Ornamental Design Drawings

Detailed architectural and jewelry designs featuring intricate floral and geometric patterns, reflecting artistic craftsmanship from various eras.

Sheet 12 recto from a sketchbook with 58 pages, Architectural details from the Warmoesstraat, draughtsman: Isaac Gosschalk, draughtsman: Joseph Henry Gosschalk, (rejected attribution), Amsterdam, 1862, paper, brush

Drawing, Design for a Mirror with Alternative Suggestions; Italy; graphite, pen and ink, brush and watercolor on paper

Drawing, Design for necklace and earring; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Wilkinson Tracing, Design for inlaid decoration for Mrs Barron's Oak Book Commode, 1816-20. Ink on laid paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Drawing for Ceiling Decoration 17th century Anonymous, Italian, 17th century Italian. Drawing for Ceiling Decoration 389412

Wilkinson Tracing, Three designs for inlaid ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for the Crowning Decorations of a Gate (recto); Sketches of Stone Blocks with Measurements (verso) 1652-1725 Attributed to Giovanni Battista Foggini Italian. Design for the Crowning Decorations of a Gate (recto); Sketches of Stone Blocks with Measurements (verso) 346360

Two Garden Chairs and Long Seat, in Chippendale Drawings, Vol. I 1761 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XXIV in the third edition of 1762, but created as early as 1761 according to the Act of Parliament on the print itself.. Two Garden Chairs and Long Seat, in Chippendale Drawings, Vol. I 390488

J.F. Clemens (1748-1831); Frederik Ludvig Bradt (1747-1829), Vignette with leaf and flower reduction, CIRCA 1778

Trumpet en little drum, in OR Before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

Sheet 12 recto from a sketchbook with 58 pages, Architectural details from the Warmoesstraat, draughtsman: Isaac Gosschalk, draughtsman: Joseph Henry Gosschalk, (rejected attribution), Amsterdam, 1862, paper, brush

Drawing, Design for a Monstrance; Italy; pen and ink, brush and wash on paper

Kolscher Bernhard (1834-1868), ornamental cover decoration (1856): Akanthos leaves in circular form and corner medallions. Watercolor on the box, 53.5 x 64 cm (including scan edges)

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Drawing, Design for an Architrave; Carlo Marchionni (Italian, 1702-1786); Italy; black crayon, pen and ink, brush and sepia on laid paper; 51 x 25.3 cm (20 1/16 x 9 15/16 in.)

Closet. Leaf 36 Recto from a sketchbook with 36 sheets.

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Ceiling design With Venus and Adonis; Campi, Bernardino (1522-1595); 2. PO. 16th century (1650-00-00-1691-00-00);Adonis (Mitol.), Bonoli Code, Tyszkiewicz, Benedykt (1904-1956), Tyszkiewicz, Benedykt (1904-1956)-collections, Venus (Mitol.), Dar (provenance), designs, decoration designs, Italian drawings

Recto, above left: Deer attacked by a Lynx; above right: Cloelia and her Companions escape Porsena's Camp; below right: Women Hunting; below left: Deer Hunt, with a Stag hiding its Scent. Verso: Two Busts of Women in Architectural Settings, preliminary designs for the Seven Virtues print series, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and brown ink, brush and wash on two joined sheets of laid paper, Recto, upper left: Forest scene, with stags feeding. A lynx is in the act of jumping from a tree to the back of one of the stags. Inscription in Dutch below framing line, lower left. A stag places his front hooves on the back of a bull. Huntsmen and dogs move in at right. Figures escape across a stream towards an encampment, lower right. Inscription above: 'La fuga di...' Lower right: Figures on foot, and on horseback move toward left. Reverse: Two heads in oval frames, with decorative borders. Related to Venationes prints 30 and 35 (left side). Two pages pasted togeth

Print, Designs for Ornament; Designed by Briceau (French, 16..-17..); France; engraving on laid paper

Print, Elevation of an Interior with Niche and Console Table; Designed by Johann Michael Hoppenhaupt II (German, 1709-ca. 1778); Print Maker: I. W. Meil (German); Germany; etching and engraving on white laid paper tipped into cream laid paper; Sheet: 40.6 x 64.1 cm (16 in. x 25 1/4 in.) Platemark: 40.6 x 33.3 cm (16 in. x 13 1/8 in.)

Design for ceiling decoration. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Three designs for book binding and four designs for decorating the back of a book, Anonymous, c. 1840 - c. 1850 Paris paper. graphite (mineral)

Designs for door-knocker and key handles.. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Drawing, R: elevation of a wall; V: study of a head; France & Italy

Drawing, Project for an oblong stucco ceiling: gaines and garlands; Italy; pen and brown ink with gray wash support: off-white laid paper

Design for Ornaments, Possibly Candle Holders, Pierre Germain, French, 1703 - 1783, Jacques Jean Pasquier, French, died 1785, Engraving on paper, Rocaille designs for two ornaments, possibly candle holders., France, 1751, ornament, Print, Print

Chinese instrument whose name is unknown, shooting of the Duke of Chaulnes, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. string instruments (plucked) Royal Palace

Partial Design for a Ceiling with Oculus 17th century Anonymous, Italian, 17th century Italian. Partial Design for a Ceiling with Oculus 389403

Livre Nouveau de Prinsipes D'Ornemens..., Plate 5 ca. 1715-1725 Nicolas Guérard French Plate 4 of the series 'Livre Nouveau de Prinsipes d'Ornemens', consisting of a title page and seven plates of rudimentary ornament designs to instruct (young) artists in how to design and delineate ornaments. This plate consists of four friezes with designs made up out of C-volutes, bandwork, simple rocaille ornaments and shell motifs and acanthus leafs.. Livre Nouveau de Prinsipes D'Ornemens..., Plate 5. ca. 1715-1725. Engraving

Ceiling Decorations, Black chalk, pen and ink on paper, The central panel is circular, inscribed into a square, the corners of which are connected by bands with the corners of the ceiling. Suggestion of figures and candelabrum., Italy, 1810-1820, interiors, Drawing, Drawing

Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex 1765-66 Sir William Chambers British, born Sweden. Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex 362927

Design for Ceiling Decoration. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Brooch, Pen and ink on paper, An escutcheon formed of floral volutes frames an oval diamond. A garland of flowers draped above and a hanging teardrop-shaped gem below., Italy, 1850-75, jewelry, Drawing, Drawing

A) At left: an octagonal attic frame is inscribed into an oblong, with a view of the sky. Arches of garlands support an oval garland, in which a putto flies. At right: in the center is a circular wreath supported by two putti. It is inscribed into an octagon as are above and below shell-like forms. Tangent to the octagonal frame are half-circles with figures of putti. The oblique sides which face the corners of the oblong room are simultaneously sides of spherical quadrangles with figures. B) Verso: vertically. Above: one half of the oblong ceiling is shown. A great central ovoid is suggested with obliquely disposed ovoidal medallions in the corners, with another medallion in an oblong at the ends; and scroll, at the sides. Center: in the center of the horizontal oblong ceiling is an ovoid with a flying putto. In the corners are medallions as above, with plant palmettes between them. Below is the plan. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper. Mus

Six Frisians with putti, birds, masks and a helmet; Ornamented designs for goldsmiths, watchmakers and other artists. Six friezes decorated with arabesque, putti, birds, a man's masks with a crown, a bofing cup, vases and a helmet. With French description.

Album leaf with two prints of cartouches, Album leaf with two cut-out prints with ornamental cartouches., print, ornamental print, album leaf, prints, ornamental prints, height 430 mm, width 292 mm, print maker, printmaker, 1500 - 1599, fourth quarter 16th century, 17th century, paper, papier, etching, etchings, pasting

Print (France)

Print, Fan leaves, first half of the set "Desseins d'Eventails et Ecrans"; After Nicolas Loir (French, 1624 - 1679); France; etching, engraving on laid paper; (irregular): 22 x 35.2 cm (8 11/16 x 13 7/8 in.); 1944-16-4-1

Print (France)

Wilkinson Tracing, Six designs for inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for a Necklace, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for a necklace. A scroll of ribbon and a branch are interlaced, with blossoms in the shape of rosettes in the compartments. Such a rosette on top of a small stem is in the center. The pendant has the shape of an oval wreath composed of interlaced ribbons and branches, within a drop., Siena, Italy, ca. 1785, jewelry, Drawing, Drawing

Wilkinson Tracing, Two partial designs for inlaid decoration for inkstands, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for a Quarter of a Ceiling, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Wilkinson Tracing, Four different designs for inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Print (France)

Mirror, in Chippendale Drawings, Vol. I ca. 1753-62 Thomas Chippendale British Design for a mirror. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.. Mirror, in Chippendale Drawings, Vol. I. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). ca. 1753-62. Brown ink, graphite

Print (France)

Vases on pedestals. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 345 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

Design for Silver Plate Decorated with Crabs 16th century Erasmus Hornick Netherlandish. Design for Silver Plate Decorated with Crabs 335894

Ovaal Ceiling, Anonymous, After Nicolas Pineau, 1725 - 1735 print Design for an oval ceiling with an edge of arabesks and putti. paper etching (decorated) ceiling

Ceiling and Cove Designs, Hôtel Rothschild, Vienna second half 19th century Jules-Edmond-Charles Lachaise French. Ceiling and Cove Designs, Hôtel Rothschild, Vienna 349416

Three claw pieces and three swing fillings, 1565 Three segments with three half claw pieces and three half swing fillings, decorated with batter, grotesks and garlands. The print is part of an album. Antwerp paper etching Three segments with three half claw pieces and three half swing fillings, decorated with batter, grotesks and garlands. The print is part of an album. Antwerp paper etching

Monument in memory of Marshal Lefebvre: sculpture.

Four trophies. The trophies consist of, respectively, loving pigeons, an oval medallion, a dancing bacchante and an urn over initials

Drawing, Design for round brooch; Italy

Drawing, Design for a Sarcophagus; Italy; pen and brown ink, brush and gray wash and traces of graphite on off-white laid paper, lined

New Modelbüch (Page 41r) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 41r) 680934

. The vault is located above a wide edge decoration with in the corners medallions with Venus and Cupid (top left) and three seated figures (bottom left). Obachiep-sided copy to magazine from the Nouveau Liure series de Placfond published by Daniel Marot.

Design for a Vertical Panel 17th century Attributed to Anonymous, Italian, 17th century Italian. Design for a Vertical Panel 346319

A Figure and Some Architectural Details. 1475-1564 School of Michelangelo Buonarroti Italian. A Figure and Some Architectural Details. 340788

Drawing, Four Grotesque Candelabrum; Italy; red chalk, incised lines on paper

Plate seven from Nouveavx Desseins D'Arquebvseries. Culture: French, Paris. Dimensions: 11 x 8 1/4 in. (27.9 x 20.9 cm). Engraver: De Lacollombe (French, Paris, active ca. 1702-ca. 1736). Publisher: Gilles Demarteau (French, Liège 1722-1776 Paris). Date: ca. 1705-30.This print is a prime example of French designs for the decoration of firearms in the late rococo style, which set the fashion for luxury arms across Europe at the time. It was created by an enigmatic engraver known only as De Lacollombe and comes from a group that was added to after his death and then published by his better-known pupil Gilles Demarteau (1722-1776) in about 1749. Individual motifs taken from them can be seen on guns made throughout the eighteenth century in France, Germany, the Netherlands, Italy, and Spain. Museum: Metropolitan Museum of Art, New York, USA.

Ornamental Panel with Oak Leaves and Acorns 18th century Anonymous, British, 18th century British. Ornamental Panel with Oak Leaves and Acorns 364291

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Bound Print, Design for Ceiling Ornament; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768), François de Cuvilliés the younger (German, 1731 - 1777); Published by Gabriel Huquier (French, 1695-1772); Germany; engraving on paper

Architectural Details, Arnold William Brunner, American, 1857-1925, Graphite and white heightening on beige paper, Left, upper portion of capital with leaf motifs. Right, center portion of arch moulding. Both ornamental decorated., USA, 1879, architecture, Drawing, Drawing

Rudolf Weyr pencil sketch sheet showing preliminary figure and architectural studies with emphasis on form and layout.

Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 9). Artist: After Gerbrand van den Eeckhout (Dutch, Amsterdam 1621-1674 Amsterdam); After Johannes Lutma the Elder (Dutch, Emden 1584-1669 Amsterdam). Dimensions: Plate: 10 1/2 × 8 1/4 in. (26.7 × 20.9 cm). Engraver: Engraved by Michiel Mosyn (Dutch, born 1630). Publisher: Published by Cornelis Danckertsz. I (Dutch, ca. 1603-1656). Date: ca. 1651-53.The publisher Cornelis Danckerts was clever enough to quickly pick up on the popularity of print series showing designs in the Auricular Style. Taking full advantage of the wide demand, he compiled a series after all the first important protagonists of the style such as the Van Vianen brothers, Van den Eeckhout and Lutma. This design for a silver powder box after Lutma contains a great amount of information about its construction, showing both a side view and the decorations on top of the lid as well as two views of the cupid-shaped grip and a more simple va

New Modelbüch (Page 31r). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Cartouches with Masks, Anonymous, After Hans Vredeman de Vries, 1555 - 1572 print Two ornamented rectangular cartouches on a leaf. Left: a cartouche with a female mask at the bottom, right below number 3. Right: a cartouche with two putti, a male mask and animal heads, right under number 4. paper etching ornaments ~ art (+ framing decorations). mask, mascaron ~ ornament

Study sheet with objects of goldsmithing and ornamental patterns, c. 1725 drawing Four beds with band work (lids for snuff boxes), Two Frisians with bandwork, a band work ornament, a cartouche, a ornament constructed from volutes and a field with band work. In the cartouche, in graphite, later Hebrew inscription. Italy (possibly) paper. ink pen / brush

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 6 13/16 x 7 11/16 in. (17.3 x 19.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

TitelPrent Met Ornament en Title, Placido Columbani, 1776 print At the top left: K. print maker: Englandpublisher: London paper etching ornament ~ cartouche. griffin (lion/eagle); 'Griffo' (Ripa). fabulous beings with wings - AA - female human figure

Print (Germany)

Lehmgrübner Paul (1855-1916), sketchbook: various sketches (1886-1886): Ornaments. Pencil on paper, 16.8 x 21.8 cm (including scan edges) Lehmgrübner Paul (1855-1916): Skizzenbuch: Diverse Skizzen

New Modelbüch (Page 23v). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Plate Two from Nouveavx Desseins D'Arquebvseries dated 1730 De Lacollombe This print is a prime example of French designs for the decoration of firearms in the late rococo style, which set the fashion for luxury arms across Europe at the time. It was created by an enigmatic engraver known only as De Lacollombe and comes from a series of prints that was added to after his death and then published by his better-known pupil Gilles Demarteau (1722-1776) in about 1749. Individual motifs taken from them can be seen on guns made throughout the eighteenth century in France, Germany, the Netherlands, Italy, and Spain.. Plate Two from Nouveavx Desseins D'Arquebvseries. French, Paris. dated 1730. Engraving. Paris. De Lacollombe (French, Paris, active ca. 1702-ca. 1736). Works on Paper-Engravings

Early 19th-century lithograph reproducing Albrecht Dürer's Christian and mythological hand drawings with decorations removed, focusing on figure composition and details.

Drawing, Design for a Pendant with Moses; Italy; pen and ink, brush and wash on paper

Design for room decorations with two panels with ornaments.design for a wall decoration.

Chinese deity, Gabriel Huquier, After Jean Antoine Watteau, 1729 - 1737 print In a garden there is an image of a sitting Chinese God in the middle. Figures worship the image left and right. Around the show a ornamented frame with rocailles, weapons and leaf motifs. Paris paper etching representations ~ gods, demi-gods, heroes, etc. (traditional Chinese religions)

Print (France)

Deraisme, Pierre -Georges (n.1859 - D.1932), decorative patterns (main title), 1895. Graphite on gray cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Lovis Corinth, Fan Design (recto), probably 1906 Fan Design recto

Kader, Reinier Willem Petrus de Vries (1874-1953), 1900 print Frame with floral pattern and outgoing lines. Design for an album magazine. paper flowers ~ ornament

Partial design for painted ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the decoration of a panel, Black chalk, brush and gray, black, and blue watercolor on paper, A caduceus rises in the center from a calyx. It is flanked by rinceaux. Measurements are written in ink beloe and at right. A scale is on the reverse., France, 1760-1780, architecture, Drawing, Drawing

Two photo productions of ornament drawings and an ornament print, c. 1875 - c. 1900 photograph Above (332) Four drawings of decorative figures around (presumably) scales, under (333) a print of a conical shape with fantasy ornament. Europe cardboard. photographic support albumen print bowl. woman (showing herself) undressed, quasi-nude. cupids: 'amores', 'amoretti', 'putti'. interlace ~ ornament Europe

Print (France)

Print

Projects for Decorations of Panels, Black chalk, pen and ink, brush and light brown, gray watercolors on laid paper., Three escutcheons in front of a slightly shorter oblong panel, lateral escutcheons face each other. On verso:An escutcheon in part of an oblong panel, masks face each other, laterally, Italy, ca. 1590, graphic design, Drawing, Drawing

Ceiling with putti; Plat Fund. Design for a ceiling with bay and floral gluirds and wreaths in the picture frame. In the middle two winged putti with flowers and the cornucopia. Publisher number 33.

Terrine with lion heads and medallions, Claude Dominique Vinsac, 1759 - 1800 print A terrine with lion heads, garlands and a medallion with portrait and profil. In addition, a corresponding scale with treings and four medallions with portraits and profil. paper etching serving-dish, platter. lion's head ~ ornament. ornament ~ medallion

Drawing, Design for a pendant; Made by Salvatori (Italian, active 19th century); Italy

Detail of Foliate Decorative Element 1805-40 William Pitts British. Detail of Foliate Decorative Element 367484

Samson destroys the temple of Dagon, Anonymous, After Antonie Wierix (II), 1700 - 1799 drawing. calligraphy Samson knocks the two pillars of the Philistine Temple down, causing the structure to collapse. Ruins of the temple can be seen in the background. Between the rubble are killed Philistines. Presentation consisting of written text that tells the story of Samson. paper. ink pen Samson breaks the pillars; the temple of Dagon collapses, killing all that are in it

Wilkinson Tracing, Design for three elaborate and heavily ornamented torcheres, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Drawing (Italy)

Two French Chairs, in Chippendale Drawings, Vol. I 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XVIII in the 1754 and 1755 editions, and renumbered as plate XX in 1762 edition.. Two French Chairs, in Chippendale Drawings, Vol. I 390491

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