Ornamental Designs and Prints

Exquisite ornamental prints featuring vases and decorative elements, blending intricate artistry with botanical motifs.

Design for a candlestick (No. 7), Abraham Meertens, 1767 - 1823

Paris, Le Père & Pierre-Michel Avaulez, Charles, Delafosse, Jean Charles, Voysard, Etienne Claude, 2e Cahier, Trophies, Le Japon et Sa Religion, Japan, verso - stamped, Two trophies with shields. On the left with a mask, sheet music, grapevines, a censer, frogs and a shield with a Japanese god. Right with a cross with a wreath of thorns, animal skins and shields with flying dragons and a Japanese god., print, ornament print, prints, ornament prints, height 351 mm, width 198 mm, 1746 - 1812, print maker, printmaker, 1772 - 1779, paper, papier, etching, engraving, engraving (printing process), French, 1734 - 1791-10-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Depicts two variant floor plans for the sacristy project at St. Peter's Basilica, Rome, drawn on fine paper in graphite and pen with feathering, dated 1661.

The Holy Ampulla (Sainte Ampoule) at Reims, used for anointing the kings of France before the French Revolution. Etching, 1793.

Designs for a clock (Illustrations for "Saggi di naturali esperienze"). Artist: Anonymous, Italian, 17th century; Circle of Giuseppe Cocchini (Italian, ca. 1666). Dimensions: sheet: 10 13/16 x 7 in. (27.4 x 17.8 cm). Date: 1666. Museum: Metropolitan Museum of Art, New York, USA.

Six balusters or terms from the front and four terms from Opzij, 1610 print At the top you can see balusters or terms from the front, on the right is a marshal with a baton. At the bottom are terms with Pinacles in addition. Blad 7 from series of title page and 28 magazines. paper etching

Candelabrum Designs, Graphite, pen and bistre, brush and wash on paper, Three vertical candelabrum designs, each bound within a partially detailed frame., Italy, late 18th century, grotesques, Drawing, Drawing

Ornament & vases, pl. 5, William Darling, Printed black, white oxydized heightening, blue paper, Scroll of foliated moulding. Right top corner: 5; bottom corner: Edwards Delint superscript; Wm. Darling Sculp., England, 1773, ornament, Print, Print

Pendant with Two Double Crosses, Surrounded by Four Diamond-Shaped Stones, Five Table-Stones, and Thirteen Pearls. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Ontwerp voor een driemachte kandelaber, This print is part of an album., print, prent, albumblad, ornamentprent, prints, prenten, height 369 mm, width 232 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgever, 1710-02-15 - 1774-05-10, granter of privilege

Candlestick. Dated: c. 1937. Dimensions: overall: 29 x 22.7 cm (11 7/16 x 8 15/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Dana.

Arabesques : colonnes et piliers, ensembles et détails. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Capitals (Columns) , Egypt , Cairo, Columns , Egypt , Cairo

Six balusters; Later edition of Ein Frembds und Wunderbares Kunstbüchlin (...). The left Baluster is crowned by the heads of Saters, the two next to it through the heads of two bucks. Sheet from series of 56 () Sheets.

Ernest A Towers, Jr, Grandfather Clock, c 1936 Grandfather Clock

Book, L'oeuvre (Works)

Joseph Ficcadenti, Wood Carving Shell, c 1939 Wood Carving - Shell

Drie Sleutels, Edouard Lièvre, 1863 print Numbered on object: pl. 6. Paris paper. etching key

Two knives, c. 1580 - 1605 print Passed copy to print from Francesco Salviati. The lifting of the right knife is decorated with a man, kneeling at the foot of two female hermes. There is a griffin above that. The handle of the left knife is decorated with a man hanging on a mascaron with fascinated hands. paper engraving

Andiron. Dated: 1935/1942. Dimensions: overall: 27.9 x 21.9 cm (11 x 8 5/8 in.) Original IAD Object: 25 1/2" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Hans Korsch.

Hans Korsch, Fireplace Set, 1935 1942 Fireplace Set

Silver Tankard. Dated: c. 1938. Dimensions: overall: 35.4 x 27.7 cm (13 15/16 x 10 7/8 in.) Original IAD Object: 7" high; 5 3/4" in diameter. Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Lawrence Flynn.

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme is like 1938-88-837, with different designs. A basket with flowers at the center. No alternative suggestions., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing, Drawing

Design for encampment outside a besieged fortress., From Utriusque cosmi...historia, by Robert Fludd (Oppenheim, 1617-1619), Engraving

Print, Heurtoirs à Boucles; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Albert Levone, Pa German Butter Mold, c 1938 Pa. German Butter Mold

Tambourine and two whistles, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. tambourine Royal Palace

1 et 2. Boutons, or, rubis clairs et opale. 3. Diadème, or, émaux translucides, perles et saphirs clairs, ... 1 and 2. Buttons, gold, rubies and opal. 3. Diadem, gold, translucent enamel, pearls and sapphires, .... Prints, Design drawings. 1900 - 1909. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Jewelry, Goldwork, Buckles, Necklaces, Tiaras

Cologne, Kalckhoven, Jost, Amsterdam, Elzevier, Lowijs (III), Dalen, Cornelis van (I), Coat of arms of Cardinal Petrus Aloysius Carafa, verso - stamped, Coat of arms of Cardinal Petrus Aloysius Carafa in the service of the College of the diocese of Cologne. On the verso a text in letterpress in glorification of the cardinal., print, engraving, book illustration, prints, height 95 mm, width 64 mm, Northern Netherlands, 1602 - 1665-04-07, print maker, printmaker, 1645 - 1646, paper, papier, engraving (printing process), printer, Publication (Event), Publication, German, 1641 - 1669, publisher

HARPE MODERN; Design for marquetery of musical instrument hung up to ribbons in around medallion. One of 103 designs for marquetics of ribbons hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the Great Hall of the Prince of Orange Palace in Brussels in 1828.

Nine stamps from the Six collection, J. Kuyper (print maker), 1860 - c. 1870 print paper etching seal, stamp

The Gentleman's and Cabinet-Maker's Director, Etching on off-white laid paper, England, 1755, furniture, Print, Print

Allegory with a winch, a shield with the head of Medusa, the Mercury Staff, a bundle of arrows and lightning, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving caduceus (staff with two snakes, attribute of Mercury). Aegis: shield with Gorgon's head (attribute of Minerva). attributes of Cupid: arrow(s)

Golden Pendants designed by Adriaen Collaert and Theodoor de Bry, Anonymous, c. 1881 - in or before 1889 photomechanical print Antwerp paper collotype / photolithography capital (~ column, pillar). ornaments, jewels

Testimonial to Sir John Liddel, 1865

Ménorval, Eugène de (n.1829 - D.1897), staircase at 30. rue François Miron. (Dummy title). Carnavalet museum, history of Paris.

Dressing Mirror (cast iron). Dated: 1939. Dimensions: overall: 50.8 x 36.2 cm (20 x 14 1/4 in.) Original IAD Object: 3/4 of actual size. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Paul Ward.

Four decorated oak legs of a piece of furniture in Ionian style, anonymous, after Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerpafed Design BY: suffering paper collotype / photolithography decorative furniture. Ionic order ~ architecture

Andiron. Dated: c. 1939. Dimensions: overall: 35.6 x 25.9 cm (14 x 10 3/16 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Lazar Rubinstein.

Painted ceiling in the Altoviti Palace, Rome, 16th century. Palazzo Altoviti, Rom, XVI Jahrh. Chromolithograph from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Reproduction of a print of decorated parts of a fireplace, anonymous, after Elzevier, c. 1876 - in or before 1881 photomechanical print Antwerpafter design by: Amsterdam paper photolithography open hearth, fire-place

oil lamp . Butterfield, William undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Royal Institute of British Architects awarded the Gold Medal to

Print (France); Published by Jacques-Gabriel Huquier (French, 1730 - 1805)

Plan and elevation of Trajans Column and the Column of Marcus Aurelius (the Antonine Column), Rome. Colonne, Trajana ed Antonina. Handcoloured copperplate engraving from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1843.

Mina Lowry, Pa German Chalkware Mother and Child, c 1937 Pa. German Chalkware Mother and Child

Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto) ca. 1753 Francesco Piranesi Italian. Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto) 362905

'Two Shields'. France. Dimensions: 23,2x25,6 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Vase with figures on a stage ..

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentin card game. Thirteen number in a series of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123051-15 Card to play, wood engraving, card game, 16th 16th 16th 16th 16th 16 CENTURY, engraving

Columns and balusters of stairs. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 400 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Twee Coobeten, C. Le Meunnié ,, After Richard de Lalonde, 1784 - 1785 print Two ornamented furniture legs with floral motifs, turned right on the bottom. Paris paper etching / engraving furniture and household effects

Fletcher Hanks, Sword, 1935 1942 Sword

Ein Mumiensarg.. Minutoli, Heinrich, Freiherr von, 1772-1846. Prints. 1824. General Research Division. Libyan Desert, Siwah Oasis (Egypt)

Croix d'Autel (Cross of the Altar), plate 79, from Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Design for a cross on footed platform; a seated robed woman holds a tablet to which she points. Above, the body of the cross is fluted and ornamented with four putti heads, clouds and vines, leading up to the cross with an X behind and a crown of thorns., Paris, France, 1695-1750, metalwork, Print, Print

Cologne, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Composita.II, Fourteen herms, With a nereid at the top right. Page 23 from a series of title page and 28 leaves., print, ornamental print, prints, ornamental prints, height 287 mm, width 195 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher

Katharine Merrill, Bellows, c 1937 Bellows

Polygamy and good faith, Jean Charles Delafosse, 1768 - 1771 print An ornamented pendulum with garlands and a smoking vessel. Below that two round medallions, on the left with a burning book, a lightning bolt, a hand, a heart and grape bunches and on the right with two hands with an olive branch and a horizontal dog on a horn of abundance. Print number 85. Paris paper etching / engraving clock. polygamy. Faithfulness, 'Bona Fide'

Lazio Viterbo Viterbo S. Maria Nuova8. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hans Korsch, Andiron (one of pair), c 1936 Andiron (one of pair)

Abruzzo Chieti Lanciano S. Maria Maggiore. Hutzel, Max 1960-1990 Church dates from 14th century and reputedly is built over a temple of Apollo. Parts of the church were renovated in the 16th century, but some of this renovation was removed in 1965, returning the church to its original style. There are many exterior views, with particular attention paid to the apse and right portals with their rose windows. There are general views of the interior. A few paintings are photographed; the main objects are a processional cross and a wooden crucifix with terracotta figures of Mary and St. John. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque mon

Five terms or balusters and five stone ranks, 1610 print At the top left is a man with his arms over each other. Leaf 3 from series of title page and 28 magazines. paper etching

Painted Wall-stand for Flowers, etc. Dated: 1939. Dimensions: overall: 35.5 x 26.7 cm (14 x 10 1/2 in.) Original IAD Object: 2'high; 12 1/2"wide, top. 10 1/4"wide, bottom. 8 3/4"deep. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Hal Blakeley.

Two Knife Heften, Michiel Le Blon, 1597 - c. 1625 print On each leaf from this series, two knife lives are depicted next to each other, decorated with Schweifwerk and stylized tiflakes in white on a black surface. Amsterdam paper etching / engraving table-knife

Erasmus. "Adagiorum chiliades" or "adages": title page, Venice, 1520. Museum of Fine Arts of the City of Paris, Petit Palais. 27014-2 Anchor, book, title page, fish

Parijs, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Côté de l'écritoire de monsieur le comte de Maurepas, Ontwerp voor een inktstand, Paris, This print is part of an album., print, albumblad, ornamentprent, prints, height 155 mm, width 256 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher

Fountain in basin; Fountains. From series of 6 unnumbered sheets.

Drawing of 17th century silver belonging to an album, Anonymous, c. 1725 - c. 1728 album Amsterdam paper drawing

Sceptre from the first habit. Watercolor by Acad. F. Solntsev. Chromolithography by F. Dreher. 1849 - 1853, Moskva. Publisher, Tip. A. Semena. Art, Russian, Chromolithographs

Drawing, Design for a keystone and a mask; Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); Italy; black crayon, brush and blue-gray watercolor on paper; 22.9 x 15.3 cm (9 x 6 in.)

Andiron (one of pair). Dated: c. 1940. Dimensions: overall: 40.6 x 27.3 cm (16 x 10 3/4 in.) Original IAD Object: 13 1/4" high; 7 1/4" wide; diameter of shaft: 3". Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Maurice Van Felix.

An ornamented ear-cutter. Pencil drawing.

Lustre vivant des Victoria-Theaters: Figure 93, page 259 Lustre vivant des 'Victoria Theaters' de Berlin. Lefèvre, Julien, 1852-1926. text. Illustrations. 1894. Billy Rose Theatre Division. Electric lighting, Theaters , Stage-setting and scenery, Theaters , Lighting, Chandeliers, Dancers

Twee Coobeten, C. Le Meunnié ,, After Richard de Lalonde, 1784 - 1785 print Two ornamented furniture legs with leaf motifs. Paris paper etching / engraving furniture and household effects

Butter Molder. Dated: 1935/1942. Dimensions: overall: 34.5 x 27.6 cm (13 9/16 x 10 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Della Button.

Collection of planks of furniture: four feet of tables. First table footboard of a suite of 8 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: four feet of tables. First table footboard of a suite of 8. Etching. 1575.

Clock. Dated: 1935/1942. Dimensions: overall: 28.1 x 21.4 cm (11 1/16 x 8 7/16 in.). Medium: pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Joseph Rothenberg.

N.N., Germanisches Museum, Nuremberg. (From: Architectural sketchbook, H.120/3, 1873.) (1873-1873): View of the chandelier. Stitch on paper, 24.8 x 33.7 cm (including scan edges)

Trophy with Ecclesiastical Objects, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and black ink, brush and bistre on paper, An assemblage of a mitre, an archbishops crozier, and altar objects, Italy, 1830-1850, ornament, Drawing, Drawing

Cast Iron Lighting Brackets. Dated: c. 1936. Dimensions: overall: 30.5 x 23 cm (12 x 9 1/16 in.). Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Lucien Verbeke.

Sommer Oscar (1840-1894), Märkisches Museum in Berlin (without dat.): Grundriss eG 1: 200. Ink, ink colored, watercolor on cardboard, 73.9 x 51.9 cm (including scan edges) Sommer Oscar (1840-1894): Märkisches Museum, Berlin

Bowl. Dated: c. 1936. Dimensions: overall: 30.5 x 24.4 cm (12 x 9 5/8 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Roberta Elvis.

Bookplates. Artist: Heinrich Vogeler, German, 1872-1942

Chinese sculpture of the God of War. Attributed to William Saunders (English, 1832 - 1892)

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 43e Cahier, Keystones, Clef en armoirie et avec tete, Keystones with coat of arms and mask, verso - stamped, Two keystones with a coat of arms and a face surrounded by leaf motifs. Print number 256., print, ornamental print, prints, ornamental prints, height 336 mm, width 206 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Top Portion of a Pillar, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite, brown wash, pen and brown ink on thin, moderately textured, beige, wove paper, Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)

English woodcut from 1810. A woodcut is a relief printing process in which a relief-like wooden printing block is used to generate graphics

Leiden, Hooiberg, Timen, Netherlands, Greek vase and gravestones, verso - stamped, Reproduction of a Greek vase and three gravestones with human figures and Greek inscription. Numbered 4, 5, 6 and 9. Numbered top right II., print, prints, ornamental prints, Collections TH Afd. Bouwkunde No., height 454 mm, width 357 mm, 1809-10-04 - 1897-12-12, print maker, prentmaker, 1819 - 1897, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, fourth quarter of the 19th century, paper, lithography (technique), printer

Etched bowl of the 16th century.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Bowls (Tableware)

William Blake, 1757-1827, British, Book of Job, Plate 15, Behemoth and Leviathan, 1825. Line engraving on medium, slightly textured, cream wove paper.

'SUENOS' STONE,' NEAR FORRES, MORAY, N.B., SKETCHED BY S. DUKENFIELD SWARBREAK

Murals from Pompeii (circa 300BC to AD79): wall paintings from the House of Queen Caroline (Casa della Regina Carolina) at left, yellow candelabra with eagle from the Casa delle Danzatrichi, excavated in 1811, and other candelabras from the House of Castor and Pollux, excavated in 1828. Handcoloured lithograph by Brose from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Political journal, Caricature on the press, supplement to the magazine The Humorist, Moritz Gottlieb Saphir -, editor

.. 1.

Egg Roaster. Dated: c. 1937. Dimensions: overall: 22.7 x 29 cm (8 15/16 x 11 7/16 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Filippo Porreca.

Design for a Bell Push with Fish Motif. Artist: Edgar Gilstrap Simpson (British, 1867-1945 (presumed)). Dimensions: sheet: 3 1/2 x 5 in. (8.9 x 12.7 cm). Date: 1899.Design for a bell push, characterized by three intertwined fish encircling the central button. The decorative motif is placed on a square plate. On the right side, the relief of the bell push is indicated by a section. Museum: Metropolitan Museum of Art, New York, USA.

Nuremberg, Jamnitzer, Wenzel, Amman, Jost, Two polyhedra with a tetrahedron as starting point, The geometric figures (polyhedra) become more complex from left to right. Labeled 'A' and numbered: E.IIII. This print is part of a book., book illustration, print, page, prints, height 260 mm, width 178 mm, Swiss, 1539 - 1591-03-15, print maker, printmaker, 1568 - 1568, paper, papier, etching, etchings, Work conception, German, 1508, after a design by, Publication (Event), Publication, publisher

Sun-dial, in a garden, England, 1673

The bell of Zygmunt I in Krakow, from: "Tygodnik Ilustrowany" 1860, T. I, No. 19, p. 160; Polkowski, Józef Tadeusz (1820-1895), Müller, woodcut Tygodnik Ilustrowany (Warsaw; Drzewytownia; 1859-Post 1900), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1860 (1860-00-00-1860-00-00);

Square basin with column on square pedestal, Anonymous, After Georg Andreas Böckler, 1664 print Four small basins are attached around the column, above each hangs a water spraying lion's head. The column ends in a stylized vase shape with a flower with leaves from which water sprays. Page 13 from part III of a series consisting of 226 magazines, divided into four books, each with its own title page. print maker: Germanyafter design by: Germany (possibly)printer: Neurenbergpublisher: Neurenberg paper etching

Match Holder. Dated: c. 1939. Dimensions: overall: 30.4 x 22.7 cm (11 15/16 x 8 15/16 in.) Original IAD Object: 7 1/2" high; 4 1/4" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Daniel Fletcher.

Ancient Egyptian gold and amber collar necklace, found at the Louvre Museum. From Fine Arts Book, vintage engraving, 1880.

Cartouche with musical instruments; X Suits the Cartels and Trophées; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). A cartouche surrounded by musical instruments, masks and weapons.

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