Ornamental Designs from the 18th Century

Detailed sketches and prints showcasing ornamental designs, featuring motifs like horns of abundance, putti, and intricate framing patterns from France and Germany.

Lazio Viterbo Bagnaia Villa Lante15. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Closure, anonymous, c. 1780 - c. 1800 Ornamental closure under a semi -circular shape, perhaps intended as a dial, consisting of two horns of abundance on either side of a shield decorated with leaf motifs. France (possibly) paper. ink brush / pen ornament derived from plant forms. ornament ~ festoon, garland

Cartouche with two putti, anonymous, 1700 - 1799 print A large ornamented cartouche with two putti, on the right with cloth. Germany paper engraving ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'

Bracket, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Bracket., Rome, Italy, 1746-1809, metalwork, Drawing, Drawing

Antwerp, Simonau & Toovey, Mechelen, Maes, Joseph, Copper banderole from the collection of the Sisters of Notre-Dame de Namur, displayed at an exhibition on religious objects from the Middle Ages and the Renaissance in 1864 in Mechelen, recto - printed, photomechanical print, page, photographs, photographically illustrated books, -16, recto - handwritten, 4, height 240 mm, width 202 mm, Belgian, 1838 - 1908, photographer, 1864 - 1866, paper, photolithography, cliché maker

Design for an ex libris for D. Cheap. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 382 mm × w 229 mm. Museum: Rijksmuseum, Amsterdam.

Decorative design with four coats of arms ..

Lazio Viterbo Bagnaia Villa Lante15. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Knife Handle (Lucretia). Theodor de Bry; Flemish, 1538-1598. Date: 1583-1593. Dimensions: 84 × 23 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Umbria Terni Amelia Palazzo Petrignani20. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vignette for publisher L.J. Veen, Bernard Willem Wierink, c. 1910 print paper beasts of prey, predatory animals: fox. device (trade-mark of printer or publisher). fable of Reynard the Fox

Shki, the Demon-Queller early 18th century Okumura Masanobu Japanese Shki was generally depicted, based on the iconography, killing a small demon. However, in the Japanese popular cult that reveres him as guardian deity, he was also rendered standing alone in a more iconic mode. In this unusually large print, Masanobu employed the urushi-e technique (picture in lacquer with glue added for gloss) to enliven the. Shki, the Demon-Queller. Okumura Masanobu (Japanese, 1686-1764). Japan. early 18th century. Woodblock print; ink and color on paper (Beni-e). Edo period (1615-1868). Prints

Large curved weapon trophy, 1572 print In the trophy, crossed banners, a drum and various crossed weapons hang. From series, consisting of a title page and 16 magazines. Netherlands (possibly) paper etching

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo54. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Viterbo Caprarola Palazzo Farnese33. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Brooch with Fantasy Animals at Top and Fauns with Vases at Bottom. Dated: 1596. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Lazio Viterbo Bagnaia Villa Lante1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

MARCAS DEL IMPRESOR FRANCISCO OLIVA GERONA - 1712. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Triumph column founded for the town hall, 1685, 1685 print Triumphpoort founded by the magistrates of the city of Antwerp in front of the town hall. Column made up of weapons, banners and parts of armor. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching other decorative structures (~ triumphal entry, etc.) Antwerp

Vignette with coat of arms and monogram, Bernard Willem Wierink, c. 1871 - 1939 print paper vignette. armorial bearing, heraldry

Lazio Viterbo Caprarola Palazzo Farnese68. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Louis Crépy after Antoine Watteau, French (born c. 1680), Seated Woman Playing a Guitar, etching

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani19. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante64. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Deraisme, Pierre -Georges (n.1859 - D.1932), covered (main title), 1898. Graphite and watercolor on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), detail of a confessional, Saint-Germain-des-Prés church, 6th arrondissement, Paris (title fake), 1885. Draw on albumin paper. Carnavalet museum, history of Paris.

Three triangular parterres separated by paths and surmounted by a circular fountain. Avenues of trees on the left and right. At the top, a hedge with fountains and sculptures closes the garden. Map of garden with triangular parterres, print maker: anonymous, André Le Nôtre, (possibly), 1650 - 1700, paper, etching, h 246 mm × w 379 mm

Paris, Le Père & Pierre-Michel Avaulez, Charles, Delafosse, Jean Charles, Janinet, Jean François, 1er Cahier, Trophies, La Comédie, Comedy, verso - stamped, A trophy with violins, a drum, a lyre, a tambourine, sheet music and masks., print, engraving, ornament print, prints, engravings, ornament prints, height 323 mm, width 190 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1772 - 1779, paper, papier, crayonmanier, 1734 - 1791-10-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)77. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Umbrella Stand. Dated: c. 1940. Dimensions: overall: 57.7 x 36.7 cm (22 11/16 x 14 7/16 in.) Original IAD Object: 27 1/4" high; 17 5/8" wide. Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Lipkin.

Design for a wallpaper with ornament, Reinier Willem Petrus de Vries (1874-1953), 1899 drawing paper. watercolor (paint). pencil brush ornaments ~ art

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, III Cahier des Serruriers, Cross and wall candlesticks, Designs for wrought iron in the form of a cross and two wall candlesticks with garlands and floral motifs., print, ornament print, prints, ornament prints, height 197 mm, width 145 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1781 - 1781, paper, papier, etching, etchings, Work conception

Design for coat of arms for Barnaert or OEM from vineyards. .

Deraisme, Pierre -Georges (n.1859 - D.1932), pendant (main title), 1895. Graphite on gray cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Stamp design for: J.F. Staal, Richard Nicolaüs Roland Holst, 1916 print. stamp A man and a woman give each other a kiss while they hold each other's hands. The man has put his arm around the shoulder of the woman. Around them the text: J.F Staal Jr. / Architect / pulchritudo / necessitas. paper couple of lovers

Design for a Knife Handle with the Personification of Prudence 1580-1600 attributed to Johann Theodor de Bry Netherlandish Design for a knife handle with Prudence personified as a full-length female figure holding a snake in her left hand in an oval, above a candelabrum with squirrels and owls in blackwork.. Design for a Knife Handle with the Personification of Prudence 424993

Drawing, Elevation of a Censer; Italy; black chalk, pen and ink, brush and watercolor on paper

Ornamental Design for Knife Handle with Earth, from The Four Elements. Johann Theodor de Bry; German, 1561-1623. Date: 1585-1595. Dimensions: 90 × 22 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Francesco di Domenico dit, Il Padovano (around 1500-1571). "Florentin card game. Number fifteen in a series of 35 pieces". Black and white wood engraving. 1547. Museum of Fine Arts of the City of Paris, Petit Palais. 123051-17 Card to play, wood engraving, card game, 16th 16th 16th 16th 16th 16 CENTURY, engraving

Sheath with a woman at the top, c. 1500 - c. 1600 print The lower part is decorated with a swinging leaf drink. Above that is a woman with a flower in her hand. Germany (possibly) paper engraving

St. Wenceslas I on throne, as depicted in an illustration in the Vyšehrad Codex in the collection of the National Library of the Czech Republic in Prague. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Lazio Viterbo Caprarola Palazzo Farnese4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Male, König.

Trip Julius (1857-1907), place "Am Neue Haus" in Hannover (1902): Square at the new house in the floor plan. Ink on transparent, 37.7 x 70.3 cm (including scan edges) Trip Julius (1857-1907): Platz »Am Neuen Hause«, Hannover

The inner frame has a cresting; in the center is a triangle with a vase crowned with flames, beside acroteria. The vase is encircled by a serpent, in the panel of the outer frame. Below, is a variation of the motif in 1938-88-1906; two trees, laterally. Dark background. Pen and brown ink, brush and brown wash on off-white laid paper. Date: ca. 1796. Museum: Cooper Hewitt, Smithsonian Design Museum.

Nine of Diamonds, E. Le Tellier, French, active late 19th century, B.P. Grimaud, Paris, France, Lithograph on paper, Nine of Diamonds playing card from a pack of transformation playing cards. Vertically, a figural scene in outline depicting a parade of various figures. At left, a row of people: a woman carrying an ax, a male figure with sword, a gentleman in a flowered hat, and a masked figure blowing a horn. At right, a figure dressed as a sea king, a child blowing a trumpet riding a costumed bull, and a male dressed as a devil with a fake nose and pitchfork. Red diamonds integrated into the scene., Paris, France, late 19th century, toys & games, Playing card, Playing card

Design for a Frontispiece. Artist: Albert-Ernest Carrier-Belleuse (French, Anizy-le-Chteau 1824-1887 Sèvres). Dimensions: Sheet: 11 9/16 x 8 1/2 in. (29.3 x 21.6cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Schede with a winged woman at the top, c. 1500 - c. 1600 print The woman wears a big hat and has a vase in her hand. The lower part is decorated with leaf vines on which a boy stands. Germany (possibly) paper engraving

. Square with stained glass representation, is fixed to BK-2000-10-H.

Design for the Headpiece of the "Gazette de France". Artist: Hubert François Gravelot (French, Paris 1699-1773 Paris). Dimensions: 7 5/16 x 4 11/16 in. (18.6 x 11.9 cm.). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Chair Back Cover with a Squatting Half-Human Grotesque Figure Inside an Ornamental Frame Made of Two Cornucopias Holding Bundles of Leaves and Fruits and Scrolls of Leaves and Flowers 1870-1900 () Anonymous, French, 19th century Rectangular sheet of paper with a design for a chair back cover from the second half of the nineteenth, forming part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, c

Albrecht Dürer's 'Knotes with Seven Ring-Shaped Braids' (after 1507) is a woodcut depicting seven interlaced braids surrounding a black central disc and four heart-shaped corner motifs, emphasizing symmetry and decorative design.

A Condolence Card 1825-1835 United States. Paper cutout . Emily Wilcox

Decorative design with lions. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 311 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

One above the other. Date: 1780-1800. Pen and brown ink, brush and brown wash on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Knot; Made by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Door knocker, vintage engraved illustration. Magasin Pittoresque 1880.

Netherlands, Kellen, David van der (1804-1879), Serrure 1500, Slot, A sixteenth-century castle, front and side view., print, picture, book illustration, prints, ornamental prints, height 264 mm, width 216 mm, 1804-09-25 - 1879-03-30, print maker, printmaker, 1865 - 1878, third quarter 19th century, fourth quarter 19th century, paper, etching, etchings

Umbria Perugia Bevagna S. Francesco3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Persius Reinhold (1835-1912), Friese: View. Pencil on transparent, 25.1 x 20.8 cm (including scan edges)

Design for a Fountain with a Shell Basin Supported by Three Dolphins and Surmounted by a Snake Spouting Water mid-19th century Anonymous, British, 19th century British. Design for a Fountain with a Shell Basin Supported by Three Dolphins and Surmounted by a Snake Spouting Water 386548

Klomp Johannes Franziskus (1865-1946), St. Nikolaus, Ankum: Kreuz (1: 1). Pencil, colored pencil on transparent, 159.1 x 97.9 cm (including scan edge). Architecture Museum of the Technical University of Berlin Inv. No. JK 005.111. Klomp Johannes Franziskus (1865-1946): St. Nikolaus, Ankum

Tobacco grater richly decorated with figures and flowers in four colours. Rape a tabac. Riche ornementation polychrome a motifs reguliers. Chromolithograph after an illustration by Emilie Pottier from Andre Pottier's Histoire de la Faience de Rouen, Auguste le Brument, Rouen, 1870.

Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch 16th century Anonymous, Italian, 16th century Italian Giustiniano degli Azzi Vitelleschi's article in the Mitteilungen der Gesellschaft für vervielfältigende Kunst (1929, nr .2/3, pp.37-45) describes a collection of woodcuts, including this print (number 4). Vitelleschi believes these prints are trade devices, not intended for book covers, but rather were used as covers to account books. In addition, these emblems were mostly found on the inside of the cover.. Book illustration or more likely a trademark with a coat of arms featuring a lion and a tower set within an arch. Anonymous, Italian, 16th century. 16th century. Woodcut image on left side of a folded sheet, right side pen and ink mathematical calculations. Prints

Frame for a papal inscription, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, A tablet, the lower edge of which is curved upwards in the center, is supported by a lion's mask. Seemingly in front of the crossed papal keys, and branches hanging from them towards the mask. On top the tiara. Usual background., Rome, Italy, 1700-1800, architecture, Drawing, Drawing

Campania Napoli Naples S. Lorenzo Maggiore2. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

N.N., Hotel, rue St.-Louis-en-L´Ile, Paris. (AUS: Historical motifs of architecture and ornament sculpture, HRSG.V. César Daly, BD.2, Paris 1870.) (1870-1870): Ansichten Details. Stich Auf Paper, 44.9 x 62.7 cm (Inkl. Scanränder). You archikturmuseum inv. Nr. B 1925.010.

Sketch for a Wallpaper, Graphite, brush and watercolor on paper, Two cygnets hold a cloth in their bills. Four chains, a festoon of flowers, two ribbons with tassels hang in front of the cloth which shows framing borders at the bottom. Colored background., France, ca. 1820, wallpaper designs, Drawing, Drawing

Seated Woman Playing a Guitar. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis Crépy after Antoine Watteau.

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with a snake that bites in its own tail, above it a sword with hands on either side that stick out clouds with an olive branch and palm branch. Inscription: Sit Pax Perpetua. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities). serpent Ouroboros. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

tile manufacturer: Aalmis, Cartouchetegel, acrobat with epee, with cartouche in which ship, wall tile tile sculpture ceramic earthenware glaze, Baked 2x glazed painted Purple on white Aalmis Aelmis family Magito

Design for a Frontispiece 19th century Albert-Ernest Carrier-Belleuse French. Design for a Frontispiece 334349

Decorative frieze by an anonymous artist featuring a central empty coat of arms, allegorical figures Abundantia and Justitia, and weapons trophies, drawn in chalk and feather on brownish paper, composed of three sheets, folded in the middle.

The deities of Olympus, Medium: cotton Technique: printed by engraved plate on plain weave Plate break line visible just under cartouche with goddess driving a chariot pulled by lions., Circular and oval cartouches containing goddesses and decorative ornament on a background of scalloped lines. In brown on white., Jouy, France, ca. 1805, printed, dyed & painted textiles, Fragments, Fragments

Schäfer Carl (1844-1908), parish church, Marburg. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 60.8 x 43.1 cm (including scan edges)

Two pilaster stones in the mayor's room in the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 print Two pilaster stones in the mayor's room in the town hall on Dam Square in Amsterdam. On the festons different objects - such as a rudder, city keys, phases and a scale - that refer to the power and tasks of the mayors. The festons are located on the inside of the window in the mayor's room that looks out on the Vierschaar. Marked in the middle: N. paper etching / engraving Ornament ~ Feston, Garland. Mayor, burgomaster City Hall of Amsterdam (1655-1808)

Design for a vase. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 277 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Design for an advertisement for Van Houten's Cacao, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing Design with a standing woman who carries the text 'Van Houten's cocoa above her head. This text frame runs like a ribbon on either side of the woman. paper. paint (coating). pencil brush standing figure - AA - female human figure

Composition of plaster ornaments, including a Caryatide, from the studio of J. Delbove, Brussels. Photo from an incomplete series of 13 photos. Photo has traces of an eye on the top showing that the photo has hung. Recto on the photo in red pen numbers per plastered object, corresponding to a handwritten frame that is stuck verso.

Woodcut by Albrecht Dürer after 1507 depicting a knot with a wafer shield and thick border, emphasizing ornamental design and symmetry.

Deraisme, Pierre -Georges (n.1859 - D.1932), pendant (main title), 1897. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Deraisme, Pierre -Georges (n.1859 - D.1932), decorative patterns (main title), 1900. Graphite on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Handelsetiket from John Brunick & Company, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print Weapon with three Korenaren in an oval with edge. In the middle of the coat of arms of the city of Haarlem. paper vignette. coat of arms (as symbol of the state, etc.). ear of corn. coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Bliżej Kultury unknown

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Vase with rider ..

Schleinitz - GrabplatteMeissen. Schleinitz - Grave plate

Masque, Peabody Museum , Masks. The Massachusetts WPA Federal Art Project Photograph Collection

Umbria Terni Porano Torre S. Severo13. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province

'Untitled', 2009, Watercolor on paper, 57 x 76 cm. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The Doncaster Cup.

Vignette of publishing company L.J. Veen, Willem Wenckebach, 1870 - 1937 drawing Bookcase with three shelves with books, including Louis Couperus' 'Majesteit' and Thérèse Hovens' from the Land der Klapperboomen ', both published by publishing company L.J. Peat. In the middle of the books a monogram with the letters L, J and V. Above the bookcase you can see the coat of arms of the Veen family with the year 1887, the founding year of the publishing house. At the bottom is 'Amsterdam'. In the four corners of the performance monograms with the letters L, J and V. paper. India ink (ink). pencil. deck paint pen / brush bookshelves. armorial bearing, heraldry. magic mathematical figures; magic numbers, words, monograms

Drawing (Italy)

Design for a Candlestick, George E Germer, 1868 - 1936, Graphite, black crayon, brush and white gouache on cream paper, Each is signed below at right: G. E. Germer, Des. In 'c' the name George is given in full. Each bears below at right the letter A to E, respectively. Stumps of candles are shown. The designs are framed by lines at left, above and partially at right., USA, ca. 1933, Drawing, Drawing

Abruzzo, L'Aquila, Sulmona, Museo Civico, Italy, 20th century, photo, photography, Europe

Arabian ornament

William McAuley, Wall Painting, 1938 Wall Painting

Allegorical emblem at the Peace of Rijswijk, 1697. Draughtsman: anonymous. Dating: 1697. Place: Northern Netherlands. Measurements: h 295 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Letter O, Bernard Picart, 1724 print The letter and initial o surrounded and filled by ornamental leaf motifs. The print comes from a book about cut precious stones and glyptics. Amsterdam paper etching historiated initial

Engraving depicting an equatorial circle. Dated 17th century

Umbria Terni Terni Palazzo Spada5. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century). Triple-arched portal; frescos (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

of 3