Nymphs, Satyrs, and Mythical Landscapes

Etchings illustrating mythological narratives involving nymphs, Satyrs, and Bacchus, set in lush landscapes with rich symbolism and narrative depth.

L'Amérique Indépendante dédiée au Congrès des Etats unis de l'Amérique .. Borel, Antoine (1743-1810). 1778. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. United States , History , Revolution, 1775-1783, United States

Juan Antonio Salvador Carmona (Engraver) (After Giordano, Luca); Calcografía Nacional (Printer) / 'America'. Ca. 1786. Taille douce: etching and engraving on continuous paper. Museum: Museo del Prado, Madrid, España.

Cairo Revolt (IT)

Veneration of the Eucharist by the Peoples of the World (Allegories of the Four Continents) 1720-74 Gottfried Bernhard Goetz German. Veneration of the Eucharist by the Peoples of the World (Allegories of the Four Continents). Gottfried Bernhard Goetz (German, Velehrad 1708-1774 Augsburg). 1720-74. Pen and brown and black ink, gray wash touched with white. Drawings

Pluto goes into the underworld, 1645 - 1658 print Pluto drives the subject on his chariot that is drawn by four horses. The entrance is monitored by the three -headed dog Cerberus and the three Furiën. whole: Paper etching (Story of) Pluto (Hades), Dis Pater, Orcus. Cerberus, the three- or many-headed dog; 'Cerbero' (RIPA). Furies, diae (erinyes), euminedes; 'Furie' (ripa)

The Baptism of Christ; Saint John the Baptist at right and Christ at left with his hands held together, the Holy Dove above, angels in the background, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Paul Gleditsch (Austrian, Vienna 1793-1872 Vienna). Dimensions: Plate: 22 5/16 × 16 5/8 in. (56.6 × 42.2 cm)Sheet: 26 3/8 in. × 20 in. (67 × 50.8 cm). Date: ca. 1815-72. Museum: Metropolitan Museum of Art, New York, USA.

Karel II of England arrives on the beach at Dover, 25 May 1660, William Woollett, After Benjamin West, 1789 print The king is greeted by General George Monck, the Dukes of Gloucester and York, the count of Clarendon, Sir John Granville and others. In the background Dover Castle. print maker: Englandpublisher: Londonpublisher: Londonpublisher: London paper etching / engraving beach (+ landscape with figures, staffage). landscape with tower or castle. kneeling before a ruler. baring the head, lifting one's hat. king Dover (England)

Martyrdom of Saint Mark. Photogravure after D. Anderson after J. Tintoretto.

Pierre-Alexandre AVELINE (1702-1760). "The charms of life", according to Jean-Antoine Watteau (1684-1721). Engraving (etching and chisel). 1730. Museum of Fine Arts of the City of Paris, Petit Palais. 74201-3 Chisel, concert, etching, gallantry, musician, Galante scene, 18th 18th 18th 18th 18th 18th 18 century, couple, engraving

Here rests mirabeau / which was the savior of France ....

PREEDY OF JOHNER THE BASTER. .

The daughters of Aglaura (Mercury and Herse) ca. 1646 Wenceslaus Hollar Bohemian Mercury and Herse; the seven daughters of Aglaura holding baskets of flowers walk along a country path to the right towards a temple, Mercury flying above, within an oval. Related to a painting by Paul Bril and Elsheimer in the collection of the Duke of Devonshire at Chatsworth, copying figures from center.. The daughters of Aglaura (Mercury and Herse) 360642

Queen Zenobia is captured; Caught Neemen from Zenobia. Queen Zenobia is captured by the troops of Emperor Aurelius. Her consequence that does not want to give to the enemy is killed by the Romans.

Sabijnse Virgin Roof, Matthijs Pool, After Nicolas Poussin, 1696 - 1727 print Roman soldiers grasp the unmarried Sabine virgins and try to take them to Rome. On the right is Romulus, who gives his soldiers the sign to take away the virgins. In the margin a caption in Dutch. Amsterdam paper etching / engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast

Lazio Roma Frascati Episcopal Palace6. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Shakespeare, Macbeth Act IV, Scene I, Robert Thew, 1758-1802, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1802, Stipple engraving on moderately thick, moderately texture, cream, wove paper, Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm), Plate: 19 5/8 × 24 7/8 inches (49.8 × 63.2 cm), and Image: 17 5/16 × 23 3/8 inches (44 × 59.4 cm)

Dubourg, Louis Fabritius, Amsterdam, Bernards, Balthasar, Telemachus shows the head of Iphicles to Adrastus, verso - stamped, Telemachus holds the head of Iphicles in his hands and shows it to his father Adrastus. In the background soldiers are busy removing the wounded from the battlefield., print, book illustration, prints, height 226 mm, width 178 mm, Noord-Nederlands, print maker, printmaker, 1734 - 1734, second quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception, 1693 - 1775-09-16

Le Retour du Parlement. Artist: Jean Bernard Restout (French, Paris 1732-1797 Paris). Dimensions: Sheet: 8 11/16 × 11 13/16 in. (22 × 30 cm). Date: ca. 1774.An allegorical scene representing Louis XVI's order to have the Parlement return to Paris, set in front of the Palace of Justice and the sainte Chapelle. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot, The Crowning with Thorns, c 1618 The Crowning with Thorns

'Disarming of Cupid (Sonnet Cliv.)', c1870. Artist: P Lightfoot.

Fontein met twee etages, anonymous, after Jean Lepautre, after 1628 - before 1703 print On the right in the foreground, Salmacis extends to Hermaphroditus, who tries to ward off her before she hugs him and, according to the myth, would merge into a two -legged creature. A basin closed through a wall in the background. At the bottom is two lines of text. Leaf 5 from series of 6. Paris (possibly) paper etching story of Hermaphroditus and Salmacis

David and Abigail. Dated: c. 1745. Dimensions: sheet (trimmed to plate mark): 52 x 34 cm (20 1/2 x 13 3/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Wagner (publisher) after Jacopo Amigoni.

Young woman walks over stones through a river, Jan de Visscher, after Nicolaes Pietersz Berchem, 1643 - 1692 print Berglanship with shepherds and farmers. In the foreground, a young woman crosses a river through stones. A shepherd on horseback follows her, and part of the cattle is in the river. Northern Netherlands paper etching / engraving dog. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cow. stepping stones. ploughed field

Emblem: Hunger Nood, Jan Luyken, 1695 - 1705 print A landscape with ruins in the background. In the foreground is a dead horse in a puddle of blood. A starving family is around the cadaver and eats it. Print Maker: Amsterdampublisher: Nuremberg paper etching Abstract Ideas and Concepts. starvation, famine. horse (+ dying animal; death of animal; dead animal). landscape with ruins

Print made by T. E. Nicholson, active early 19th century, British, Chairing the Member, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Chapter. .

General Armament, decoration on the Kadijksplein, 1795, Johannes van Dregt (rejected attribution), 1795, Shield raising of the Virgin of Liberty by French and Batavian soldiers and sailors. To the left, the ready-made war fleet. Unused design for the decoration 'General Armoury' on the Kadijksplein in Amsterdam at the Alliance Festival on June 19, 1795., draughtsman: Johannes van Dregt, (rejected attribution), draughtsman: anonymous, Netherlands, 1795, paper, pen, brush, h 335 mm × w 278 mm

A bacchanalian gathering with leopards pulling a chariot and Silenus () on a donkey. Engraving by N.D. Beauvais after L. Cheron.

A Musical Gathering. Artist: Attributed to Samuel Wale (British, Great Yarmouth, Norfolk 1721-1786 London). Dimensions: sheet: 8 1/4 x 4 7/8 in. (21 x 12.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Triumphal Tour of Time, Silvester Pomarede, After Gianantonio Buti, After Titian, 1736 - 1768 print Father time with a sky and a passer on a triumph car in a triumph procession with well -known historical people and literary characters, including Aristotle, Cleopatra, Ajax and Leonidas. Text in Latin in STUDMARGE. Italy paper engraving 'Trionfo del tempo', 'Triumph of time'; "Carro del tempo" (Ripa). historical persons

The Last Supper (left half), Pieter Claesz. Soutman, after Leonardo da Vinci, after Peter Paul Rubens print paper etching Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Giovanni Benedetto Castiglione rubber tempera and red chalk painting depicting Jacob's return, composed of two parts, dated 1647-1651.

London, Colnaghi & Co, Guttenbrunn, Ludwig, Italy, Bartolozzi, Francesco, Apollo and the Muses on Mount Parnassus, verso lower left, Apollo playing his lyre among the nine Muses on Mount Parnassus., print, prints, verso - stamped, height 532 mm, width 770 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1800 - 1800, paper, papier, etching, etchings, engraving, engraving (printing process), after, after a painting by, Publication (Event), Publication, British, publisher

Francesco Londonio, Woman, Shepherd Boys, and Sheep near an Arch, 1759 1782 Woman, Shepherd Boys, and Sheep near an Arch

Włady: Jagiełło near Grunwald in: Historical songs with music and engravings , in Warsaw, in the printing house at Nowolipie, 1816 Stölzel, Christian Friedrich (1751 1816)

Habsburgs chase Turkish besiegers from the corridor system under the imperial castle, Romeyn de Hooghe, 1684 print Habsburgers chase Turkish besiegers from the corridor system under the imperial castle. This print is no. 6 in series Prints for 'Relation Succinte et Veritable de Tout Ce qui s'est Passé Pendant Le Siege de Vienne etc.' Amsterdam paper etching / engraving Victory, position was Vienna

ENTRADA TRIUNFAL DEL DUQUE DE WELLINGTON EN MADRID - SIGLO XIX - GRABADO POR JOHN BROMLEY. Author: WILLIAM HILTON (1786-1839). Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN. DUQUE DE CIUDAD RODRIGO. Arthur Wellesley (1769-1852). ARTHUR COLLEY (1769-1852) DQ DE WELLINGTON. DUQUE DE WELLINGTON (1769-1852).

Mord to Julius Caesar, Johannes Glabober, After Siratuer the Landor Council, 1686 print Round show. The murder of Julius Caesar by Brutus and other senators, in the background the statue of Pompey. The print is towards a lost bas-relief by Gerard de Lairesse and is part of a four-part series with the subject of world rich in classical antiquity. print maker: unknownafter drawing by: Amsterdamafter painting by: Amsterdampublisher: Amsterdam paper etching death of Caesar, i.e. the murder of Caesar: he is slain in the Senate at the foot of Pompey's statue, exclaiming 'et tu Brute'

Allegory with the arrival of William IV in The Hague, 1747, Simon Fokke, 1747 drawing Allegory with the arrival of Prince William IV in The Hague, April 29, 1747, and his election as Stadholder of Holland. Presentation in a bow with the freedom and the Dutch Virgin sitting in the foreground. There are medallions on the arch with a portrait of the prince and four performances of the festive spirit in other places in the country. In the air the fame blows on her trumpet with WAYPEL. Design for a print. Northern Netherlands paper The Hague

Armida and Rinaldo. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 246 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Allegory of death Prince William IV, 1751, Jan Caspar Philips, After Hieronymus van der Me, 1736 - 1775 print Allegory of the death of Stadholder William IV on October 22, 1751. Portrait bust of the prince on a tomb, flanked by a phoenix that burns itself, as a reference to Christ's resurrection. On the edge of the tomb a mourning Minerva, leaning on the city coat of arms of Leiden, and a putto with a winged hourglass and a burning torch, which he goes out. The caption mentions the role of the prince as the patron of the High School of Leiden. Amsterdam paper etching / engraving (story of) Minerva (Pallas, Athena). grave, tomb. fabulous animals ~ birds: phoenix. scenes symbolizing 'Vanitas'. grave-building, monumental tomb Leiden

The Pool of Bethesda, Simon Francois Ravenet, 1721-1774, French, active in Britain, and Victor Marie Picot, 1744-1805, French, after William Hogarth, 1697-1764, British, 1772, Line engraving on moderately thick, slightly textured, cream laid paper, Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm), Plate: 19 1/8 x 22 1/4 inches (48.6 x 56.5 cm), and Image: 16 1/4 x 21 1/4 inches (41.3 x 54 cm), angel, arcade, children, disease, fountain, garden structure, healing, men, New Testament, nude, pool, religious and mythological subject, sick, sick people lying near the pool of Bethesda ~ Christ healing paralytics (John 5:1-9), trees, water, women

Africa. Borcht, Pierre van der (Flemish, act.1712-d.1763) (workshop) weaver c. 1700-1725 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Austria, Vienna, Vienna, Sammlung für Plastik und Kunstgewerbe. Banquet in landscape setting, 6 Oriental figures gathered around table, 2 seated male figures with plumed headdresses, standing figure wearing turban, servants bringing plate & cup to table (center, middle ground), couple dancing (R, middle ground), 3 musicians, violinist, flutist & cellist (R), Oriental female figure dancing before balustrade (R of center, middle ground), urn filled with bottles on ground (R of center, middle ground), landscape with river, classical buildings (R, background), fountain, rotunda, stone bridge, figures walking (L, background) GCPA 0238174 shows right-side of panel, GCPA 0238175 shows left-side of panel, GCPA 0238177 shows center of panel. The 3 photographs show an incomplete view of tapestry: upper part of

Etcher: Giovanni Domenico Tiepolo, Italian, 1727-1804, After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770, Saint John the BaptistPreaching, Etching, platemark: 24.2 × 28.8 cm (9 1/2 × 11 5/16 in.), Italian, 18thcentury, Works on Paper -Prints

Interior of the inn in Lapide near Brindisi, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk pen / brush

Garden of Love, Nicolaes de Bruyn, 1661 print In an open space in a forest a group of love pairs. They walk around, dance, play music or sit down. print maker: Antwerppublisher: Amsterdam paper engraving garden of Love, court of Love, 'fíªte galante'. private festivities, merry company - AA - in the open air, 'fíªte champíªtre'

Claude Gillot (French, 1673-1722) and Jean Audran (French, 1667-1756). Birth (La Naissance), ca. 1718-1722. From Life of the Satyrs. Etching and engraving on laid paper. Plate: 256 mm x 340 mm (10.08 in. x 13.39 in.). Third of three states.

Indication; L'Optique; Le Cabinet des Beaux Arts (...) / The treasure room of the Vrye Rabits (...). Ceiling piece with the Personification of Hen Zorpenkunde. She looks through a star viewer to heaven. In addition to her a putto that also looks through a star verger or telescope. Links two putti that study small objects. In the background the Observatory of Versailles. Print is part of an album.

Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: CLAUDE GILLOT.

Boniface Milled near Dokkum, 754, 1722 - 1750 print Boniface at Dokkum murdered on 5 June 754. Northern Netherlands paper etching martyrdom, suffering, misfortune, death of St. Boniface Dokkum

Telemachus Relates His Adventures to the Goddess Calypso, from The Adventures of Telemachus, Book 1 1808 Italy. These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de TÈlÈmaque) by FranÁois FÈnelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homerís Odyssey, the first four books of which describe the heroís search for his father. FÈnelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality FÈnelon believed ancient Greece best exemplified.Pinelli illustrated scenes from books 1ñ8 and one scene from book 18, and probably planned to illustrate more from the 24 book

Amorini Celebrate the Rape of Proserpina 1805-12 Francesco Rosaspina Italian Having conquered the sky and the earth, Venus told her son that she wished to extend their dominion to the Underworld. Cupid aimed his sharpest arrow at Pluto, causing him to fall violently in love with Proserpina, who was gathering flowers with her companions (right background) in a land of perpetual spring. Carrying her off in his chariot, Pluto disregarded the pleas of the nymph of the Bay of Cyane (left background) and plunged through the Sicilian bay into his subterranean realm (Metamorphoses 5.363-424).After her daughter's abduction, the distraught Ceres, goddess of the harvest, neglected her duties and the crops failed. To restore the earth's fertility, Jupiter decreed that Proserpina spend part of each year above ground. With her annual return comes the spring. Albani ignored the seasonal implications of the myth in order to focus on Love's triumph.See 23.106.61 for an incomplete proof impression.. Amo

Poetry or poetry; La Poesie; Le Cabinet des Beaux Arts (...) / The treasure room of the Vrye Rabits (...). Ceiling piece with the personal poetry, leaning against a writing table with laurel wreath on the head. Around her putti with musical instruments and a mask. On the left a bookcase. In the background right a theater where the play of Cinna is performed. Print is part of an album.

Oil on paper by Francesco Badens depicting a naked figure dancing with a doll in a circular composition, related to the Scène des Adamites in Amsterdam.

Interior of the inn at Lapide near Brindisi, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, pen, brush, h 261 mm × w 386 mm

Armida and Rinaldo, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Armida. sleeping on the ground - BB - out of doors

Jean Grandjean drawing of a Bacchanal with figures gathered at the feet of a Bacchus statue, tied to Bacchanalia, in pen, brown and gray wash, and watercolor, with gilded edge.

The Caravan mid to late 18th century Jacques Gabriel Huquier French. The Caravan 394620

Les planètes étant elles-mêmes dans.... Honoré Daumier (1808-1879). Lithographs

Murder of Alida van Poelgeest, 1392, Johann Wilhelm Kaiser (I), 1843 drawing paper. ink. pencil pen / brush attempt, political murder. historical events and situations. historical persons

Lazio Viterbo Caprarola Palazzo Farnese453. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II, Mary Hoare, 1753-1820, British, 1780, Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border, Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm), Contemporary drawn border: 12 3/16 x 14 7/16 inches (31 x 36.7 cm), and Sheet: 10 15/16 x 13 3/16 inches (27.8 x 33.5 cm), brothers, carrying, cave, cloaks, cross-dressing, Cymbeline, Act IV, Scene II, Cymbeline, play by William Shakespeare, dead, fur, grass, literary theme, plays by William Shakespeare, sandals, sister, slippers, spear, trees

Waking () the Echo.. Unknown

Noce de Village (Village Wedding). Dated: 1785. Dimensions: overall (outer framing line): 31.1 x 23.4 cm (12 1/4 x 9 3/16 in.). Medium: wash manner and etching printed in ochre, red-pink, blue, and carmine inks. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis after Nicolas Antoine Taunay.

Europe en de paths, anonymous, after Abraham blotting, 1655 - 1690 print Europe drives on the beach on the bull. Her maids are busy decorating the bull with flowerguirlandes. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Europa and her maidens play with the bull, and/or adorn it with flowers

The Chinese Market, Manufacture Royale de Beauvais, 1767 - 1769 Wall carpet with "the Chinese market", scene two from the "La Tenture Chinoise" series, consisting of six scenes, to paintings by Boucher. maker: Beauvaisdesigner: Beauvaismaker: Beauvaismaker: Francemaker: Beauvais Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with "the Chinese market", scene two from the "La Tenture Chinoise" series, consisting of six scenes, to paintings by Boucher. maker: Beauvaisdesigner: Beauvaismaker: Beauvaismaker: Francemaker: Beauvais Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Amsterdam, Hagedoorn, JC, Oosterhuis, Haatje Pieters, Netherlands, Sluyter, Dirk, Memorial Column. In Honour of Lourens Janszoon Koster, Inventor of the praiseworthy Art of Printing in the Year 1420-1425, the Fourth Centenary of which, by decree of the Most Honorable Government of the City of Haarlem, was solemnly celebrated there on the 10th and 11th of July 1823, Memorial Column on the 400th Anniversary of the Invention of the Art of Printing by Coster, 1823, stamped on the reverse, Allegorical monument on the occasion of the celebration of the 400th anniversary on 10-11 July 1823 of the invention of the art of printing by Laurens Jansz. Coster in Haarlem in 1420-1425. Coster standing in front of a memorial column with a representation of a printing house and the coat of arms of the city of Haarlem. On the right the Dutch Virgin and Religion. Religion brings an offering on the altar of immortality. Furthermore three putti and in the foreground attributes of the liberal arts. In the m

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