Ornamental Designs and Decor

Prints featuring floral and festive designs, including trophies and decorative panels, showcasing intricate patterns and motifs.

Design for a light crown, draughtsman: Jean-Jacques Feuchère, Paris, c. 1835, tracing paper, h 255 mm × w 191 mm

Arabesken Met Putti, 1788 print Arabic with two saters and two putti with torches on either side of a vase with fruit. paper etching ~ ornament arabesque. Cupids: 'Love' '' Amoretti '' Putti '

Panel with flowers, Jacques Juillet, After Pierre Ranson, 1777 - 1779 print A panel with flower vines and a flower wreath. Rouen paper etching panelling. flowers ~ ornament

Design for Trophy n.d. René Charpentier French. Design for Trophy 335242

Strapwork Pendant with Three Drops and Two Cross-Shaped Pendants as Earrings at Left and Right. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Design for a light crown, draughtsman: Jean-Jacques Feuchère, Paris, c. 1835, tracing paper, h 255 mm × w 191 mm

Hanger puts Fortitido, Daniel Mignot, 1593 - 1616 print Fortitudo in a frame of arabesks with two insects. Leaf from series of hangers with virtues, consisting of a title page and 7 magazines. Three pearls hang on each pendant. Small costumes jewelry are displayed around the hangers. Germany (possibly) paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Drawing, Design for a Frieze; Italy; charcoal, pen and ink, brush and watercolor on paper

Front of pendant with naked deity with shield, sitting on a sphere, Hans Collaert (I), 1581 print No. 2 from series of 10 sheets with fronts of pendants. Precious stones in settlements of grotesken and rolling work. Antwerp 1581. W. 20 Netherlands (possibly) paper engraving During, Trinket, 'charm'

Three panels with flowers and basket; D Ve Cahier De Grouppes De Fleurs et d'Orgenens Pout La Décoration. Three elongated panels with braid, flowers and in the middle a basket with flowers.

Design for a carving frame for a back panel of a coach, Unknown, Brush and gray wash, pen and ink, black chalk on paper, A wheel and the left half of the frame is shown. Scrollwork and rocaille., Rome, Italy, 1725-50, transportation, Drawing, Drawing

Cartouche with garlands van Leaves, Anonymous, After Agostino Mitelli, After 1619 - Before 1642 print A garland with a small shield attached to it at the bottom of the cartouche. From series of 12 magazines. after design by: Italy (possibly)publisher: Bologna paper engraving

Three oblong panels with wickerwork and flowers, Three panels with flowers D Ve Cahier de Grouppes de Fleurs et d'Ornemens pout la D, print maker: Pierre Gabriel Berthault, (mentioned on object), intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Jacques-François Chéreau, (mentioned on object), Paris, 1768 - 1786, paper, etching, h 234 mm × w 193 mm

Drawing (Italy)

Edge with a mascaron; Decoration for edges of cups; Varii Generis Opera Aurifabris Necessari (...). In the middle, a mascaron hangs in the form of the head of a woman, between four birds. Sheet from series consisting of a title page and 9 sheets with decoration for edges of cups. On the magazines, leaf refines with grotesken and mascaroons can be seen against a shaded background on a further unpalated leaf.

Rand ornament with heads of eagles and snakes; Randcase ornaments and strikers for goldsmiths. From series from title page and 11 sheets.

Augsburg, Wolf, Jeremias, Berain, Jean (le Vieux), Compositions with Minerva and putto on dolphin, verso - stamped, Decorative compositions with wickerwork on four panels. At the top arcades with shell motifs and masks. Bottom left wickerwork and putti. Center bottom wickerwork, an arcade, caryatids, a medallion with Minerva and a putto sitting on a dolphin. Bottom right wickerwork and sphinxes., print, ornamental print, prints, ornamental prints, height 299 mm, width 284 mm, print maker, printmaker, 1686 - 1724, paper, papier, etching, etchings, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, German, 1673 - 1724, publisher

Drawing, Design for a Pier Table; Italy; pen and ink, brush and brown ink, graphite on thick off-white laid paper

Designs for the side console; Diverses Pièces De Serruriers. Above left is a leaf motif shown at the top right of the batter for around a keyhole, in the middle a rosette around a pentagonal hole, possibly for a door knob. At the bottom left is a door beater from the side shown, and at the bottom right of a door knob. Leaf 11 from series of title page, blade with assignment and 14 sheets with batter and forging, keyhole plates, keys, door knocker and door knobs. Second edition.

Drawing, Design for a Wall Panel with Fireplace; Designed by Johann August Nahl the Elder (1710 - 1781); Germany; pen and black ink, brush and gray and light violet wash, graphite on white laid paper, ruled border in pen and black ink; 39.7 x 21.6 cm (15 5/8 x 8 1/2 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 x 15 5/8 x 1 in.) Mat (Mat): 45.7 x 35.6 cm (18 x 14 in.)

Penning on the occasion of the silver wedding anniversary of Willem van Citters and Maria Kien, 1738. Decorative show with the wedding statement at the twenty-five-year marriage in 1738 by Willem van Citters, VOC Chamber for the Chamber of Zeeland, twelve times mayor of Middelburg and Maria Kien, married on July 22, 1713.

Two knife lifting; Knife lifts. A cartouche with MB is hanging between the knife levers. Middle upstairs condition: n ° .b. From series of 6 sheets.

Venus and Amor in Ornamental Framework, Bernard Picart (workshop of), 1724 print Venus and Amor in ornamental frame flanked by swans. Amsterdam paper etching / engraving ornaments ~ art. Venus and Cupid (Cupid not being mere attribute). water-birds: swan

Trumeau puts Neptunus in Fontein, Jean Berain (Le Vieux), 1670 - 1678 print A trumeau consisting of two panels. In the upper panel a medallion with Neptune. Meerminnen, Dolphins, Hippocampi, Tritons and Acanthus Dranks surround the medallion. In the lower panel a fountain with dolphins, masks and acanthus vranks. Left and right of the panels ornamental strips. paper engraving architectural detail. (story of) Neptune (Poseidon). ornamental fountain Louvre Museum

Architectural Ornaments t, Pen and gray ink, yellow, lavender, gray wash, black chalk, ruled border in pen and gray, Support: white laid paper, Bologna, Italy, Italy, ca. 1750, architecture, Drawing, Drawing

Oramamentated ditches, two eagles and a vase with fruit, anonymous, after Leopold Schmittner, 1703 - 1761 print In the middle an arabesk ornament with the serial title, two figures left and right shown in harness in harness and two eagles next to a vase with fruit at the top. On either side of the ornament two arabeske ornaments and two locks with arabesks and on the left with a crown. paper etching / engraving lock ~ door. ornament ~ arabesque. predatory birds: eagle

Print (France)

Twee arabesken met medaillon en rookvat; Ontwerpen van arabesken; Cahies d Arabesques.Two vertical arabic designs. In the left design a round medallion with an image of two pigeons is carried by two half-dunning women. At the top a naked woman seen on the back. On the right, a smoking vessel and two female fantasy figures are worn by a three-sacking kariatide.

Parijs, Bonnet, Louis Marin, Huet, Jean Baptiste (le vieux), Sixieme Cahier des Arabesques, Medallion with arabesques, Paris, verso - stamped, An oval medallion with a woman's head to the right, surrounded by arabesques., print, ornamental print, prints, ornamental prints, height 247 mm, width 185 mm, print maker, printmaker, 1770 - 1780, third quarter 18th century, fourth quarter 18th century, paper, papier, crayonmanier, 1745-10-15 - 1811-01-27, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1736 - 1793-10-12, publisher

Jewelry or Ornament Design. 1593. Mignot, Daniel (French engraver and goldsmith, active from 1593, died 1616). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Design for a Crest with Drapery and Two Putti 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for a Crest with Drapery and Two Putti 365514

Design for a Mirror, with Alternative Suggestions, Richard de Lalonde, French, active 1780-96, Pen and ink, brush and watercolor, graphite on paper, Different details are suggested at left and right. A pair of doves above center, from which are suspended a wreath with two arrows and a chandelier for six candles. Candle brackets at the back. A flower basket on a bracket at lower center., France, ca. 1780, furniture, Drawing, Drawing

Graphite sketch of a vault field (Gewölbefeld) at San Giovanni in Laterano, Rome, executed on medium-strong paper.

Four Designs for the Decoration of Firearms. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 7 3/4 x 5 7/8 in. (19.7 x 14.9 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

Georg Wechter I (German, c. 1526-1586), Goblet with base decorated with two large scallops, published 1579, engraving

Vascular work and details, c. 1866 - c. 1900 drawing In the middle of the top is a gift jug between two ornaments for vascular work with putti. tracing paper. pencil drawing

Tweat Frief Met Arabes, Anonymous, After Jean Baptists (Le Vieux), 1770 - 1780 print Two Frisians with arabesken. Upstairs with a medallion with girl's head, flanked by horns of abundance and birds. At the bottom with a winged scepter and arabesks. paper ornament ~ arabesque

Etching by Gabriel Huquier created between 1715 and 1772 depicting a decorative cartouche featuring a shepherd dog with detailed ornamental design.

Design for the Verso of a Pendant with a Vase at Center. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp). Dimensions: Sheet: 5 7/8 × 4 1/16 in. (14.9 × 10.3 cm). Publisher: published by Hans Liefrinck (Augsburg () 1518-1573 Antwerp) , in Antwerp. Series/Portfolio: Pendant Designs with Deities in Niches and Flower-Arabesques. Date: before 1573.Vertical panel with the design for a pendant verso at center. The ornament is decorated with a flower-arabesque pattern inhabited by insects, with a vase and bouquet under a strapwork frame at center. Flanking the central motif are flask-shaped ornaments that may be designs for earrings or buttons. From a set of ten plates with pendant designs, five of which show deities in niches. Four designs in the series are decorated exclusively with ornate flower-arabesques and are most likely designs for pendant versos. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573. Jan Collaert I prod

Print (France)

Design for a Carta Gloria. Artist: Anonymous, Italian, Roman, 18th century. Dimensions: 22-1/8 x 15-3/8 in. (56.2 x 39.1 cm). Date: 1700-1725. Museum: Metropolitan Museum of Art, New York, USA.

Framing with performances from daily life. Ornamented picture frame with four performances from daily life, including grapes picking and burning fire. Bottom right 'No. VI. ".

Print, Frieze, from the set, "Ornemens à la Mode"; Jacques Androuet Du Cerceau the Elder (French, ca. 1515 - after 1584); France; engraving on laid paper; Plate: 26.3 × 20.9 cm (10 3/8 × 8 1/4 in.) Paper: 32.3 × 25 cm (12 11/16 × 9 13/16 in.); 1944-36-2-2

Etching by Louis Crépy from 1727-1728 depicting an arabesque, showing ornamental and decorative patterns typical of early 18th-century design.

Dishes and details. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 366 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.

Modern Grotesken with Female Herme, Jeremias Wolf, After Jean Berain (Le Vieux), After 1673 - Before 1724 print The Herme wears a basket with fruit and leaves on her head. print maker: Augsburgafter design by: France (possibly)publisher: Augsburg paper etching

Pingule met puits, Johann Esaias Nilson, 1731 - 1788 print A pendulum with rocaille ornaments, flower motifs, a cartouche with a crown and four putti. The four putti are around the timepiece and symbolize the morning, afternoon, evening and night. The putto on the left sits next to a rooster and drinks coffee, the putti in the middle of the top is lunching, the putto on the right drinks wine, the putto in the middle is sleeping. Augsburg paper etching / engraving clock. cupids: 'amores', 'amoretti', 'putti'. day of 24 hours, natural day

Design for a Frame in the Form of a Cartouche (Mirror). Artist: Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 7 3/8 x 4 3/8 in. (18.8 x 11.1 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with lobe ornament with two putti and four angels; Voorshande Niewe Compartemente. Decorated with a garland of flowers and fruit. Upper and bottom of a mask.

Design for a Frame 1755 Johann Oktavian Salver German. Design for a Frame 335806

TWE pullen met araviax, anonymous, after jeanba Baptists (Le Vieux), 1770 - 1780 print Two panels with arabesks. On the left with a vase on pedestal with two roosters, horns of abundance and a putto under garlandes. On the right an oval medallion with two figures, surrounded by arabesken and an owl at the top. Publishing number 684. paper ornament ~ arabesque

Bologna, Parisino, Agostino, Italy, Mitelli, Cartouches, Cartouche with two winged female figures, verso - stamped, print, ornament print, prints, ornament prints, height 250 mm, width 167 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher

Berlin, Chodowiecki, Daniel Nikolaus, Allegory of the Inauguration of Frederick William II, King of Prussia, at Königsberg, verso - stamped, print, engraving, prints, engravings, height 285 mm, width 525 mm, German, 1726-10-16 - 1801-02-07, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, Work conception, after own design by

Medallion with Arabesken; Sixieme Cahier des Arabesques. An oval medallion with women's head to the right, surrounded by Arabesken.

Cartouche with musician and composing figures, Ferdinand Eckhardt, 1886 - 1910 print paper etching ornament ~ cartouche. conductor ~ music. large group of musicians, orchestra. composer. acanthus ~ ornament

Print, Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels); Designed by Bernhard Zan (Germany, active ca. 1580); Germany; punch engraving, pen and black ink, graphite on cream laid paper; Sheet: 29.5 x 18.5 cm (11 5/8 x 7 5/16 in.) Platemark: 23.4 x 15.3 cm (9 3/16 in. x 6 in.)

Cartouche with square compartment, c. 1670 - c. 1680 print Cartouche awarded with a pediment with a small cartouche. paper etching

Four monograms.

Rocaille motifs.Publisher Number 169.

French crown, Paris, Poilly, Duvivier, Jean, Nouveau Livre De Cartouche Pour Ornemens des Armes, Crowned cartouche, verso - stamped, A crowned cartouche with leaf and flower motifs, a shell motif and garland., print, ornament print, prints, ornament prints, height 147 mm, width 108 mm, 1687-02-07 - 1761-04-30, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher, granter of privilege

Blazoen of the Vlaarding Rederijkerskamer Den Aeckerboom, 1594. Blazoen of the Vlaarding Rederijkerskamer Den Aeckerboom, 1594. The emblem with Christ on the cross for an oak surrounded by weapons, rollerwork and vines.

Three corners and a fragment of the ornamental list for a yacht piece, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching ornament derived from animal forms. rocaille ornament

Design for Monstrans; Monsrans. Monstrans, decorated with cherubs and leaf reflections, whether or not finished in fish heads or mascarons.

Etching by Gabriel Huquier from 1729-1735 depicting a cartouche with Venus, showing decorative frame and mythological figure.

Design for a Mirror. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 8 3/4 x 6 7/8 in. (22.3 x 17.5 cm). Date: 1841-1900. Museum: Metropolitan Museum of Art, New York, USA.

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 26) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 26). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Ceiling Design 19th century Anonymous, British, 19th century British. Ceiling Design 386515

Cartouche Met Water, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Four rocaille ornaments and a rocaille cartouche with water. Publishing number 72. Augsburg paper etching Rocaille ornament. Ornament ~ cartridge

Half cartouches and ornaments. Top left is a figure on a pedestal for a cartouche of battery and leaf drinks. The figure has an empty cartouche in the hands.

Jacobsthal Johann Eduard (1839-1902), grammar of the ornaments (without dat.): Rectangular filling (Italian Renaissance), Issue 2. Blatt 13 .. Lithograph on paper, 72 x 56.1 cm (including scan edges) Jacobsthal Johann Eduard (1839-1902): Grammatik der Ornamente

Print, Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels); Designed by Bernhard Zan (Germany, active ca. 1580); Germany; punch engraving, pen and black ink, graphite on off-white laid paper; Sheet: 29.6 x 18.4 cm (11 5/8 x 7 1/4 in.) Platemark: 16.6 x 11.3 cm (6 9/16 x 4 7/16 in.)

Ornamental rocks with waterfalls and a monogram in the middle, Gerrit Visscher, after Jacques de la Joue (II), 1690 - 1710 print Ornamental rock with waterfalls and a monogram in the middle. In the middle and in the corners also monograms. Amsterdam paper etching / engraving letter combinations such as letterword, anagram, letter square, monogram, etc.. fantasy ornament. ornaments ~ art

Print (France)

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 4) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 4). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Design for a Mirror 1841-1900 Charles Hindley and Sons British. Design for a Mirror 367450

Etching by Giulio Carpioni showing a frieze with grotesque ornamentation, created between 1630 and 1678.

Plate 7, from a series of eight pendant designs with the cardinal virtues, Johann Theodor de Bry, German, 1561 - 1623, Engraving on paper, Pendant design with scroll and floral motifs and hanging pear-shaped pearls. Central Image: Fortitude, a nude women leaning against a base of a broken column while holding the top half of the column. Inscribed below image: 'FORTITVD'. Surrounding the pendant are blackwork ornament designs for enamelists, mostly showing possibilities for the top and sides of rings.(Matted with 6161.1-5/6,8.2000), 1616-1623, jewelry, Print, Print

Hanglantarn, Eduard Niermans, 1887 print Paris paper etching lantern

Rocaille lijst.Rocaille frame with flowers, standing rectangle. Publisher number 29.

Design for a glass window with a soldier. Design for a glass window with an empty coat of arms, a cartouche and a soldier.

Design for a decorative framework with plant motifs, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. chalk ornament derived from plant forms

Design for a Mirror mid-18th-early 19th century James Wyatt British. Design for a Mirror 364236

Print, Two Designs for Ecclesiastical Ironwork; Designed by Jean Lamour; Print Maker: Nicole pere (French, active ca. 1760); France; etching and engraving on laid paper

Drawing, Design for a necklace and earring; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Chandelier et ustensiles en bronze et en fer, ouvrages du XVIe. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Double garland with three Cherubins, Michiel le Blon, 1611 print Leaf 13 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of tibs, schweifwerk, garlands with putti, animals, birds and masks. paper etching

Two poasters with festans; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Two poast stables with festans. In the middle of the left pie stable the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Two designs for decorative panels and one design for an ornamental monogram with a crown and the initials: FF 1830-97 Jules-Edmond-Charles Lachaise French. Two designs for decorative panels and one design for an ornamental monogram with a crown and the initials: FF 384874

Design for Plasterwork Cartouche ca. 1700 Anonymous, Italian, Bolognese 18th century artist Italian. Design for Plasterwork Cartouche 389920

Deraisme, Pierre -Georges (n.1859 - D.1932), cartridge (main title), 1895. Graphite, ink and watercolor on white Vergé. Petit Palais, Museum of Fine Arts of the City of Paris.

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork frame. At top, a mask with swags. To the left and right, a faceted octagon., Italy, early 17th century, ornament, Drawing, Drawing

Wilkinson Tracing, Two designs for ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Dish in low relief to be executed in gold and enamel. Spanish design.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork

Framing with coats of arms. Framing with white tastes on black background with inserted coat of arms in the field, leaf out of "Stam and Wapenbuchlein, cloudy and artificial figurn, Sampt whose poetic explanation, also to nobility accommodation both for nobility persons, and allems stabbed by Newem in Kupffer, through Dieterich of Bry Leodiense

Design for Brooch, Pen and ink, brush and sepia on paper, An escutcheon with volutes. In center, a circular diamond., Italy, 1820-30, jewelry, Drawing, Drawing

Vase and medallions; D 4th Suite d'Arabesques. A vase shutter from Arabesken with two medallions with figures above, a vase with flowers and horns from above.

Picture frame with an elongated cartouche with round sides in the middle; Emblemata Nobilitati et Vulgo Scitu Digna ... / Stam und Weaponbuchlein ...; (4) Sheets of ornament prints, edge frames with grotesque plant, animal and human characters, between coats of arms, on loose plates between them. Middle under a rectangular cartouche. Left and right in the middle is a monkey. Left and bottom right rests on a volute the upper body of a winged woman with a tow on her head. Belongs to a series of 18 blades where in the middle of separate plates, twenty-six emblemata and forty-five coats of arms are printed. The emblemata are partly numbered A-D, 1-7 and 9-21. Three sheets have no number. The coat of arms, which are partly double depressed, are unnumbered.

Design for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Design for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Designs for Four Rings, Plate 31 from 'Livre d'Aneaux d'Orfevrerie' Artist and engraver Pierre Woeiriot de Bouzey II French 1561 Small oval print with designs for four rings, each with a square-cut gemstone in a central setting, set either straight or at an angle. Two rings are presented as seen from the front and two are presented in side view. The plate, numbered 31, is part of a book of forty designs for rings by the goldsmith and engraver Woeiriot, published in Lyon (France) after Woeiriot returned from a visit to Rome. The French edition, titled 'Livre d'aneaux d'orfévrerie de l'invention de Pierre Woeiriot Lorrain', appeared in 1561. An Italian edition, the 'Libro d'anella d'orefici del inventione de Piero Woeirioto di Loreno', appeared in the same year. View more. Designs for Four Rings, Plate 31 from 'Livre d'Aneaux d'Orfevrerie'. 1561. Engraving

Design for Salt Cellars, from Dessins d'orfèvrerie (Designs for Metalwork), René Boyvin, French, 1525 - 1625, Pierre Milan, French, 1500 - 1557, Engraving on laid paper, Fontainebleau school. Design for two salt cellars. The base of the left salt cellar is made of intertwined bodies, and a pair coupling under a watchful mask. On the top is Cybele, the many-breasted goddess of fertility, wearing a turret crown and surrounded by animals. The base of the right salt cellar shows sphinxes, pearls and a grotesque mask. Above is Neptune with his trident, in a reclining posture, accompanied by his horses., France, 1540-1560, albums (bound) & books, Print, Print

Morning, from the series The Times of the Day 1807 After Philipp Otto Runge German. Morning, from the series The Times of the Day 376661

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