Ornamental Designs and Prints

Exquisite ornamental prints featuring vases and decorative elements, blending intricate artistry with botanical motifs.

Design for a candlestick (No. 7), Abraham Meertens, 1767 - 1823

Parijs, Chéreau, Jacques-François, Boucher, Juste Nathan François, A Ve Suite d'Arabesques, Vase with arabesques, Paris, verso - stamped, A vase with flowers, at the bottom arabesques with a mask., print, ornament print, prints, ornament prints, height 212 mm, width 147 mm, 1736 - 1782-01, print maker, printmaker, 1752 - 1782, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher

. Leaf with four examples of the ornaments on the golden carriage. Part of a series of seven plates with the Stickers' test of the Spanish envoy The Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713.

VIIIe Cahier d'Arabesques. Designer: Designed and etched by Juste Nathan Boucher (French 1736-1782). Dimensions: 12 1/8 x 9 3/4 x 1/4 in. (30.8 x 24.7 x 0.7 cm). Published in: Paris. Publisher: Published by Chereau (French). Date: n.d. ca. 1780. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Wenzel Hollar around 1645 depicting daggers with detailed blades and handles in a technical illustration style.

Girandole with bird heads, 1775 - 1790 print An ornamented two -armed girandole on goat legs with tendrils and bird heads. Paris paper etching / engraving chandelier, candelabrum. birds (+ head of an animal)

Design for a candlestick (No. 7), Abraham Meertens, 1767 - 1823

Print, Arabesque Design; Designed by François Voisin (French, active 18th century); Print Maker: Laurent Guyot (French, 1756 - 1808); France; etching and aquatint on laid paper

Candelabrum Motif, Pen and ink, brush and bistre on paper, Vertical rectangle with candelabrum motif. At center, a putti head. Scrolling base and flaming top., Italy, 1600-1625, ornament, Drawing, Drawing

Design for a cylindrical reliquary containing a bone, Design for a cylindrical reliquary, draughtsman: Luigi Valadier, (attributed to), Rome, c. 1760 - c. 1780, paper, pen, brush, h 241 mm × w 109 mm

Unknown architect, table attachment. Monthly competition January 1879 (01.1879): View of the middle essay 1: 1, 2 details. Tusche watercolor on the box, 78.1 x 52.3 cm (including scan edges) N.N. : Tafelaufsatz. Monatskonkurrenz Januar 1879

Girandole with Saterkoppen, Claude Dominique Vinsac, 1759 - 1800 print A three -armed girandole with tenders on a vase with garlands and satin heads. Paris paper etching Chandelier, a candlestick. Satyr (s) (in general)

Drawing from l'art industrial ..

Vases and Meerminnen, Juste Nathan François Boucher, 1752 - 1782 print Two winged mermaids are on either side of a vase, above that a standing woman, a tablet and a second vase. Paris paper etching ornament ~ arabesque. merman - AA - mermaid, siren. vase ~ ornament

Girasas met Vaas, BertHa signed, season Jean Charles dept salasses, 1771 print An ornamented two -armed girandole with a vase and garlands Paris paper etching / engraving Chandelier, a candlestick. vase ~ ornament

Design for a Tripod Candlestick Base, Unknown, Pen and brown ink, brush and brown wash over traves of black chalk, squared in black chalk on off-white squared paper, inlaid in cream paper, Cropped image of a candelabrum with three legs topped with an unopened floral motif., Italy, 1520-43, lighting, Drawing, Drawing

Design for Table, Richard de Lalonde, French, active 1780-96, Augustin Foin, French, 1726 - ca. 1759, Engraving on paper, Europe, France, 18th century, Print, Print

Wall arm, decorated with a lion's head and crowned by a vase, with alternative solutions for the two arms., Wall arm, draughtsman: Andreas Stöttrup, (mentioned on object), Andreas Stöttrup, (mentioned on object), Hamburg, c. 1780, paper, pen, brush, h 203 mm × w 156 mm

Design for the hilt of a sword. Design for the hilt of a sword: Round

Miniatur auf Papier. Miniatur auf Papier.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Print

Zeven Sloten, Johann Thomas Hauer, 1781 print Seven locks with leaf motifs, bows and vase. Paris paper etching lock ~ door

Twee Messen, Giles Sadler (2), after Francesco Salviati, c. 1580 - 1605 print Passed copy to print from Francesco Salviati. The lifting of the right knife is decorated with a man, kneeling at the foot of two female hermes. There is a griffin above that. The handle of the left knife is decorated with a man hanging on a mascaron with fascinated hands. Second edition. paper engraving

Print (France)

Nouveau Louvre (Manège). Édouard Baldus (French, born Germany, 1813 - 1889)

Pencil and colored pencil drawing by Dagobert Peche depicting a fluid design, emphasizing line, form, and artistic composition.

Amsterdam, Kok-van Kolm, widow C., Goose board game, verso - stamped, Goose board game with squares in a spiral, numbered 1 to 63. In the center field a representation of a group of two adults and three children playing a game at a table. In the bottom margin the rules of the game in two columns., print, folk print, gameboard, playing board, goose board, prints, folk prints, height 535 mm, width 447 mm, Publication (Event), Publication, Dutch, publisher, 1842 - 1866, paper, papier, houtcut, letterpress printing, letterpress, print maker, printmaker

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 55e Cahier, Candlesticks, Chandelier a deux branches, Candlestick with masks, verso - stamped, An ornamented three-armed candlestick with masks and garlands. Print number 326., print, ornamental print, prints, ornamental prints, height 328 mm, width 203 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Candlestick design (No. 13), draughtsman: Abraham Meertens, 1767 - 1823, paper, brush, h 168 mm × w 92 mm

Joseph Stonefield, Hinge, c 1939 Hinge

The Hague, Spanier, Elias, Bokaal vrijmasselaars, Prize cup or trophy of the Freemason's lodge Het East. On the goblet the set square, compass and trowel: signs of freemasonry., print, prints, ornamental prints, height 334 mm, width 243 mm, Dutch, 1821-03-03 - 1863-04-27, print maker, printmaker, 1831 - 1863, second quarter 19th century, third quarter 19th century, paper, lithography (technique)

Print, Arabesque Design; Designed by Etienne de Lavallée (French, 1735 - 1802); Print Maker: Laurent Guyot (French, 1756 - 1808); France; etching and aquatint on laid paper

Silver decoration of 16th century lobster-tailed pot helmet of the Hussars in the scale of 1:1, formerly from the collection of Antoni Jan Strzałecki. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Flowers in vase and ram haunted by dog; New Goudt Smits Lofwerck. Two prints on a leaf. Models for goldsmiths of animals and figures composed of leaf ornaments, supplemented with models for jewelry. Above: vase with flowers on a table with goldsmiths. Below: A RAM chased by a dog.

Drawing, Project for a Chandelier; Italy; pen and ink on paper

Above, red-figured Greek wine-jug (oinochoe); below, detail of the decoration showing a woman holding a torch (most probably Demeter on her quest to find her daughter Persephone) and a satyr. Watercolour by A. Dahlsteen, 176- ().

A lamp from the janas of Jan Matejko, from: "Tygodnik Ilustrowany" (after 11.1893); Unknown, Weekly Ilustrowany (Warsaw; magazine; 1859-1939); Not before 11.1893 (1893-00-00-1900-00-00);

Ornamentation, 1849 - 1895 Page 28 Recto from a sketchbook with 57 sheets. paper. pencil frame of painting, etc.

Print, Page Four from "Quatrieme Livre Contenant Des Montans où Pilastres Inventés par G. M. Oppenort Architecte du Roi et Gravés par Huquier"; Designed by Gilles-Marie Oppenord (French, 1672-1742); Etched by Gabriel Huquier (French, 1695-1772); France; etching on paper; 41.4 × 27.9 cm (16 5/16 in. × 11 in.); 1959-85-22

Candelabra Designs and Stair Railing Designs, nos. CCCXCV-CCCXCVII and 398-400 ("Designs for Various Ornaments," pl. 60) April 1, 1792 Michelangelo Pergolesi These designs for candelabra and ornamental railings are numbered CCCXCV to CCCXCVII and 398 to 400. The print comes from a group created and published serially in London by Pergolesi between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, with Arabic numbers later introduced). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Candelabra Designs and Stair Railing Designs, nos. CCCXCV-CCCXCVII and 398-40

Design for a church lamp with a diameter of the top view, 1773 Verso a sketch of a jug and a sketch of a lantern or reliquary holder. Rome paper. ink. graphite (mineral) pen Chandelier, a candlestick

Three Weapons, Anonymous, 1600 - 1699 Three performances on an album magazine. At the top a weapon with double shield. Three goats, stars and two people at a well in the shields. The left shield with the three goats may refer to the Van Zanten family. Below that a weapon with three baskets on a shield. At the bottom of a coat of arms within a flower wreath. On the shield a star and two oxheads. The prints are part of an album. paper engraving Three performances on an album magazine. At the top a weapon with double shield. Three goats, stars and two people at a well in the shields. The left shield with the three goats may refer to the Van Zanten family. Below that a weapon with three baskets on a shield. At the bottom of a coat of arms within a flower wreath. On the shield a star and two oxheads. The prints are part of an album. paper engraving

Three ornaments with sphinxes and saters; Buttons of ducks and seizure of cavity with grotesken. On the left the mouth can with Saters. Oirband with two sphinxes on either side of a man with a beard (center) at the top. On the right the button of a sword. One of 3 sheets, each with three ornaments.

Kandelaar puts medallion, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print A two -armed wall candlestick with a third candle and an oval medallion with wreath and bow. Print number 316. Paris paper etching / engraving gate, entrance. ornament ~ medallion. garland, wreath

Drawing, Hanging Brazier; Italy; pencil, pen and ink, brush, on grey paper

lecterns . Butterfield, William undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Royal Institute of British Architects awarded the Gold Medal to

Tomás Francisco Prieto / 'Nasrid vase of the Alhambra palace'. 1775. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

Three epitens; II Cahier des epitaphes; Dessoints de la fashion Neuve au Gout Antique (...). Designs for three epitaves. Left and right square epitaves with garlands, in the middle an epitod with oval medallion with face, a smoke barrel, trumpets, weapons and a garland.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to James from Paddington Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 25) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 25). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Design for a fountain, Daniël Marot (II), 1705 - 1769 drawing paper. ink. pencil pen / brush garden fountain

Drawing, Project for a Candelabrum; Italy; graphite, brush and watercolor on paper

Design for Spoon, Fork, Two Knives (Crossed over scissors), Scissors, Ear Spoon and Toothpick. Artist: Erasmus Hornick (Netherlandish, Antwerp ca. 1520-1583 Prague). Dimensions: 16 3/8 x 11 3/16 in. (41.6 x 28.4 cm). Former Attribution: formerly attributed to Anonymous, 16th century. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Zaar Carl (1849-1924), door fittings for wrought iron and bronze. (From: Architectural sketchbook, H. 152/5, 1878.) (1878-1878): Views. Stitch on paper, 34.8 x 25 cm (including scan edges)

ITALIES, Jean Charles Delhowes, 1768 - 1771 print An ornamented console with volutes, torches, snakes, a book, the papal tiara, crosses, a key, a scythe and a round medallion with a cart wheel, helmet and shields, a smoking vessel and a man bolts. Print number 34. Paris paper etching / engraving other architectural details (CONSOLE). Italy

Design for a candelabrum 19th century Anonymous, British, 19th century British. Design for a candelabrum. Anonymous, British, 19th century. 19th century. Pen and brown ink, brush and gray wash

Lawrence Phillips, Clock, 1937 Clock

Ceiling Decorations. Dated: c. 1940. Dimensions: overall: 35.5 x 26.4 cm (14 x 10 3/8 in.) Original IAD Object: Approx. 6'to 7' high. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: William Kieckhofel.

Epitaaf with sarcophagus, raux, 1758 print Epitaaf with garlands and a sarcophagus at the top. France paper etching epitaph. sarcophagus

Rebus: Béranger was not really strong, for he never had the key to the fields 1863 Charles Meryon French. Rebus: Béranger was not really strong, for he never had the key to the fields 377936

Divers Couronnemens de Panneaux de Menuiserie, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, ornament, Print, Print

Antwerp, Ansiau, Antoine-Jean, Southern Netherlands, Cardon, Antoine Alexandre Joseph, Fountain with triton, Sculpture of a fountain with a triton. Statue made by Antoine-Jean Ansiau and his son, in the Wapperstraat. Numbered top right in the plate: 22. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772., print, book, Frederik Muller Historieplaten, height 171 mm, width 97 mm, 1739-12-07 - 1822-09-10, print maker, printmaker, 1772 - 1773, paper, papier, etching, engraving, engraving (printing process), after statue by

Drawing, Design for a Candelabrum; Italy; pen and ink, brush and wash on paper

Etching by Albrecht Altdorfer from circa 1520-1525 depicting a lid cup decorated with mussels, showing detailed shell motifs and ornamental design on the metal surface.

Ernest A Towers, Jr, Embroidered Fire Screen, c 1937 Embroidered Fire Screen

Print

Al Curry, Iron Hardware, c 1936 Iron Hardware

Print (France)

Print (France)

Twelfth book of the work of J.A. Meissonnier: Models d'Orfèvrere: Vijfde Blad: Silver Sculpture Chandeliers Book; Twelfth book of J.A. Meissonnier's work. Vijfde Blad Van Twelfth Worksbook of J.A. Meissonnier: Kandelaar (Fuhring 80)

Design for a Vase by Androuet du Cerceau; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 14 x 9.1 cm (5 1,2 x 3 9,16 in.)

Drawing, Design for a Chandelier, Roosters; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); USA; graphite, color pencil on paper mounted on ribbed paper; 16.7 × 11 cm (6 9/16 × 4 5/16 in.)

Print, Two Arabesque Panel Designs; Designed by Jean-Baptiste Fay (active 1780 - 1790); Published by Louis-Joseph Mondhare (French, 1734-1799), Pierre Jean (French, 1754-1829); France; etching and engraving on laid paper

Book, L'oeuvre (Works)

Divers desseins d'ornemens de Bronze, a Lusage/de la ferrure pour les apartemens., François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Nine elements, marked A-H, with a key lower left and right. Scale in four pouces., Germany, 1745, metalwork, Print, Print

Design for hanging wall-mounted lantern. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 22 1/16 x 15 in. (56 x 38.1 cm)Other (Design): 13 7/8 x 10 5/16 in. (35.2 x 26.2 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759)

Print, Vignette, A Blessed Sword and Hat; Print Maker: Jakob Frey; etching on paper; 8.5 × 16.6 cm (3 3/8 × 6 9/16 in.)

Drawing (Italy)

Two designs for Etagères, Anonymous, c. 1825 - c. 1839 drawing Two designs for openwork Etagères van Mahoniehout. The leaf on the back numbered: 30, the opposite leaf with information about the furniture depicted numbered: 30 bis. Part of an album with 80 sheets with drawings and a print of veneered and lacquered furniture, as well as seating furniture. Paris (possibly) paper. ink. watercolor (paint). pencil pen / brush what-not (+ wood and other phytogenic material)

Design for a Chandelier. Artist: Anonymous, French, 19th century. Dimensions: sheet: 16 1/4 x 9 11/16 in. (41.2 x 24.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Dibujo del monumento A Galeran Marquet, situado en la Plaza del Duque de Medinaceli de Barcelona, siglo XIX. Museo de Historia de Barcelona.

Vase on a column with a large leaf crown embracing two lyres and a statue of a goddess (top); naked woman, back turned, dancing (bottom), Herculaneum, Campania, Italy, engraving s from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 26, 1757-1787, Naples.

Holland; Hollande Et Sa Religion; Trofeeën; 1er Cahier.Two trophies with shields. Links with a book, grape vines and an oval shield with a swan and a smoke vessel. Right with weapons, a painting palette, a lion and a round medallion with a dog by the sea.

Two Designs for Trophies and a Cartouche. Artist: Jean Charles Delafosse (French, Paris 1734-1789 Paris). Dimensions: 14 3/4 x 8 9/16 in. (37.5 x 21.8 cm.). Date: ca. 1768. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Candlestick; Germany; pen and ink, brush and brown washes on paper; 57.1 × 30.9 cm (22 1/2 × 12 3/16 in.)

TESTIMONIAL PRESENTED TO CAPT. PARFITT, OF THE STEAMSHIP 'EUROPEAN'

Salzburg. Castle (Festung Hohensalzburg) - WEBLE for two pillars; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Salzburg (Austria), Castle (Salzburg - Austria), architecture, foreign architecture, gift (provenance), details, architectural details , pillars, Romanesque art, interiors, castle interiors, castles (architect.)

Book, L'oeuvre (Works)

Table bell in oxydized silver, partly gilt and enamelled. The handle is of ivory with inlaid design in gold and silver.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Bells

Design by Altengraever; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 33.6 x 12.4 cm (13 1,4 x 4 7,8 in.)

Francesco Giomignani / 'Antigüedades de Herculano: pedestales en forma de árbol y trípode con patas de león', Second half 18th century, Italian School, Paper, 329 mm x 224 mm, G03487. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: FRANCESCO GEMINIANI.

Print, Two Furniture Leg Designs; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: C. Le Meunié (French, active 1770-1786); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Drie Kandelabers, Giovanni Battista Piranesi, 1778 print Three candelabers. A caption with every Kandelaber. Assignment in the end margin. Rome paper etching Chandelier, a candlestick

Augsburg, Gradmann, Johann, Delafosse, Jean Charles, Riedel, Gottlieb Friedrich, Trophy with shields and quiver, verso - stamped, A trophy with a helmet, various shields, weapons and a quiver. Publisher number 20., print, ornamental print, prints, ornamental prints, height 277 mm, width 184 mm, German, 1724 - 1784, print maker, printmaker, 1779 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, publisher

Drawing, Design of a pendant; Made by Salvatori (Italian, active 19th century); Italy

Drawing, Candelabrum Designs; Attributed to Giovanna Benati (Italian, 1775 - 1800); Italy; graphite, pen and bistre, brush and wash on paper

Schirrmacher Georg Theodor (1833-1864), Kandelaber (1855): View, details. Tusche watercolor on paper, 77.9 x 60.6 cm (including scan edges)

Design for a Table Fountain 16th century Anonymous, German, 16th century German. Design for a Table Fountain 334874

Urn with garland and medallion. Draughtsman: anonymous. Dating: 1650 - 1800. Measurements: h 150 mm × w 85 mm. Museum: Rijksmuseum, Amsterdam.

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