Ornamental and Architectural Designs

A series of intricate prints showcasing decorative motifs, architectural fantasies, and ornamental designs, exhibiting a blend of nature and fantastical elements.

Large Pendant, Surrounded by Twelve Small Studs, 1593, Pendants, Medallions, and Studs: pl.2 Holl. 17-24, engraving, Hollstein, no. 18, State i/ii, Daniel Mignot (artist) German, active 1593/1596

Plat decoration with leaf vines and a breast curas, Heinrich Aldgrever, 1553 print Flat decoration with leaf vines that rise from a breast kuras. They spread symmetrically throughout the plane. Two branches run out in lion heads. In the middle an animal skull. Germany paper engraving ornament derived from plant forms

Fantasy building work, supported at the bottom by two double hermes in the form of Saters, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Equal -sided copy to the print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching

Plate 12, from XX Stuck zum (ornamental designs for goblets and beakers) 1601 Germany. Punch engraving in black on ivory laid paper . Master A.P.

Pilaster decoration (lower party), from the Loggie Di Rafaele Nel Vaticano series (pl. 9); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520); 1772-1777 (1772-00-00-1777-00-00);

Large Pendant, Surrounded by Twelve Small Studs, 1593, Pendants, Medallions, and Studs: pl.2 Holl. 17-24, engraving, Hollstein, no. 18, State i/ii, Daniel Mignot (artist) German, active 1593/1596

Lazio Roma Velletri Museo Capitolare7. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Vlakdecoratie met arabesken.Arabesken with a four-leaf motif in the middle

Vuur, Hans Janssen, 1615 - c. 1630 print Oval with ornamental ranks. In the middle an eagle above a fire. Amsterdam (possibly) paper etching

Leaves with two masks and two dolphins, Heinrich Aldgrever, 1530 print Flat decoration with a candle slicer of leaf vines. At the bottom are legumes hanging on the tendrils. At the top, the masks and dolphins run out. Germany paper engraving foliage, tendrils, branches ~ ornament. dolphin ~ ornament. mask, mascaron ~ ornament

Lazio Viterbo Bagnaia Villa Lante78. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Map of garden with four compartments, Anonymous, Daniël Marot (I), After 1703 - Before 1800 print The garden is divided into four compartments with parterres. Opposite copy to print from series Nouveux Livre de Parterres published by Daniel Marot. Leaf from series of garden designs with parterres, fountains and pavilions with slat. paper etching lay-out of garden

Print, Allées en gazon pour les Therasse Sableux (Grass Walkways, Sandy Terraces), in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 26 x 17.6 cm (10 1/4 x 6 15/16 in.)

Picart, Bernard, Ornamental frame for a title page, verso right - stamped, Ornamental frame with two empty frames and in the middle two cornucopias with coins., print, prints, height 139 mm, width 82 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Modern GROTICKSKS MET TWEW WEWALONS, JEREMIAAS WASCHIA, After Jean BerIs (Le Vieux), After 1624 print print maker: Augsburgafter design by: France (possibly)publisher: Augsburg paper etching

Panels with floral motifs. Publisher number 316.

Faun tussen bladornamenten.Leaf ornaments sprinkling from the lower life of a Faun, whose cup is depicted in the middle of the show. Design for a print.

Decorative design with fish. .

Blackwork Design with Five Motifs ca. 1581-1636 attributed to Georg Arnoldt German Blackwork print with five small motifs for goldsmiths work. The two outer motifs appear twice, while the motif at center is depicted only once. The design is in reverse, but is not necessarily a copy.. Blackwork Design with Five Motifs 424826

Panels with female Herme and Medaillion, Anonymous, After Jean Berain (Le Vieux), After 1650 - c. 1761 print In the middle of the left panel there is a Herme with a basket full of flowers on her head, at the top of the right panel a portrait medallion hangs under a canopy. Leaf from series with modern grotesken between which ornaments and consoles with crockery are located. print maker: Germany (possibly)after design by: France (possibly)publisher: Germany (possibly) paper etching

Schäfer Carl (1844-1908), Klosterkirche, Altenberg. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 60.7 x 42.8 cm (including scan edges)

Wilkinson Tracing, 2 designs for inlaid ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design by Aldengräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Drawing, Ceiling Design; Designed by James Byres; England

From series of 12 sheets with foliage and grotesques, dedicated to George Henriot., Panel with foliage and flowers De Grotesco (series title), print maker: Johan Barra, (mentioned on object), Nicasius Rousseel, Wendel Dietterlin (II), London, 1623, paper, engraving, h 129 mm × w 90 mm

Twee kandelabers, in or after 1648 print Leaf with two performances of Kandelabers. On the left a candle slor with griffins, birds and arabesks. On the right a candeletry with eagles and arabesken. The left performance is above the right show. Together they form one Kandelaber. print maker: Italyafter drawing by: Italypublisher: Rome paper etching ornament ~ candlestick

Measurement book, Michiel Le Blon, 1626 print One of three knife lives, where the left lift and the middle langs are missing. Amsterdam paper etching

Two fencing; Designs for fencing; Schlorine Riβ / DESSEINS the serroreries. Two fencing top each other with leaf motifs. Publisher number 60.

Rouen, Avaulez, widow Pierre-Michel, Ranson, Pierre, Juillet, Jacques, XII Cahier D'Ornement Pour la Boiserie d'Appartement, Panel with flower basket and bows, verso - stamped, A panel with flower tendrils, bows and a basket with flowers., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 322 mm, width 204 mm, 1739 - 1784, print maker, prentmaker, 1777 - 1779, paper, papier, etching, Work conception, French, 1736 - 1786-09-26, after a design by, Publication (Event), Publication, - 1779, publisher

Poort met hoekpilaster, Gérard Jean Baptiste Scotin (I), after Jean Berain (le Vieux), in or after c. 1711 - before 1716 print The gate contains a medallion with a monogram: MA (possibly Marie-Anne, princess of Conti). Fragment of page 1 from series of 5 blades. Second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Letter I, Jeremias Falck, after Johann Christian Bierpfaf, c. 1645 - c. 1650 print print maker: Hamburgafter design by: Germany (possibly)publisher: Germany (possibly) paper engraving

Drawing (Italy)

Drawing (Italy)

Three geometric motifs with Moresken, Anonymous, After Balthazar van den Bos, 1550 - 1580 print On the left a window with white moresken on a dark stock, on the right a window with black moresken on a light surface. One of 15 magazines from a series of 23 Frisians with title page. Netherlands (possibly) paper engraving ornament ~ morality

Freggi dell'architettura. Agostino Mitelli (Italy, Battidizzo, 1609-1660). Italy, 1645. Prints; engravings. Two engravings on one sheet, uncut

Ornamental Design for Knife Handle 1585-1595 Flanders. These elegant knife handles (2014.1123 and 2014.1125) are a paired set printed from the same plate. Perhaps supplying front and back decorations for the same handle, both images include a nude female figure. The piece on the right depicts the ancient Roman figure of Lucretia, who was said to have committed suicide after being raped because she could not bear the dishonor brought on her family. Here she uses a blade to pierce her breast.. Engraving in black on ivory laid paper . Theodor de Bry

Two curved leaf vines, the bottom of a leaf, 1500 - 1600 print The leaf vines cross each other in the middle and are held together with a ring. Shaded background. One of 11 magazines. Germany (possibly) paper engraving

Fences with floral motifs; Gates; 59e cahier.three wrought iron fencers with floral motifs. Print Number 349.

Graphite drawing by Francesco Borromini showing a lattice design with blind grooves for San Carlo alle Quattro Fontane in Rome, executed on fine paper, including construction details.

Flat decoration with grotesken; Newes Gradesca Büchlein. Middle is a sphere under a starry sky. Leaf 10 from series with grotesque flat decorations with lobe ornaments.

Lehmmübner Paul (1855-1916), collegiate church in Marienborn. Conversion (1886): Organ: Halfbow excavations. Pencil on transparent, 46.5 x 34.3 cm (including scan edges) Lehmgrübner Paul (1855-1916): Stiftskirche, Marienborn. Umbau

Title page: De Grotesco, Johan Barra, After Nicasius Rousseel, 1623 print Grotesque decoration with stylized leaf vines and a mask at the bottom. Above that the text is on a canvas. From series of 12 magazines with leaf ranks and grotesken, dedicated to George Henriot. London paper engraving

Nohl Maximilian (1830-1863), the choir chairs in the chapter hall of the cathedral in Mainz, ed. M. Nohl u. R. Bogler, Glogau 1863 (1863-1863): View, detail. Lithograph on paper, 44 x 29 cm (including scan edges)

Ornament with rolling work of leaf vines and horns of abundance, 1500 - 1520 print Italy paper Niello (technique) plants; vegetation (+ ornamental variants of plants). 'Cornucopia', Horn of Plenty

Bottom of the side of Koets, Anonymous, After Jean Lepautre, c. 1680 - c. 1701 print Bottom of the side of the body of a carriage with details and a variant of the right half. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Cartouche with a weapon, resting on trellion above a niche; Flat decorations: cartouches with quotes from philosophers in a picture frame, grotesken, figures, garlands and trophies. Trellis is worn by two cariatides that flank the niche. In the middle sitting back to back two men chained to the roller. Belongs to series of 6 sheets.

Project for cast metal and colored folding doors, Pen and ink, brush and watercolor on paper, The folding door consists of two wings, overdoor, framing pilasters, and an attic. The attic and overdoor have a trellis ground and decorated with festoons. Garlands are depicted on the pilasters., France, ca. 1785, Drawing, Drawing

Panel with leaf refrences that exhausted in a female torso; Seer aereth cavity. Leaf from series with on-sided copies to the series The grotesco of Nicasius Rousseel.

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 289 mm × w 162 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Quarter Section of Painted Ceiling; Designed by Unknown; England

Daniel Mignot, Large Pendant, Upright Oval with Floral Ornament, 1596 Large Pendant, Upright Oval with Floral Ornament

Cartouche with a weapon, resting on slat above a niche, 1558 - 1630 print The slat work is supported by two caratives that flank the niche. In the middle of the back two men are chained to the rolling work. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Three ornamental motifs in rococco style 1889 Jules-Edmond-Charles Lachaise French. Three ornamental motifs in rococco style. Jules-Edmond-Charles Lachaise (French, died 1897). 1889. graphite, pen and ink and watercolor on wove paper. Drawings

Print, Designs for Two Gueridons and a Wall Bracket with a Vase; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 35.8 x 23.3 cm (14 1/8 x 9 3/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Wrought iron fencing; II Cahier des desseins (...); Dessoints de la fashion Neuve au Gout Antique (...). Design for wrought iron fencing in arc shape with garlands, leaf motifs and round element.

Messenheft with grotesken, at the top a rectangle with the wedding in Canaan, c. 1598 print Messenhft whose crowning is decorated with a mermaid. One of 4 sheets, each with one design for the front of a handle flanked by two half designs for the rear. The texts on the back relate to the performances at the front. paper engraving

Vegetative ornament with monkeys, festans, crossed arrow coaters and a bust (free copy to a print of Gabriel Huquier to Watteau) .Design for a Decorative painting; Vegetative Ornament with Monkeys, FESTANS, Crossed Arrow Sleeve and Bust of A Woman.

Convivio delle Belle Donne, page 5 (recto) August 1532 Nicolò Zoppino Italian Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century.From top to bottom, and left to right:Design composed of 2 vertical columns. Left column is decorated with Moresque pattern with 6-petaled flower in center. Right column is decorated with Moresque pattern characterized by curving vines that almost form elongated heart-shapes (without connecting at the tip) at top and bottom.. Convivio delle Belle Donne, page 5 (recto) 659757

Ornamental Design for Knife Handle. Theodor de Bry; Flemish, 1538-1598. Date: 1585-1595. Dimensions: 90 × 22 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Elizabethan ornament

Zaar Carl (1849-1924), exhibition grille for the Entrée stairs of the AIV, Berlin. (From: Architectural sketchbook, H. 142/1, 1877.) (1877-1877): View. Stitch on paper, 34.8 x 25.4 cm (including scan edges)

Bound Print (France)

Vignet, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1884 - 1952 photomechanical print A piece of fabric with a pattern of flowers and crowns in the space left open. paper textile fabric, cloth. flowers ~ ornament

Print (France)

Print (France)

Eight panels with flowers; D Ve Cahier De Grouppes De Fleurs et d'Orgenens Pout La Décoration. Eight rectangular panels with braid and flowers.

Flora, Ceres, Flora and Diana in ornamental frames, Gerrit Visscher, 1690 - 1710 print Amsterdam paper engraving / etching (story of) Flora. (story of) Ceres (Demeter). (story of) Diana (Artemis). ornaments ~ art

Nohl Maximilian (1830-1863), the choir chairs in the chapter hall of the cathedral in Mainz, ed. M. Nohl u. R. Bogler, Glogau 1863 (1863-1863): View, detail. Lithograph on paper, 44 x 28.9 cm (including scan edges)

Lehmmübner Paul (1855-1916), Church in Belsdorf (without date): Fitting, details on Inv.No. 5566. Pencil on transparent, 61.6 x 101 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirche, Belsdorf

Two Knife Heften, 1626 print Two of three knife lives, the middle lift has been awarded a button. The judge is missing. Amsterdam paper etching table-knife. birds. foliage ~ ornament

Drawing, Design for Woven Corner with Neoclassical Motifs; France; brush and gouache on laid paper; 47.6 x 19 cm (18 3/4 x 7 1/2 in.)

Five Corinthian Pilasters, Andrea Andreani, 1598 print Italy paper triumph of Caesar. half-column, pilaster ~ architecture. Corinthian order ~ architecture

'Fragment of a Plafond at Campagna near Naples'. France. Dimensions: 24,3x25,3 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Umbria Terni Terni Palazzo Spada3. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print (France)

Flower between two birds, Theodor Bang, c. 1600 - c. 1617 print In the middle a large flower, seen from above, surrounded by flower vines and a bird left and right. Leaf 10 from series of 12 sheets with designs for goldsmiths. paper engraving

Frisian with leaf vines that come from the top right and top right from the corners, c. 1500 - c. 1600 print The leaf vines cross each other in the middle. Germany (possibly) paper engraving

Ornament with clients of justice. Flat decoration with leaf raft. At the bottom, Lady Justice (justice) runs with a sword and a scales in hand.

Relief with a candeletry, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print fruits and vegetables ~ ornament. ornament ~ candelabrum. decorating 'en relief', appliquéing. sculpture (+ relief ~ sculpture)

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-13

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-29

Lazio Roma Rome S. Eligio dei Ferrari7. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries (17-18th centuries), sculptural relief, stucco Object Notes: Constructed in first half of 16th century by confraternity of the blacksmiths. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ornament, c. 1897 - c. 1898 Page 9 Recto from a sketchbook with 29 sheets. paper. pencil ornaments ~ art

Umbria Terni Narni S. Giovenale, Cathedral84. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Alphabet (ornamental letters A, B, C). One of eight leaves with three ornamental letters of the alphabet: "Treasury, all kinds of deferred Latin vnnd Teutsch Allen Cantzleyen ... from Neuen in Strainer so produced. Through Paulum Francids of GfRes Aus the Voigtlandt Burger ... of Memmingen, printed to Nürmberg , By Katharina Dieterichin, in laying Conradauern ... 1601 ".

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (6). Artist: Theodor Bang (German, active in Nuremberg (fl.1606)). Dimensions: Sheet: 2 7/8 x 8 9/16 in. (7.3 x 21.7 cm). Publisher: Balthasar Caymox (German, Bersse () 1561-1635 Nuremberg). Date: ca. 1600-1617.Frieze with a decorative pattern made up out of very delicate, stylized vegetal rinceaux combined with flowers, peapods and strapwork. In the center of the frieze a large flower has been placed, surrounded by a ring of strapwork. On both sides, a bird of prey has been placed standing on the rinceaux with its wings spread. Museum: Metropolitan Museum of Art, New York, USA.

Frame consisting of two vertical panels and two Frisians; Lists with leaf refrences, candlestick poles, vases with flowers and flowers. Frame printed of four logs. There is a basket with vegetables on the Frisian bottom. The lists are largely variants or copies late sixteenth century French and Flemish prints. All picture frames were used to illustrate a Bible.

Rectangular picture frames; 58th Cayer Modéles de Compartimens des Tableaux, Pendules & C Propre Au Sculpturs, Ciseleur, et orphes; Cinquième Volume, Recueil élémentaire d'Architecture (...). Two rectangular picture frames with floral motifs and garlands, in the middle two round frames with a star, wings, garlands and egg list. Print number 343.

Architecture with a candelabra (left); plant ornament with masks, a scorpion and a basket (middle); candelabra with arabesques and a patera at the top (right), Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 67, 1757-1787, Naples.

Forgedwork, Johann Thomas Hauer, 1781 print Three designs for forging with leaf and floral motifs. Paris paper etching forging (industrial process)

Germany, Monogrammist GG, Flat decoration with broad black moroccos, verso top right - stamped, Moroccos, consisting of two basic motifs that are mirrored, one at the top and bottom of the print and one on both sides., print, ornament print, prints, ornament prints, height 66 mm, width 97 mm, print maker, printmaker, 1500 - 1600, 16th century, paper, papier, etching, etchings, Work conception, German, after a design by, Publication (Event), Publication, publisher

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 64 (recto) 1601 Cesare Vecellio Italian Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 3 triangles: left triangle is ornamented with a composite female, bird, and plant creature holding a candle on her head, middle triangle is ornamented with 2 composite man, bird, and plant creatures shooting an arrow at a bird, right triangle is ornamented with a fountain from which 2 birds and 2 deer drink. Bottom register is decorated with a curving vine of flowers, among which there are 2 composite man and plant creatures, a butterfly, and a bird.. Corona delle Nobili et Virtuose Donne: Libro I-IV, page 64 (recto) 661879

Wall hanging 17th-18th century possibly Spanish. Wall hanging 195474

Austin L Davison, Platform Railing, 1939 Platform Railing

Augsburg, Hertel, Johann Georg (I), Birckenfeld, Johann Samuel, Designs for wrought iron ornamental fences, Four detailed designs for an ornamental fence with rocailles, verso - stamped, Below an ornament with bird heads. Numbered 64 in the middle below., print, ornamental print, prints, ornamental prints, height 201 mm, width 295 mm, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

'Fragment of a Capital'. France. Dimensions: 23,3x31,3 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Design for an Oblong Ceiling with an Oval Centre 18th-19th century Attributed to James Wyatt British. Design for an Oblong Ceiling with an Oval Centre. Attributed to James Wyatt (British, Weeford, Staffordshire 1746-1813 near Marlborough, Wiltshire). 18th-19th century. Pen and ink

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Rocailles, verso - stamped, A table decorated with rocailles and rocaille ornaments with floral motifs. Publisher number 31., print, ornament print, prints, ornament prints, height 197 mm, width 294 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Lazio Rieti Rieti Museo del Tesoro del Duomo5. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

Fence with variant for right half Wrought iron , Jean Lepautre, print maker: anonymous, publisher: Reinier Ottens (I), France, (possibly), print maker: Netherlands, (possibly), publisher: Amsterdam, publisher: Amsterdam, publisher: Amsterdam, 1726 - 1750 and/or 1750 - 1765, paper, etching, h 223 mm × w 144 mm

Dimm Ludwig (1849-1928), Marburg Castle. Portal filling in the knight's hall (1877): portal fillings from Ahorn, walnut, elm. Pencil watercolor on the box, 60.8 x 45.4 cm (including scan edges)

of 3