Ornamental Friezes and Grotesques

A series of intricate engravings featuring floral scrolls, grotesque figures, and animals, highlighting ornate designs from different artistic periods.

Frieze projects; Le Pautre, Jean (1618-1682), Stapf, Johann Ulrich (CA 1642-1706); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Frieze with Birds, Flowers, Wreaths and Scrolls, Theodor Bang, German, 1575 - 1630, Engraving on white laid paper, Horizontal rectangle showing a symmetrical grotesque design composed of scrolling arabesques and two birds holding a banner between their beaks., Nuremberg, Germany, Germany, ca. 1600 - 1617, ornament, Print, Print

"Orthographia" pl.8. Artist: Johann Daniel Preissler (German, Nuremberg 1666-1737 Nuremberg). Dimensions: 6 1/8 x 11 1/8 in. (15.6 x 28.3 cm). Date: late 17th-mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Plate from Frises, Feuillages et Grotesques (Friezes, Foliage and Grotesques), Stefano della Bella, Italian, 1610-1664, Jacques Van Merle, Flemish, 1616 - 1682, Etching on laid paper, Horizontal rectangle showing scrolling arabesques, a bucranium (bovine skull), a mask with acanthus leaves, and a sea lion., Italy, ca. 1645, ornament, Print, Print

Frieze with Grotesques and a Horned and Bearded Figure Between Strapwork at Center 1589 Theodor de Bry Netherlandish Horizontal panel with a central frieze and ascending and descending floral motifs. At center of frieze, a horned and bearded mask layered on top of strapwork, with the torso behind. The figure hold tendrils that terminate in cornucopias. At either side, female masks with swag beneath canopies. From a series of four prints.. Frieze with Grotesques and a Horned and Bearded Figure Between Strapwork at Center 425254

Ornament print with roles filled with animals and flowers; Above rush hour a Frisian with roll work filled with flowers and three birds, master P.R.K., 1617 print paper engraving frequently used ornamental compositions

Coat of arms of Wilhelm van Weelij and Maria van Valckenburg, c. 1619 - c. 1625 print From series of 6 magazines. paper engraving armorial bearing, heraldry

Rocaille ornaments with bird; Designing rocaille ornaments. Designing rocaille ornaments with leaf motifs and bird. Publishing number 117.

Frieze projects; Le Pautre, Jean (1618-1682), Stapf, Johann Ulrich (CA 1642-1706); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 1v). Dimensions: Overall: 5 11/16 x 8 1/16 in. (14.5 x 20.5 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1532.Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Medallions with the portraits of Phrynicus and Alexander de Grote, Bernard Picart, 1683 - 1733 print paper etching / engraving memorial medal. scrollwork, strapwork ~ ornament. commander-in-chief, general, marshal (+ weapons)

Two leaf raft; Frisians with leaf refines. At the top of four putti, at the bottom of a rectangular panel with a putto that holds a caduceus.

Two coats of arms; Coats of arms. Awarded leaf raft and helmets, right with two shields.

Ornamented with striker with rollerwork, and a angel head in the middle; Spits-Boeck Dienstich den Gout and Silversmeden for cutting and drying. .

Plate from the Print Series 'Grateske voer golt smeden Schrijnwerkers Ende andere des nodich hebbende' ca. 1610-1630 Meinert Gelijs Plate from a print series consisting of a title page and five plates displaying motifs for the application in goldsmith's work, executed in blackwork. The plate contains one large overall pattern, with one smaller distinct motif placed above. In contrast to the other designs in the series, the two motifs contain some three-dimensional elements and some details that remind of the auricular style. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. Gelijs indicates, however, that his patterns may be used in other disciplines as well. The style of his ornaments is quite unique, blending elements from the late sixteenth-century schweifwerk ornament, with stylized peapods, floral elements and some forms related to the auricular style. This series is one of two series known

Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 4r). Dimensions: Overall: 5 11/16 x 8 1/16 in. (14.5 x 20.5 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1532.Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Architectural Ornaments; Italy; graphite, pen and ink, brush and watercolor on paper

Conquest of the castle of Milan, 1707, 1712 - 1715 Siege and intake of the Castle of Milan by the Allies, 12 March 1707. The central representation of the siege in a richly decorated ornamental frame with a cartouche with a map of the castle at the top. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Malib Siege and intake of the Castle of Milan by the Allies, 12 March 1707. The central representation of the siege in a richly decorated ornamental frame with a cartouche with a map of the castle at the top. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Malib

Design for Two Panels, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Left two putti playing with a drapery; right three putti playing., Germany, 1745, ornament, Print, Print

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a fountain with florals. Strapwork and scrolling rinceaux with birds., Italy, 1600-1625, ornament, Drawing, Drawing

Cuppa, decorated with two Frisians, Anonymous, After Paul Flind (De Jonge), c. 1500 - 1598 print A cherub between two bunches of fruits hangs in the upper Frisian. Equal-sided copies of the series listed under Orn Cat I-324. Title page and 13 magazines. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Netherlands (possibly) paper engraving

Drawing (Italy)

Three half-claw pieces and the like; Das other Buech Germacht Auff Die Zway Colons, Corinthia und Composita. Three segments with six half-claw pieces and three swim pieces, decorated with cartouches, batter work, grotesken, mascarons and garlands. The large attachments on the left side of the segments are crowned by a dog's head, an eagle head and a horse head. Three loose little vases. The print is part of an album.

Two ornamentation projects (project No. 5): vertical p Yciny - in the left under a canopy of the Zefir, in the right three putt on the obstacle; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);Athena (mitol.), Magdalenaea (collection), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Zefir (myth), acanth clouds, ornaments, projects, birds, putta (iconogr.), Vasa

Acanthusries, anonymous, after-aegidius bowsh, 1697 print Acanthus vendors in symmetrical pattern. Augsburg paper engraving acanthus ~ ornament

Designs for engraved decoration of goldsmith's works, Jacques Vauquer, French, 1621-1686, Engraving on laid paper, Right par of an oblong panel with large rinceaux design with curling acanthus leaves and two putti, one of who holds a laurel wreath. At left, a design for half a watch cover, and a vertical frieze with candelabrum motif. Thin line at perimeter, cut off at left., France, ca. 1650, metalwork, Print, Print

Two fencing; I Cahier Des Desseins (...); Dessoints de la fashion Neuve au Gout Antique (...). Two designs for wrought iron fencing with garlands and leaf motifs. The lower fence with the Sacred Heart surrounded by beams and grape fees.

Frisians with putti and braid, Anonymous, Johann Thomas Hauer, after Henri Sallembier, 1781 print Six Frisians with putti, braid and a harness. Paris paper etching other architectural details. cupids: 'amores', 'amoretti', 'putti'. interlace ~ ornament

Fiezen, Hubert Roux (L'Aîné), 1831 - 1847 print Frisians and ornaments with acanthus leaves and acorns. paper other architectural details

Lids with figures in landscapes; Neue Invention Oder Entwurff von Schnupftoback doses. Four lids of snuff boxes. On the top left with masks and putti. At the top right with attack figures and a woman on the back of a man. Left under with women and two putti. At the bottom right with garlands and a young man with a vase.

François Collignon after Stefano Della Bella (French, c. 1609-1657), Cartouche, probably 1646, etching

Print (France)

Leaf with five vignettes and initial.blad with five vignettes: architecture ornament with scroll, pen and inkwell decorated with flowers, architecture ornament with flowers, a small column with flowers and corn sheaf, landscape with two men and a female personification sitting on cloud with lily branch and corn sheaf. Between the vignettes there is an initial with twice the letter J.

Design for "Orthographia" pl.8 late 17th-mid-18th century Johann Daniel Preissler German. Design for "Orthographia" pl.8 335797

The pilaster is flanked by embedded columns. The pedestal is formed like the front of an antae sarcophagus. The body shows half-figures of putti, alternately with palmettes, the cover, triglyphs and lilies. Colored background. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Lids with ornaments and figures; Neue Invention Oder Entwurff von Schnupftoback doses. Four lids of snuff boxes. At the top left and bottom right with ornaments and shell motifs. At the top right of shell motifs and two figures in a landscape. At the bottom left with shell and leaf motifs and a mask.

Jewelry or Ornament Design. 1593. Mignot, Daniel (French engraver and goldsmith, active from 1593, died 1616). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Drawing (Italy)

Two horizontal designs of curling vegetal shapes. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques

Design for a reliquary, c. 1770 - c. 1775 Design for a sarcophagus -shaped reliquary with alternative solutions for the lower corners and the crowning of the upper corners. Rome paper. graphite (mineral). ink pen / brush

Print (France)

Four decorations with braid work, 1704 - 1737 print Four rocaille decorations with braid, leaf motifs and garlands, with line drawings. paper etching / engraving 'Leaf and bandelwerk' ~ ornament

Dancing jet and man with glass in ornaments ..

Rolling along a Frisian with female Herme for Rolwerk, 1589 print In the middle a female Herme for rolling work. In every hand she holds a guideline that leads to a griffin with a man's head. On either side under a canopy a vase where a plume of smoke comes out. One of two magazines from a series of 4. paper engraving scrollwork, strapwork ~ ornament. griffin (lion/eagle); 'Griffo' (Ripa)

Nicolas Boileau at his desk with his muse, Bernard Picart, 1718 print Nicolas Boileau at his desk. His muse points him to the works of Peletier and Pradon. The show is caught in an ornamental frame. Amsterdam paper etching / engraving ornaments ~ art. (story of the) Muses; 'Muse' (Ripa). book

Panel filling with putti with garlands on either side of a Lier, Bernard Picart, 1683 - 1733 drawing Design for a print. paper. deck paint. ink pen / brush ornaments ~ art

Wilkinson Tracing, 4 designs for inlaid ornament, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Escutcheon, Rinceaux, No. 16 from 'Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti', Stefano della Bella, Italian, 1610-1664, Etching on paper, No. 16 of the same set as -10, 'Raccolta di varii cappriccii,' etc., Italy, 1646, Print, Print

Cartouche with grotesken and text: par Ledit D. Boutemie et B. Moncornet ...; Ouvrage Rare et Nouveau, Contenant Plusieurs Dessseins ... et se Se venderent Chez B. Moncornet .. 1636. No. 2 from Series: Cartouche in which text, cavenesses above and below. Part of series of 19 ornament prints + title sheet, numbered 1-20, sewn, without cover.

Plate 4, from Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Hugues Brisville, French, active ca. 1663, Nicolas Langlois, French, 1640 - 1703, Pierre Mariette II, French, 1634 - 1716, Engraving on laid paper, Horizontal rectangle showing three escutcheon designs, each with interlacing leaves and opposing fantastic figures., France, 1662, albums (bound) & books, Print, Print

Disegni Varij di Polifilo Zancarli (Friezes) ca. 1625 Polifilo Giancarli Italian Design for a frieze filled with a meandering acanthus scroll and various figures. On the right side, an old female satyr is depicted sitting on the back of a dolphin whose body morphs into the acanthus scroll. Interspersed between the scrolls are the figures of two putti, two snakes and a fantastical creature which looks most like an ostrich.. Disegni Varij di Polifilo Zancarli (Friezes) 411983

Blackwork Designs with Various Mammals and Birds, Plate 5 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers after 1622 Meinert Gelijs Plate 5 from a print series consisting of a title page (missing) and seven numbered plates displaying motifs for the application in goldsmith's work, executed in blackwork, combined with figures and other motifs borrowed from other print series, executed in engraving. This plate contains five distinct motifs in blackwork, with a large design in the center of the plate and two smaller designs on either side. The smaller motifs all have a sharp 90 degree angle at bottom, suggesting that they are meant for the decoration of corners. Surrounding the blackwork motifs are engraved figures of various mammals including dogs, bunnies and a pig, as well as several birds. Due to the similarity in their production techniques, blackwork prints often relate to precious objects decorated with champlevé enamel work. However, on the t

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Frames, verso - stamped, Two frames with rocaille ornaments and floral motifs. Publisher number 186., print, ornamental print, prints, ornamental prints, height 198 mm, width 318 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Half of rectangular ceiling, 1634 - 1716 print With empty flat in the middle and in the corners a round medallion with Cupido. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Two arabesks with musical instruments and clock, anonymous, 1700 - 1800 print Two vertical arabesk designs. On the left, various musical instruments and sheet music are surrounded by leaf motifs. In the right design, a round clock carried by a caratide. At the top a bell surrounded by fruit and flower vines. Augsburg (possibly) paper etching ornament ~ arabesque. musical instruments; group of musical instruments. clock. caryatids ~ architecture

Six Frisians with putti, birds, masks and a helmet, Corneille Gole, 1737 print Six Frisians decorated with arabesks, putti, birds, masks of a man with a crown, a goat head, vases and a helmet. With French description. London paper engraving ornament ~ arabesque. cupids: 'amores', 'amoretti', 'putti'. birds. mask, mascaron ~ ornament. helmet

Decorative frame design; Scholtz, Julius (1825-1893); around 1850 (1845-00-00-1855-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - Dar, monograms, ornaments, vignette projects, German drawings, vignettes (decorations)

Acanthusranken, 1697 print Acanthusranken with the left half of a garland. paper engraving acanthus ~ ornament

Two wall tables with openwork rules; Wall table designs; Diverse tables. The tables each have four legs. The bases are decorated with seed beads. Numbered in the middle below 46. This print is part of a series of four.

Three oblong panels with wickerwork, flowers and in the center a basket with flowers, Three panels with flowers and basket D Ve Cahier de Grouppes de Fleurs et d'Ornemens pout la D, print maker: Pierre Gabriel Berthault, (mentioned on object), Pierre Ranson, (mentioned on object), publisher: Jacques-François Chéreau, Paris, 1768 - 1786, paper, etching, h 234 mm × w 193 mm

Design for a sculpted wall table, with two alternative halves, Design for wall table, draughtsman: anonymous, Rome, (possibly), c. 1700 - c. 1725, paper, pen, h 152 mm × w 208 mm

TITELBLAD: New ornamens book for embroiderers, Paul Androuet Ducerceau, c. 1670 - C. 1685 print Two horizontal edges with leaf vines and rolling work combined with leaves and leaves, with the title in between. Leaf from series of 6 blades with ornaments for embroiderers. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Design for a Ceiling, James Wyatt, 1746-1813, British, undated, Graphite, pen and black ink, and watercolor; (verso) pen and brown ink on moderately thick, slightly textured, beige laid paper, Sheet: 19 7/8 x 13 3/4 inches (50.5 x 34.9 cm), Contemporary drawn border: 19 3/4 x 13 3/8 inches (50.2 x 34 cm), and Image: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm), architectural subject, ceiling, decoration, interior, designs, festoons, mythology, Neoclassical, roundels

Two designs for a console table and a candlestick; NUOVE INVENZIONI D'ornamenti d'Architettura E d'Intagli Diversi Utili Ad Argentieri Intagliatori Ricamentori et Altri Professori delle Buose Arti del Disegno. Two designs for a console table, or for a wall decoration with table, and a candlestick. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, pulse chairs, organ cabinets and other ecclesiastical art, followed by designs for four-poster beds, children's clothing and other domestic furniture.

Project for the Decoration of a Panel, Black chalk, pen and ink, brush and light brown and gray watercolors. On verso: Black chalk, pen and ink, bistre on laid paper., Three eschutcheons are in front of a slightly shorter oblong panel. A seated and a standing woman are sketched in the center of the panel which is supposedly made of marble. The lateral escutcheons face eachother, they show winged female half-figures flanking a plant. On verso: The apostle is shown standing de face, his face turned to the right. The left hand is akimbo, the right holds a staff. Gray background., Italy, ca. 1590, ornament, Drawing, Drawing

Two Facing Camel Heads with Bodies Terminating in Ornament ca. 1653 Stefano della Bella Italian. Two Facing Camel Heads with Bodies Terminating in Ornament 377610 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Two Facing Camel Heads with Bodies Terminating in Ornament, ca. 1653, Etching. The Metropolitan Museum of Art, New York. Gift of Mrs. William Greenough, 1937 (37.30.1(2))

Design for a silver centrepiece, c. 1745 - c. 1747 Paris paper. ink. graphite (mineral) pen / brush center-foot, sperne, 'especially', 'medium-of-table'

Title page: Nouveau Liure de Placfond, Daniël Marot (I), 1712 print Ceiling with twelve panels, separated from each other by rosettes. Two of the large panels in the middle contain trompe-l'oeil figures. From series of 6 magazines with designs for ceilings. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Cartouche with putto with miter and staff; Cartouches with coats of arms. Rocaille cartouche with a putto with miter and staff at the top. Publisher number 53.

Print (France)

Omlijstingen, Unknown, after Franz Xaver Habermann, 1731 - 1775 print Two rocaille frames with leaf motifs. Publishing number 175. Augsburg paper etching rocaille ornament. ornaments ~ art (+ framing decorations)

Ornament with a vase in the middle flanked by Sphinxen. Ornament with an Eagle Under a Canopy and Dancing Putti on Either Side.

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 20) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 20). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Print, Design for a Quarter of a Ceiling; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Germany; etching and engraving on off-white laid paper; Platemark: 31 x 25.6 cm (12 3/16 x 10 1/16 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Boogvormig ornament, anonymous, in or after 1709 print An arc -shaped ornament with leaf motifs and a rectangle filled with braid. Paris paper etching ornaments ~ art. ornament derived from plant forms. interlace ~ ornament

Bound Print (France)

Ingestion of Béthune, 1710; That Eroberung Bethune. Béthune siege through the Allies, starting on July 23, conquered on August 28, 1710. The central representation of the toppings caught in a richly decorated ornamental frame with a cartouche at the top of a Cartouche with a map of the city. At the bottom of a cartouche with the description of the events in German. Leaf in the bound set of plates released under the title: RepraesTatio Belli ... of the Spanish Successions-Krieg CA. 1720.

Décoration du bal paré donné par le roy le XXIV février M.D.CCXLV à loccasion du Mariage de Louis Dauphin de France, avec Marie Thérèse Infante dEspagne, Versailles (Decoration of the grand ball on the occasion of the wedding of the Dauphin and Marie Thérèse of Spain, Versailles), Michel de Bonneval, French, d. 1766, Charles-Nicolas Cochin the elder, French, 1688 - 1754, Charles-Nicolas Cochin the younger, 1715 - 1790, Menus-Plaisirs du Roi, France, Etching and engraving on paper, Interior view inside the theater at Versailles, decorated for the presentation of a ballet performed to celebrate the marriage of Louis Dauphin of France to Marie Thérèse of Spain. Highly decorated interior space with high painted ceilings, from which hang many ornate chandeliers. Dancers and actors occupy the floor at center, surrounded by crowds of figures on all sides. Elaborate niches at the sides and rear of the space with large sculptures, large windows in between. At the center foreground, royal subj

Double garland with three cherubs; Somige one-full fruits and strikers. Copy of series with the same title, published by Michiel Le Blon. Leaf 13 from series of 14 sheets with examples for engraved decorative edges of cups in the form of triangles consisting of tendencies, Schweifwerk, garlands with putti, animals, birds and masks.

Disegni Varij di Polifilo Zancarli (Friezes). Artist: Polifilo Giancarli (active in Venice ca. 1600-1625); Odoardo Fialetti (Italian, Bologna 1573-1637/38 Venice). Dimensions: Plate: 4 15/16 x 17 5/16 in. (12.6 x 43.9 cm). Published in: Venice. Date: ca. 1625.Design for a frieze filled with a meandering acanthus scroll and various figures. On the right side of the frieze a male hybrid satyr, whose lower body morphs into the acanthus scroll is fighting with a lion who bites his arm. In the acanthus scroll, which is characterized by three loops across the frieze, a snake with a fantastical head, a dragon and two playful putti are depicted. Museum: Metropolitan Museum of Art, New York, USA.

Embroidered frontal, Pen and brown ink, brush and brown wash, Horizontal rectangle. Somewhat more than the left half is shown. The central panel is framed by wide borders, with vine festoons above, sheaves rising from a calix at left, scrolls springing from calixes below. In the center is a pavilion of a kind, with the Host above the chalice, in a glory. Laterally is a rinceau palmette., Italy, 1780-1790, embroidery & stitching, Drawing, Drawing

Viere Frief Met Arabes, Anonymous, After Jean Baptisists (Le Vieux), 1770 - 1780 print Four Frisians with arabesken, bird heads, a winch, a wreath with arrows and a putto on a dolphin. paper ornament ~ arabesque

Facing brick with floral frame. Leaf 24 Recto from a sketchbook with 27 sheets.

Bound Print, Cartouche with Putti and Dolphins; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on paper; 18.2 × 24.7 cm (7 3/16 × 9 3/4 in.)

Part of Fries Op Schouw in Mayor's council chamber of the Town Hall on Dam, Hubert Quellinus, After Artus Quellinus (I), 1663 print Part of Fries on one of the two fireplaces in the mayors of the town hall on Dam Square in Amsterdam. On that Frisian, of which this performance is part, you can see the weapon of Amsterdam in the middle, which is crowned by two putti. On both sides of different putti of which some of which have been presented as a virtue. On this part the weapon of Amsterdam on the left with one of the two putti that crowns it. In the middle a putto as a personification of caution (prudentia). On the right a part of a putto as a personification of justice (Justitia). Nummered at the bottom right: 1. At the bottom of the middle: P. See also RP-P-AO-22-2P-2. paper etching / engraving coat of arms (as symbol of the state, etc.) (+ city; municipal). cupids: 'amores', 'amoretti', 'putti'. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Justice, 'J

Designs for tables with elaborately carved supports; designs of heads.. Marot, Daniel, 1661-1752. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Schinkel Karl Friedrich (1781-1841), collection of architectural designs, Berlin 1858. New guard in Berlin (1816-1818): Detail Giebelrelief. Stitch on paper, 41.8 x 53.5 cm (including scan edges) Schinkel Karl Friedrich (1781-1841): Sammlung Architektonischer Entwürfe, Berlin 1858. Neue Wache (Königswache), Berlin

Twee Ornamentrand, Placido Columban, 1776 print At the top left: K. print maker: Englandpublisher: London paper etching foliage ~ ornament

Pilaster decoration (lower party), from the Loggie Di Rafaele Nel Vaticano series (pl. 10); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Wilkinson Tracing, Design for inlaid decoration, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Print, Design for Ornament, Plate 17, Second Livre de tableaux d'ornemens et rocailles; Designed by Jacques de Lajoüe (French, 1687-1761); Published by Gabriel Huquier (French, 1695-1772); France; etching on white laid paper; Platemark: 20.3 × 76.2 cm (8 × 30 in.) Sheet: 29.9 × 44.3 cm (11 3/4 × 17 7/16 in.)

Print, Border Design with Cross-Section; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Pierre-Gabriel Berthault (French, 1737-1831); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Coeur closure of St. Sulpice de Paris

Three balustrades with leaf motifs, Anonymous, After Jean Pelletier, 1759 - 1784 print paper etching balcony. balustrade

Oil and vinegar and two salt vessels, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

Compositions with obelisk and smoking vessel, anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print A decorative composition consisting of two panels with braid. Above a harness between two medallions and two sitting figures blowing blindly on trumpets. Below that an obelisk as a pedestal for a vase, Putti is flying with garlandes on the left and right. Two Caratives wear the obelisk. Two dragon -like people at the bottom. On the right there are a vase on a pedestal above an arc with eagle and putti. A medallion with portrait hangs over a smoking vessel under the arch. There is a half -naked woman on either side of the barrel. At the bottom there are two music -making angels above a saat with two trumpets. Augsburg paper etching frequently used ornamental compositions. obelisk, needle. incense-burner ~ scents, perfumes

Six Frisians and two round performances; Ornamented designs for goldsmiths, watchmakers and other artists. Six Frisians decorated with Arabesken, a satellite head, fantasy figures and marine beings. On the left two round performances decorated with a scene by the sea and Adam and Eve in the court of Eden. With French description.

Rocails in Andere Ornamenten, Anonymous, François -Thomas Mondon, 1719 - 1755 print Numbered in the bottom right: 7. Print is part of an album. paper etching / engraving Rocaille Ornament

Rectangular cartouche with three Chinese and a tiger, Pieter Jansz, 1650 - 1655, Design for a print., draughtsman: Pieter Jansz., 1650 - 1655, paper, pen, brush, h 76 mm × w 175 mm

Foliage and flowers (Feuillages et Fleurs). Artist: Carl Ludvig von Drenteln (Swedish, Narva 1692-1751 or 1753); Anders Bleckert von Nieroth (Swedish, Marbäck 1675-1761 Stockholm). Dimensions: Plate: 7 5/8 × 11 11/16 in. (19.4 × 29.7 cm)Sheet: 10 9/16 × 14 11/16 in. (26.8 × 37.3 cm). Date: 1719. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wooden Bench ca. 1700-1730 Anonymous, 18th century Design for a heavily decorated wooden bench. The design is presented in a frontal view showing the decoration of the backboard with an overall croisillon motif a portrait en profil and a large palmette crowning the center.. Design for a Wooden Bench 428588

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