Ornamental Engravings

Decorative prints featuring intricate designs and grotesque ornamentation, created for architectural details and decorative arts in 18th-century France.

Two prints with working putti, c. 1866 - c. 1900 print On the print at the top are a Frisian and a panel depicted, split into two parts. A brickwork can be seen on the left part of the panel. On the print at the bottom is a Frisian with three monkeys and a frame with eight putti. Both prints state: E. Neureuther's Sgraffito (-) Paintings at the Polytechnicum in Munchen. paper

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 164 (H), France, ca. 1890, Drawing, Drawing

Designs for marriage announcements, Jacob Schwartzenbach, 1798 print Veere paper etching Heart Symbolism. Cupids: 'Amores', 'Amoretti', 'Putti'

Clock design with the presentation of the day and night, from the Nouveaux Livre de Boites de Pendulles de Coqs series; Marot, Daniel (1661-1752; st.), Unknown; after 1706 (1663-00-00-1752-00-00);Day (Personification), Magdalenaea (collection), Night (Personification), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, decorations, ornaments, personifications (iconogr.), Designs, templates, clocks

Street lamp and detail. On the right is a street lamp half depicted, a detail of the lantern can be seen in the form of a leaf rank that runs into a award-winning globe.

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.3 x 10.1 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Ornamentik, Neapel

Paul Miller (as an artist): Floral ornament

Six reliefs on wood, c. 1871 - In or Before 1881 photomechanical print Numbers 1 and 2 come from the Renaissance, number 3, 4, 5 and 6 from the 17th century. France paper sculpture (+ relief ~ sculpture)

Atelier O. Haebler (as an artist): Ornament with animals

Forging work with floral motifs, 1694 - 1756 print The print is part of a series of four prints. Augsburg paper etching forging (industrial process) (+ product ~ crafts, industries, agriculture). floral interlace ~ ornament

Lace Scarf. Dated: c. 1937. Dimensions: overall: 35.1 x 27.9 cm (13 13/16 x 11 in.) Original IAD Object: 60" long; 6 3/4" wide. Medium: pen and ink, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings.

Pa. German Stove Plate. Dated: c. 1937. Dimensions: overall: 51.1 x 38.4 cm (20 1/8 x 15 1/8 in.) Original IAD Object: 21" high; 23 1/2" wide. Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Roy Weber.

Pattern of the letter cut; Le Parmentier (CA 1741-Ca 1780), Rossignol, Louis (1694-1738), Chéreau, Jacques-François (1742-1794); 1768-1775 (1768-00-00-1775-00-00);

Five designs for the decoration of interiors. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 18 3/4 x 12 3/8 in. (47.6 x 31.4 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Women's belt badges with classical scenes. Hand-colored lithograph from "Fashions and Customs of Marie Antoinette and her Times," by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Copper engraving and etching by Adriaen Collaert showing round picture designs featuring sea gods, mermaids, and fish, created between 1560 and 1612, emphasizing marine mythology.

Sea Affection and braid; G vio recueil de vases, d'ornements & the antiques figures. A woman and amanman with a seater. Left and right putti with dolphins. Above and below the show braid with a sunflower and putti.

Vestigia delle Terme di Tito. Vault called volta dorata in room 21. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Manna, Pietro (17..-18..), publisher

Cartouches and medallion; L Dessus de Portes et Cartels. Three Rocaille cartouches with garlands, left under an oval medallion with flower wreath all around.

Four cartouches with monograms; The fourth part new T 'Ascited Naam Lettere made by Gerret Visscher to Amsterdam on the Singel at the Sluijs Beuling. .

Disegno di due antiche cornici consimili, oggi stipiti della porta della chiesa detta la Rotonda in Albano , Cornices, Columns, Religious architectural elements, Bas-reliefs, Santa Maria della Rotonda Church : Albano Laziale, Italy. The Antonio Cardinal Tosti Collection

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Rectangular and oval frame, Augustin Foin ,, After Richard de Lalonde, 1784 - 1785 print On the left a rectangular frame with garlands and a vase. On the right an oval frame with branches, flower motifs and a ribbon. Verso drawing of a face. Paris paper. pencil etching / engraving ornaments ~ art (+ framing decorations)

Jan van Ossenbeeck engraved a ceremonial cavalcade for the wedding of Roman Emperor Leopold I and Margarete Theresa of Spain around 1667, showing riders, horses, and festive decoration.

Silver embroidery for the Viennese exhibition in 1872 from the Atelier Bessert-Nettelbeck, Berlin: Ornamentics

Velvet binding with fittings from the year 1631, owned by Zdzisław Wolski ; drawing for the publication: `Kopje opraw do książek (z superekslibrisami) znajdujących się w bibliotekach warszawskich zebrane staraniem Dominika Witke Jeżewskiego, malował Włady. Sztolcman, Władysław Roman (1873-1950), painter

Leaf with the family weapons of nine portrayed people, Anonymous, 1690 - 1713 print Amsterdam paper engraving armorial bearing, heraldry

Title page for press series 'Various Vedute Designate in Fiorenza' / 'Elf Italian landscapes', François Collignon (attributed to), after Jacques Callot, 1628 - 1635 Ornamental rectangular frame to an Italian text on a rectangular leaf, which is still unpretended, with a still -filled coat of arms at the top. This is the title print for a series of 11 Italian (probably mainly Florentine) landscapes. print maker: Francepublisher: Paris paper etching ornamental decoration ~ printed matter, book. armorial bearing, heraldry Florence

Print

Four plaster casts of Tombe frames in the Munsterkerk in Roermond, Anonymous, c. 1875 - 1900 paper. photographic support albumen print paper. photographic support albumen print

Bound Print (France)

'Sketch of a Tray for the Raphael Ceremonial Dinner and Dessert Services from the Tsarskoye Selo Palace'. Russia, St Petersburg, 1890. Dimensions: 30,9x35,8 cm. Museum: State Hermitage, St. Petersburg. Author: M. Matveyev.

Game of the Coyote. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 16 1/8 × 11 5/8 in. (41 × 29.5 cm). Date: 1911. Museum: Metropolitan Museum of Art, New York, USA.

Fragment Van Deurlijst Van Church of San Pietro in Albano; Design of removes of ancient buildings which today are used to inspire and jambs (...); Archeologische Vondsten Uit Albano en Castel Gandolfo; Antiquity of Albano and Castel Gandolfo. Een Antiek Fragment Dat Vandaag de Dag Diendst Doet Als Deurlijst Van Church of San Pietro in Albano. Titel Boven. Genummerd Rechtsboven: TAV. IX.

Deraisme, Pierre -Georges (n.1859 - D.1932), chiseling motif (main title), 1895. Graphite on register paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Fonds partiels (partial background) porcelain: cosmetic pot 1760, cream pot with flowers by Barre 1754, cosmetic pot decorated by Aloncle 1759, tete-a-tete plate by Binet 1760, saucer with flowers by Taillander 1754, and saucer decorated by Binet 1761. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quantin, Paris, 1891.

Drawing, Design for a Metal Frame; Giovanni Bettati (ca. 1700 - 1777); Italy; pen and ink, brush and brown watercolor, black chalk, graphite on paper; 38.7 × 26 cm (15 1/4 × 10 1/4 in.)

Print (England)

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 22 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604.Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which a variation of the alphabet is printed and one line of calligraphic text. At the beginning and end of all the text are twisting linear motifs. Surrounding this middle section on the top, left, and right side are rounded triangular motifs ornamented with different foliage patterns; along that bottom side is a border divided into squares that are ornamented with a floral pattern. Museum: Metropolitan Museum of Art, New York, USA.

Supervision of the Statue of George Sand (title registered)

Print, Palastre à une seule entrée; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Print (France)

Lehmmübner Paul (1855-1916), St. Willibrord church in Wesel (1892): Free rib endings of the floating ribs in the no-side ship. Verso: 5 fries band designs. Pencil on cardboard, 11.8 x 19.5 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirche St. Willibrord, Wesel

Memorial to John Mist and his wife Elizabeth from Hillingdon Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm), architectural subject, church, memorial, Church of St John the Baptist, England, Greater London, Hillingdon, London, United Kingdom

Battle of Porto Ferrajo In a framework between an allegory on the sea ship, in the middle of the portrait of Napoleon Bonaparte, Christoph Jakob Wilhelm Karl Joachim Haller von Hallerstein, 1801 - 1821 print On the left next to the framework an allegory of the past (sonst) of the sea ship, on the right an allegory on the present (IETZT). With caption in German. Nuremberg paper etching historical persons. ornament ~ medallion. siege. island. navy Elba

Bookplate of Joannis Gerrardi Groot Jamin Jr.. Cuypers, Pierre Joseph Hubert (1827-1921), graphic artist

Rzeźbiarskie nadproże z motywem pojenia powietrznych koni z rydwanu Heliosa: Ajtona, Eoosa, Flegona i Pyroeisa. Szretter, Antoni Lech (1830-1891), graphic artist

Drawing, Design for diadem; 1940-86-220-b

La Pratique de l'Aiguille, page 75 (recto). Author: Matthias Mignerak. Dedicatee: Dedicated to Marie de Medici (Florence 1575-1642 Colgne). Dimensions: Overall: 9 1/4 x 7 1/16 in. (23.5 x 18 cm). Engraver: Title by Pierre Firens (French, born Paris 1641). Publisher: Published by Jean Le Clerc , Paris. Date: 1605.Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris.From top to bottom, and left to right:Design composed of 2 friezes of lace patterns that are printed upon a solid black background. Both friezes are decorated with patterns characterized by a series of linear and geometric motifs. In particular, upper frieze is ornamented with triangular motifs at top and lower frieze is ornamented with circular motifs at top. Museum: Metropolitan Museum of Art, New York, USA.

Album Page, Ironwork Railing, Freudenstadt; Whitney Warren Jr. (American, 1864-1943); Germany; brush and watercolor, graphite on cream paperboard tipped into binding with fabric; 32 x 25 cm (12 5/8 x 9 13/16 in.), irregular

Print, Pl. 1 of 15e cahier de trophées de l'oeuvre de Ranson from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Fragment of the door leading from the sacristy to the treasury of Bernardine Monks. Januszewicz, Marceli (1806-post 1862), draughtsman, cartoonist

Pencil drawing by Peter Fendi depicting Venice, executed on 15 May 1821

Print, Pl. 2 of 14e cahier de trophées de l'oeuvre de Ranson from Oeuvres contenant un recueil de trophées, attributs, cartouches, vases, fleurs, ornemens, et plusieurs dessins agréables pour broder des fauteuils; composés et dessinés par Ranson, et gravés par Berthaut et Voysard

Differents desseins de Tabatières, et pomme de canne, cinquième planche Different Designs for Snuff Boxes and a Cane Handle, 5th Plate, pl. 53 in Oeuvre de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Gabriel Huquier, French, 1695-1772, Etching on off-white laid paper, Four designs for snuff boxes. Two large scenic designs, one with figures and sailing ship enclosed in a cartouche, the other showing three figures hauling lumber (?) with church and low buildings in background. Two small cartouches with frolicking putti. The cane handle is decorated with swirling acanthus leaves and flowers., Paris, France, 1748, ornament, Print, Print

Henry Nazeby Harrington ,. Sir David Young Cameron (1865-1945). Prints

Six plaster casts of panels from prophets of the three kings from the Cologne Cathedral. .

Ode I - The poet in revolutions Paul-Henri Regeau, French painter. ODE I - Poets in revolutions. Engraving in soft size on paper. 1885. Paris, Victor Hugo House.

Drawing, Title Page; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; pen and ink, brush and wash on off-white laid paper

Cameo Pin and Ring. Dated: c. 1937. Dimensions: overall: 35.5 x 27.4 cm (14 x 10 13/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Dorothy Posten.

Label of Printandel Goujon in Paris.Decorative frame with flowers and two globes.

Design elements from the era of King Louis XV, 18th century. 1-3 frames of panels from the Hotel de Soubise by Germain Boffrand, 4-6 panel and cartouches by Alexis Peyrotte. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIIIe Siecle, Elements of Ornament of the 18th century, Renouard, Paris, 1890.

Pink Moss Roses; decorative patterns; Christmas cards depicting young girl with holly.. Proofs, Greeting cards, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament, Flowers

Exlibris project for the Library of the University of Warsaw; Zyman, Henry (Fl. Ca 1901-Ca 1916); 1916 (1916-00-00-1916-00-00);University Library (Warsaw - 1817-) - exlibris, NE competition of the University Library in Warsaw (Warsaw - competition - 1916), Orzeł Biały (coat of arms), Polish Artistic Society (Warsaw), Polish Artistic Society (Warsaw) - collection, University of Warsaw (1816-), Warsaw (Mazowieckie Voivodeship) - headquarters of the addressee of the exlibris, heraldic exlibris, Polish ex -ekbris, Poland (culture)

Design for "Les Heures Claires" by Emile Verhaeren. Artist: Julia Eyckholt (Belgian, documented 1902-1914). Dimensions: 10 9/16 x 14 in. (26.8 x 35.6 cm). Date: after 1896. Museum: Metropolitan Museum of Art, New York, USA.

Adresse de Rochoux, marchand d'estampes.. Méryon, Charles (1821-1868). 1856. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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