Ornamental Design Drawings

Detailed architectural and jewelry designs featuring intricate floral and geometric patterns, reflecting artistic craftsmanship from various eras.

Sheet 12 recto from a sketchbook with 58 pages, Architectural details from the Warmoesstraat, draughtsman: Isaac Gosschalk, draughtsman: Joseph Henry Gosschalk, (rejected attribution), Amsterdam, 1862, paper, brush

Print, Rosette Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: François Hubert (French, 1744-1809); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Vignette with scholar in Library in Cartouche, Abraham Delfos, 1741 - 1820 print Leiden paper etching study; 'studiolo'; library. scholar in his study

New Modelbüch (Page 38v) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 38v) 680925

Design for a lid box, the right half with more details than the left half, Design for a lid box, draughtsman: Luigi Valadier, (attributed to), Rome, c. 1760 - c. 1780, paper, pen, h 120 mm × w 144 mm

Diebitsch Carl von (1819-1869), ornamentation (without dat.): Floral detail, incomplete, because of a larger drawing cut off. Pencil on transparent, 9.8 x 20.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Ornamentik

Palazzo Quirinale, Rome;, Felice Giani, Italian, 1758-1823, Pen and dark gray ink, gray wash, black chalk ruled lines Support: light greenish-beige wove paper, Rome, Italy, Italy, 1812, interiors, Drawing, Drawing

A drawing of a stone rosette by Adolf Loos on sign paper with ink, created between 1885 and 1887.

Vignet met saters en sfinxen, Bernard Picart (workshop of), after Bernard Picart, 1725 print paper etching ornaments ~ art. sphinx (lion/woman); 'Sfinge' (Ripa)

Marie Lutrell, Mirror, 1940 Mirror

Le Trigouir ?; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Design for a room function, Anonymous, 1700 - 1799 drawing Netherlands paper. pencil pen / brush

Drawing, Design for badge; Italy; 1940-86-13

Hability address of the Academy of Fine Arts, sketch for a framing, Otto Wagner -

Chest of Drawers, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXXVIII in the 1754 and 1755 editions, not reprinted in the 1762 edition.. Chest of Drawers, from Chippendale Drawings, Vol. II 390650

Drawing, Design for a Waistcoat; France; pencil and various gouaches on paper; 18.2 × 33.9 cm (7 3/16 × 13 3/8 in.)

Scheppig Carl (1803-1885), Palazzo Papa Giulio in Rome (1833): Detail of a frieze. Pencil watercolored on paper, 11.7 x 18.7 cm (including scan edges) Scheppig Carl (1803-1885): Palazzo Papa Giulio, Rom

Two designs for beds, Anonymous, c. 1825 - c. 1839 drawing Two designs for beds in mahogany, colored print of a design of a toilet table and a design for a gueridon, both with mirror, from the series 'Le Guide du Fabricant de Mebles'. The leaf on the back numbered: 15, the opposite sheet with information about the furniture depicted: 15 bis. Part of an album with 80 sheets with drawings and a print of veneered and lacquered furniture, as well as seating furniture. Paris (possibly) paper. ink. watercolor (paint). pencil pen / brush bed

Iron chest from the collections of the Evangelical-Reformed Consistory in Warsaw in 1916-the detail of the decoration; Maszyński, Mariusz (1888-1944); 1916 (not after 7/09/1916) (1916-00-00-1916-00-00);

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Soldiers. Medium: 5 etchings on 1 sheet of laid paper restrikes. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Drawing, Eight Studies of Friezes and Candelabrum; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink over graphite on cream laid paper; 37 x 25.1 cm (14 9/16 x 9 7/8 in.)

Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Dimensions: sheet: 18 1/2 x 15 in. (47 x 38.1 cm). Date: ca. 1775. Museum: Metropolitan Museum of Art, New York, USA.

Project for a Fountain, Pen and brown ink with gray wash on cream laid paper, lined, Upon a base, partially executed stands a basin upon a foot composed of dolphins with uplifted tails. In the basin kneels a boy with fishtail legs, supporting a vase from which water springs., Italy, ca. 1800, ornament, Drawing, Drawing

Drawing, Design for a Bowl; Italy; red crayon, pen and ink on paper

Weather Vane. Dated: c. 1938. Dimensions: overall: 27.5 x 18.7 cm (10 13/16 x 7 3/8 in.) Original IAD Object: 48" long; 42" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jr. Ernest A. Towers.

Album # 2; Stained glass project for Saint Bernard in Paris Church: Ornament Gsell-Laurent workshop. Album # 2; Stained glass project for Saint-Bernard Church in Paris: Ornament. Watercolor, Gouache.

Bull Gustav (1807-1880), silver press pattern for Ehrenburg (1845): 4 ornaments (breaks). Pencil on transparent, 28.9 x 43.5 cm (including scan edges) Stier Gustav (1807-1880): Silberpressungsmuster für Ehrenburg

Design for the decoration of the stairway in the Chateau d'Ognon of M. de Machy (Oise, France) second half 19th century Jules-Edmond-Charles Lachaise French. Design for the decoration of the stairway in the Chateau d'Ognon of M. de Machy (Oise, France) 384807

Overmantle, in Chippendale Drawings, Vol. I ca. 1753-62 Thomas Chippendale British Design for an overmantle. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Overmantle, in Chippendale Drawings, Vol. I. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). ca. 1753-62. Black ink, yellow, brown, red, gray washes

Three coats of arms; Numismata virorum illustrium ex Barbadica Gente. A console with a pillow. On the cushion three shields with successively the arms of the Habsburg kings in Spain (with crown), the papal weapon (with Tiara and two crossed keys) and the arm of the state of Venice (with Dogehoed). The print is part of an album.

Design for Gallery Ceiling, Hôtel Cottier. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 10 5/8 x 8 1/8 in. (27.0 x 20.6 cm). Date: ca. 1879. Museum: Metropolitan Museum of Art, New York, USA.

Crucifix or Klaverkruis on a foot, Lucas Cranach (I), 1509 - 1549 print Crucifix or Klaverkruis on a foot, on the Kruishinden medallions with symbols of four evangelists. The edges of the book illustration have been cut off. Wittenberg paper Altarcross, Crucifix

Design for a scale (front view), anonymous, c. 1740 - c. 1760 Paris paper. chalk. ink pen

Bamberg (Germany). Drawings of architectural details and diverse structures; verso: architectural details. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Drawing, Design for fillet; Italy; 1940-86-244

Four photo productions of drawings of decorative elements, c. 1875 - c. 1900 photograph Left (52) Two drawings of an armed figure with fantasy scenes and a figure with plowing bulls, in the middle (53) Drawings of fantasy ornaments and architectural elements, in the middle (54) a drawing of a wall decoration with the sacrificialand of a bull, right (55) A drawing of a wall decoration with figures. Europe cardboard. photographic support albumen print ornament ~ hybrid animals. animal sacrifice ~ non-Christian religions. ploughing. ornaments ~ art Europe

Design for a misconduct, Frédéric-Jules Rudolphi, c. 1845 - c. 1860 Mandkelk with Saint Peter, Madonna and an apostle, with the inscription along the top of the chalice: ... Fili.redemptoris. .., And around the trunk the inscription: .. ISspater .. . Paris paper. cardboard. gold (metal). ink pen / brush

Russia, 960-1694 part 2. 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Russia

Sidewall, Block printed on machine-made paper, Rococo revival design with inset landscape cartouches of alternating deer and two figures in pine tree and cliffs. Printed in grisaille on off-white satin ground., possibly France, possibly USA, ca. 1860, Wallcoverings, Sidewall

Warsaw. Throne armchair Stanis Awa Augusta "Z FR" from the Royal Castle; Sztolcman, W Adys Aw Roman (1873-1950); 1916 (before 7/03/1916) (1916-00-00-1916-00-00);Royal Castle (Warsaw), Furniture, Trites

Design for Sculptured Decorations of Ceiling, Unknown, Brush and brown wash, pen and ink, graphite on paper, Ceiling decoration featuring several putti and smiling faces, foliage and decorative scrolls., Italy, 1650-75, architecture, interiors, Drawing, Drawing

Print (France)

Augsburg, Hertel, Johann Georg (I), Duitsland, Craaz, Gottfried, Divers Tables, Wandtafelontwerpen, Twee wandtafels met openwerke battens, Germany, verso - gestempeld, The tables each have four legs. The bases are decorated with rocailles. Numbered 46 in the middle below. This print is part of a series of four., print, prent, ornamentprent, prints, ornamentprenten, verso - stamped, height 290 mm, width 199 mm, print maker, printmaker, 1730 - 1775, paper, papier, etching, etchings, German, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a Decorated Ceiling. Artist: Anonymous, Italian, 19th century. Dimensions: 9-3/8 x 15-1/4 in. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Sleigh #3739a 1882 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt

Drawing (Italy)

Five Miscellaneous Designs for the de la Rochejaquelein Family. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 12 1/4 x 18 3/4 in. (31.1 x 47.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

An etching by Antonio Francesco Lucini depicting a ceremonial or decorated gondola, created in 1679, illustrating the vessel's details and ornamental design.

Wooden panel decorated with a portrait, dolphins and leaf motifs, c. 1875 - c. 1900 photograph photographic support dolphin ~ ornament - AA - stylized. ornament derived from plant forms

Bound Print, Design for Ceiling Ornament; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768), François de Cuvilliés the younger (German, 1731 - 1777); Published by Gabriel Huquier (French, 1695-1772); Germany; engraving on paper

Portrety Tsaria Alekseia Mikhailovicha i Mar'i Il'inichny, iz rukopisi Meierberga Portraits of Tsar Aleksei Mikhailovich and Mariia Il'inichna , from the manuscript of Augustin von Mayerberg. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Bliżej Kultury

Wall calendar frame for 1855; Gerson, Wojciech (1831-1901); 1854 (1894-00-00-1894-00-00);

Print

Perspective studies of architecture and sculpture by Carl von Hasenauer, executed in pencil, illustrating forms, proportions, and spatial relationships.

A pencil design by Emerich Alexius Swoboda showing multiple candelabra, focusing on shape, structure, and ornamental details.

Moreau-Néret, Adrien (n.1860-11-13-D.1944), decor project for the Lobau gallery of the Town Hall: Tuesday. March (main title). Ink, watercolor and gouache enhancement on bistre paper stuck on cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Lamp Bracket. Dated: 1936. Dimensions: overall: 35.2 x 24.5 cm (13 7/8 x 9 5/8 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Famularo.

Two designs for door and tympanum, of same dimensions but varied decoration.. Collot, Pierre. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Cast Iron Railing. Dated: c. 1936. Dimensions: overall: 24.6 x 35.5 cm (9 11/16 x 14 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lucien Verbeke.

Rue d'Aboukir. Sculpted reliefs, rue d'Aboukir, 2nd arrondissement, Paris Sculpted reliefs, rue d'Aboukir, Paris (ie Arr.). Anonymous photography. Draw with gelatin-chloride silver.

An introduction to the study of conchology : including observations on the Linnæan genera, and the arrangement of M. Lamarck, a glossary, and a table of English names / by Samuel Brookes 1815 Samuel Brookes Three-quarter red leather binding with marbled-paper sides, gold tooled spine with raised bands dividing spine into six compartments, title in gilt, all edges gilt, marbled endpapers. An introduction to the study of conchology : including observations on the Linnæan genera, and the arrangement of M. Lamarck, a glossary, and a table of English names / by Samuel Brookes. 1815. London, England

Chairs, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the center is an armchair, seen from the front, with upholstered seat and oval back. The supports of the arms have triglyph shape. The back has laterally two framing pillars with floral candelabra. At left: above a sketch of an armchair, seen from the front. With upholstered seat and back. The latter is laterally and above framed by a kind of escutcheon. Below is a chair, seen from the side, the back being at right. The arms are straight and are supported in front and at the back by curved boards. At right: above is a chair, seen from the side, the back being at right. The arms are supported at the front by supports with a bird's head. They form the upper frame of a rectangle, with an inscribedl ozenge. Below: an armchair in the same position. The arm is a scroll springing from the back, with a spiral upon the frame of the seat. Usual background., Rome, Italy, ca. 17

Wilkinson Tracing, Design for four sofas with canopies and two curtains, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719), undated. Brown wash over graphite, with pen in brown and black ink on medium, moderately textured, beige, laid paper.

Frame, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The scheme and decoration are variations of 1938-88-1912. Cornucopias crowned by flames crossing behind the escutcheon. The crossing point of the branches is surrounded by a wreath. At left, only partly visible, are fasces and the military flail, at right colors. Dark background., Rome, Italy, ca. 1796, architecture, Drawing, Drawing

Warszawa. Czoło ławki kościelnej z drzewa jesionowego z wyposażenia kościoła bonifratrów p.w. św. Jana Bożego - widoki w skali 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Upper part of chair, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Upper part of chair., Rome, Italy, 1746-1809, furniture, Drawing, Drawing

Design for Berlin Wool Work, Carl F. W. Wicht, German, Brush and gouache on pre-printed squared paper, Design on graph paper for Berlin wool work, a wreath of red and white roses and other flowers., Berlin, Germany, ca. 1860, textile designs, Drawing, Drawing

Couch from the beginning of the 18th century, according to photograph from the "Album of industrial works of art from the an exhibit of the Museum of Industry and Agriculture in Warsaw 1881", table XCV ; album from the collection of the Zachęta Arts Socie. Frankiewicz (Francewicz), Władysław (fl. 1915), draughtsman, cartoonist

'Sketch of a Ceiling with Cronus'. France, First half of 18th century. Dimensions: 13,1x25 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort ( ).

A Fruit Piece; William Henry Fox Talbot (English, 1800 - 1877); Reading, England; 1844; Salted paper print; 16.3 × 19.8 cm (6 7,16 × 7 13,16 in.)

Stier Gustav (1807-1880), silver press pattern for Ehrenburg (1842-1842): 7 ornaments (breaks). Pencil on transparent, 29 x 43.6 cm (including scan edges) Stier Gustav (1807-1880): Silberpressungsmuster für Ehrenburg

Gropius Martin (1824-1880), sketch album 3: Ornamentics (1871-1871): Details. Ink, pencil on paper, 34.7 x 21.1 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 3: Ornamentik

A pencil design by Karl Agricola for the tomb of Marie Christine in the Augustinian Church, showing a gable with Genius and a putto, drawn on tissue paper with laved ink and break marks around 1800.

Central Panel for a Ceiling, Black crayon, pen and ink, brush and wash on paper, A flower vase upon a pedestal projecting from a parapet., Italy, 1750-1800, interiors, Drawing, Drawing

Portrait of Hendrik Danielsz. Hooft, Noach van der Meer (II), 1787 - 1794 print Portrait of Hendrik Danielsz. Hooft, mayor of Amsterdam, in a medallion. Amsterdam silk etching

Banner of the Guild of Merchants with the Saxon coat of arms Wettin, obverse and reverse (18th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Cutting a reed pen, 1605 drawing Cutting a reed pin. In eight steps it is told how the point should be cut. Two legends below that. Up and below a knife. The figure in the middle has been added. The drawing is part of an album. Rotterdam paper. ink pen / calligraphy calligraphy

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Deraisme, Pierre -Georges (n.1859 - D.1932), Rocaille pendant (main title), 1895. Graphite and ink on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Differens sic desseins de feux ou grilles pour cheminées. Different drawings of stoves or gratings for chimneys.. Boulle, André-Charles, 1642-1732. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Design for a Couch 1800-1900 Anonymous, Italian, 19th century Italian. Design for a Couch 390418

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A cluster of seeds rises over a horizontally disposed bough with two upright leaves. Nearly two repeats are shown., France, 1800-1815, Drawing, Drawing

Ships in a bay, Perino del Vaga, 1520 - 1547 drawing Design for a fresco. paper. ink pen / brush

Design for Side Ottoman, Later Arabesque or Morisco Style. Artist: Robert William Hume (British, London 1816-1904 Long Island City). Date: 1835-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for an ex libris for D. Cheap. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 334 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Tableau with portraits of 32 Faculty of Faculty of Faculty of former Revenue and Treasury Committee abolished in 1869 and with a landscape drawing; Trzebiecki, Michał (1830-1905), 1869 (1869-00-00-1869-00-00);

Capital from the Mosque of El-Aksa (Chapiteau de la mosquée d'El Aksa) James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink on paper mounted on board, Sheet: 4 3/4 x 4 5/16 in. (12.1 x 11 cm). European Art 1886-1887 or 1889

Design, Allegory on the motto of Franz Joseph I Viribus Unitis nationalities and crown countries Austria and Hungary with coat of arms and designation, Josef Rybicka -, Lithographer, after, Joseph A, Hellich -, Drawer, Johann Rauh -, printer

Ravensburg, Gradmann, Johann, Hauer, Johann Thomas, Platfonds, Ceiling with halo, verso - stamped, Design for a ceiling with ornamented frame. In the middle an olive wreath, halo and laurel wreath. Publisher number 33., print, ornamental print, prints, ornamental prints, height 168 mm, width 222 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, seller

Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope 1867 Jules-Edmond-Charles Lachaise French. Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope 345475

Design for a ceiling painting with cartouches and putti, Godfried Maes, 1644 - 1693, draughtsman: Godfried Maes, , 1644 - 1693, paper, brush, h 163 mm × w 440 mm

Lápida con el epitafio del obispo Diego Melendez de Valdés, obispo de Zamora. Hoy en el Claustro de la Iglesia de Montserrat de los Españoles en Roma.

Germany, Bierpfaf, Johann Christian, Hamburg, Falck, Jeremias, Libellus Novus Elementorum Latinorum Cum AEneis picturis usui Aurifabrorum inservientib, Letter W, Sheet with the letter W from a series of 26 sheets with letters from the alphabet., print, ornament print, prints, ornament prints, height 207 mm, width 215 mm, 1609 - 1677-02-07, print maker, 1645 - 1650, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Medallion with allegorical representation of Autumn. Draughtsman: Johannes van Dregt. Dating: 1747 - 1807. Measurements: d 160 mm. Museum: Rijksmuseum, Amsterdam.

Container belonging to tsar Ivan the Terrible. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

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