Ornamental Designs and Sketches

Detailed sketches and designs of classical ornamentation, architectural elements, and decorative frames showcasing intricate artistry.

Framework with the arms of the Wapen van The Hague, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Ornamented frame with the arms of The Hague, a stork with an eel in the mouth. paper. pencil coat of arms (as symbol of the state, etc.)

Details of Classicistic ornamentation. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Print (France)

Wilkinson Tracing, Designs for five tables, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for two decorative text frames, Reinier Willem Petrus de Vries (1874-1953), 1909 drawing At the top of the magazine, the word 'mimosa' has been written several times, which refers to the studio for decorative art mimosa by R.W.P. de Vries Jr. ink. pencil brush

Glass-in-Lood Window, 1819-1849 Leaf 34 Verso from a sketchbook with 36 blades. paper. pencil work of monumental art. window

Design for Grate, with Plan 19th century Anonymous, British, 19th century British. Design for Grate, with Plan 363279

Sheet with two designs for experimental ships, ca. 1650. Sheet with two designs for experimental ships from the mid-seventeenth century. At the top three views on a design for a sailing ship by Hendrik Stevin. At the bottom of the silly or wonderful ship of Rotterdam, designed Nicolas Desson (listed here as "Mr. Van Son"), 1653. Closed diamond-shaped wooden ship with a scream wheel or screw in the middle (covered by an attached leaf). Signature at the top right: Pag. 13.

Design by Johann Julius Romano von Ringe for a table attachment with a flower basket and wall arms for Princess Metternich, executed in pencil and black pen with laviert technique, 1840-1850.

Framework with the arms of the Wapen van The Hague, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Ornamented frame with the arms of The Hague, a stork with an eel in the mouth. paper. pencil coat of arms (as symbol of the state, etc.)

A sketch sheet by Rudolf Weyr using pencil and brown pen, showing studies of figures, compositions, or preliminary designs.

Design for a Vestibule. Artist: Anonymous, French, 19th century. Dimensions: 9 9/16 x 10 7/8 in. (24.3 x 27.7 cm). Former Attribution: Formerly attributed to Pierre François Léonard Fontaine (French, Pontoise 1762-1853 Paris). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Farmers interior with door and stairs. Drawing in a frame. Leaf 1 Verso from a sketchbook with 36 sheets.

Chimney mantle from a house in Middelburg, Cornelis Springer, c. 1856 - c. 1861 Chimney mantle from a house in Middelburg. Leaf 39 Verso from a sketchbook with 44 sheets made in Zeeland and Utrecht. Middelburg paper. pencil chimney-piece, mantelpiece Middelburg

Pencil and ink drawing on paper illustrating peasant furniture with detailed cuts, perspectives, and structural layout.

Snuffer. Dated: c. 1936. Dimensions: overall: 29.1 x 22.7 cm (11 7/16 x 8 15/16 in.). Medium: graphite and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Hester Duany.

Choir bench with decorated cheeks, 1819 - 1849 Page 15 Recto from a sketchbook with 58 sheets. paper. pencil seats of the clergy, choir-stalls

Facade. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 104 mm × w 112 mm. Museum: Rijksmuseum, Amsterdam.

Vaulted design draft for Saal II at the Art History Hofmuseum in Vienna I by Carl von Hasenauer, executed in lead and colored pencil on paper, second half of the 19th century.

Hoffmann Ludwig (1852-1932), Royal Opera in Berlin-Tiergarten (1913-1914): Not yet recorded. Material/technology N.N. Captured, 55.8 x 42.6 cm (including scan edges) Hoffmann Ludwig (1852-1932): Königliche Oper, Berlin-Tiergarten

Wilkinson Tracing, Designs for curtains, a sofa, foot stools, and finials, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for a Theatre. Artist: Anonymous, French, 18th century. Dimensions: sheet: 4 1/2 x 2 5/8 in. (11.4 x 6.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies (cf. 18720.130). Pencil, ink, mounted in album, 48.5 x 30.3 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Pencil and watercolor study by Carl von Hasenauer of ArenaPelle in Padua, focusing on architectural features and Giotto-style fresco elements.

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388258

Plan with a design for the new Delftse Poort in Rotterdam, Plan with a design for a new Delftse Poort in Rotterdam Platte Grondt van een geprojecteerde Delfse Poort (title on object), print maker: Auguste Moreau Val, Verrijst en Hammevel, (mentioned on object), Netherlands, 1767 - 1769, paper, etching, h 460 mm × w 662 mm

Details of the tomb of the released people and slavish people of the Augustus, Girolamo Rossi (II), c. 1756 - c. 1757 print Details of the tomb of the released people (Liberti) and slavish -ethics of the Keizer Augustus family, such as decorative frames and an urn. Title and list of explanatory letters in STUDMARGE. Numbered above: Tom. III. / XXV. Italy paper etching urn. ornaments ~ art. slavery; serfs and the enslaved. freedom ~ slavery Italy

1-8. Ansichten und Details ammonischer Katakomben, ... ; 9. Eine Giraffe mit einem Cerkopithekus; 10. Der Katakombenberg Gara-el-Mota-Schargiah zu Siwah; 11. Ein anderen Katakombenberg bei der Ruine Bel-del-Rum.. Minutoli, Heinrich, Freiherr von, 1772-1846. Prints. 1824. General Research Division. Libyan Desert, Siwah Oasis (Egypt)

Sailboat, 1780 - 1848 Page 18 Verso from a sketchbook with 53 sheets. paper. pencil sailing-ship, sailing-boat

Furniture design, c. 1901 Page 3 Recto from a sketchbook with 79 sheets. pencil. chalk flowers ~ ornament. design, plan (~ production)

Windmill and design for a bonbon can of the Houten company. The can show a representation of a mill on the water in a rectangle. Leaf 44 Recto from a sketchbook with 59 sheets.

Klomp Johannes Franziskus (1865-1946), St. Anna, Lenhausen (1896-1899): Views, cuts and details of the church benches; Details 1: 1 of the woodwork on the back. Ink, pencil watercolored on paper, 53.1 x 78.2 cm (including scan edges)

Floorplan and Side View of an Altar, Plate b (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Date: Printed ca. 1750-56.Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg. Museum: Metropolitan Museum of Art, New York, USA.

Attributed to John Carter, 1748-1817, British, Detail, Dean's Yard, between 1806 and 1815. Graphite and pen and black ink on slightly textured, medium, white laid paper.

Print, Tabouret a la moderne et Cabriolet; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Drawing (Italy)

A pencil and paper drawing by Adolf Loos showing a perspective view of a business card for a glass service, highlighting layout, typography, and design details.

Deraisme, Pierre -Georges (n.1859 - D.1932), rings (main title), 1910. Graphite, ink on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Lehmgrübner Paul (1855-1916), sketchbook: various sketches (1886-1886): Benarns. Pencil on paper, 16.9 x 21.8 cm (including scan edges) Lehmgrübner Paul (1855-1916): Skizzenbuch: Diverse Skizzen

Three lists, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print Three frames with leaf and floral motifs. Print number 270. Paris paper etching / engraving other architectural details (CORNICE). foliage ~ ornament. flowers ~ ornament

Six visiting cards. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, unknown, graphic artist

Warsaw. Standing ash mirror with bronze rosettes in the corners, from the equipment of the Royal Castle - side and front views in the scale of 1:5. Sobecki, Jan Ludwik (1875-fl. 1939), painter

Twelveaster with four crew members, 1797 - 1838 Leaf 20 Recto from a sketchbook with 44 sheets. paper. watercolor (paint). pencil brush Leaf 20 Recto from a sketchbook with 44 sheets. paper. watercolor (paint). pencil brush

Schadow Friedrich Gottlieb (1761-1831), furniture, ovens, facilities (without dat.): Lampion. Ink, pencil on paper, 14.5 x 15.3 cm (including scan edges) Schadow Friedrich Gottlieb (1761-1831): Möbel, Öfen, Einrichtungen

Use of the semicircle illustrated, Sébastien Leclerc (I), 1690 print print maker: Francepublisher: Paris paper etching / letterpress printing planimetry, geometry

Print (France)

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

A pencil drawing on medium-strong paper by Alfred Castelliz showing a study of a wooden bark cover, illustrated in perspective, emphasizing shape and structure.

Mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

List of oak leaves and acanthus leaves; 4th Cahier de l'oeuvre D Cahier de Bordures à l'Usage de la Sculpture & C, avec Leurs Profils. An ornamented table with oak leaves and acanthus leaves.

Saw in rococo style for sawing wood, right side view of the arm of the saw, and saw for sawing stone. On the left a scale from 1 to 7., Saw, draughtsman: anonymous, Germany, c. 1750, paper, pen, brush, h 354 mm × w 466 mm

Design for a stained glass window with the theme 'Het Licht', 1923-1924 The theme is portrayed by (among other things) two figures in sunflowers. Design for a stained glass window for the boardroom of the Nederlandsche Handelsmaatschappij in Amsterdam. Page 6 Recto from a sketchbook with 12 sheets. paper. pencil work of applied art (+ glass ~ arts). light

The Garden 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Frammenti della camera sepolcrale dirimpetto alla Chiesa di S. Sebast.o fuori delle Mura , Sarcophagi, Architectural decorations & ornaments, Archaeological sites, Tombs & sepulchral monuments, Basilica di S. Sebastiano Rome, Italy. The Antonio Cardinal Tosti Collection

Drawing..

Hundred In the engraving with the performance, according to the il. from: Ludwik Kosicki, Reflections of woodcuts ... (Kraków, 1840), from the collection of Dominik Witke-Je Ewski in 1914; Sztolcman, W Adys Aw Roman (1873-1950); 1914 (not after 7.12.1914) (1914-00-00-1914-00-00);

Etching and copper engraving by Richard Saint-Non, 1781, depicting geographic, urban, and coastal views of Naples and Sicily, including buildings, rivers, and mountains.

Bit. Dated: c. 1936. Dimensions: overall: 35.3 x 27.5 cm (13 7/8 x 10 13/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Eva Fox and Harry Mann Waddell.

Handmade Embroidery. Dated: c. 1936. Dimensions: overall: 22.8 x 30.5 cm (9 x 12 in.) Original IAD Object: 13 1/2" in circumfrence; 2 1/2" wide. Medium: graphite and wash on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Magnette.

Candlestick, 1857 - 1859 Also two studies, possibly from lamps. Recto of an unnumbered leaf between leaves 19 and 20 from a sketchbook with 77 sheets. paper. pencil candlestick

Print, Petites Chiffonières; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Germany, Grossmann, Carl August, Hauer, Johann Thomas, Five frames, verso - stamped, Designs of five details of ornamented frames. Publisher's number 55., print, ornamental print, prints, ornamental prints, height 164 mm, width 223 mm, print maker, printmaker, 1758 - 1798, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1741, publisher

Etching Biting the Plate, from Encyclopédie 1762-1777 France. Engraving on cream laid paper

Remains of an Ionic Temple of Bacchus at Aphrodisias, Giovanni Battista Borra, 1713-1770, Italian, ca. 1750, Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 1/4 x 14 15/16 inches (54 x 37.9 cm) and Image: 12 5/16 x 7 15/16 inches (31.3 x 20.1 cm), architectural subject, capitals, columns, festoons, friezes, Ionic, Roman, ruins, scale (rule), temple, Aphrodisias, Asia, Marmara, Sakarya, Turkey

Design for a fireplace. Leaf 23 Recto from a sketchbook with 30 sheets.

A chair in the style of Louis XIII from the collections of Stanisław Ursyn-Rusiecki in Warsaw in 1915-views from the side, from above and at the front on a scale of 1: 5; Sztolcman, Władysław Roman (1873-1950); 1915 (not after 1/07/1915) (1915-00-00-1915-00-00);

Design for a Door Frame, for 37 Tavistock Place, London. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects ca. 1800-1850 Workshop of Charles Percier. Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects 706365

Moliere's Tomb. Dated: probably c. 1854. Dimensions: overall (approximate): 14.7 x 8.5 cm (5 13/16 x 3 3/8 in.). Medium: graphite with touches of red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Paneled Ceiling Design second half 19th century Anonymous, British, 19th century British. Paneled Ceiling Design. Anonymous, British, 19th century. second half 19th century. Graphite

Man's Shoe Buckles. Dated: c. 1936. Dimensions: overall: 29 x 22.8 cm (11 7/16 x 9 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Helen Hobart.

Hoffmann Ludwig (1852-1932), Scheune (1876): 3 cuts, design details. Tusche watercolor on the box, 76.6 x 60.3 cm (including scan edges) Hoffmann Ludwig (1852-1932): Scheune

Persépolis. Palais no. 2. Bas-relief de la rampe de gauche de l'escalier du centre, 1851-1854, Flandin, Eugène (1809-1876). Additional, Takht-i-Djemchid Takht-i Jamshîd., 1851-1854., Paris. Publisher, Gide et J. Baudry. Iran. Antiquities. Etchings

Plate IV (Plate 4). The Seven Lamps of Architecture - Ornaments from Rouen, St. Lo, and Venice, 1880-1910. Engraver: R Cuff. After: John Ruskin. Series of engravings featuring various examples of stone decoration.

Design for Two-Tiered Writing Table with Seven Drawers, A.N. Davenport Co., Graphite on thin cream paper, 1900-05, furniture, Drawing, Drawing

Designs for a piece of furniture, c. 1900 Page 10 Recto from a sketchbook with 15 sheets. paper. pencil furniture and household effects

Equipment Used for Making Silk Textiles, Louis-Jacques Goussier, French, 1722 - 1799, Robert Bénard, French, 1734-1772, Engraving on paper, Equipment Used for Making Silk Textiles, France, ca. 1775, Print, Print

Design for a piece of furniture, c. 1900 Leaf 9 Verso from a sketchbook with 15 sheets. paper. pencil furniture and household effects

Design for a stained glass window with a flower shape with rolling, anonymous, in or after 1907 - 1930 drawing Amsterdam tracing paper. ink. pencil pen / brush ribbon, scroll, banderole ~ ornament

Cross. Dated: c. 1937. Dimensions: overall: 27.9 x 22.9 cm (11 x 9 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Manuel G. Runyan.

Design for a crib, anonymous, c. 1790 Design for the back wall, front and side view of a crib a crowned crib. Paris (possibly) paper. watercolor (paint). graphite (mineral) brush / pen bed

French Commode Table, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XLV in the 1754 and 1755 editions, renumbered as plate LXVI in the 1762 edition.. French Commode Table, from Chippendale Drawings, Vol. II 390628

Bound Print (France); Collaborator: François Boucher (French, 1703-1770)

Titz Erich, furniture (without date): furniture designs. Ink, pencil on paper, 22.5 x 28.6 cm (including scan edges) Titz Erich : Möbel

Fig. CXXXVII. Haustrum, per utres.. Bockler, Georg Andreas. Prints, Drawings, Design drawings. 1662. Rare Book Division. Mechanical engineering, Machinery, Mills and mill-work, Oxen, Waterwheels, Pipes (Conduits), Troughs

Designs for chairs. Leaf 23 Recto from a sketchbook with 44 sheets.

Cutting a reed pen, 1605 print Cutting a reed pin. In eight steps it is told how the point should be cut. Two legends below that. Up and below a knife. A geometric figure in the middle. The print is part of an album. print maker: Haarlemafter design by: Rotterdam paper engraving calligraphy. writing tools

Busse Carl Ferdinand (1802-1868), prison in Brieg (1843): Details (from: Construction of the Prussian State, Vol. 2, Bl. 37). Stitch on paper, 39.6 x 55.8 cm (including scan edges) Busse Carl Ferdinand (1802-1868): Gefängnis, Brieg. (Aus: Bauausführungen des preußischen Staats, Bd. 2)

Female figure with veil and book, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print A female figure with a veil sitting on a bench. There is a book in her hands. On the left are a vase and a staff. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving sitting on an elevation. book. adult woman

Design for furniture. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 9 1/16 x 17 9/16 in. (23 x 44.6 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: ca. 1892-1920.The chair and couch depicted in this drawing are in the style of seventeenth-century English seating furniture that colonists imported to the Americas in matching sets. Placed in the reception hall of a Gilded Age private home or gentleman's social club, these imposing pieces of furniture would have conveyed a sense of Old World gravitas. In 1898, Tiffany Studios, then called Tiffany Glass and Decorating Company, acquired Schmitt Brothers Furniture Company. Contemporary newspaper accounts reveal that Schmitt Brothers not only produced new pieces of furniture, but also collected antique examples, which probably served as elements in interior design

Print (France)

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

Stained glass drawing: Geometric patterned border Prosper Lafaye (1806-1883). Stained glass drawing: geometric border, between 1845 and 1875.

Klomp Johannes Franziskus (1865-1946), St. Lambertus, Ense-Bremen. Expansion (October 20, 1905): Sketch at Maßwerke. Pencil on transparent, 21.6 x 46.6 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Lambertus, Ense-Bremen. Erweiterung

Print, Chaise à Cabriolet et Boudoir; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Cartridge, c. 1890 - C. 1922 Man, possibly Christ, and animal head framed by rolling work. Page 13 Recto from a sketchbook with 49 sheets. paper. pencil. ink pen ornament ~ cartouche

Wilkinson Tracing, Design for three arm chairs, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Hermesvilla in Vienna XIII is shown in pencil on paper, representing the architectural details and design by Carl von Hasenauer.

Warszawa. Półeczka stojąca z drewna mahoniowego z wyposażenia Pałacu Belwederskiego w 1915 roku - widoki z przodu, z góry i z boku w skali 1:5. Kotarbiński, Mieczysław (1890-1943), draughtsman, cartoonist

Ornament designs on blocks.

Hoffmann Emil (1845-1901), Hasselbach fountain in Magdeburg (1884): 3 floor plans at different heights 1:50. Ink, ink colored, watercolor on cardboard, 49.1 x 32.2 cm (including scan edges) Hoffmann Emil (1845-1901): Hasselbach-Brunnen, Magdeburg

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