Ornamental Designs and Decor

Prints featuring floral and festive designs, including trophies and decorative panels, showcasing intricate patterns and motifs.

Design for a light crown, draughtsman: Jean-Jacques Feuchère, Paris, c. 1835, tracing paper, h 255 mm × w 191 mm

Book illustration with passion show, c. 1647 - c. 1714 print At the top a cartouche with the Last Supper, below the letter A in a square frame. paper etching

Gate with corner pilcher; Designs for gates and handrails of wrought iron.on top of it is a crown, in the gate, the monogram or louis xiv is processed. Fragment of Sheet 2 from Series or 5 sheets. Second Edition.

Cartouche with upright oval compartment; Cartouches. On each side of the compartment a heavy garland depends on a mask.

Key. .

Design for a tile, anonymous, c. 1850 Design for a tile with leaf vines and cabochons around a square medallion. France paper. watercolor (paint). graphite (mineral) ornament derived from plant forms

Design for the Decoration of the Surround of the Barrel Tang of a Firearm ca. 1795-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of the Surround of the Barrel Tang of a Firearm 652975

Mural in the gallery of the Palazzo Imperiale (Ducal Palace), Mantua, Italy, painted in the 16th century. Handcoloured lithograph by Dettmers from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Decoration between Windows of Parlor, No. 3 Old Palace Yard, Charles James Richardson, 1806-1871, British, 1871, Graphite, pen and black and brown inks with brush applied to brown ink, pink wash on slightly textured, moderately thick, white wove paper, Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm), architectural subject, City of Westminster, England, London, Palace of Westminster, United Kingdom

Candlesticks and chandelier with minerva and emperor; New hanging pups and kerckrones (...). Three prints on a leaf. Left: a dual wall sconce with Bust of Minerva. Middle: a chandelier with attack figures and a seated Minerva. Right: a dual walled wall sconce with two slaves and a bust of an emperor.

Edge with a frieze, decorated with flowers and leaf refrences.; Obachi copies to prints with decoration for edges and cups; Ornaments for goldsmith work. Edge with a frieze at the top. Both left and right pockets a bird in a rank. Including a mascaron in the form of a satellite head, between two dragons. One of 6 partially numbered sheets. Obaches copies to the series described under Orn Cat I-317.

Metal Bracket Design second half 19th century Anonymous, British, 19th century British. Metal Bracket Design 386667

Classical Incense Burner. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Ornament with a women's face with feathers on her head, Bernard Picart (workshop or), After Bernard Picart, 1729 print Amsterdam paper etching / engraving flowers ~ ornament

Crowned coat of arms with three French lilies and a performance with two figures, Auguste Numans (attributed to), 1833 - 1880 print paper armorial bearing, heraldry. fleur-de-lis ~ ornament

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Cartouches and rocaille motifs, Cartouche with bunches of grapes, verso - stamped, Four rocaille ornaments and a rocaille cartouche with bunches of grapes, tree trunk and water. Publisher number 72., print, ornamental print, prints, ornamental prints, height 296 mm, width 180 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for Two Escutcheons, Filippo Marchionni, Italian, 1732-1805, Charcoal, brush and black-gray watercolor on laid paper, Scrollwork escutcheon with a bearded mask in the top center, beneath a diadem. At right: scrollwork and rocaille escutcheon with a mask at bottom center. A bust of a girl is emerging from the volute pediment leaning with her left arm upon the escutcheon; she holds a laurel bough., Italy, 1740-70, ornament, Drawing, Drawing

Wapenschild van de family Kress von Kressenstein, Anonymous, Hans Sebald Beham, After Albrecht Dürer, c. 1533 print paper armorial bearing, heraldry

Candelabra on the square by plantar

Coat of arms of Hilversum with flower ornaments, Reinier Willem Petrus de Vries (1874-1953), 1924 drawing tracing paper. chalk. pencil coat of arms (as symbol of the state, etc.) (+ city; municipal). flowers ~ ornament

Two wall tables with openwork rules, Anonymous, After Gottfried Craaz, c. 1730 - 1775 print The tables each have four legs. The bases are decorated with rocailles. Numbered in the middle of 46. This print is part of a series of four. after drawing by: Germanypublisher: Augsburg paper etching table. rocaille ornament

Drawing (Italy)

Germany, Zündt, Mathis, Design for jewelry, Designs for pendants, Pendant with four stones, On the left a male satyr is trapped in the scrollwork, on the right a female one. Below hangs on either side a bird. One of five sheets with precious stones and pearls in settings of scrollwork and grotesques., print, ornamental print, prints, ornamental prints, height 78 mm, width 53 mm, print maker, printmaker, 1508 - 1572, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), etching, Work conception, German, 1498 - 1572-02-25, after a design by, Publication (Event), Publication, publisher

Two Frisians with tibaries of rolling work, leaves and flowers, Paul Androuet Ducerceau, c. 1670 - c. 1685 print The lower Frisian is designed along a vertical axis in the middle, only the silhouette can be seen from the right half. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Design for the Verso of a Pear-Shaped Pendant Flanked by Lozenge Ornaments and Circular Ornaments Below before 1573 Jan Collaert I Netherlandish Vertical panel with pendant design at center with a vegetal-arabesque pattern. Two pairs of ornaments (lozenge-shaped at left and right center, and circular at left and right bottom) may be designs for earrings or buttons. The pendant hangs from a ribbon and has three pearls descending below. From a set of ten plates with pendant designs incorporating arabesque decoration. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573.. Design for the Verso of a Pear-Shaped Pendant Flanked by Lozenge Ornaments and Circular Ornaments Below 425912

Designs for One Half of an Overdoor, and One Half of a Pedestal () 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Designs for One Half of an Overdoor, and One Half of a Pedestal () 340343

Ornamental Arabesques, Gottfried Stein, German, 1687 - 1747, Jean Bérain, the Elder, French, 1640 - 1711, Etching on paper, Europe, France, 18th century, Print, Print

Vase with satap and fruit, gottlieb friedrich riedel, 1778 - 1779 print Various flowers and fruits surround an ornamented vase with saat. Publishing number 4. Augsburg paper etching vase ~ ornament. satyr(s) (in general). fruits

Daniel Mignot, Large Pendant, Justice Standing at Centre, 1593 Large Pendant, Justice Standing at Centre

Bound Print, Wall with Mirror and Console Tables; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 33.7 × 23.5 cm (13 1/4 × 9 1/4 in.)

Framework with leaf motif, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Design for the cover of an advertising booklet. paper. India ink (ink). watercolor (paint). pencil pen / brush foliage, tendrils, branches ~ ornament

Design for a Beaker 1581 Bernhard Zan. Design for a Beaker 696798

Grotesque designs featuring griffin, birds, and dolphins 1830-97 Jules-Edmond-Charles Lachaise French. Grotesque designs featuring griffin, birds, and dolphins 385115

Julius Bellamy and Jack Staloff, Match Safe, c 1940 Match Safe

Decorated with a garland of flowers and fruit. At top and bottom a mask, Cartouche with lobe ornament with two putti and four angels Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, publisher: Clement de Jonghe, Amsterdam, 1640 - 1655, paper, engraving, etching, h 239 mm × w 190 mm

Panels with female herme and medalia; Vertical panels with modern grotesken. In the middle of the left panel there is a herme with a basket full of flowers on her head, at the top of the right panel, a portrait medallion hangs under a canopy. Series with modern grotesken leaves between which are ornaments and consoles with crockery.

Design for an ornamental sheath, Wencslaus Hollar, after Hans Holbein (II), 1645 print paper etching hacking and thrusting weapons: dagger. scabbard, sheath

Ornaments of the castle of Ry; Chateau de Ry / g ume architect. Bronze details of gates and windows of the castle of Ry, such as handles and key holes. Top left is listed: MOTIFS DECORATION, top right: sculpture, lower right: n ° 9.b.

Decorative design with eight sitting women, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil. ink pen anthropomorphic ornament

Relief with arabesks, birds and two griffins, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print ornament ~ arabesque. ornamental birds. griffin (lion/eagle); 'Griffo' (Ripa). sculpture (+ relief ~ sculpture). sculpture (+ relief ~ sculpture)

Oval Cartouche Surrounded with Wapentuig, Pieter Jansz, 1630 - 1672 drawing Design for a print. paper. ink pen / brush (other) ornaments derived from objects. weapons. ornament ~ cartouche

Cartouche with lobe ornament with two putti and four angels, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Rand with two birds and fruit, Michiel le Blon, 1611 print Leaf 11 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of tibs, schweeifwerk, garlands with putti, animals, birds and masks. paper etching

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises late 17th-early 18th century Pieter Verbruggen the Younger Flemish. Design for a sepulchral monument with Mary Magdalen and Saint Jerome; verso: Sketch (counterproof) and writing exercises 394928

Hoffmann Emil (1845-1901), Baptistery, Florence (1894): Türlaibung. Pencil watercolored on paper, 32.6 x 24.9 cm (including scan edges) Hoffmann Emil (1845-1901): Baptisterium, Florenz

Michiel van Eyck coat of arms; Coats of arms with empty fields. Reduced upset copy of the coat of arms, without the wing on the helmet and with a blank shield.

Wall and Ceiling Decorations in the Pompeiian Style, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, black chalk, graphite on laid paper, Horizontal rectangle. Beginning at height of upper part of body of chandeliers, consisting of women standing upon columns and raising their arms. Ring with candles sketched at right edge. Women stand between embedded columns, at right. Broad intervals between columns decorated with tent-like drapery, in front, bowl of fruits hangs. Above: besides drapery are two festoons. Above entablatures are semi-circles each with flying putto, crossed by festoons. Main panel of ceiling: tiara in front of moon, between two putti and stars. Beside two square panels with circle inside, left one, a woman with flowers next to putto with plate; right one, winged figure with torch beside putto. Both circles with stars in background. Written below at right: 'Longezza d'ella sala cento sesanta Palmi'. Verso: in pencil, square and sheet on upper

Fermage of forged Odrzywolski, S Awomir (1846-1933), Salb, Marcin (Kraków; Litographic Zak 1865-Post 1890); around 1890 (1885-00-00-1895-00-00);

Bound Print, La Théorie et la Pratique du Jardinage (The Theory and Practice of Gardening), 1711; Pierre Máriete (French, 1660-1742); Written by Antoine-Joseph Dézallier d'Argenville (French, 1680-1765); Published by Pierre Husson; France; etching on paper; 1984-87-1-22

Design for Console Table 1850-1904 Robert William Hume British. Design for Console Table 391708

Drawing, Design for a brooch; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

June; Iunius; First six months of the year. In a Rocaille cartouche a landscape in which a shepherd shaves a sheep. Around the show Rocaille ornaments, a lobster and the corresponding sign of the zodiac. Publisher number 74.

Design for a Wall Monument n.d. René Charpentier French. Design for a Wall Monument 335219

Print, Plate 3, Developement d'un Trumeau de glace fait pour le Portugal (Design for a Pier Glass with Varation for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; Platemark: 36.5 × 25.7 cm (14 3/8 × 10 1/8 in.) Sheet: 59.1 × 40.6 cm (23 1/4 × 16 in.)

Print (England)

Drawing, Design for the Stucco Decoration of a Ceiling; Italy; black chalk, brush and gray wash, white gouache, graphite on paper; 22.3 x 32.5 cm (8 3/4 x 12 13/16 in.)

Leaf vank with winged woman on the right, after 1680 - Before 1706 print The woman is accompanied by two putti. Page 2 from series with Dutch opposite reduced copies of the Disegnii Varii di Polifilo Zancarli series. print maker: Netherlands (possibly)after design by: Italy (possibly)publisher: Amsterdam paper engraving

The border incorporates the attributes of the writing master. In the lower center is a crouching satyr holding a ring in each hand. Top left and top right on the scrollwork is Victoria holding an open crown and a palm branch., Empty cartouche with a border of scrollwork and hardware with writing attributes Cartouches with scrollwork and hardware (series title), print maker: Johannes of Lucas van Doetechum, (attributed to), Hans Vredeman de Vries, publisher: anonymous, Netherlands, (possibly), c. 1571 - c. 1580, paper, etching, h 214 mm × w 282 mm

Hoffmann Ludwig (1852-1932), Akanthus (05.1876): Plan content N.N. detected. Pencil watercolor on the box, 60.4 x 76.9 cm (including scan edges) Hoffmann Ludwig (1852-1932): Akanthus

Tablet with an inscription, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The inscription is written in a central rectangle with a more elaborate frame having spirals above, on top of outwards turned cherubim, at the sides, and moldings on top. In the upper band is a Maltese cross. Below the frame is an escutcheon-like console with an inner escutcheon. The whole is surrounded by a garland springing from the mouth of a mask and ending there. Laterally framed by leaves of two crossed branches. The paper next to it, at left and at right is colored. Written below, at right, by the artist: 'In triplicata/propozzione'. On the reverse, part of two pen sketches., Rome, Italy, 1780-1800, architecture, Drawing, Drawing

Dancing Nar and Man with Glass in Ornaments, Gerrit Visscher, 1690 - 1710 print Amsterdam paper engraving / etching ornaments ~ art

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Cartouche with two putti and two winged female figures, verso - stamped, A cartouche with two putti and two winged female figures in the edge. The print is part of an album., print, picture, album sheet, ornamental print, prints, pictures, ornamental prints, height 250 mm, width 167 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher

Design for decorative border 1830-97 Jules-Edmond-Charles Lachaise French. Design for decorative border 385274

Drawing, Design for an earring; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Monogram of the Mother of God in a rich lily decoration, sketch for the album of the Maria Verso: Drawing of two lilies; Ruszczyc, Ferdynand (1870-1936); 1905 (1905-00-00-1905-00-00);Partage Plus, purchase (provenance)

Three square stones pendant, 1550 - 1587 print Pendant with three square stones. Four broches in the corners of the magazine. One of 6 magazines from a series of possible 7 or 8. paper engraving Brooch, staple, clasp. During, Trinket, 'charm'

Coat of arms with hand and star. From series with 6 coats of arms

Blunck Erich (1872-1950), drawing studies (01.1893): drawing studies (without a yardstick). Tusche watercolor on paper, 67.4 x 49.8 cm (including scan edges) Blunck Erich (1872-1950): Zeichnungsstudien

Mavelot, Charles, Cartouche with shell and pearl borders, Numbered top right: 19. Print is part of an album., print, album sheet, prints, height 77 mm, width 67 mm, 1680 - 1742-07-04, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, engraving, engraving (printing process)

Design for a Frame 1841-84 Charles Hindley and Sons British. Design for a Frame. Charles Hindley and Sons (British, London 1841-1917 London). 1841-84. Graphite

Design for a Candelabra 19th century Anonymous, French, 19th century French. Design for a Candelabra 359820

Drawing, Three Pendants; Designed by Salvatori (Italian, active 19th century); Italy; graphite on cardboard; 15.6 x 23.5 cm (6 1/8 x 9 1/4 in.)

Drawing, Design for Palmette Pendant; Italy; pen and ink, brush and watercolor on paper

New Modelbüch (Page 6v). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Urn and leaf-like ornament, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Urn and a circular, leaf-like ornamental detail, France, ca. 1759-70, ornament, Drawing, Drawing

Beckmann Carl (1799-1859), carvings in wood, Gdansk (without dat.): 3 views. Pencil on cardboard, 17.6 x 12.6 cm (including scan edges)

Bishop's staff, Arabesken and a Monstrans; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Design for a ceiling, Robert de Cotte, 1656 - 1735, Pen and black ink, graphite, white heightening on blue paper, Two alternative designs are suggested for the cove: including festoons, scrolls, female masks, festoons, and gaines. For the center: including flower vases on brackets with doves and a spike design with vegetable motifs and shells. The ceiling is divided by bands into the central, circular and four pentagonal coffers. Three alternative suggestions are made for the letters. Two of them show bracket motifs and putti. One is decorated with an acanthus scroll from which a Bacchus gaine rises; a female head, a three-quarter figure of a child, rustic musical instruments are in the framing. The fourth shows a sphinx under a canopy, a festoon held by a half-figure., France, ca. 1730, Drawing, Drawing

Drawing, Design for a Brooch with Oval Diamond; Italy; pen and sepia on paper

Three oval cartouches; Ornamental shields for various professions; Unterschiedliche Art Neu inventirter painter für Allhand Professione Nüzlich zu Gebrauchen. Left above a frame with arabesque, braid and on the top a Rocaille ornament. Right above a frame with arabesque and acanthus leaves at the top. The bottom frame is decorated with arabesque, leafwork and at the top a floral pattern.

Deraisme, Pierre -Georges (n.1859 - D.1932), Pinks Gui (main title), 1905. Ink on the front, gouache on the back on film -coated vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Designs for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Designs for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Title Journal: Looff-werck Boeck Seer Constich Geteijckent, Willem Hondius, Claes Jansz. Visscher (II), 1638

Jacobsthal Johann Eduard (1839-1902), grammar of the ornaments (without dat.): Pillar ornament, issue 3. sheet 6 .. lithograph on paper, 72.1 x 56.1 cm (incl. Scan edges) Jacobsthal Johann Eduard (1839-1902): Grammatik der Ornamente

Der verein der kunstfreune in preusse.; Caspar, Joseph Anton Johann (1799-1880), Wach, Karl Wilhelm (1787-1845), Verein der Kunstfreunde im Preusischen Staate (Berlin; Society; Ca 1820-1870), Pretre (Drukarnia; Berlin; Flow. Ca 1835-1850 )); 1840 (1840-00-00-1840-00-00);

Alphabet (ornamental letter x, y, z). One of eight leaves with three ornamental letters of the alphabet: "Treasury, all kinds of deferred Latin vnnd Teutsch Allen Cantzleyen ... from Neuen in Strainer so produced. Through Paulum Francids of GfRes Aus the Voigtlandt Burger ... of Memmingen, printed to Nürmberg , By Katharina Dieterichin, in laying Conradauern ... 1601 ".

Ornamental Border Artist's working dates 1715-1772 France. Etching on cream laid paper . Gabriel Huquier

Design with a cross, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush

Drawing, Design for a coronet; Italy

Framed by crossed flower stems. Above a wreath. Usual background. Date: 1780-1800. Pen and brown ink, brush and brown wash on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Kwabcartouche with Wapen van Amsterdam, Jacob Lutma, after Johannes Lutma (1584-1669), c. 1654 - c. 1678 print Double cartouche with two compartments next to each other. At the top a large mask with the weapon of Amsterdam under the eyes. Trophy of fruits on either side. Amsterdam paper etching ornament ~ cartouche. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. coat of arms (as symbol of the state, etc.) (+ city; municipal)

Picture frame with an elongated cartouche with round sides in the middle; Emblemata Nobilitati et Vulgo Scitu Digna ... / Stam und Weaponbuchlein ...; (4) Sheets of ornament prints, edge frames with grotesque plant, animal and human characters, between coats of arms, on loose plates between them. Middle under a rectangular cartouche. Left and right in the middle is a violin monkey on both sides. Belongs to a series of 18 blades where in the middle of separate plates, twenty-six emblemata and forty-five coats of arms are printed. The emblemata are partly numbered A-D, 1-7 and 9-21. Three sheets have no number. The coat of arms, which are partly double depressed, are unnumbered.

French crown, Paris, Poilly, Duvivier, Jean, Nouveau Livre De Cartouche Pour Ornemens des Armes, Cartouche with mask, verso - stamped, A cartouche with a mask and leaf motifs., print, ornament print, prints, ornament prints, height 147 mm, width 104 mm, 1687-02-07 - 1761-04-30, print maker, printmaker, 1712 - 1712, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

CartoucheDesign. Artist: Unknown After: Agostino Mitelli, Italian, 1609-1660

Study of the Capital of a Pillar, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/2 × 13 11/16 inches (26.7 × 34.8 cm)

Bracket. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Arm of the Medici family. The weapon of the Medici family, flanked by two alliance weapons, with the heraldic animals.

Pencil sketches by Franz Alt in his sketchbook spanning 1855-1867, showing studies of landscapes, architecture, and figures.

Schouw with Putto op Zeeweken, Anonymous, After Franz Xaver Habermann, 1731 - 1775 print Rocaille fireplace with putto with a trident on a sea creature. Publishing number 58. paper engraving / etching rocaille ornament. burning as process. cupids: 'amores', 'amoretti', 'putti'

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (February 20, 1887): Naples: S. Giacomo Degli Spagnoli (Details). Ink on paper, 42.8 x 30.8 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

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