Velde II (Dutch, Leiden 1633-1707 London). Dimensions: sheet: 3 7/8 x 8 1/2 in. (9.8 x 21.6 cm). Date: mid-17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Ship sails away from the ice, ca. 1725, 1720 - 1730 The ship sails away from the ice, ca. 1725. In the foreground some polar bears. Part of the series about whaling. Printed on the same leaf as No. 13. print maker: Northern Netherlandspublisher: Amsterdam paper etching The ship sails away from the ice, ca. 1725. In the foreground some polar bears. Part of the series about whaling. Printed on the same leaf as No. 13. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Visscher, Claes Jansz. (II), Haarlem, Kleynhens, Bernardus, Porcellis, Jan, Northern Netherlands, Baudous, Robert de, Diverse Navires Don ton se sert ins les Provinces Unies, Icones Variarum Navium Hollandicarum quarum usus maximè in aquis interioribus regionis, Dutch ship types, 1627, Damloopers large about 16 Last, Damloopers de 16 Tonneaux, Damloopers, small cargo ship for inland navigation, at sea. Print no. 3 in a series of prints of Dutch ship types, 1627., print, prent, prints, Frederik Muller Historieplaten, height 175 mm, width 250 mm, 1574 - 1659, print maker, prentmaker, 1627 - 1627, second quarter 17th century, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchingsen, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1584 - 1632-01-29, after a design by, Publication (Event), Publicatie, 1702-12 - 1779-09-21, publisher, uitgever, 1586 - 1652-06-19

Harpaining the whale, ca. 1725; Harpaining the whale, or drawing the harpoon / das harpunieren des Wallfisches, Oderin Einwerffen des Harpoens / The Sticking of the Whale with the Pike; Whaling. Harpaining the whale from sloops in the ice cream, ca. 1725. Part of the series about whaling. Printed on the same sheet as no. 1.

Face over the water on Dokkum ..

Amsterdam, Pool, Matthijs, Apenspel, Monkeys in a boat, ca. 1720, verso - stamped, Monkeys in a boat on the water. In the caption verses in French and Dutch. Print no. 16 in a series of 16 prints from ca. 1720 in which monkeys appear as people in all kinds of household scenes., print, prints, Frederik Muller Historieplaten, height 163 mm, width 207 mm, Noord-Nederlands, 1676 - 1740-03-25, print maker, printmaker, 1720 - 1720, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

The ship on the high seas, plate no. 12, ca. 1700; The ship in the high seas, from the yard died; The construction and fortunes of a ship in 16 plates, ca. 1700; Navigiorum Aedificatio. The ship sailing on the high seas. No 12 From series of 16 prints on which the construction and fortunes of a ship are depicted. With captions in Dutch and Latin.

Sailing ship and sloop with soldiers, anonymous, after Pieter Bruegel (I), 1600 - 1625 print A sailing ship with a side sword full of soldiers. On the right in the foreground a sloop with soldiers. On the left a rowing boat with two figures. On the far left a city. paper engraving sailing-ship, sailing-boat

Repairs to a large sailing ship, Reinier Nooms, 1656 - 1659 print A large sailing ship, an Amsterdam warship, lying in a yard. Repairs are carried out on the hull. Netherlands paper etching / drypoint dry-dock, floating-dock. sailing-ship, sailing-boat

Discovering the Whale, 1682, 1682 print The fisherman Joost Kok from Vianen discovers the whale. In the caption a verse of 4 lines. Print no. 1 in a series of six prints about catching a whale near Sint Annaland on the island of Tholen, October 7, 1682. Northern Netherlands paper etching swimming mammals: whale. whale fishery, whaling Sint Annaland

Seascape with a Fishing Boat, print maker: Bonaventura Peeters (I), Antwerp, 1624 - 1652, paper, etching, engraving, h 91 mm × w 141 mm

Print made by Sir Frank Short, 1857-1945, British, Shipping at the Entrance of the Medway, No. 2, 1896. Etching with mezzotint printed in brown ink on medium, slightly textured, cream wove paper.

Goyen, Jan van, Northern Netherlands, Visscher, Jan de, Regiunculae Amoenissimae, Landscapes, Landtong, verso - stamped, View of a headland in a river, where several boats are moored. In the background several sailing ships and mills., print, prints, height 128 mm, width 204 mm, 1633 - 1692, print maker, printmaker, 1682 - 1709, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Dutch, 1596-01-13 - 1656-04-27

Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels 1561-65 Pieter Bruegel the Elder Netherlandish This engraving belongs to a series of ten prints known as the Sailing Vessels, executed by Frans Huys after designs by Pieter Bruegel the Elder. The series displays a wide range of sailing vessels, including merchantmen and warships, large seagoing vessels and small coasters, galleys, and caravels. Here, Bruegel depicted a four-master, i.e., a ship with four masts, and two three-masters anchored near a fortified island capped by a lighthouse. The detail and painstaking accuracy with which the vessels are rendered attests to the artist's great care and leaves no doubt that Bruegel must have prepared for the series by making numerous sketches and elaborate studiesall of which unfortunately are lost. At what point in his life Bruegel became interested in the subject of ships is unclear, but the deep fascination the citizens of Antwerp took in it is un

Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, A Ship in Distress, 1745. Line engraving and etching on moderately thick, slightly textured, blued white laid paper.

Ships in a port, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print There are different sailing ships and one large sailing ship in a harbor, which carries a flag with three French lilies. Print from a series of Italian landscapes. Antwerp paper etching landscapes in the temperate zone. harbour. sailing-ship, sailing-boat

Warship in the trough of a wave 1665 Wenceslaus Hollar Bohemian. Warship in the trough of a wave 361774

Herring tube on Nering, ca. 1725; De Boys on the Neeringh / The Herring Busse Or Barke Upon The Herring Fishing Place; Groote Vissery. A herring tube fishes at sea to herring, ca. 1725. Part of the series about herring catch. Printed on the same sheet as no. 6.

A Frigate at Anchor, Saluting a Nearby Yacht. Artist: Willem van de Velde I (Dutch, Leiden 1611-1693 London). Dimensions: sheet: 6 1/4 x 8 11/16 in. (15.9 x 22.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Desguerrois & Co., Netherlands, Schotel, Petrus Johannes, Johannes Christiaan, Last, Carel Christiaan Antony, Overrun of the boat of Jan van Speijk, 1831, verso - stamped, View of the Scheldt with on the left the gunboat of Jan van Speijk overrun by the Belgians, 5 February 1831. On the right a sloop being rowed towards the gunboat. Van Speijk is standing on the deck. The date is in the caption. Dated 1837 at the top and numbered 2., print, prints, Frederik Muller Historieplaten, height 240 mm, width 294 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1837 - 1837, paper, papier, lithografie (techniek), 1787-11-11 - 1838-12-21, intermediary draughtsman, after a drawing by, 1808-08-19 - 1865-07-23, printer, drukker

Ship of the writer Jean de Thevenot overpowered by pirates, Jan Luyken, 1681 print Print at the top right numbered: 383. Amsterdam paper etching sailing-ship, sailing-boat. pirate, corsair, buccaneer

Ships in a Breeze (Liber Studiorum, part II, plate 10) February 20, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe five fully rigged ships passing close to an anchored three-masted vessel as figures watch from a wooden pier. The image is based on a painting owned by the Earl of Egremeont, and the letter "M" in the upper margin indicates Turner's category of Marine landscape.. Ships in a Breeze (Liber Studiorum, part II, plate 10). Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). February 20, 1808. Etching and mezzotint; first s

No. 74. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

A Seventy-four in a Fresh Gale, J. Hill, active 19th century, after George Webster, 1797-1864, British, Published by Gaetano Testolini, active 1760-1811, 1811, Aquatint on moderately thick, moderately textured, cream wove paper, Sheet: 10 9/16 x 16 5/8 inches (26.9 x 42.3 cm), Plate: 8 11/16 x 10 1/2 inches (22 x 26.7 cm), and Image: 6 13/16 x 9 1/16 inches (17.3 x 23 cm), birds, boats, coastline, lighthouse, marine art, men, moored, mooring, ocean, rigging, rocks (landforms), sails, sea, seagulls, seventy-four gun ship, ships, wind

. Beach face with four figures and a dog. A flat bottom and a few warships sail at sea.

Sea battle at Terheide, 10 August 1653 (middle magazine). Draughtsman: Willem van de Velde (I). Draughtsman: Willem van de Velde (II). Dating: 1653. Place: Northern Netherlands. Measurements: h 422 mm × w 680 mm. Museum: Rijksmuseum, Amsterdam.

Rotterdam, seen from the Maas, Mathias de Sallieth, after Dirk de Jong, 1780 - 1787 print View of Rotterdam, seen from the Maas. In the margin the weapon of the city. Print at the top right numbered: 1. after drawing by: Rotterdampublisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). coat of arms (as symbol of the state, etc.) (+ city; municipal). sailing-ship, sailing-boat Rotterdam. Mesh

At Brighton , Boats, Beaches, Sailors. Thomas Rowlandson (1756-1827). Prints and Drawings

Ships in front and kisses at a church, Jan van de Velde (II), After Cornelis Claesz van Wieringen, 1603 - 1641 print Ships on the coast. On the right a church and two fishermen ships ashore. On the water on the left a two -master, for which a sloop. Figures discharge the fishing vessels and iron the sails. Print from a series of eight with Marines. Northern Netherlands paper etching coast. church (exterior) - QQ - small church, chapel. sailing-ship, sailing-boat

Noah's Ark illustrated in 'Physique sacrée, ou Histoire naturelle de la Bible' 1732. Translated from Latin by Jean Jacques Scheuchzer (1672 - 1733); Swiss scholar born at Zurich. Engravings by Jean André Pfeffel

A First Rate after a Storm, J. Hill, active 19th century, after George Webster, 1797-1864, British, Published by Gaetano Testolini, active 1760-1811, 1811, Aquatint on moderately thick, moderately textured, cream wove paper, Sheet: 10 1/2 x 16 9/16 inches (26.6 x 42.1 cm), Plate: 8 1/2 x 10 9/16 inches (21.6 x 26.8 cm), and Image: 6 13/16 x 9 3/16 inches (17.3 x 23.3 cm), birds, boats, coastline, First Rate (ship designation), flags, marine art, men, ocean, rigging, rowboat, rowing, sails, sea, seagulls, ship of the line, ships, storm, wind

Still water, Allaert van Everdingen, 1631 - 1675, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, brush, h 86 mm × w 147 mm

Autumn, Robert de Baudous, After Cornelis Claesz van Wieringen, 1591 - 1618 print Seascape with storm and rain. With a caption in Latin. Print from a series with the four seasons depict as seascapes. Amsterdam paper engraving autumn ~ human activities (the four seasons of the year). autumn landscape; landscape symbolizing autumn (the four seasons of the year). storm at sea

seascape, draughtsman: Matthijs Maris, after: Johannes Christiaan Schotel, 1849 - 1917, paper, brush, h 124 mm × w 150 mm

GAMA , VASCO DE. NAVEGANTE PORTUGUES. 1469 - 1524. " LA NAO SAN GABRIEL " , EN LA QUE HIZO SU PRIMER VIAJE A LA INDIA. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA.

Celadon Begging Pirates to Take him along with his Abducted Wife, Galatea, Adriaen Pietersz van de Venne, c. 1625 drawing Scene from the history of Celadon and Galthee: a rowing boat with people by a coast where they are greeted by a shepherd. Design for a print. paper. deck paint. ink pen / brush (scenes from) specific works of literature (with AUTHOR, Title). male literary characters (with NAME). female literary characters (with NAME)

Frans Huys after Pieter Bruegel the Elder (Flemish, 1522 - 1562), Four-Master (Left) and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, 1565, engraving

The Loss of thePennsylvania. Artist: T. Fairiand, American

Coastal face with aeneas landing in Latium, Richard Earlom, after Claude Lorrain, 1776 print London paper etching city-view, and landscape with man-made constructions. sailing-ship, sailing-boat. traffic and transport (+ arrival, coming to anchor, at anchor). the story of Aeneas' wanderings to Italy (Virgil, Aeneid). coast - HH - ideal landscapes Latium

Copper engraving by Pieter Bruegel the Elder depicting an armed triad of ships with Daedalus and Icarus in the sky, created between 1595 and 1633.

Limehouse Reach 1776-1827 England. Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on card . Thomas Rowlandson

Twelveaster with flag, Gerrit Groenewegen, 1789 print A two -master with a flag and figures. This print is part of a series of twelve prints with different sailing ships. Rotterdam paper etching ships (in general)

Staten-Generaal, Leiden, Haestens, Henrick Lodewijcxsoon van, Sichem, Christoffel van (I), Gheyn, Jacob de (II), Swanenburg, Willem Isaacsz. van, Currus veliferi illustrissimi principis Mauritii volitantes duabus horis Scheverina Pettemum ad quatuordecim milliaria Hollandica, quae singula iustae horae iter excedunt, The sailing carriage of Simon Stevin (left plate), 1602, verso - stamped, 1602. Prince Maurits and a group of friends make a trip over the beach from Scheveningen to Petten in the sailing carriage built by Simon Stevin, April-May 1602. Before the addition of the large cartouche. On the beach spectators, fishermen and two horse riders. Left plate of a large representation consisting of three parts., print, news print, prints, Frederik Muller History plates, height 552 mm, width 423 mm, Northern Netherlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1603 - 1603, paper, engraving, engraving (printing process), Work conception, 1565 - 1629-03-29, after a design by, Publ

EMBARCACIONES DEL OCEANO - SIGLO XVIII - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Dutch East Indiaman, no. 3 of 12 in the series Navium Variae Figurae etFormae. Artist: Wenceslaus Hollar, Bohemian, 1607-1677

River face with ships. River face with three ships and a rowing boat. People walk along the water. In the background a village with mills. Under the print a latin verse of two columns with each two lines.

A drawing by Simon de Vlieger showing a calm sea with ships and boats, executed in black chalk with gray wash.

Load of a ship is brought ashore, Ludolf Bakhuysen, 1641 - 1708 drawing The load of a ship walked during a storm on the beach is brought ashore. paper. ink pen / brush shipwreck. salvaging a wreck. beach. sailing-ship, sailing-boat

Harbor face with sailing ships and Galien for a city wall, Johann Wilhelm Baur, 1686 - 1724 print print maker: Viennaafter design by: Viennapublisher: Augsburg paper etching harbour. city-walls. sailing-ship, sailing-boat. trireme, galley

View of Edam, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Edam. In the foreground, outside the city walls, the Zuiderzee with a fishing boat. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption. Antwerp paper etching / letterpress printing prospect of city, town panorama, silhouette of city Execution

Ships in a breeze. (In the possession of the Earl of Egremont.) The Egremont sea-piece.. Turner, J. M. W. (Joseph Mallord William) (1775-1851). Turner, Charles, 1774-1857. Avery, Samuel Putnam, 1822-1904. Prints. 1808-02-20. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Ships , 1800-1899

Roos, Cornelis Sebille (uitgever), Kobell, Hendrik, Rotterdam, Sallieth, Mathias de, Het Stranden der Kaag by Schipper Klaas Ringels, Beaching of the kaag of skipper Klaas Ringels at Texel, 1778, verso - stamped, Beaching of the kaag of skipper Klaas Ringels during a storm at Texel, on 2 December 1778. The five persons on board were rescued by the Ameland skipper Harmen Pieters, after having been in the mast for ten hours. In the caption the title and three lines of text., print, prints, Frederik Muller Historieplaten, height 300 mm, width 395 mm, Czech, Northern Netherlands, 1749 - 1791-11-29, print maker, printmaker, 1779 - 1779, paper, papier, etching, engraving, engraving (printing process), 1751-09-13 - 1779-08-03, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, 1754-01-10 - 1820-01-31, publisher

Louis Napoleon sails over the flooded country, 1809; Transvension of Zyne Majesty the king, from Dalem to Gorinchem. Lodewijk Napoleon sails over the flooded land, from Dalem to Gorinchem, during the floods of 1809.

View of a few boats on the water and a mill near a church, Pieter Idserts, 1708 - 1781 drawing View of a few boats on the water; On the left a mill near a church. Design for a fan. paper brush

Jean Jacques Le Veau etched the port of Vlissingen between 1744 and 1786, showing docks, ships, warehouses, and waterfront activity.

Flight of Jacobus after his defeat at De Boyne, 1690, 1691 print Flight from King Jacobus to France on July 12, 1690, after his defeat against the army of William III in the Battle of the Boyne. The king goes on board a ship in Waterford. Plate 16 in a series of 20 plates about the Glorious Revolution in England in the years 1688-1691. Northern Netherlands paper etching Waterford

View on a waterway inland, Reinier Nooms, 1654 - 1748 print Fishermen with baskets and raking at work in the shallow water. A number of sailing ships on the Waterweg inland. Double edge around the show. paper etching water course. sailing-ship, sailing-boat. fresh-water fishery

Scheepswerf, Anthonij van der Haer, after Herman Saftleven, c. 1745 - 1785 print On the left of a river, a ship is captured. A number of boats on the river. A fire burns in the background, a smoke column rising up. Northern Netherlands paper etching on fire, ablaze. pier, quay, wharf. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). rowing-boat, canoe, etc.. shipyard, shipdock

Breaking up of the Agamemnon, 1870. Francis Seymour Haden (British, 1818-1910). Etching;

The Vulture Landing Despatches at Dantzic, Print made by James T. Willmore, 1800-1863, British, after John Wilson Carmichael, 1799-1868, British, Published by Virtue, active 1820s-1908, British, undated, Line engraving on medium, slightly textured, cream wove paper

Ships on a turbulent sea, Johannes Christiaan Schotel, 1797 - 1838, draughtsman: Johannes Christiaan Schotel, 1797 - 1838, paper, brush, h 307 mm × w 470 mm

Divers embarquements. Untitled. prints, etchings, works on paper

View of the city of Bantam. In the foreground, two Europeans greet a group of orienters, which is resting on a headland. Behind it the sea with the Dutch fleet. In the background the city of Bantam. An allegorical performance in the clouds. The woman in the middle presents Asia. She gets gifts offered by different men, each symbolizing a country or region, including China and Persia. Above Vasco da Gama. Under the print eight rules in Latin.

Pierre Charles Canot, ca. 1710-1777, French, active in Britain, Shipwrack. Hand-colored engraving on wove paper.

A copper engraving by Pieter Bruegel the Elder from 1561-1565 depicting two galleys behind armed triple-masted ships, with Phaeton and Jupiter in the sky, showing maritime and celestial elements.

Amsterdam, Danckerts, Justus, Nooms, Reinier, Netherlands, Various embarkations and the like, Divers Embarquements et autre Faicts, Four large sailing ships in a bay, verso top left - pencil, A bay with four large sailing ships, a group of men on the coast near a rowing boat and two men with harpoons., print, prints, engravings, verso middle - stamped, verso middle right - stamped, verso bottom left - stamped, two interlocking C's, height 83 mm, width 176 mm, Northern Netherlands, 1624 - 1664, print maker, printmaker, 1651 - 1652, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

Heyden, Jan van der, Amsterdam, Illustration of a ship, moored in front of the shipyard of the East Indies Company at Oostenburg (), Figure of a sailor, place from the Arcenal de marine de la Comagnie des indes Orientales (), Partly burned ship on the VOC shipyard at Oostenburg, 1690, Ship under construction at the VOC shipyard at Oostenburg that caught fire but was saved by extinguishing it with a fire hose, 14 May 1690. With six-line caption in Dutch and French. Plate 19 in the Brandspuitenboek by Jan van der Heyden., print, engraving, engravings, Frederik Muller Historieplaten, height 275 mm, width 314 mm, 1637-03-05 - 1712-03-28, print maker, printmaker, 1690 - 1735, paper, papier, etching, engraving (printing process), intermediary draughtsman

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