Ornamental Architectural Prints

Detailed prints of architectural woodwork and ornamental designs, showcasing intricate patterns and decorative elements for interiors and facades.

Console puts garland, 1746 - 1782 print Front and side view of a console with a garland. Below that frame with Bloemenguirlande. Augsburg paper etching / engraving other architectural details (CONSOLE). ornament ~ festoon, garland. ornaments ~ art (+ framing decorations)

Panel with herm and two sphinxes, Moritz Bodenehr (possibly), after Jean Berain (le Vieux), 1675 - 1748 print print maker: Germany (possibly)after design by: France (possibly)publisher: Dresden paper etching

Print, Diverses Pieces d'Ouvrages de Serrurerie; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 36.7 x 24.3 cm (14 7/16 x 9 9/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Print

Window Grille. Dated: 1937. Dimensions: overall: 35.6 x 24.4 cm (14 x 9 5/8 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Austin L. Davison.

Entrée de Serrures, Plate 98 from Divers dessins de balcons à plusieurs usages (Variety of Balcony Designs), Claude René Gabriel Poulleau, French, b.1749, Jacques Chéreau, French, 1688-1776, Engraving on paper, Four symmetrical designs for open iron work., France, 1757-1776, metalwork, Print, Print

Console puts garland, 1746 - 1782 print Front and side view of a console with a garland. Below that frame with Bloemenguirlande. Augsburg paper etching / engraving other architectural details (CONSOLE). ornament ~ festoon, garland. ornaments ~ art (+ framing decorations)

Three vertical strips with compartments; Montant d'Ornement; Nouveaux Liure d'Ornementes Propres Pour Faire and Broderié et Petit Point. The compartments are formed by curling edges and leaves. At the top right is a dancing woman with a tambourine. From series with designs for embroidery and petit point.

Print (France)

Louvre (Façade sur le Quai). Édouard Baldus (French, born Germany, 1813 - 1889)

James Bruce, 1730-1794, British, Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State, undated. Graphite and pen and brown ink on medium, moderately textured, cream laid paper.

Drawing, Candelabra, ca. 1755; Robert Adam (British, 1728-1792); England; graphite on paper; 25.8 x 17.5 cm (10 3/16 x 6 7/8 in.)

Fantasy building, downwards supported by two double hermes; Leviores et ut videtur Extemporaneeae Picturae Quas Grotteweschas Vulgo Vocant (...). In the building there is a figure with a branch in hand on a pedestal. From series of 20 sheets.

Print (England)

Gate with corner pilcher; Designs for gates and handrails of wrought iron. Two masks are processed in the gate. Fragment of leaf 1 from series of 5 sheets. Second edition.

Print (France)

Panels with horns of abundance, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A wall with panels, decorated with leaf and floral motifs and two horns of abundance on the underside. Print number 148. Paris paper etching / engraving panelling. 'Cornucopia', Horn of Plenty

Book, L'oeuvre (Works)

Ceilings puts stervorm, garlands in medallions, Jean François de Neufforge, 1763 print A ceiling with a star shape in the middle, around four medallions with portraits and flower motifs in the corners. Below that a ceiling with garlands around a round element and in the corners of medallions with two portraits. Print number 301. Paris paper etching (decorated) ceiling. ornament ~ starforms. ornament ~ festoon, garland. ornament ~ medallion

Gypsum Model for an embellishment of the Richelieu Pavillon in the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Design for Two Panels, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Left, a swimming putto; right putto on an eagle., Germany, 1745, ornament, Print, Print

Lüdecke Carl Johann Bogislaw (1826-1894), Brynnek Castle near Tworog. Expansion (May 13, 1872): Details, scale bar. Pencil and ink watercolor on the box, 43.7 x 21.8 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Schloss Brynnek bei Tworog. Erweiterungsbau

Anonymous. Collection of ornamental patterns - Industrial drawing by Javet. "Untitled". Draw on albumin paper laminated on cardboard. 1880-1920. Museum of Fine Arts of the City of Paris, Petit Palais. 72896-59 Cardboard, industrial drawing, flower, ornamental motif, ornament, albumin paper, collection, draw

Three ornaments with acanthus drinks and masks, Paul Androuet Ducerceau, After Pierre Lesueur, c. 1670 - c. 1690 print A round medallion above a marble pedestal with a mask with a beard on it. Below that a vase in a medallion and a female mask. All this surrounded by Acanthus vranks. This print is part of an album. Paris paper etching acanthus ~ ornament. mask, mascaron ~ ornament. pedestal of a piece of sculpture (perhaps in the form of a herm). ornament ~ medallion

Three panels with flowers; D Ve Cahier De Grouppes De Fleurs et d'Orgenens Pout La Décoration. Three elongated panels with braid and flowers.

James Bruce, 1730-1794, British, Architectural detail of frieze of Corinthian temple at Assuras, undated. Graphite, pen and black ink, red pencil on moderately thick, slightly textured,cream laid paper.

Pouterre puts embroiderymotieven, anonymous, after André Le Nôtre, 1670 - 1680 print Broderie motifs in the form of a double console. paper etching

Augsburg, Wolf, Jeremias, France, Berain, Jean (le Vieux), Ornamental panels, Modern grotesques with female herm, The herm carries a basket of fruit and leaves on her head., print, ornament print, prints, ornament prints, height 305 mm, width 105 mm, German, 1673 - 1724, print maker, printmaker, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, publisher

Ten balusters or terms; Corinthia.iii; Architectura von den Funf Seuvlen (...). At the top, five balusters or terms of advance depicted, on the right a woman with her arms crossed; At the bottom of five balusters or terms, a pinacle and a herme in the form of a rollerwork console seen from aside, in perspective. Leaf 17 from series from title page and 28 sheets.

Arabes of Putti; 7ME CAHIER; Nouvelle Collection des Arabesques, Propres a la Décoration des Apartenens. Arabes with two saters and two putti with torches on either side of a vase with fruit.

From series of 6 blades with Dutch encountered copies to blades from the Liure de Serurerie series, designed by Jean Lepautre, and sheets from a different series. Second edition.

Copper engraving by Jan Collaert the Younger from 1582 showing a title page for Bullarum Inarium with intricate jewelry designs, decorative motifs, and detailed engraving work.

Framed frame with an empty banderole at the top; Picture frames with flowers, fruits, birds, insects and putti; Six blades, on which eight square edge lists, loaded with children, animals, flowers and fruits, all noticed: P.H. N (1 and 2 and 6 and 7 are printed on the front and back of the paper. At the bottom lies the flower of an iris between a caterpillar and a bird. Left is a bird on a strawberry. Identical print on the back leaf. One of 6 sheets, printed on either side, with eight different picture frames around a non-printed midfield.

Design by Jean Marot. Édouard Baldus (French, born Germany, 1813 - 1889)

Design for a Ceiling, Graphite, pen and ink, brush and watercolor on paper, Ceiling divided into panels with moulded frames and painted decoration. A portion of the octagonal center panel is shown, bordered with swags and bowknots. Below this, an X-shaped panel with grotesques and a medallion at the center showing a winged figure. On either side of this are rinceaux panels. At lower right, a grotesque., Italy, ca. 1800, interiors, Drawing, Drawing

Arabesken with angels and griffins, Charles Pierre Joseph Normand, 1803 print Vertical panel with arabesks with an angel at the top flanked by two griffins and smoking vessels. Below that the series title and in the middle an angel with a squirrel and a monkey on the wings. At the bottom a round medallion with three nudes and two horns of abundance. Paris paper engraving ornament ~ arabesque. angels. griffin (lion/eagle); 'Griffo' (Ripa)

Bound Print, Panel Design of Grotesque Ornaments; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); France; engraving

Wilkinson Tracing, Six different designs for inlaid ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Designs for ten decorative friezes. Artist: Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 9 3/16 x 6 1/8 in. (23.4 x 15.6 cm)plate: 5 3/8 x 7 5/16 in. (13.7 x 18.6 cm). Date: ca. 1485-1536. Museum: Metropolitan Museum of Art, New York, USA.

Lists and ornaments with man with headgear, 1798 - 1839 print Two rectangular ornaments with a weapon with owl and hose and a man with a headgear. Below that six ornamented lists. Paris paper ornaments ~ art. owls. snakes. head-gear

Clean Copy Presentation Draft: One Quarter of a Design for a Ceiling of a Room (recto); Scales and Construction Lines for Another Design (verso) 1774-90 Workshop of Leonardo Marini Italian. Clean Copy Presentation Draft: One Quarter of a Design for a Ceiling of a Room (recto); Scales and Construction Lines for Another Design (verso) 340763

Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 8 (recto). Dimensions: Overall: 8 3/8 x 5 7/8 x 3/16 in. (21.2 x 14.9 x 0.5 cm). Publisher: Alessandro Paganino (Italian, active Salò, Toscolano and Venice, 1511-38). Date: ca. 1532.Published by Alessandro Paganini, Italian, active 16th century.Embroidery design decorated with curving vines that come together and form a leaf upon which is a human face. Each vine also terminates in a leaf with an animal or human face. The very bottom of the design ends in an ornamental element. This is the same design printed on page 6, but instead of being printed in white, it is printed in black. Museum: Metropolitan Museum of Art, New York, USA.

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388321

Print, Ceiling Design; Designed by Jean Lemoyne (French, 1638 - 1715); Published by Gaspard Duchange; France; etching on laid paper

Lazio Roma Velletri Museo Capitolare3. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Trophe, Detail of a woodwork, Interieur, Hotel Lauzun, 17 Quai d'Anjou, 4th arrondissement, Paris Trophy, Detail of a Woodwork, Interior, Lauzun Hotel, 17 Quai d'Anjou, Paris (are arrested), 1905. Photography of Eug�ne Atget (1857-1927).

Members of a Ionic Temple in Ruins at Priene (now Turunclar), Giovanni Battista Borra, 1713-1770, Italian, ca. 1750, Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 5/16 x 14 15/16 inches (54.1 x 38 cm) and Image: 12 3/8 x 7 15/16 inches (31.5 x 20.2 cm), architectural subject, capitals, columns, entablature, friezes, Ionic, ruins, temple, Asia, Aydin Ili, Ege kiyilari, Priene, Turkey

Design by Enea Vico after Antique Paintings. Édouard Baldus (French, born Germany, 1813 - 1889)

Print

Frame. .

Gate with corner pilcher; Designs for gates and handrails of wrought iron.halfway through the corner paddle is a Lion's Head. Fragment of Leaf 1 from Series or 5 sheets. Second Edition.

Half of rectangular ceiling; Ceilings à la modern. With empty plane in the middle and in the corners a round medallion with cupid. From second edition.

Design for a Pier Table, Pen and ink, brush and brown ink, graphite on thick off-white laid paper, Elevation of a pier glass above a console table, both with the right hand side decorated with scrolls and floral garlands., Italy, 1750-1790, interiors, Drawing, Drawing

Poort met hoekpilaster, Jean Baptiste Scotin (I), after Jean Berain (le Vieux), in or after c. 1711 - before 1716 print On top is a crown, the monogram of Louis XIV is incorporated in the gate. Fragment of page 2 from series of 5 sheets. Second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Ground floor of the garden of Mont-Louis; Gardens with floorres. The left half is a back pressure of the right half. From series of 12 sheets.

Latin Cross with Birds and Smaller Motifs. Artist: Jacques Hurtu (French (active 1584-1635)). Dimensions: Sheet: 3 7/8 x 2 13/16 in. (9.8 x 7.1 cm). Publisher: Pierre Firens I (Flemish, Antwerp 1580-1638 Paris). Date: ca. 1614-19.Part of a series of 6 with goldsmiths designs executed in the blackwork technique. Design for a pendant shaped like a Latin cross, decorated with Schweifwerk. The cross is surrounded by smaller motifs, including two ring bezels and two rectangular designs in blackwork. Other decorative elements, such as fruit garlands and a rooster and turkey, have been added in engraving. Museum: Metropolitan Museum of Art, New York, USA.

New Modelbüch (Page 20r) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 20r) 680882

James Bruce, 1730-1794, British, Architectural detail of Column of Arch at Tripoli, undated. Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Wall candlesticks, consoles and a slot, Pietro Ruga, After Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching ornaments ~ art. chandelier, candelabrum. other architectural details (CONSOLE). lock ~ door

Two oval panels, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print The upper panel is decorated with a sitting and a dancing woman. Passed copy to print from the Nouveaux Liure d'Orgings props Pour faire and Broderié et Petit Point published by Daniel Marot. Netherlands (possibly) paper etching

Ornamented with striker with rollerwork filled with flowers and bottom two snails; Spits-Boeck Dienstich den Gout and Silversmeden for cutting and drying. .

Parterre Van de Tuin van Mont -Louis, Anonymous, After André Le Nôtre, 1670 - 1680 print The left half is a back pressure of the right half. From series of 12 magazines. paper etching

Scrolling with flowers and vines, Johann Christoph Weigel, c. 1600 - c. 1699

Wilkinson Tracing, A design for a bracket, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Fences with floral motifs; 59e Cahier; Fences.drike wrought iron fences with floral motifs. Print number 351.

La Vera Perfettione del Disegno di varie sorti di recami, page 28 (verso). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is decorated in the center with a pot from which curving vines of leaves emanate; interspersed throughout the vines are a unicorn, squirrel, fox, and deer. Middle register is decorated in the center with a standing rabbit that holds 2 curving vines of leaves; amongst the foliage are a prancing deer, fox, and buck. Bottom register is decora

Twee convenient, Carl Albert von Lespilliez, After François de Cuvilliés (Sr.), 1745 print Front and top views of two ornamented chests with rocailles, below with a male mask with point ears. after design by: GermanyParis paper etching ornamental cupboard. mask, mascaron ~ ornament

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 10e Cahier, Secretaires, Sécretaire à la Chanceliére, Secretaire with garland, verso - stamped, An ornamented secretaire with garland and floral motif. Print number 57., print, ornamental print, prints, ornamental prints, height 328 mm, width 197 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Door ornamented with organic motifs and an image of presumably the blacksmith of Vulcanus, c. 1875 - c. 1900 photograph European Publisher: Munich cardboard. photographic support albumen print door. (story of) Vulcan (Hephaestus). cupids: 'amores', 'amoretti', 'putti' Europe

The Tomb of Pietro and Giovanni de' Medici from The Tombs of the Medici 1570 Cornelis Cort Netherlandish. The Tomb of Pietro and Giovanni de' Medici from The Tombs of the Medici. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1570. Engraving. Prints

Design by Virgil Solis. Édouard Baldus (French, born Germany, 1813 - 1889)

Design for a Sedan Chair ca. 1700 Anonymous, French, 18th century French. Design for a Sedan Chair 356106

An etching from the 17th-19th century depicting decorative ornaments.

Print, Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels); Designed by Bernhard Zan (Germany, active ca. 1580); Germany; punch engraving, pen and black ink, graphite on off-white laid paper; Sheet: 29.5 x 18.5 cm (11 5/8 x 7 5/16 in.) Platemark: 19.3 x 13 cm (7 5/8 x 5 1/8 in.)

Design by Jean le Pautre. Édouard Baldus (French, born Germany, 1813 - 1889)

Decorative design with eight sitting women. .

Hanging lamps, c. 1830 - c. 1850 Paris tracing paper. paper. graphite (mineral) Paris tracing paper. paper. graphite (mineral)

Five consoles and seven smaller parts, 1610 print The leaf is horizontally divided into two parts; All consoles have been awarded with a capital. Blad 18 from series of title page and 28 magazines. paper etching

Vuurbok, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

Six flat decorations and a swallow. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 417 mm × w 273 mm. Museum: Rijksmuseum, Amsterdam.

La Vera Perfettione del Disegno di varie sorti di recami, page 18 (verso). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 4 horizontal registers that are printed upon a grid. First register is decorated with a curving grape vine. Second register is decorated with coiling leaves wrapped around a straight vine. Third register is decorated with a pattern of vines that form sideways heart shapes. Fourth register is decorated with wavy vine of an alternating pattern of flowers and leaves. Museum: Met

Pencil drawing of the Councilor door at Vienna III Arsenal by Carl von Hasenauer, showing the open door and door knocker, dated 1853.

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Developement de bordure pour la chasse du roy, Three corners and a fragment of the ornamental frame around a hunting piece, This print is part of an album., print, album leaf, ornament print, prints, height 301 mm, width 220 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgever, 1710-02-15 - 1774-05-10, verlener van privilege

Edward L Loper, Iron Bannister, c 1936 Iron Bannister

Two oval ornamentation projects, in the upper oval, presenting a dancer with tambourin and two other characters; unknown, Marot, Daniel (1661-1752; st.); after 1703 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, acanthus, images in composition, ornaments, ovals (geom.), Projects, tambourine (musical instruments), dancers, dance

Etching by Odoardo Fialetti created between 1620 and 1638 depicting a frieze with grotesque ornament, illustrating early seventeenth-century Italian ornamental engraving.

Oval cartouche with volutes in the corners; Oval cartouches for a black background. A mask is shown in the middle. At the bottom right and left a guiting of fruits, in a rectangular frame.

Ornament met mascarons.Lower part of a sheath. A kadellaber with leaf refrences, mascarons, two birds and a mascaroon with horns of voluten. Mirror-image copy of a sheath with Venus and Cupid by the Monogrammist IB.

Venus in a medallion. Venus is wearing a flower and mirror. Above the medallion two smaller medallions with rings and representations of the constellations scale and bull. Under the representation of Venus, half a medallion with two pigeons. Design for a glass-in-lead window for the Chamber of Commerce in the Beurs van Berlage in Amsterdam. Leaf 8 Recto from a sketchbook with 45 sheets.

Design for Ceiling. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 16 1/4 x 22 1/4 in. (41.3 x 56.5 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Plate from Ornament Designs Invented by J. Berain (page 65) late 17th-early 18th century Jean Berain This design by the architect and designer Jean Berain shows the delightful, lighthearted, whimsical, and strictly symmetrical decoration known as grotesques. Berain's work was very influential and was adopted for the decoration of Boulle marquetry, tapestries, and other textiles, as well as faience. Berain, who was named chief designer to the French court in 1690, was given lodgings in the Louvre near those of his son-in-law, the clockmaker Jacques Thuret, and the cabinetmaker André-Charles Boulle.. Plate from Ornament Designs Invented by J. Berain (page 65) 701367

Design for the decoration of a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 1/2 x 14 13/16 in. (26.7 x 37.7 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

This etching by Paul Flindt d. J. features grotesque ornamental designs, created using the roulette technique around 1600. It demonstrates detailed patterns typical of early 17th-century decorative art.

Roman vessels from the Hildesheimer find.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Antiquities , Roman+, Vessels (containers)

A. Framm.to di stucco, cavato dalla volta d'un de' Nicchioni interni della fabbr.ca sepolcrale vicino a Torre de' Schiavi , Architectural decorations & ornaments, Archaeological sites, Tombs & sepulchral monuments. The Antonio Cardinal Tosti Collection

Design by Jean Marot. Édouard Baldus (French, born Germany, 1813 - 1889)

Eight consoles. .

Design for a Plaster Ceiling with Bay, James Wyatt, British, 1746 - 1813, Pen and black ink, brush and gray wash, graphite on heavy wove paper, Vertical format design for a plaster ceiling with bay, scale in black ink at the bottom, ruled border line in black ink on three sides. Inscription at lower right., England, 1746-1813, architecture, interiors, Drawing, Drawing

Two panels with modern grotesken; Troisième Cahier d'Arabesques .. On the left panel hangs in the middle a medallion with a dancing woman and putto, on the right panel hangs in the middle a pointed oval medallion with Venus and Amor.

Print (France)

Design for a Mirror. Artist: James Wyatt (British, Weeford, Stafforshire 1746-1813 near Marlborough, Wiltshire). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

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