Nymphs, Satyrs, and Mythical Landscapes

Etchings illustrating mythological narratives involving nymphs, Satyrs, and Bacchus, set in lush landscapes with rich symbolism and narrative depth.

L'Amérique Indépendante dédiée au Congrès des Etats unis de l'Amérique .. Borel, Antoine (1743-1810). 1778. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. United States , History , Revolution, 1775-1783, United States

Apulian shepherd turned into an olive tree, Crispijn van de Passe (II) (workshop or), After Dirck van der Lisse, c. 1636 - 1670 print The Apulian Shepherd is difficult for a group of nymphs during a reid dance. As a punishment he turns into a wild olive tree. paper engraving the Apulian shepherd changed into an oleaster: the Apulian shepherd is changed into an oleaster as punishment for mocking dancing nymphs (Ovid, Metamorphoses XIV 521)

Mirror of reason for the despairing actionist, 1720, 1720 Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Amsterdam paper etching / engraving / letterpress printing IJ Mirror of reason for the despairing actionist. A wind trader who is about to put a dagger in the chest is held up a mirror by the personification of the reason. In the background, caution with a shield marked y (= the IJ in Amsterdam) stops the wind trade. There are three parts of text on the leaf around the plate. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade

Nymphs by Saters robbed, Gerard de Lairesse, 1685 print In a landscape with ruins, a group of nymphs and Maenaden are shocked by saters and baccians who stuck them from behind trees Amsterdam paper etching satyr(s) pursuing nymph(s). landscape with ruins - II - ideal landscapes

Bacchus as a child given by Mercury to the care of the Nymphs Andrea Procaccini Italian. Bacchus as a child given by Mercury to the care of the Nymphs 400444

Landscape with women and putti at statue, Jacopo Leonardis, After Giulio Carpioni (I), 1762 print A landscape with a group of women and putti around a statue of Venus. Numbered below: No. 3. Venice paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. landscapes

Christ Carrying the Cross, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 4. Artist: Willem van Swanenburg (Netherlandish, ca. 1581/82-1612); After Joachim Wtewael (Netherlandish, Utrecht 1566-1638 Utrecht). Dimensions: Sheet: 11 1/2 × 15 3/16 in. (29.2 × 38.5 cm). Publisher: Christoffel van Sichem I (Netherlandish, 1546-1624). Series/Portfolio: Thronus Justitiae, tredecim pulcherrimus tabulis.... Date: 1605-6.This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606. Museum: Metropolitan Museum of Art, New York, USA. Author: Willem van Swanenburg. After Joachim Wtewael.

Minerva and the Arts for an enthroned figure, Frederik Ottens, Reinier Boitet, 1726

L'Amérique Indépendante dédiée au Congrès des Etats unis de l'Amérique .. Borel, Antoine (1743-1810). 1778. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. United States , History , Revolution, 1775-1783, United States

Nimfen door saters overvallen.In a landscape with ruins, a group of nymphs and maars of Saters and bacchants who stalked them from behind trees.

Shepherd is changed to Wild Olijboom, Theodor Matham, 1615 - 1676 print A shepherd turns into a wild olive tree, after he has mocked dancing nymphs. In the foreground two hunting nymphs with a dog, while the caught game is on the ground next to them. In the middle four dancing nymphs, on the left a woman with a tambourine and two saters. Illustration of the story of Ovidius, metamorphoses, book XIV, Fabel VIII. paper engraving the Apulian shepherd changed into an oleaster: the Apulian shepherd is changed into an oleaster as punishment for mocking dancing nymphs (Ovid, Metamorphoses XIV 521). nymphs (in general); 'Ninfe in commune' (Ripa). game, hunted animals

Hunting for Caledonian Zwijn, Bernard Picart, After Charles Le Brun, 1683 - 1710 print Melager and Atalanta during the hunt for the wild boar, which destroyed the fields of Melager's father. Melager keeps his spear in the attack and Atalanta has just shot an arrow. Around the pig hunting dogs. Under the performance an explanatory text in French and English. Paris paper etching / engraving Atalanta and Mealer Hunting

Antwerp, Maes, Godfried, Amsterdam, Wit, Jacob de, Noord-Nederland, Wandelaar, Jan, Zondvloed, verso lower left - stamped, The Flood inundates the earth. People and animals try to bring themselves and others to safety by fleeing to higher ground. Noah's Ark is depicted in the distance., print, prent, prints, prenten, height 186 mm, width 241 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1710 - 1759, paper, papier, etching, engraving, engraving (printing process), 1695 - 1754-11-12, intermediary draughtsman, after a drawing by, Work conception, Zuid-Nederlands, 1649-08-15 - 1700-05-30

Coming to Adonis, Alexis Loir (I), after Nicolas Pierre Loir, 1650 - 1703 print publisher: ParisFrance paper etching Venus trying to prevent Adonis from going hunting. bed

Bacchus en Ariadne, Nicolas Chaperon, 1639 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching wedding of Bacchus and Ariadne

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Sir Philip Sidney. Engraving.

Cartoon at Prince Willem V, 1784. William V is located at the Dutch Virgin on the lap and is beaten by her with a slipper on the blinded declaration. The Prince calls the Duke of Brunswijk for help but this flight. On the right a spectator looks smiling from a stable, here a verse.

The Sacrifice of Polyxena 1776 Giovanni David Italian According to Greek legend, the warrior Achilles fell in love with Polyxena, daughter of King Priam of Troy. She was promised to him in marriage if he agreed to end the war between the Greeks and the Trojans. Achilles was ambushed by Polyxenas brothers, however, who shot a poisoned arrow in his heel—hence the expression “Achilles heel,” a point of vulnerability. Before he died, Achilles ordered that the treacherous Polyxena (shown in the lower right) be sacrificed at his tomb.The artist made this print in Genoa, where he was patronized by the wealthy Durazzo family. It comes from a series of six depicting scenes from history and literature and dedicated to Countess Durazzo.. The Sacrifice of Polyxena. Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). 1776. Etching and aquatint. Prints

Folkema, Jacob, Knights in combat, verso - stamped, Three figures try to keep two fighting knights on horseback apart. In the foreground a knight who has dismounted embraces a woman. Print marked at top right: Tom. ii pag. 134., print, book illustration, prints, height 154 mm, width 90 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, etching, etchings, intermediary draughtsman

Scene from ancient history: a man throws a stone to a Roman general. Draughtsman: Louis Fabritius Dubourg. Dating: 1734. Measurements: h 274 mm × w 442 mm. Museum: Rijksmuseum, Amsterdam.

Playwright Paul Scarron visits Apollo and his Muses, Jacob Folkema, After Louis Fabritius Dubourg, 1703 - 1767 print Allegorical performance, made for a book edition of the theater pieces by Paul Scarron. Minerva leads Scarron to a place where Apollo makes music with its nine muses. In the distance, Pegasus is on a mountain top. paper etching Apollo and the Muses, Apollo Musagetes

Mida judgment, Nicolaes Jansz. Clock, after Karel van Mander (I), 1589 print A music competition between Pan, in the middle of the print, and Apollo, on the left under a tree. All gods have been collected to watch the competition. The mountain god Tmolus, seated on a throne, must make a judgment. He prefers Apollo's Lier above Pan's whistle. King Midas, who stands next to Pan,, however, protests. He is cursed by Apollo and must wear donkey ears for the rest of his life. Haarlem paper engraving contest between Apollo and Pan with the mountain god Tmolus as judge, i.e. judgement of Midas; Midas often represented with ass's ears

Roof van Proserpina, c. 1650 - 1703 print Pluto pulls Proserpina on his car, which is pulled by horses. Her girlfriends and possibly her mother Ceres are left in despair. Above a putto with two torches. In the lower margin a three -line explanation of the show in French. paper etching the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her

Imprisoning of the Count of Argyll, 1685; Argile's grave waves and caught; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. Prison of Archibald Campbell, second marchies and ninth Count of Argyll inchinnan on June 19, 1685. Numbered at the top right: 306. Plate B in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part) . With captions in Dutch and French.

History and drawing record the Roman antiquities, Bernard Picart (workshop of), After Bernard Picart, 1718 print Landscape with ruins, buildings and antiquities from Rome. Father Time reveals Roman antiquities. Minerva shows the city virgin of Rome to history and drawing and instructs them to capture everything. In the margin a three -faced caption in French. Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ drawing. 'Historia'; 'Historia' (Ripa). (story of) Minerva (Pallas, Athena). Father Time, man with wings and scythe. work of monumental art (+ Roman art) Rome

Player Paul Scarron visits Apollo and his muses. Allegorical performance, manufactured for a book edition of Paul Scarron theater pieces. Minerva leads Scarron to a place where Apollo makes music with his nine musical music. Pegasus is on a mountain top in the distance.

Telemachus, Urged by Mentor, Leaving the Island of Calypso , 1800. Charles Meynier (French, 1768-1832). Pen and black ink and brown wash with black chalk ; sheet: 47.5 x 61.5 cm (18 11/16 x 24 3/16 in.); mounted: 51 x 66 cm (20 1/16 x 26 in.).

Collecting the Manna in the desert, Henri Testelin, After Nicolas Poussin, 1639 - 1695 print France paper etching the gathering of manna (in baskets and pots)

Nymphs surprised by Satyrs, Gerard de Lairesse, 1685

Minerva protects the innocence against the temptation. Minerva drops out of a cloud and protects three young women for a company bacchants and Saters. These bacchants set up a picture of the god pan. The company supervises the drunken Bacchus. In the background left Hercules.

Alexander the Great and Poros (right page). .

Title page for the verse: De Vroeheid der Drukpers, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1787 print Allegory in which freedom protects a writer against the attempts of a man (censorship) to fascinate her. In the background a monument for Laurens J. Coster. Northern Netherlands paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). freedom of the press. censorship

The power of Austria compared to Rome; arrival of Ferdinand in Ghent in 1635 (no. 28); Mars Romulie et Remi Romanaeq. Urbis AUROR / FORTES CREANTUR FORTIBUS / ROMANI CUM AUSTRIACUS conferuntur; I. Tabula. Mars Romuli & Remi Romanaeque Urbis AUctor. The power of Austria compared to Rome. Mars on horseback with the Romulus and Remus hooked at the Wolfin. Presentation on the front of the triumph port Arcus Caroli on the Friday market. Leaf No. 28 in a set of 42 plates that illustrate the publication of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Susanna and the elders, Jean -Baptiste Corneille, After Annibale Carracci, 1659 - 1695 print print maker: Francepublisher: Paris paper etching / engraving the elders making advances towards Susanna

Coming to Aeneas, Jean Jacques Flart, after Charles Joseph NaToire, 1762 print print maker: Francepublisher: Paris paper engraving / etching Venus hands over the armour to Aeneas

Sabijnse Virgin Roof, Anonymous, 1650 - 1700 print France paper etching / engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast

Tobias and the angel. Artist: after Adam Elsheimer (German, Frankfurt 1578-1610 Rome); After Hendrick Goudt (Dutch, The Hague 1583-1648 Utrecht). Dimensions: Sheet: 5 in. × 7 1/4 in. (12.7 × 18.4 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1644-52.The Small Tobias; Tobias holding a fish and a stout walking stick, accompanied by the Archangel Raphael holding his arm, crossing a river on stepping stones from right to left; a copy in reverse after Goudt who engraved after Elsheimer. Museum: Metropolitan Museum of Art, New York, USA.

Nicolas André Monsiaus gray brush drawing from 1750-1800 depicts a philosopher at the courtyard of an ancient ruler, highlighting figures, architecture, and interaction.

Allegory on dawn with aurora personification. Allegory on dawn with Personifications from Aurora and fame in landscape where sun rises. In undergarments empty banderol.

Print made by John Smith, 1652-1743, British, Diana and Acteon, 1705. Mezzotint on moderately thick, slightly textured, cream, laid paper.

Allegorical representation on the occasion of the marriage of Abraham Barnaart and Engeltje van Hoven, Bernard Picart, 1724 print Allegorical representation on the occasion of the marriage of Abraham Barnaart and Engeltje van Hoven on March 28, 1724 in Haarlem. The wedding god Hymen stands for his temple and receives the couple and its consequence of nymphs, faunen and maenaden. At the top of the air, the trade god is floating Mercury. On the right is Minerva, who points to the pair. Putti show her substances, which symbolizes the trade of the couple in substances. Under the show The motto: Oppugnent Alii Hic Solus de Corde Triumphhat. Amsterdam paper etching / engraving Marriage, married couple, 'Matrimonium' (story of) the hymen(Aeus). (Story of) Mercury (Hermes). (Story of) Minerva (Pallas, Athen). faunus. Satyrs, fans, sileni. Spirit of the Air, Sylph

Title print of the ystroom (1671) of Antonides van der Goes. Title print of the ystroom (1671) of Antonides van der Goes. Allegorical performance with the city's city memorial and leaning on her leg the yflow god. Behind them Mercury with winged hat and staff. In the background a large throne with columns in the form of personifications of the four continents. On the top of the throne is the title 'The Ystroom' and the Coat of Arms of Amsterdam. At the top right in the sky the Sun God Apollo.

Pensioners of the Royal Naval Hospital, Greenwich, celebrating the anniversary of Nelson's victory at Trafalgar. Engraving by J. Burnet, 1836.

Neptune en Thetis, Jacopo Leonardis, after Sebastiana Conca, 1765 print Neptunus and Thetis on a large shell that is pulled by two hippocampuses. Nereïs and Meermans swim all around. Twoere -like Italian fresh in the lower margin. Numbered below: no 12. Venice paper etching / engraving (Stomory of) pepips (foreoeon). Three fhy of itps. (Settry.) Thess; 'Hin the Men, Norfu't Mirgin' (rea)

Princess of Micomicon kneeling for Don Quixot, Bernard Picart, After Charles -Antoine Coypel, 1732 - 1733 print The princess of Micomicon is kneeling for Don Quixote. She begs him to put her back on the throne. In the margin a two -way caption in French. Amsterdam paper etching / engraving Sancho Panza

L'Empire de Flore, Gérard Audran, Flemish, active in France, 1640-1703, Nicolas Poussin, French, 1594-1665, Engraving on paper, In a garden setting, Flora is seen with her hand-maidens. Aurora in his chariot in the heavens. Also in the scene are Ajax, Hyacinthe, Clyte, Adonis and Narcissus., Paris, France, ca. 1680-1700, Print, Print

Young couples have fun and ignore the warnings of a scholar, Jan Saenredam, 1596 print In the foreground, some young couples point to an old scholar (pastor) Who criticizes their behavior from a window. A book in the hands of the scholar. The young people laugh at him. On the left in the foreground is a young couple next to a bush with thistles (symbol for their love). There is an empty jug in front of them. In the background, young people dance around a church. paper engraving scholar, philosopher. young versus old age; young and old. dancing. church (exterior). loose company. plants and herbs: thistle (+ plants used symbolically) Sint-Odulphuskerk

Offer Van Isaac, Giovanni Battista Mengardi, 1748 - 1796 print Abraham is about to offer his son Isaac, who is blindfolded and bound with his hands on the back, kneeling on a stone, to sacrifice. An angel stops his right arm with the knife. paper etching the sacrifice of Isaac (Genesis 22)

Jacob meets Rachel and falls in love. Engraving by E. Jauras after P.F. Mola.

Bacchus and Ariadne on the island of Naxos, Joseph Wagner (Possible), after Jacopo Amigoni, 1739 - 1780 print Venice paper etching / engraving Bacchus finds Ariadne on Naxos

. Interior with the mistreatment of a bride by Spanish soldiers during the Spanish Furie in Antwerp, November 4, 1576. The bride's family is killed and the house looted. Left through the door it is killing on the street. Below: Tom: I. No. 14.

French crown, Perrier, François, Bourlier, Preaching of John the Baptist, verso - stamped, print, prints, height 353 mm, width 450 mm, French, print maker, printmaker, 1651 - 1682, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1594 - 1649-11, after a design by, granter of privilege

Jupiter sends Iris to Hector, Bernard Picart (workshop of), After Bernard Picart, 1710 print Jupiter sends the goddess Iris, who descends from her rainbow, to Hector. She passes him on his message to withdraw from the fight. In the margin a caption in French. Amsterdam paper etching / engraving the Greek captains are wounded

Abraham and Melchizedek, Guillaume Vallet, After Rafaël, 1642 - 1704 print Abraham offers Melchizedek a tenth of the loot after a successful battle. Paris paper engraving Abraham gives Melchizedek a tenth of the booty he has recovered

Peter I The Great Crown Catharina as Empress Van Russia, Bernard Picart, 1726 print Catharina kneels for her husband Peter I the Great. He crowned her on May 18, 1724. They are surrounded by all kinds of personifications. Left abundance and caution at Minerva. Right justice and Urania, the muse of astronomy. In the top left fame that blows the trumpet. In the margin a caption in French. Amsterdam paper engraving / etching Pier, quay, Wharf. Crown (Symbol of Sovereignty) - BB - Female ruler. (Story of) Minerva (Pallas, Athena). prudence, 'prudentia'; 'Prudenza' (ripa) ~ ONE of the Four Cardinal Virtues. abundance; 'abondanza', 'abondanza Maritima' (ripe). Fame; 'Fama', 'Fama Buona', 'Fama Chiara' (rippa). uria (one of the muses); 'Unia' (ripe). Justice, 'Justia'; 'Giustia Divina' (ripa) ~ One of the Four Cardinal Virtues

Statio I. Tiepolo, Giovanni Domenico, 1726-1804. 1723 - 1797. Leonardis, Jacopo, 1723-1797. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Woodcutter: Giuseppe Niccolò Vicentino, Italian, active 1540-50, After: Parmigianino, Italian, 1503-1540, Adoration of theKings, after1540, Chiaroscuro woodcut printed from three blocks, 34.4 × 2.3 cm (13 9/16 × 7/8 in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

The Hotpot Carried to the Newlyweds; or The Racket ca. 1633 Abraham Bosse French. The Hotpot Carried to the Newlyweds; or The Racket 387752

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Diana the Huntress, 1783. Engraving.

Celebration of the first annual celebration of the Amsterdam Schouwburg, Claes Jansz. Visscher (II), After David VinckBoons, 1618 print Scene from an allegorical play 'Der Goden Landspel', performed on August 1, 1618 at the celebration of the first annual celebration of the first Amsterdam Schouwburg, the first Dutch Academy founded in 1617 by Samuel Coster. In the middle, the gods sit together, right allegorical characters connected to Amsterdam. In the background musician women and the free arts. Above the show a beehive with the inscription 'Yver'; On either side a verse of eight lines in four parts, drawn with 'Tecum Habita', the motto of Samuel Coster Amsterdam paper etching theatre, theatrical performance

The Discovery of America, plate 1 from the 'Nova Reperta' (New Inventions of Modern Times), Jan van der Straet, called Stradanus, Flemish, 1523-1605, Theodor Galle, ca. 1571 - 1633, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, Amerigo Vespucci is seen standing holding a banner and sextant, conversing with a nude indigenous woman seated in a hammock. Animals and cannibals in the distance; a ship at the left. Inscribed below: AMERICA (Americen Americus retexit -- Semel vocavit in de semper excitam), Antwerp, Netherlands, ca. 1590, figures, Print, Print

Night ProtectingTime from the Last Rays of theSun. Etcher: Antonio Fantuzzi, Italian, active 1537-1550 After: Francesco Primaticcio, Italian, 1504-1570

Amsterdam, Picart, Bernard, Aeneas wants to save the body of Pandarus, verso lower left - stamped, Aeneas tries to save the body of Pandarus, but is hindered by Diomedes who wants to throw a stone at him. Venus comes flying in on a cloud to save him. In the margin a caption in French., print, book illustration, prints, height 189 mm, width 124 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

PREEDY OF JOHNER THE BASTER.

The Dance at Auteuil 1761 France. Etching in black on ivory laid paper . Gabriel Jacques de Saint-Aubin

Mutilation of the bodies of the De Witt brothers, 1672, Bernard Picart, After Romeyn de Hooghe, 1728 print The mutilation of the bodies of the brothers Johan and Cornelis de Witt, August 20, 1672. In the foreground parts of the body are torn and sold. Northern Netherlands paper etching / engraving attempt, political murder. violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching). lynching. mutilation of the corpse The Hague

Aeneas saves his father from the burning Troy, Pieter Tanjé, after Gerard de Lairesse, after Nicolaas Verkolje, 1737 print Aeneas flees the burning Troy with his old father Anchises on his back. His crying son walks next to him. On the left the wife of Aeneas with her hands in front of her face. Presentation above the door of the council chamber of the Court of Justice of Holland, Zeeland and West-Friesland in the Binnenhof in The Hague. Amsterdam paper etching / engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way. closed door

Copper engraving and etching by Jean Charles Le Vasseur depicting the dedication of independent America to the United States Congress, created in 1778, illustrating political symbolism and 18th-century engraving.

ORPA VERLAAT RUTH EN NEAMI.

Robert Blyth, 1750-1784, Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968), 1780. Etching.

Omnia Vincit Amor Apollo and Daphne. Dated: 1728. Dimensions: image: 58.1 × 60.96 cm (22 7/8 × 24 in.) overall: 70.8 × 72.39 cm (27 7/8 × 28 1/2 in.). Medium: etching and engraving on two attached sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: Robert van Audenaerd, after Carlo Maratta.

Allegorical performance on the occasion of the wedding of Abraham Barnaart and Engeltje van Hoven. Allegorical performance on the occasion of the wedding of Abraham Barnaart and Engeltje van Hoven on March 28, 1724 in Haarlem. The wedding god Hymen stands for his temple and receives the couple and its consequence of nymphs, Faunen and Maenaden. Upstairs in the air, the Mercurius trade god floats. On the right is Minerva, who points to the couple. Putti show its fabrics that symbolize the trade of the couple in fabrics. Under the show the motto: Oppugntent Alii Hic Solus de Corde Triumphate.

Allegorical Presentation, Johann Heinrich Keller (II), 1749 drawing paper. chalk. ink pen / brush

Primavera, a group of women collecting flowers and making crowns from them ca. 1764 Giovanni Volpato. Primavera, a group of women collecting flowers and making crowns from them. Giovanni Volpato (Italian, Bassano 1732-1803 Rome). ca. 1764. Engraving. Joseph Wagner (Italian, Thalendorf 1706-1780 Venice). Prints

Two biblical performances from 1 Sam. 30 and 2 SAM. 1. David continues the Amalekieten after the burning of Ziklag, and David transfers the Amalekieten. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 55.

Gods request the sun god to drive back into his car; Ovidius' metamorphoses. After the death of Phaëthon, the sun god holes in mourning and remembers the earth's daylight. The gods, including Jupiter, ask him to drive into his cart again. Under the show twice two lines of Latin text. This print is part of a series of 52 prints that depicting stories from Ovidius' metamorphoses. This series varies in three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series.

Achilles and the daughters of Lycomedes, J. Alexander Janssens, after Victor Honoré Janssens, c. 1700 print The daughters of Lycomedes are bent over a box with jewelry while Achilles, disguised as a woman, pulls his sword. Achilles is grabbed by two men by his arm. In the foreground an arrow and bow. Two figures on a staircase in the background. In the middle: 9. Ninth print from a series of fourteen with scenes from the life of Achilles. South of the Netherlands paper engraving / etching Achilles discovered among the daughters of Lycomedes, i.e. Achilles on Scyros: when presents are brought Achilles snatches up the weapons and thus betrays his identity

Titelblad: New Sources Delineation Anonymous, after Daniel Marot (1), after 1701 - before 1800 print In the foreground are two river gods with an urn from which water flows. The title is on a shell between them. Passionate copy to leaf from series Liure de Fontaines published by Daniel Marot. paper etching river-gods

Arthur Pond, ca. 1705-1758, British, Caricature portrait. Etching.

Makarius Alexandria, Heilig.

Surugue, Louis, inventor: Nicolas Vleughels, work, Unveiling of Achilles, 1718, copper engraving, graphics, sheet width 30.1 cm, leaf height 24.5 cm

Muzen on Berg Parnassus, Anonymous, After Rafaël, in or after 1511 print The nine muses on Mount Parnassus. Three of the muses hold a musical instrument. Landscape in the background. Italy paper engraving Parnassus, sacred to Apollo Musagetes. wind instruments. (story of the) Muses; 'Muse' (Ripa). lyre, cithara, psaltery

Amsterdam, Luyken, Jan, Dressing the Nudes, recto - manuscript in brown ink, print, prints, verso - stamped, 109, height 118 mm, width 155 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Massacre of the Innocents. Under the watchful eye of King Herod, seated on his throne, newborn children are killed by soldiers. In vain, mothers try to protect their sons. Surrounding the scene is a rocaille frame. In the lower margin, twice a seven-line German and Latin text, Infanticide at Bethlehem Der Bethlehemitische Kinder-Mord, Infanticidium Bethlehemiticum Youth of Christ., print maker: Johann Christoph Steinberger, (mentioned on object), Johann Evangelist Holzer, (mentioned on object), publisher: Johann Andreas Pfeffel (der Ältere), (mentioned on object), Augsburg, 1719 - 1727, paper, etching, h 190 mm × w 294 mm

Venus on a chariot pulled by horses, Augustin Jacques Renard de Saint -André, After Charles Le Brun, 1669 - 1695 print paper etching water-birds: swan. chariot, triumphal car. (story of) Venus (Aphrodite)

Chalk and brush drawing by Francesco Londonio showing the rest of a farmer's family with figures, attire, and domestic setting, laved and whitewashed.

Dansende nimfen; Choreae honestae licitae, at turpes abominandae.Ten nymphs dance hand in hand in nature. In the background a wall on which a landscape image of a river god has been placed.

No. 21. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

La simple Nature. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francois-Nicolas Martinet.

The Death of Adonis, Elisha Kirkall, ca. 1682-1742, British, after Ciro Ferri, 1634-1689, Italian, 1723, Mezzotint, Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)

Civilis and Cerialis negotiate on the broken bridge, 69-70, 1788 print Civilis and cerialis negotiate and close peace on the broken bridge. Netherlands paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations Netherlands

Meeting of David and Abigaïl, Adriaen Lommelin, after Peter Paul Rubens, 1630 - 1677 print Abigaïl meets her future husband David. Biblical show from 1 Sam. 25. Antwerp paper engraving David and Abigail (1 Samuel 25)

Plague of grasshoppers.

Northern Netherlands, Wandelaar, Jan, Folkema, Jacob, Telemachus refuses the crown and scepter of the Cretans, verso lower left - stamped, After Idomeneus, king of Crete, had been driven out by his people, the people decided to look for a new king. When Telemachus arrived in Crete, it was decided that he should become the new king. The scene shows a man kneeling among Cretans, offering Telemachus a crown and a scepter. Telemachus is standing by a statue of Minos. He refuses to accept either object., print, book illustration, prints, height 211 mm, width 180 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1758 - 1763, paper, papier, etching, engraving, engraving (printing process), Nederlands, 1692 - 1767, intermediary draughtsman

Gypsy Life 1840 Germany. Etching on paper . Ludwig Emil Grimm

The consequences of a spoiled youth; Unbound Ieucht / Selden Parents Vrijt. Moralistic representation about the poor consequences of not strict educating children. Children and all kinds of animals played in the middle. On the left a young elegant couple making music making with a fountain, turn right at a family the bags of money on the table. In the background a man of his horse falls because the reins are too spacious. In the caption, the title and two four-line verses in Dutch.

Bliżej Kultury Veronese, Bonifazio; Bonifazio de Pitati; (Venetian) (1487 1533), Falck, Jeremias (ca 1610 1677)

Juan Antonio Salvador Carmona copper engraving and etching depicting the allegorical representation of Asia, showing symbolic figures and elements.

Time discovering the truth, freedom, and the people. (IT)

Diana at the bath Troy, Jean-François de, 1679-1752. still image. Art reproductions. 1892. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Artemis (Greek deity), Bathing, Mythology, Nymphs (Greek deities), Diana (Roman deity), Goddesses, Female nude in art

Meeting of Abigaïl and David, Edme Jeaurat, After Nicolas Vleughels, 1720 print print maker: Francepublisher: Parispublisher: Paris paper etching / engraving David and Abigail (1 Samuel 25)

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