Ornamental Designs and Patterns

A selection of decorative motifs including Greek and Etruscan elements, wood engravings, and vibrant tiles, reflecting diverse ornamental traditions in art.

Portugal, Aveiro. Colorful azulejo tiles on the exterior wall of house.

DETALLE DEL SALON DE PORCELANA REALIZADO ENTRE 1763/1765. Author: GIUSEPPE GRICCI (1700-1770). Location: PALACIO REAL-INTERIOR. Aranjuez. MADRID. SPAIN.

Taj Mahal flower curving on marble, Agra, Uttar Pradesh, India Copyright: xArunxMishra/DinodiaxPhotox

Albert Ryder, Furniture Panel, c 1939 Furniture Panel

Folk floral flowers print Floral bouquet of fantasy folk flowers Botanical illustration in flat cartoon style. Folk flowers floral art print Flowers abstract art

Pattern

Panel 7th century Nasca. Panel 308284

Apulian Red-Figure Bell Krater Fragment. Unknown

Paris, Moncornet, Balthazar, Le Mersier, Balthasar, Goldsmith's bouquets above landscapes, Goldsmith's bouquet in the form of a pointed oval, verso lower left - stamped, Design for a pectoral in legume style, at the bottom a landscape with a tower on the right. From a series of 6 sheets with goldsmith's bouquets in legume style., print, ornamental print, prints, ornamental prints, height 176 mm, width 131 mm, French, 1600 - 1668-08-11, print maker, printmaker, 1626 - 1626, second quarter 17th century, paper, engraving, engraving (printing process), etching, Work conception, after a design by, Publication (Event), Publication, publisher

Shenyang, China, Close-up of ornate carvings at the Imperial Palace

Mola textile by Kuna Indian artist, depicting flowers. From the San Blas Archipelago, Panama. Reverse applique design worn on female blouse.

Mandala. Decorative ornament element pattern. Hand drawn ethnic tribal background template. Adult coloring book

Banknote motif: the number 3, its interior composed of lathe work edged with a band of black. Artist: Associated with Cyrus Durand (American, 1787-1868). Dimensions: sheet: 1 3/8 x 1 in. (3.5 x 2.6 cm). Printer: Printed by A. B. & C. Durand & Company (American, active 1824-27); Printed by Durand, Perkins, and Company (New York). Date: ca. 1824-42. Museum: Metropolitan Museum of Art, New York, USA.

Medieval stained-glass window designs. St. Cunibert's Cologne 12,17, Canterbury Cathedral 15, St. Denis Abbey 16,26, Bourges Cathedral 18-25,27,29, and Angers Cathedral 28. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Exlibris O.J. Larsen; Munthe, Gerhard (1849-1929); Before 1929 (1900-00-00-1929-00-00);Larsen, Ole Johan (1845-1928)-exlibris, Norway, Witke-Jeżewski, Dominik (1862-1944)-collection, ornaments, dragons (fantast.), Candles (lighting)

Detail of Portuguese glazed tiles.

International exposition of decorative arts and modern industry Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925. Polish Hall - sgraffito with the coat of arms of Warsaw under the extended roof of the atrium, design by W???????????????????. Photo REP (Paryż ; studio fotograficzne ; fl. 1925), photo agency

Schiller Theatre Building, Chicago, Illinois: Banquet Room Frieze Panel (Restored), German Opera House: Banquet Room Frieze Panel (Restored)., Garrick Theatre Building: Banquet Room Frieze Panel (Restored). Adler & Sullivan, Architects; American, 1881-1895. Date: 1886-1898. Dimensions: 99 × 78.2 × 4 cm. Gold, silver, and bronze paint on reconstructed plaster. Origin: Randolph Street, 64 West. Museum: The Chicago Art Institute, USA.

We're a Band of Brothers. Artist: Christopher Dresser (British, Glasgow, Scotland 1834-1904 Mulhouse). Dimensions: sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm). Date: ca. 1883, based on a design of ca. 1867. Museum: Metropolitan Museum of Art, New York, USA.

Grisaille Panel. Culture: French. Dimensions: 127 1/2 x 36 1/4 in. (323.8 x 92 cm). Date: ca. 1325. Museum: Metropolitan Museum of Art, New York, USA.

Old Traditional Portuguese azulejos, painted ceramic tilework.

Vector illustration of Ukrainian ornament in ethnic geometric style, identity, vyshyvanka, embroidery for print clothes, websites, banners. Background, frame, border.

In memory of Mrs. Sarah Ward , Tombs & sepulchral monuments. Erving Public Library Gravestone Rubbings

Rider, stag, griffin and bird, stone inlay, Romanesque, main facade, cathedral, Cattedrale di San Martino also Duomo di Lucca, Lucca, Tuscany, Italy, Europe

Grisaille Panel. Culture: French. Dimensions: 127 1/2 x 36 1/4 in. (323.8 x 92 cm). Date: ca. 1325. Museum: Metropolitan Museum of Art, New York, USA.

illustration of English tales, folk tales, and ballads. Dogs

Design for memorial at the inauguration of Queen Wilhelmina in 1898. Draughtsman: Carel Adolph Lion Cachet. Dating: 1898. Measurements: h 242 mm × w 227 mm. Museum: Rijksmuseum, Amsterdam.

Vector illustration of Ukrainian ornament in ethnic style, identity, vyshyvanka, embroidery for print clothes, websites, banners

Depicts 'The Scottish Musical Review', created in color by Charles Rennie Mackintosh in 1896, showing publication cover and typographic design.

COSTA RICA, SARCHI, PAINTING ON WALL OF HOUSE

Mola textile by Kuna Indian artist, with an abstract pattern. From the San Blas Archipelago, Panama. Reverse applique design worn on female blouse.

Tiles (part of a frame) ca. 1730-40 Style of Jean-Baptiste Guillibaud Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color

Mandala soul

Initial letter 'S', (1843).Artist: Henry Shaw

Paintings from the Dreamtime including two birds, Australia, Pacific

Panel late 16th century German. Panel 198879

Alexandre de Riquer / Butaca, 1900. Cercle del Liceu de Barcelona.

Interior of the N.S. station Amsterdam Amstel in Amsterdam: HAL with wall painting '' The technical forwards of the Railways '' by Peter Alma.

Atribuido a Pere Bernés, Vera Cruz, 1350-1360. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

To the high authority of the night. Draughtsman: Richard Roland Holst. Dating: 1915. Measurements: h 495 mm × w 500 mm. Museum: Rijksmuseum, Amsterdam.

Collection of decorative borders from edifices in Pompeii (from Wilhelm Zahn's Pompeii). Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Needlework pattern, circa 1870-1900, Germany, by Hertz and Wegener. Acquisition details unknown.

Vector illustration of Ukrainian ornament in ethnic style, identity, vyshyvanka, embroidery for print clothes, websites, banners

Fragment, c. 600-700. Peru, South Coast, Nasca-Huari style. Interlocking warp and weft: wool; average: 45.1 x 89.6 cm (17 3/4 x 35 1/4 in.).

Monstera leaf. Retro zentangle stylized in vector for coloring

Antonius Neudoerffer Nürnberg, 1601

Drawing, Textile Design: Waldblume (Forest Flower); Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 20.3 × 4.8 cm (8 in. × 1 7/8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Vector illustration of Ukrainian ornament in ethnic style, identity, vyshyvanka, embroidery for print clothes, websites, banners

Attic Red-Figure Cup Fragment. Onesimos (Greek (Attic), active 500 - 480 B.C.)

Border (France); block-printed and flocked on handmade paper; 8.5 x 16.5 cm (3 3/8 x 6 1/2 in.)

Plate 18: Reading Stand: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 28 x 35.6 cm (11 x 14 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Initial letter 'F', 12th century, (1843).Artist: Henry Shaw

Greek Ornament and Etruscan Ornament

Two Birds by Georges Braque, mosaic, (1882-1963)

tile manufacturer: Aalmis, Cartouche tile, acrobat with saber, corner motif spider, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Purple pull purple on white Aalmis Aelmis

Venice Sant Marks Square astronomical clock face

Fantascope: optical toy depending on persistence of vision for its effect. Picture spun on spindle and its reflection viewed in looking glass (mirror), giving impression of man eating and dog jumping up to steal food. From TM Baynes 'Fantascope', Ackermann, London, 1833. Aquatint .

Traditional wall painting of rural Rajasthan in Shilpgram Crafts Village near Udaipur, Rajasthan, India, Asia *** IMPORTANT: For editorial use only ***

Capsule, Poppy (Papaver), detail hand-coloured copper engraving by Basilius Besler, from Hortus Eystettensis, 1613

EL TALLER. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Spiral relief carving, from the Tarxien Temples

Ex Libris of W.C.Th. van der Schalk, Richard Nicolaüs Roland Holst, 1915 print A watching dog and the waxing moon. paper watch-dog, dog watching. waning moon, i.e. facing this way (

Border (France); block-printed and flocked on paper; 76 x 28 cm (29 15/16 x 11 in.)

Stylized lotus carved on stone

Paislay persian ornament. Tattoo art design. Ornamental printed illustration. Paislay persian ornament. Tattoo art design. Ornamental printed illustration.

Vegetative motifs and lower walls of tomb sculpted realistic bas relief depictions of flowers at Taj Mahal Seventh Wonders of World, Agra, Uttar Pradesh, India UNESCO World Heritage Site Copyright: xMadhusudanxTawde/DinodiaxPhotox

Drawing, Textile Design: Wicken; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 20.3 × 5.1 cm (8 × 2 in.) Mat: 40.6 × 50.8 cm (16 × 20 in.)

Detalle de las puertas de la Casa Milà (La Pedrera) de Barcelona. Author: ANTONI GAUDI.

Historic illustration, Greek ornaments, marble mosaic floor

Aztec Sun Stone, computer artwork. This carved stone is also known as the Aztec Calendar Stone.

Chiromancy: Lines of the closed hand from Andre Corvo 'L'Art de Chyromance' Lyons c1545. Woodcut.

frame

Hamsa hand indian tattoo template Royalty Free Vector Image

Tile with corner edge. Culture: Italian, Rome. Dimensions: Overall (confirmed, irregular height): 8 3/4 × 8 13/16 × 1 1/4 in. (22.2 × 22.4 × 3.2 cm). Date: ca. 1617-27. Museum: Metropolitan Museum of Art, New York, USA.

Vienna, Austria. Kunsthistorisches Museum. Ceiling detail. (Editorial Use Only)

Hand drawn zentangle set of 4 color mandalas for decoration

Illustration depicting the Royal Standard of the Netherlands. Dated 20th Century

Issaquah, Washington State, USA. Carving of a compass on a moss-covered tree.

COYOTE BUNNY - 2004. Author: ALEX MITCHELL. Location: PRIVATE COLLECTION.

Emblem of an old ship, vector stamp

Hang Trong painting (Vietnamese: Tranh Hàng Trng) is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trng and Hàng Nón streets in Old Hanoi's 36 Streets District. In the past, Hang Trong painting was an essential element of the Tt holiday in Hanoi, but today this tradition has almost disappeared and authentic Hang Trong paintings are found only in museums or fine art galleries.

Designs for an emblem for the Royal Paketvaart Maatschappij, Carel Adolph Lion Cachet, 1874 - 1945 drawing Design for a vignette. pencil brush names of organizations, companies, trade unions, etc.

vintage emblem vector illustration

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