Ornamental Design Prints

A collection of intricate ornamental designs featuring floral motifs, putti, and elaborate frames, showcasing a historical artistic style with detailed engravings.

Two mirror lists placed above each other with winged women's busts and masks. .

Interior of the Nieuwegracht 41 house in Utrecht: the design for ornaments for stucco on a ceiling.

Drawing, Design for a Decorative Arabesque; Style of Jean-Louis Prieur the Younger (French, 1759 - 1795); France; pen and sepia ink, brush and watercolor on paper; Sheet: 15.4 x 19.7 cm (6 1/16 x 7 3/4 in.)

GrandE 'BRANCHES A CAtting Tacche, Louis COSSin, After Gilves Léglagé, in 1663 print At the top and bottom is a brooch in the form of a bow, four designs for chain switches with variants, partly seen from the back. Page 2 from series of 8 sheets with designs for jewelry. Paris (possibly) paper engraving brooch, agraffe, clasp. necklace

Amerika, Benedikt Winkler, After Jacques de la Joue (II), 1750 - 1770 print A cartouche surrounded by weapons and animals such as a monkey with a fan and a bird. Augsburg paper etching ornament ~ cartouche. America represented allegorically; 'America' (Ripa)

Frames with candlesticks, Unknown, After Franz Xaver Habermann, 1731 - 1775 print Three frames with rocaille ornaments and leaf motifs. Left and right three two -armed candlesticks. Publishing number 171. Augsburg paper etching rocaille ornament. ornaments ~ art (+ framing decorations)

Design for Console Table 19th century Anonymous, French, 19th century French. Design for Console Table 358166

Two oval dials; Watch cabinets and dials with leaf refines. On the face right, a hunter and two dogs can be seen on a hare, a fox and two deer.

By branches surrounded medallion, I. de Wit, 1777 print A medallion surrounded by branches. Later is used on the title page for: Adelaart, or the triumphant virtue; Toneelpel, 1777. Amsterdam paper etching / engraving title-page

Nicolas Boileau with a Sater, Anonymous, After Bernard Picart, 1728 print The writer Nicolas Boileau-the Spréaux takes a satire who depicts the satire by the arm. The Sater holds a scale with the names of Virgilius and Chapelain. In the background the Mount Parnassus. The show is caught in an ornamental list with two dragons in the upper corners. paper etching / engraving ornaments ~ art. satyr(s) (in general). Parnassus, sacred to Apollo Musagetes

Twee cartouches, anonymous, after Melchior Tavernier, 1657 - 1685 print The cartouche on the left has two wings, under the cartouche on the right there is a garland of fruit. From series of 22 or 29 sheets with cartouches in Italian lobe style, fourth edition. Paris paper engraving

Commodes, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Two commodes with two drawers, with rocaille ornaments. Publishing number 178. Augsburg paper etching / engraving ornamental cupboard. rocaille ornament

Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 109 × 164 mm (image); 118 × 165 mm (plate); 214 × 317 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Two sketches for cartouches; Carlo Marchionni (Italian, 1702-1786); Italy; pen and sepia ink on laid paper; 24.6 x 17.7 cm (9 11/16 x 6 15/16 in.)

Design for a sauce bowl, c. 1825 - c. 1830 Paris paper. ink drawing / pen / brush gravy-boat

Cartouche. Dated: probably 1646. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: François Collignon after Stefano Della Bella.

Ornamented lids, anonymous, after Jean Mariette, 1670 - 1725 print Four lids of snuff boxes with ornaments and leaf motifs. Germany paper etching snuff-box. ornaments ~ art

Rolling with sitting figures, Jacques Androuet, 1520 - 1584 print Rolling with two children who each put a leg over a volute. Behind them, a third child puts his head through the rolling work that he holds with both hands. paper etching scrollwork, strapwork ~ ornament. sitting figure

Friendship, "Frontispiece of Liber Amicorum Theresa Cabarrus, Caraman's inteies, also called Madame Tallien (1773-1835). "Friendship", Frontispiece of Liber Amicorum. Watercolor, 15/10/1810.

Coat of arms Gilde Leerlooiers (), 1650 - 1750 print paper etching / engraving

Design for Ceiling of Ladies' Dressing Room at the Pantheon, Oxford Street, London. Artist: James Wyatt (British, Weeford, Stafforshire 1746-1813 near Marlborough, Wiltshire). Dimensions: sheet: 20 1/4 x 14 3/16 in. (51.5 x 36 cm). Date: ca. 1770. Museum: Metropolitan Museum of Art, New York, USA.

Vogel E., vegetable ornaments (without date): View. Pencil watercolor on the box, 66.8 x 46.1 cm (including scan edges) Vogel E. : Pflanzliche Ornamente

Studies of Architectural Details, Arnold William Brunner, American, 1857-1925, Graphite and white heightening on beige paper, Two studies of architectural details. Above, a capital from Chteau de Gaillon. Below, a stylized leaf on a vertical rectangle, with, Antonio Villa, written below., USA, 1879, architecture, Drawing, Drawing

Spits with Cherubin under canopy, Anonymous, After Adriaen Muntinck, c. 1610 - c. 1611 print At the top an edge with tenders. Groningen (possibly) paper engraving

Cast of an excerpt of an archivolt decorated with a leaf motif, anonymous, 1850 - 1900 photograph photographic support. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. arch, archivolt ~ architecture

Four oversized ovals with Putti on sea status; Das Neuw Grottesken Buch Nürnberg 1610; Leaf of the "Neu Grotesken Buch" 1610. Above left a putto with a horn full of flowers on a dragon, at the top right one putto with a branch of flowers, lying on a fish with scissors, left below a putto hanging around the neck of a seal and the bottom right one Putto on the back of a dragon. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Book illustration with passion show; Book illustrations. In the cartouche at the top, the angel appears with a cup of Christ. Bottom left the letter I in a square frame.

Designs for a Hand Mirror, c. 1900-1902. Félix Bracquemond (French, 1833-1914). Ink on paper; sheet: 32.1 x 23.2 cm (12 5/8 x 9 1/8 in.); framed: 62 x 45 cm (24 7/16 x 17 11/16 in.); sheet 1: 18 x 13 cm (7 1/16 x 5 1/8 in.).

Carved Stone Ornamental Panel and Classical Female Figure 1845-70 Alfred Henry Forrester Alfred Crowquill British. Carved Stone Ornamental Panel and Classical Female Figure 394873

Drawing, Design for a diadem; Italy

Plate 17, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian,1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving on paper, Designs for pendants with strapwork and masks. The right pendant shows harpies; the center pendant shows a reclining pair of putti; the left pendant shows a horned figure and has a tassel at bottom., France, ca. 1570, albums (bound) & books, Print, Print

'Sketch of the Decorative Panels'. Russia, 1718-1719s. Dimensions: 29,5x8,9 cm. Museum: State Hermitage, St. Petersburg. Author: NICOLAS PINEAU.

Artist: Jules Ferdinand Jacquemart, French, 1837-1880, Soucoupe aFondemaille, Etching, sheet: 19 × 12.9 cm (7 1/2 × 5 1/16in.), Yale Art LibraryTransfer, Made in France, French, 19thcentury, Works on Paper -Prints

Vignette with the family crest of the Bosch family, Reinier Vinkeles (I), after Johannes de Bosch, 1771 print Amsterdam paper etching / engraving hoofed animals: deer. forest, wood. armorial bearing, heraldry

Five Sloten, Johann Thomas Hauer, 1758 - 1820 print Designs for five locks with garlands, flowers and leaves. A double lock in the middle. Publishing number 34. Ravensburg paper etching lock ~ door

Design for a silver box with lid on shell -shaped legs, with alternative solutions left and right, Luigi Valadier, c. 1760 - c. 1770 drawing Rome paper. graphite (mineral). ink brush

Geornamente Erksels; New Invention or Designed by Schnapback Doses. Four Thegs Van Snuifdozen Met ornaments en Bladmotieven.

Wall paintings from the Palazzo del Te, Mantua, Italy. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1832.

Deux enfants tiennent une couronne royale au-dessus d'une grande lettre "L". 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Two Quarters of a Ceiling, Nouveau Livre de Plafonds (New Book of Ceilings), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Design for two quarters of a ceiling in the Rococo style with alternate suggestions divided by a central rosette., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Study for a Book Vignette. Artist: Pierre Edmé Babel (French, Paris 1720-1775 Paris). Dimensions: 4 13/16 x 4 15/16 in. (12.3 x 12.6 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Photo reproduction of a drawing, representing a capital with animal ornaments for the Salle du Manège in the Palais du Louvre in Paris; Nouveau Louvre. Manége; Palais du Louvre et des Tuileries. .

Greeting letter with wreath and eagle. Call letter with unwritten cartouche within a decorative frame consisting of a wreath of roses and oak trays, held by a vein boot.

Print, Developement de bordure pour la chasse du Roy, Quatre détails..., 7th Plate Four Details of the Frame for the Hunting picture for the King, pl. 39 in Oeuvre de Juste-Aurele Meissonnier; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Published by Gabriel Huquier (French, 1695-1772); France; etching on off-white laid paper; 29.9 x 22.1 cm (11 3/4 x 8 11/16 in.)

Wide cartouche; Voorshande new compartemente. At the bottom of a small monster head with an oval mouth with teeth.

Pattern of the letter cut; Le Parmentier (CA 1741-Ca 1780), Rossignol, Louis (1694-1738), Chéreau, Jacques-François (1742-1794); 1768-1775 (1768-00-00-1775-00-00);

Plafon design in the monarchy office of the Royal Castle in Warsaw; Plersch, Jan Bogumi (Ca 1732-1817); 1783-1784 (1783-00-00-1784-00-00);Minter, Wilhelm Heinrich (1777-1832)-collections, Witke-Jeżewski, Dominik (1862-1944)-collection, Royal Castle (Warsaw), grotesque (ornament), plafonds (archite.

Main shaped cartouche, Jacob Lutma, Johannes Lutma (I), Frederik de Wit, c. 1654 - c. 1678

Design for Brooch with Moses, Pen and ink, brush and wash on paper, An escutcheon frames an oblong diamond. At top, the horned figure of Moses sits within a broken pediment. On either side, a ignudi with raised arms., Italy, 16th century, jewelry, Drawing, Drawing

Fountain under Pergola, Jeanne Deny, After Jean Baptiste Pillement, 1770 print To the left next to a fountain under a pergola is a figure on the ground. Paris paper etching ornamental fountain. pergola

DENUELLE, Alexandre-Dominique (n.1818-03-18-D.1879-12-04), Project for the Saint-Sulpice church, Saint-François-Xavier chapel: Africa (boring) (main title), 1855. Watercolor on yellow paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Drawing, Project for an Escutcheon; Designed by Léonard Chailleat (Italian, active 1640 - 1650); France; red chalk, pen and ink, brush and wash on paper

Design for a Porcelain Candelabra. Artist: Anonymous, French, 19th century. Dimensions: sheet: 17 5/8 x 10 5/8 in. (44.8 x 27 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Ceiling with Allegorical Figure of Astronomy. 1605-15 Giovanni Battista Crespi ("Il Cerano") Italian. Design for Ceiling with Allegorical Figure of Astronomy. 370593

Design for an Ornamental Frame. Artist: Pieter Tanjé (Dutch, Bolsward 1706-1761 Amsterdam). Dimensions: sheet: 13 15/16 x 8 11/16 in. (35.4 x 22.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing with black ink and cover colors by Carl Joseph Geiger showing ceiling paintings of the side wings at Burgtheater, Vienna I, including the Eumenids, choir, and counter-choir, 1886.

Round cartouche with a quote from justinus; Vararum Protractionum (...). Quote: QVO SE Fortvna, Eodem Etiam Favor hominivm Inclinat in cartouche. There are four mascarons on the cartouche. Left and right are two baskets of rollerwork formed where fruit is located. Shaded background. From series of title page and 12 sheets with cartouches with quotes of classic writers in a picture frame with grotesken, mascarons and garlands.

Grafs sign by Willem van der Zaan by Rombout Verhulst in the Oude Kerk in Amsterdam, Anonymous (Monumentenzorg) (Attributed to), 1911 photograph Old church photographic support. cardboard grave, tomb. piece of sculpture, reproduction of a piece of sculpture. parts of church interior Old church

Design for a Coronet, Graphite, pen and ink, brush and watercolor, sepia on paper, Above a metal strip two branches, each with two buds, two large leaves, and smaller ones entwined with a ribbon containing a row of circular diamonds., Italy, 1825-50, jewelry, Drawing, Drawing

Drawing, Design for diadem; 1940-86-220-a

Print, Desseins de Cartouches; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 25 x 18.6 cm (9 13/16 x 7 5/16 in.) Sheet: 44 x 27 cm (17 5/16 x 10 5/8 in.)

Design for a wall decoration with allegory on spring. Design for a room wall.

Two putti near the Wapen, the Cardinal Carres and Mantel of Cardinal Richelieu, Claude Mellan, 1639 - 1643 print print maker: Franceprinter: Paris paper engraving cupids: 'amores', 'amoretti', 'putti'. insignia of cardinal, e.g. hat, mantle. armorial bearing, heraldry

On the left a round medallion with scales, books and weapons On the right an oval medallion with a book, a caduceus, arrows and a lyre, Medallions with scales, weapons, book and caduceus 16th Cahier de l'Oeuvre de Ranson , print maker: Pierre Gabriel Berthault, (mentioned on object), intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Esnauts & Rapilly, Paris, 1778, paper, etching, h 224 mm × w 288 mm

Portrait of August Friedrich Schott

Drawing, A Reliquary for Three Skulls; Carlo Marchionni (Italian, 1702-1786); Italy; black crayon, brush, sepia, and gray water color.

Replica of a medieval tomb by George Myers on the Great Exhibition of the Works of Industry of All Nations from 1851 in London, 1851 photograph London photographic support salted paper print grave, tomb London

Fronton project / for the Tuileries Palace (IT)

Ministère d'État (Salle à Manger). Édouard Baldus (French, born Germany, 1813 - 1889)

Frame with children playing at the bottom, 1545 - Before 1550 print The right child holds a stick in one hand and a bird in his other. In between the children is an owl. One of 6 sheets, printed on either side, with eight different frames around a non -printed midfield. Netherlands (possibly) paper etching

Project for the Painted Decoration of the Ceiling of a Hall (Painted Oval Ceiling), Jean Baptiste-Marie Pierre, French, 1714 - 1789, Pen and black ink, brush and gray and black wash on two sheets of off-white heavy laid paper joined together horizonatally, lined, Image of an oval ceiling, without the room setting. At the center, a view at the sky passing an oval entablature. In the sky are Apollo, the Muses and genii. The entablature is supported by arches through which parts of further structures are shown. In four of the arches stand pedestals with griffins crouching beside a clock-like form., France, 1761, interiors, Drawing, Drawing

Portiek, Theodorus van Kessel, After Adam van Vianen (I), After Christiaen van Vianen, 1646 - 1652 print The doorpost is decorated with lobe orchestives and has been crowned with a cartouche. Behind the semi -opened door is a young man with a small bowl in his hand. A huge dolphin is against the doorpost. Utrecht paper etching dolphin ~ ornament

Burgrave hunting Paul-Henri Regeau, French painter. Burgave's hunt. Engraving in soft size on paper. 1885. Paris, Victor Hugo House.

Frieze with decorative foliage from the Farnese Gardens, Orti Farnesiani alla Longara, Rome. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Medallions with weapons and objects belonging to gardening; 16th Cahier de l'oeuvre de Ranson. On the left a round medallion with flags and weapons. On the right an oval medallion with a ladder, a pruned tree and fruits.

Duplicate entry: Etching by Stefano della Bella depicting cartridges, created in 1646, showing ornamental and decorative design elements.

Frames. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print, Pl. 5 of 16e cahier de l'oeuvre de Ranson from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Sluiestenen puts Minerva in Hercules, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Two closing stones with the head of Minerva with helmet and horns of abundance and the head of Hercules with lion skin and buns. Print number 253. Paris paper etching / engraving keystone ~ architecture. (story of) Minerva (Pallas, Athena). (story of) Hercules (Heracles)

Design for a Putto Frieze of a Plate, Pietro Belli, Italian, 1780-1828, Pen and black ink, graphite on paper, Horizontal rectangle. Design for a circular plate outlined in graphite, the design for the frieze rendered in pen and ink. The figures of putti along the frieze carry, singularly or in pairs: a tiara, a sword, keys, a candelabrum, a ciborium, an umbrella, an altar lamp, a pastoral staff and a candelabrum, a mitre, a chasuble, a censer, a chalice and host, a cross, an umbrella, a mitre, a pastoral staff, a censer, a pallium, a tabernacle with chalice and host, a pitcher, an able, and a book. Between the putti carrying the pitcher and albe, two putti kneel in adoration., Rome, Italy, 1815-30, ceramics, Drawing, Drawing

Print, Pl. 4 of 16e cahier de l'oeuvre de Ranson from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Fun bed with swans; Lit à arc; Meubles et objets de goût.A design for a four-poster bed decorated with swans. Print number 539.

Berlin, Schauer, Gustav, Germany, Kaulbach, Wilhelm von, Der frieze, Photographic reproductions of two drawings for decorative friezes for wall paintings for the staircase of the Neues Museum in Berlin, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, 861., height 250 mm, width 325 mm, German, 1826 - 1902, photographer, 1860 - 1870, photographic paper, photo paper, albumen print, albumine print, 1805-10-15 - 1874-04-07, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Vignette with a weapon with a crown, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print Haarlem paper vignette. coat of arms (as symbol of the state, etc.). crown (symbol of sovereignty)

Print, Nef Design, from Dessins d'orfèvrerie (Designs for Metalwork); Attributed to Léonard Thiry (Flemish, 1550); Circle of Rosso Fiorentino (Italian,1494 - 1540); Engraved by René Boyvin (French, 1525 - 1625), Pierre Milan (French, 1500 - 1557); France; engraving on laid paper

Design for Two Chairs ca. 1770-90 Anonymous, French, 18th century French. Design for Two Chairs 343923

Window with curtains, quéton, after Eugène MAINCEN, c. 1885 - c. 1895 print Cross window with draped curtains. Print from 293rd Livraison. paper hangings and drapery. window

Design for a Standing Frame 1841-84 Charles Hindley and Sons British. Design for a Standing Frame 367335

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 29 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604.Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the last line of text as well as before and after the calligrapher's signature there are twisting linear motifs. Surrounding this middle section is a decorative border comprised of 2 levels of geometric floral and linear motifs. Museum: Metropolitan Museum of Art, New York, USA.

Six medallions Top left with flowers Top center with jugs Upper right with flags, helmet and cannon Lower left with fisherman's attributes Middle and bottom right with flowers, Medallions with flowers, flags and fisherman's attributes 15th Cahier de Troph, print maker: Pierre Gabriel Berthault, (mentioned on object), Pierre Ranson, (mentioned on object), publisher: Esnauts & Rapilly, Paris, 1778, paper, etching, h 223 mm × w 288 mm

Design for a Settee 19th century Anonymous, French, 19th century French. Design for a Settee 392387

N.N., stucco ceiling in the Langschen residential building, Frankfurt/Oder. (From: leaves for architecture and handicrafts, 16th year, 1903, Tafel 18.) (1903-1903): View living room. Light pressure on paper, 26.9 x 34.6 cm (including scan edges) N.N. : Stuckdecke im Langschen Wohnhaus, Frankfurt/Oder. (Aus: Blätter für Architektur und Kunsthandwerk, 16. Jg., 1903, Tafel 18)

Window with curtains, quéton, after Eugène MAINCEN, c. 1885 - c. 1895 print Cross window with draped curtains in Louis XV style. Print from 296th Livraison. paper hangings and drapery. window

Designs for Jewelry Artist's working dates 1695-1697 Germany. Engraving on cream laid paper . Christian Engelbrecht

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749-1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Left, armchair in curule style characterized by x-shaped front legs, terminating in goat hoofs. Armrests in form of coiled snakes, backrest sloped. Upholstered in blue and white, classical motifs. Right, side chair, circular back supported by busts of Harpies, with center palmette. Legs in form of goat legs, goat head at knee of chair. Upholstered in blue and white, medallion on back of chair showing classical winged figures., France, Germany, 1790, furniture, Drawing, Drawing

Ornaments from the trap of the library (presumably) from the Palais des Tuileries in Paris; Ministère d'état. Escalier de la Bibliothèque; Palais du Louvre et des Tuileries. .

Marble mosaic in an altarpiece in the Church of Saint Dominic, Messina, Sicily, Italy. Marmomosaik einer Altarfuellung in S. Domenico, Messina. Chromolithograph by A. Ginzel from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Two oval frames, 1768 print The upper frame is decorated with lovebirders, roses, an arrow sleeve and a torch. The lower ornament consists of a frame with bay leaves, roses, pigeons, a torch, an arrow sleeve and musical instruments. Ornament print from Series B. paper etching ornament ~ medallion. other birds: dove (+ animals used symbolically). musical instruments; group of musical instruments. flowers: rose

Pendant lamp for the Palazzo Altieri, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pendant lamp for the Palazzo Altieri., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Drawing (Italy)

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