Ornamental Design Prints

A collection of intricate ornamental designs featuring floral motifs, putti, and elaborate frames, showcasing a historical artistic style with detailed engravings.

Two mirror lists placed above each other with winged women's busts and masks. .

Print, Title Page; Designed by Nicolas Pineau (French, 1684-1754); Published by Louis Crépy; France; etching and engraving on laid paper

Nouveau Louvre (Escalier du Pavillon Mollien). Édouard Baldus (French, born Germany, 1813 - 1889)

Etching by Gabriel Huquier from 1729-1731 depicting 'The Gardens of Cythere' with figures, landscape elements, and ornamental details.

Lazio Viterbo Caprarola Palazzo Farnese082. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cartouche 18th century Anonymous, Italian, first half of the 18th century Italian. Cartouche 348672

Design for Banknote. Artist: Robert William Hume (British, London 1816-1904 Long Island City). Date: 1830-1904. Museum: Metropolitan Museum of Art, New York, USA.

Series of Small Flower Motifs, Plate 2 ca. 1670-85 Paul Androuet Ducerceau French Plate 2 from an untitled series of six plates with designs of flower motifs, possibly meant for silk embroidery. This plate presents four fantastical flower motifs in two rows and are reminiscent of the flowers described elsewhere as 'a la persienne' (in the Persian manner).. Series of Small Flower Motifs, Plate 2. ca. 1670-85. Etching. Nicolas Langlois (French, Paris 1640-1703)

Print (France)

Drie ovale cartouches, anonymous, after Johann Leonhard Eisler, 1726 - 1734 print The frame up in the top left is decorated with arabesks and a rocaille ornament on the top. Right above a frame with arabesks and braid. The lower frame is decorated with arabesks with acanthus leaves. Nuremberg paper etching ornament ~ cartouche. ornament ~ arabesque. 'Laub- und Bandelwerk' ~ ornament. acanthus ~ ornament. rocaille ornament

Designs for Two Mirrors and a Plate Rim. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

Book illustration, c. 1647 - c. 1714 print Cartouche with a vase at the top where smoke comes out and a cherub at the bottom. paper etching

A seemingly with an eye on a bow -hanging rectangular frame, with alternative solutions left and right for the detailing of the profiles, anonymous, c. 1710 - c. 1785 drawing France graphite (mineral). ink drawing / brush

Frame with a winch, Johann Thomas Hauer, 1758 - 1820 print Design for an oval frame with winch and leaf motifs and geometric objects. Paris paper etching / engraving ornaments ~ art (+ framing decorations). lyre, cithara, psaltery

Jean Baptiste Arnout, Design for a Border with a Portrait of Baron Cuvier Design for a Border with a Portrait of Baron Cuvier

Print, Plate 8, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper

Ornamental table with fir masks and marot ..

Chandelier with four candles, Eduard Niermans, 1887 print Paris paper etching Chandelier, a candlestick

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Raccolta di varii cappricii, Cartouches, Four cartouches and a mask, verso - stamped, A cartouche with two kissing harpies under a crown. In the corners parts of cartouches and a mask., print, ornamental print, prints, height 235 mm, width 185 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1646 - 1646, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Design for Banknote or Certificate 1830-1900 Robert William Hume British. Design for Banknote or Certificate 391741

Vertical lobe shower with large oval compartment; A few new compartment. At the top is a mask with two earcups, at the bottom of a mask with double earcups.

Sacrifice of the bell ", a scraper from graphics according to the initial on the CCXV card" Pontifical Bishop Erazm Ciołek "-" Pontificale Cracoviensse "(1506-1518) from the collections of Władysław Father Czartoryski; Czachórski, Władysław (1850-1911); after 1870 (1871-00 -00-1877-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / pencil; fiber products / paper / carbon paper; height 12.5 cm, width 13.4 cm; Fig. /311 MNW; all rights reserved.

Cartouche with two putti holding a book, c. 1628 print France paper engraving

Menning with the portrait of Charlemagne, Bernard Picart, 1718 print Penning with the portrait of Charlemagne, Duke of Burgundy. A ram on the other side. With an ornamental frame. Amsterdam paper etching / engraving scrollwork, strapwork ~ ornament. medal (considered as a piece of sculpture, regardless of its specific function). ram

Vertical lobe car shower with mask, c. 1653 - c. 1655 print At the top are the eyes of the sample, at the bottom of the nose and open mouth. Amsterdam paper etching ornament ~ cartouche. mask, mascaron ~ ornament

Bound Print (France)

Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones. Anonymous, Italian, Piedmontese, 18th century. 1700-1780. Pen and brown ink, brush and gray wash, over leadpoint or graphite with ruled construction (recto). Negligible scribbles in lead point or graphite (verso). Drawings

. Vignet with the dining of the law in the middle, above an angel, surrounded by ornament.

Preparatory Studies for Plates 90 and 91 of "Maisons de plaisance," Volume II. Artist: Jacques François Blondel (French, Rouen 1705-1774 Paris). Dimensions: 8 15/16 x 10 1/16 in. (22.7 x 25.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Author: JACQUES FRANCOIS BLONDEL.

Rectangular cartouche with bread and fish, Pieter Jansz, 1657 - 1662, Design for a print., draughtsman: Pieter Jansz., 1657 - 1662, paper, pen, brush, h 82 mm × w 105 mm

Cartouche met rolwerk, Charles Mavelot, 1685 Numbered at the top right: 29. Print is part of an album. paper etching / engraving Numbered at the top right: 29. Print is part of an album. paper etching / engraving

Cartouche with two putti, anonymous, 1700 - 1799 print A large ornamented cartouche with two putti with cloths. Germany paper engraving ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'

Wish letter with ships and children playing, c. 1780 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with performances of ships and children playing. Numbered below: No. 22. Netherlands paper children's games and plays. ships (in general)

Bound Print, Cartouche with Skull; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Balthazar Sigismond Setlezky (German, 1695 - 1774); Germany; etching and engraving on paper; 27 × 17.5 cm (10 5/8 × 6 7/8 in.)

. In the middle two horns of plenty, which are connected to each other, with a standing putto on it. Two snails on the leaf. Left and right in the air butterflies. Print is part of a series of designs and decorations for goldsmiths.

Ornament with a mascaron surrounded by leaf raft ..

Netherlands, Letter of greeting with Christ and apostles, verso - stamped, Letter of greeting with unwritten cartouche within a decorative frame with representations of Christ and the apostles, Christ and the disciples at Emmaus and the washing of the feet. Numbered lower right: No. 22., print, popular print, letter of greeting, prints, popular prints, height 411 mm, width 328 mm, print maker, printmaker, 1700 - 1899, paper, etching, etchings, Publication (Event), Publication, publisher

Clock with snake, scythe and wings, standing on a rectangular block, Design drawing pendulum with snake, scythe and wings, draughtsman: Guillaume Thomas Raphaël Taraval, (possibly), Paris, (possibly), c. 1740 - c. 1760, graphite (mineral), brush, h 143 mm × w 83 mm

Design for a scale, with alternative solution for decorating the edge, anonymous, c. 1730 - c. 1750 Paris paper pen / brush

Drawing, Design for Carriage Understructure; Designed by Richard de Lalonde (French, active 1780-96); France; pen and black ink, brush and wash, graphite on white laid paper; 15.3 x 26.2 cm (6 x 10 5/16 in.)

Design for a Ceiling Decoration. 1709-20 Donato Giuseppe Frisoni Italian. Design for a Ceiling Decoration. 365387

Spits with Ranks with Flowers, Hans Janssen, 1631 print Leaf from series with decorations for silver cups. paper etching ornaments ~ art. foliage ~ ornament

Etching by Jan Lutma I from 1653 depicting charted aisles decorated with shell plant motifs, illustrating ornamental Dutch engraving of the seventeenth century.

Ornamenteel cartouche met Mercurius, anonymous, 1683 - 1783 print Netherlands paper etching ornaments ~ art. ornament ~ cartouche. (story of) Mercury (Hermes)

Two fencing, 1731 - 1775 Two fencing above each other with leaf motifs. Publishing number 60. Augsburg paper etching fence, wall, paling

Ornamental cartouche with mercury.

Cartouche for coat of arms.Prent no. 5 in a bundle of eight numbered prints with cartouches for coats of arms, first leaf entitled "New weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper.

Design for "Orthographia", pl.2 late 17th-mid-18th century Johann Daniel Preissler German. Design for "Orthographia", pl.2 335796

1 letter; The use of a new element to the pictures come with Aeneas and the Latin libellus Aurifabrorum inservientib.

Cartouche flanked by two children, Pierre Firens, After Federico Zuccaro, 1613 - 1657 print The children keep a canopy high with their one hand and wear a wind instrument in their other. Mention in the cartouche: N ° 22 / Lutetiae. paper engraving

Below is a rectangularly framed tablet, rising in the center, with a mask in front. Upon it stands an escutcheon with on top a wreath with an inversed shell and a crown. Above, laterally, are the upper parts of weapons, below two putti sitting upon cornucopias, the left one with a helmet, the right one with a scale. Usual background. Date: 1780-1800. Pen and brown ink, brush and brown wash on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Raamomlijsting, anonymous, 1600 - 1800 drawing An ornamental window frame, crowned with a putto and a pigeon as a symbol of the Holy Spirit. paper. pencil. ink pen / brush window

Bound Print (France)

Charlotte Winter, Brussels Carpet, c 1937 Brussels Carpet

Etching by Carlo Orsolini depicting a frontispiece, created in 1730, showing architectural elements, decorative details, and artistic composition in Italian eighteenth-century style.

Designs for Four Rings, Plate 27 from 'Livre d'Aneaux d'Orfevrerie' 1561 Pierre Woeiriot de Bouzey II Small oval print with designs for four rings, each with a gemstone or pearl in a central setting. Two rings are presented as seen from the front and two are presented in side view. The plate, numbered 27, is part of a book of forty designs for rings by the goldsmith and engraver Woeiriot, published in Lyon (France) after Woeiriot returned from a visit to Rome. The French edition, titled 'Livre d'aneaux d'orfévrerie de l'invention de Pierre Woeiriot Lorrain', appeared in 1561. An Italian edition, the 'Libro d'anella d'orefici del inventione de Piero Woeirioto di Loreno', appeared in the same year.. Designs for Four Rings, Plate 27 from 'Livre d'Aneaux d'Orfevrerie'. 1561. Engraving

Drawing (Italy); recto: pen and black ink with brown wash and traces of graphite verso: graphite with brown and blue wash support: thick off-white laid paper

Print, Pl. 1 of 21e cahier d'attributs et trophées de l'oeuvre de Ranson from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Design for a Cartouche (recto); Designs for Frames (verso) 1610-64 Stefano della Bella Italian. Design for a Cartouche (recto); Designs for Frames (verso) 338180

Medallion and braid with faces, anonymous, in or after 1709 print In the middle an oval medallion with the series title, surrounded by braid work with left and right under faces. Paris paper etching ornament ~ medallion. interlace ~ ornament. face

Cartouche for coat of arms, c. 1630 - c. 1680 print Print no. 6 in a bundle of eight numbered prints with cartouches for coats of arms, first magazine entitled "New Weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper. paper engraving armorial bearing, heraldry

Cartouche with putto with miter and staff, anonymous, after Franz Xaver Habermann, 1731 - 1775 print Rocaille cartouche with a putto with miter and staff at the top. Publishing number 53. Augsburg paper etching Rocaille Ornament. ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-20

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening); Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-4

Seated putto between leaf vines, Bernard Picart (workshop of), 1683 - 1733 print Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. foliage, tendrils, branches ~ ornament

Daniel Lysons, 1762-1834, British, Memorial to Nathaniel Crewe from Feltham Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Four detailed designs for an ornamental gate with seed beads; Designs for wrought iron ornamental gates.Under an ornament with bird cups. Numbered in the middle or 64.

Goudsmidswerkplaats, Elias Voet Jr., 1878 - 1940 print In a decorative frame with tools. paper engraving open fire, fire-place, stove (in kitchen). tools, implements of craftsman. smith, blacksmith. vignette

French Crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Berthault, A Cahier de Bordures à l'usage de la Sculpture &c, avec leurs Profils, Three frames, verso - stamped, A frame with acanthus leaves, a frame with roses and a frame with floral motifs., print, ornamental print, title print, prints, ornamental prints, height 224 mm, width 349 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Marches Macerata San Severino Marche S. Domenico5. Hutzel, Max 1960-1990 All views are of altarpieces, paintings, and fresco fragments by Salimbeni. The main altarpiece depicts the Madonna and Child with Saints Severino, Ansano, Catherine of Siena, Dominic, and John the Baptist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Cuvette pour le roy, Design for a wash basin with the arms of the French king, This print is part of an album., print, album leaf, ornament print, prints, height 179 mm, width 274 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgever, 1710-02-15 - 1774-05-10, granter of privilege

Battle of Ramillies, 1706, 1712 - 1715 Battle of Ramillies. Battle between the French and the Allies, 23 May 1706. Presentation in a richly decorated ornamental frame with a cartouche with a map of the Battle at the top. At the bottom of a cartouche with the description of the battle in German. Left Mercury, on the right the fame. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Ramillies-offus Battle of Ramillies. Battle between the French and the Allies, 23 May 1706. Presentation in a richly decorated ornamental frame with a cartouche with a map of the Battle at the top. At the bottom of a cartouche with the description of the battle in German. Left Mercury, on the right the fame. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Ramillies-offus

Jeronimus Joriss Waephelier coat of arms; Coats of arms with empty fields. Terminal anti-saturated copy of the coat of arms, without waffle maker on the helmet, without banderole and with a blank shield.

Octagonal plate. In the corners of the edge there are different cartouches with masks, cherubs and the four elements.

Design for a Cartouche, Plate 3 from 'Allerneueste Façon einiger Schild oder Cartouches'. Artist: After Jeremias Wachsmuth (German, 1712-1771). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Andreas Hofer (Central European, active Augsburg ca. 1740-60). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg. Museum: Metropolitan Museum of Art, New York, USA.

Three coats of arms; Coats of arms. On the left the 'Landgraviat de Thuringue', in the middle of the 'Burgraviat de Thuringue', on the right the 'Duché de Saxe'.

Title page of the episode "Individual black ornaments, tendrils, flowers". Title page of the episode "Individual black ornaments, tendrils, flowers" with inscription: "Fooden, drawn, and relocated, from Friday Jacob Morisson, the Kupffer engraved by Johan Andreas Pfeffel, in Vienna Ano 1697". Over three centuries, from the late 15th to the late 18th century, the spread of ornaments was an important task of international printing graphics. Craftsmen all over Europe were able to inform themselves about the latest fashion. Cutter shafts wanted decorated, porcelain painted, clothes embroidered or armrests carved. The selected, particularly finely engraved Viennese example found for the handles of cutlery. Ornaments belonged to their first collection areas when the commercial consists were founded in the 19th century.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

France, French crown, Paris, Langlois, François, Bella, Stefano della, Raccolta di varii cappricii, Cartouches, Cartouche with two lions, an ox and a skull of a ram, verso - stamped, print, ornament print, prints, height 234 mm, width 186 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1646 - 1646, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, granter of privilege

Paris, Moncornet, Balthazar, Le Mersier, Balthasar, Goldsmith's bouquets above landscapes, Goldsmith's bouquet in the shape of a pointed oval, verso lower left - stamped, Design for a pectoral in legume style, at the bottom a river landscape with on the right some houses and two figures. From a series of 6 sheets with goldsmith's bouquets in legume style., print, ornamental print, prints, ornamental prints, height 176 mm, width 131 mm, French, 1600 - 1668-08-11, print maker, printmaker, 1626 - 1626, second quarter 17th century, paper, engraving, engraving (printing process), etching, Work conception, after a design by, Publication (Event), Publication, publisher

Design by Albrecht Dürer. Édouard Baldus (French, born Germany, 1813 - 1889)

Drawing, Design for a Mirror Frame with Monogram of Marie-Antoinette; Designed by Richard de Lalonde (French, active 1780-96); Client: Marie Antoinette, Queen of France (French, 1755 - 1793); France; pen and black ink, brush and gray wash, yellow watercolor, graphite on paper; 1911-28-207

Print, Ornamental Medallion Designs; Designed by Théodore Bertren (active in France, 18th century); France; etching on paper

Etching by Jacques Callot from 1631 depicting the border scene of the Siege of La Rochelle, showing fortifications, soldiers, and battlefield details on paper.

Print (France)

The Toilet (La Toilette), from Essai de Papilloneries Humaines par Saint Aubin ca. 1756-60 Charles Germain de Saint-Aubin French. The Toilet (La Toilette), from Essai de Papilloneries Humaines par Saint Aubin 386048

Print (France)

Coat of arms and monogram of a child of Emperor Frans I and Maria Theresia of Austria, Anonymous, 1737 - 1760 drawing paper pen / brush armorial bearing, heraldry. letter combinations such as letterword, anagram, letter square, monogram, etc.

Print, Cartouche Design; Designed by P.P. Choffard; Published by Geneviève-Marguerite Chéreau (French, active 1755-1768), Jacques-François Chéreau (French, 1742 - 1794); France; etching on laid paper

Stefano Della Bella, Cartouche Suspended from Corpses, 1647 Cartouche Suspended from Corpses

Lit à la Chinoise (Chinese Bed), from Nouvelle iconologie historique (part III, series marked 'G'). Artist: Jean Charles Delafosse (French, Paris 1734-1789 Paris). Dimensions: Plate: 13 × 9 1/8 in. (33 × 23.2 cm). Publisher: Daumont (Paris). Date: 1771 or after.Design for a canopy bed decorated with Chinese figures. The bed is presented from the side and is characterized by a baldachin-shaped canopy crowned by a plume of feathers. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling decoration with an empty oval field in the middle. The oval is framed by volutes of leaf refinters on a horizontally shaded background. In the four corners a cartouche hangs awarded by a mascaron with a leaves on the head.

Design for an address card, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Design for an address card with a frame containing the Wapen van Amsterdam, Grapesrossen and Men who raise wine glasses. paper. India ink (ink). pencil brush coat of arms (as symbol of the state, etc.). bunch of grapes. glass of wine

Escutcheon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Escutcheon., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Deraisme, Pierre -Georges (n.1859 - D.1932), label frame (main title), 1898. Ink and watercolor on white Bristol. Petit Palais, Museum of Fine Arts of the City of Paris.

Two oval picture frames; Iie. Cahier d'ovales et de medallions pour les bijoux et voitures; Ornamental designs for jewelry and carriages. The top frame is decorated with turtle doves, roses, a stream and a torch. The lower ornament consists of a frame with laurel, roses, pigeons, a torch, a wrench and musical instruments. Ornament print from Series B.

Cartouche with winged mascaron at the top, c. 1628 print France paper engraving

Series of Small Flower Motifs, Plate 2. Artist and engraver: Paul Androuet Ducerceau (French, 1623-1710). Dimensions: Plate: 6 5/8 × 5 3/16 in. (16.8 × 13.1 cm)Sheet: 10 1/16 × 7 9/16 in. (25.5 × 19.2 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Date: ca. 1670-85.Plate 2 from an untitled series of six plates with designs of flower motifs, possibly meant for silk embroidery. This plate presents four fantastical flower motifs in two rows and are reminiscent of the flowers described elsewhere as 'a la persienne' (in the Persian manner). Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with empty coat of arms at the top; Cartouches.from Second Edition.

Rocaleees a childle of a child's, emanuel eazee (POSSIBLY), after Georg Micheel Roercher, 1727 - 1775 print Rocaille ornaments, two three -armed rocaille wall candlesticks and an ornamented Stokknop. Publishing number 96. Augsburg paper etching Rocaille ornament. Chandelier, a candlestick

of 4