Ornamental Prints and Designs

Detailed etchings and engravings of decorative architectural elements and mechanical devices, reflecting historical craftsmanship and aesthetics.

Praag, Balzer, Matthias, Jan, Kleinhard, Johann, Various Works for the Excavation of the Rises and Plans, Die Mechanick, Mechanica, verso - stamped, A rocaille cartouche with mechanical equipment in the foreground such as a scale, a pendulum and a pulley. In the background men are working with equipment such as a crane. Numbered AA in the bottom margin., print, ornamental print, prints, ornamental prints, height 217 mm, width 199 mm, 1738 - 1799-12-14, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, engraving, engraving (printing process), 1747-02-15 - 1791-07-18, Work conception, 1742 - 1794, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie

Praag, Balzer, Matthias, Jan, Kleinhard, Johann, Various Works for the Excavation of the Rises and Plans, Die Mechanick, Mechanica, verso - stamped, A rocaille cartouche with mechanical equipment in the foreground such as a scale, a pendulum and a pulley. In the background men are working with equipment such as a crane. Numbered AA in the bottom margin., print, ornamental print, prints, ornamental prints, height 217 mm, width 199 mm, 1738 - 1799-12-14, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, engraving, engraving (printing process), 1747-02-15 - 1791-07-18, Work conception, 1742 - 1794, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie

Etching by Stefano della Bella depicting the third scene of the tragicomedy Mirame by Jean Desmaret in the Salle du Palais-Royal, created in 1641, showing stage figures and arrangement.

Print, Face du Train de derrière du Premier Carrosse doré; Designed by Bernard Picart (1673-1733); France; engraving on laid paper

Print (France)

Ann. 1715 / France Monarchical / 1st and 2 September 1715. - Mortuary room of Louis XIV. (IT)

Denkblatt , An Austria three most glorious days , under , Emperor Ferdinand I, Friedrich Berndt, Lithographer, after, Ferdinand Tewele, Draft, Eduard Sieger -, printer

1730 etching by Marco Ricci showing a landscape with ancient ruins, including stone structures, surrounding trees, and natural terrain.

Speculum Romanae Magnificentiae: Fountain and Gardens of the Villa d'Este at Tivoli. Artist: Etienne DuPérac (French, ca. 1535-1604). Dimensions: sheet: 12 3/16 x 16 3/4 in. (31 x 42.5 cm)mount: 16 7/8 x 22 1/8 in. (42.8 x 56.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1575.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commis

Saint Louis Vignette 1772 Pierre Philippe Choffard. Saint Louis Vignette. Pierre Philippe Choffard (French, Paris 1730-1809 Paris). 1772. Etching and engraving. Prints

Copper engraving by Philipp Galle depicting King Solomon overseeing the construction of a temple, created in 1558, illustrating biblical architecture, figures, and 16th-century religious context.

Bethaniënklooster in Amsterdam, ca. 1544, Anonymous, 1760 print Vogelvluchtgezicht and view of the Bethaniënklooster between the Oudezijds Achterburgwal and the Kloveniersburgwal in Amsterdam, in the situation around 1544. At the top of the middle the title cartouche. Left and right below the legend 1-5. Numbered at the top right: XIII. paper etching / engraving abbey, monastery, convent ~ Roman Catholic church Bethaniënklooster. The Oudezijds Achterburgwal. Kloveniersburgwal

Architectural Details in Classical and Pseudo-Classical Style, Romolo Achille Liverani, Italian, 1809 - 1872, Graphite, pen and black ink, brush and bistre, gray watercolor on paper, Horizontal rectangle. At lower left, the left part of the under edge; vertically, a right half of a rostral column, with an inscription tablet between. Above are two rods. At left, a weathervane in the form of a mermaid with a mace. Below, a marble throne with a band; a vase on one short side. At right, the left side of a tripod with a flame standing upon a pedestal in the shape of a capital flanked by dolphins; the right side of an altar with a flame. A classical temple in ruins with reliefs and two statues. At right, a standing man with a trophy upon his head. Verso: two sketches of figures., Italy, ca. 1840, architecture, Drawing, Drawing

Detached grave monument with adversed frost; Flat decorations and grave monuments / Father's Niewe Inventien (...). Detached grave monument. On the crossing cover plate of a sarcophagus, supported by carians, is the adverse frost. With inscription on grave monument (under cover plate) ConstitTVISTI Terminos .... ante tribvnal Christi (on Basement). Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Copper engraving and etching by Theodor van Thulden around 1635 depicting Janustama, a figure or emblematic representation.

Print, Paysage d'architecture et de ruines vu sous un arc; France; etching

Copper laundry barrel or rinsing basin from the Temple of Salomon; One of ten copper washing machines in the Temple of Salomon. Copper laundry barrel or rinsing basin from the Temple of Salomon for cleaning the sacrifices and barrels.

Vuurbok puts Vaas, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print An ornamented Vuurbok with a vase and garlands. Print number 310. Paris paper etching / engraving andiron, fire-dog. vase ~ ornament. ornament ~ festoon, garland

Temple of Serapis, pediment and cornice, projection view. Artist: Master AP (French or Italian, active 1555). Dimensions: sheet: 16 7/16 x 11 5/16 in. (41.7 x 28.8 cm)plate: 14 5/8 x 9 7/8 in. (37.1 x 25.1 cm). Date: 1555. Museum: Metropolitan Museum of Art, New York, USA.

Vignette with globe and coat of arms of France, Sébastien Leclerc (I), 1647 - 1714 print France paper etching / engraving armorial bearing, heraldry. globe. horn, trumpet, cornet, trombone, tuba

Erepoort founded on the site of the Oude Sint Janspoort, 1582, 1582 Erepoort founded on the site of the Oude Sint Janspoort. Plate XIIII in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Antwerp Erepoort founded on the site of the Oude Sint Janspoort. Plate XIIII in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Antwerp

Oak sculptures in the Onze-Lieve-Vrouwekerk in Dendermonde, Anonymous, c. 1881 - in or before 1889 photomechanical print Dendermondeanwerwerp paper collotype / photolithography sculpture Dendermonde

Minerva needs to ignite jealousy in Aglauros; Metamorphoses from Ovid. Cityscape. At the left, Minerva is envy and asks her to make Aglauros jealous on her sister Herse. Because of this jealousy, Aglaurus Mercury wanted to stop to enter Hissen's room and changed with his staff in black stone. Under the show a text from the metamorphoses of Ovid, book 2, fresh rules 792-793.

Tower of Babel; Flat decorations with scenes from the Old Testament in a picture frame of grotesken; Ornament sheets. R.D. 428-433. Under the tower are Loth and his daughters in a cave. From series of 6 sheets.

Oak altarpiece from the Sint -Waltrudiskerk in Herentals, set up at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 - in Or Before 1866 photomechanical print Mechelenantwerp paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ wood, e.g.: panel ~ arts). altar with altar-piece Mechelen

Fontein Voor Het Hercules Monument Te Karlsberg, Giovanni Girolamo Frezza, After Giovanni Francesco Guerniero, 1706 print Print is part of an album. paper etching garden fountain. artificial grotto in garden. city-view, and landscape with man-made constructions. palace Karlsberg. Hercules Monument. Bergpark Wilhelmshöhe

Nymphaeum van Alexander Severus, 1680 Remains of the Nymphaeum of Alexander Severus, also called the Trophei di Mario after the two marble sculptures that stood in the upper arches but were placed on the balustrade of the Piazza del Campidoglio in 1590. In the lower margin three lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Nymphaeum van Alexander Severus Remains of the Nymphaeum of Alexander Severus, also called the Trophei di Mario after the two marble sculptures that stood in the upper arches but were placed on the balustrade of the Piazza del Campidoglio in 1590. In the lower margin three lines of text in Italian. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Rome. Nymphaeum van Alexander Severus

First meeting of the Economic branch of the Society of Sciences in Haarlem, 1778, Anonymous, After Vincent Jansz. van der Vinne, 1778 print View of the first meeting of the new Economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the hall of the Diaconiehuis in Haarlem Northern Netherlands paper etching meeting, assembly New diaconia house

Fireworks at the celebration of the Peace of Utrecht, 1713, Bernard Picart, after Pieter Jacobsz. Roman, 1713 print Scaffolding with fireworks commissioned by the States of Holland and West-Friesland on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, June 14, 1713. Centrally the temple of Janus awarded by the Dutch virgin with freedom in the Dutch garden. The temple surrounded by sitting figures of faith, freedom, commerce, science and the arts. At the bottom of the title and statement of the figures 1-14 in Dutch and French. Northern Netherlands paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

Design School, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); upper image after Charles-Nicholas Cochin, the younger (French, 1715-1790); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1763. Dimensions: 315 × 204 mm (image); 354 × 225 mm (plate); 400 × 260 mm (sheet). Etching, with engraving, on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Allegorisch Portret van Henri de la Tour d'Auvergne, Nicolas Ponce, After Clément Pierre Marillier, 1790 - 1816 print publisher: ParisFrance paper etching / engraving historical persons. commander-in-chief, general, marshal

Bound Print, Pompe funèbre de Marie Thérèse dEspagne Dauphine de France, en léglise de labbaye royale de St. Denis le V septembre M.D.CCXLVI (Funeral of Marie Thérèse of Spain, Dauphine of France, in the church of the royal abbey of St. Denis, September 5, 1746); Designed by Sébastien-Antoine Slodtz (French, 1695 - 1754), Paul-Ambroise Slodtz (French, 1702 - 1758); Engraved by Charles Nicolas Cochin the younger (1715 - 1790); Published by Menus-Plaisirs du Roi; France; etching and engraving on paper

Print (France)

Print (France)

Allegory in honor of the king of Prussia for his repair of the cityholder of Willem V, 1788; To the Savior of the United Netherlands, King Fredrik Willem II, from Prussen, Keurvorst van Brandenburg, Hertog Karel Willem Ferdinand (...). Allegory in honor of the king of Prussia for his repair of the city farming of Willem V, 1788. Erochen with Prince Willem V and Princess Wilhelmina for a monument, on the right the king of Prussia and the Duke of Brunswijk. Down Prince Willem I in his graftombe. On both sides obelisks in honor of Willem II, III and IV and Princess Anna. In the foreground the heralds of the Netherlands, the Dutch Union, Great Britain and Prussia and two weapon trophies. A text sheet belongs to the print.

Title print for the Hollansche Mercury of 1651. Title Prent for the Hollansche Mercury of 1651. Four strips with the most important events from the year in small Central to the seated Mercury with coat of arms of Holland.

Amsterdam, Maaskamp, Evert, Kok, Willem, Netherlands, Portman, Ludwig Gottlieb, Monument for the Fatherland, At the end of the year 1799, 1799, verso - stamped, Monument with banner showing six representations of important events in the year 1799, mainly from the British-Russian expedition to North Holland., print, prints, Frederik Muller Historieplaten, height 327 mm, width 424 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1800 - 1800, paper, papier, stippelets, engraving, engraving (printing process), 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1769-09-27 - 1834-01-31, publisher

122. Ark of the Covenant; 123. Ark of the Covenant; 124. Ark of the Covenant; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Salmacis en hermaphroditus, 1653 - 1654 print The Nymph Salmacis stands in a column in a landscape with a garden. She looks up at the clouds where Mercury, Venus and Amor appear. In the background, Salmacis hugs hermaphroditus, while they are in the water, after which they would merge into a two -legged creature according to the myth. Under the show the text from the metamorphoses of Ovidius, book 4, Versrules 385-386, in Latin. At the top the sign of twins from the zodiac. The print is part of an album. paper etching Hermaphroditus and Salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph Salmacis, who holds the bathing Hermaphroditus closely embraced, their bodies fuse (Ovid, Metamorphoses IV 373). when Hermaphroditus bathes in a fountain, Salmacis, the nymph of the fountain, falls in love with him. Venus and Cupid (Cupid not being mere attribute). Gemini (zodiacal sign of May). story of Hermaphroditus and Salmacis

Twelve chapters; Livre D 'Architecture Contenant Plusieurs Beaux Ornementz (...). Headrubs with fantasy decorations. Leaf H from second edition of series, consisting of 24 sheets.

Catfalk with the body of Archduchess Isabella Clara Eugenia, 3. March 1634, Cornelis Galle (I), After Jacques Franckaert (I), c. 1634 print The catfishlk with the body of Archduchess Isabella Clara Eugenia as set up in the church of Sint-Jacob-op Koudenberg in Brussels on March 3, 1634. The Duchess is laid out in a four-poster bed, her crown next to her on the pillow. The catfalk is richly decorated with burning candles and flags with Isabellas monogram. Antwerp paper etching Cortege, funeral procession. Catafalque 'Castle of Pain' (~ Public Funeral) Brussels

Do not confuse me to everything that has appeared so far Rein. "Do not confuse me to everything that seemed to this day." Poster. Lithograph N. and B. 1829.

Loggia with Caryatids before a Fountain and Landscape 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Loggia with Caryatids before a Fountain and Landscape 340199

Fountain with a cartouche and buildings, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688-1776, Etching on off-white paper, Fountain design in a form of cartouche and showing buildings in the background, France, 1700-1775, architecture, Print, Print

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

Print made by J. Carwitham, active 1720-1740, A New Drawing Book of Variety of Landskips, ca. 1730. Etching on medium, slightly textured, beige laid paper.

. View of the first meeting of the new economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the hall of the Diaconie House in Haarlem

States of Holland and West Friesland, Ottens, Josua, Reinier (II), Reinier (I), Lepautre, Pierre, Danckerts, Cornelis (II), Latwerkpaviljoens, Half lattice pavilion with variant for middle half, With elevation, plan and detail of the pedestal with the French royal coat of arms., print, ornamental print, prints, ornamental prints, height 283 mm, width 196 mm, Noord-Nederlands, 1664-03-02 - 1717-07-22, print maker, printmaker, 1726 - 1750, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etchings, Work conception, 1660 - 1744-01-22, after a design by, Publication (Event), Publicatie, 1698 - 1750-09-01, publisher, uitgever, Nederlands, 1729 - 1793, Northern Netherlands, 1704-02-10 - 1765-05-15, granter of privilege

Cartoon in Leiden student almanak, 1854. Cartoon with centrally a mental student seated for the stove surrounded by all kinds of fantasies about student life. Cartoon in the student almanac of the University of Leiden of the year 1854.

Graf monument for Willem Lodewijk, Count of Nassau -Dillenburg, 1620, Anonymous, 1700 - 1799 drawing Graf monument for Willem Lodewijk in the Grote Kerk in Leeuwarden, died 31 May 1620, buried on July 13, 1620. Seen from the front with the image of the kneeling count between Fortitudo and Prudentia. Low Countries paper. ink grave-building, monumental tomb. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues Big church

Print, "Vase reposant sur deux Sphinx adossés", plate 2 from the series Vasi...; Architect: Jean-Laurent Legeay (French, ca. 1710-86); France; etching on paper; 30.3 x 21.5 cm (11 15/16 x 8 7/16 in.)

Bliżej Kultury Wyczółkowski, Leon (1852 1936), Cotty, Jan (print and lit.)

Monument for Het Vaderland, 1799, Ludwig Gottlieb Portman, After Willem Kok, 1800 print Banier monument on which six performances of important events in the year 1799, mainly from the British-Russian expedition to Noord-Holland. print maker: Netherlandspublisher: Amsterdam paper engraving battle (+ land forces)

Holl Elias, Rathaus, Augsburg. (From: Leaves for architecture and handicrafts, 16th year, 1903, Tafel 44.) (1903-1903): View ceiling Golden Hall. Light pressure on paper, 26.8 x 34.4 cm (including scan edges) Holl Elias : Rathaus, Augsburg. (Aus: Blätter für Architektur und Kunsthandwerk, 16. Jg., 1903, Tafel 44)

Design for an Ornamental Doorway Leading to a Garden. Artist: Anonymous, French, 18th century. Dimensions: 7 5/8 x 17 1/4 in. (19.4 x 43.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Dominique Vivant, Baron de Denon (17471825), working on the collection for the Musee Napoleon (later the Louvre). He sits at a desk in a cellar full of obelisks, statues, art objects, books and papyri. Engraving from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.

Half Ground Plan and Half Elevation for a Catafalque for Duke Francesco of Parma (1694-1727). Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20 x 14-1/8 in. (50.8 x 35.9 cm). Date: ca. 1727. Museum: Metropolitan Museum of Art, New York, USA.

View of a garden pavilion and fountain. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Mechanica, Jan Balzer (Possibly), after Johann Kleinhard, 1772 print A rocaille cartouche with mechanical equipment in the foreground such as a scale, a pendulum and a pulley. In the background, men are working with equipment such as a crane. Nummered in the lower margin. Prague paper etching / engraving rocaille ornament. mechanics. vertical transport, hoisting (industrial processes)

Grand'urna di porfido co' suo coperchio, dentro la quale credesi, che sia stato collocato il corpo di Costanza , Sarcophagi, Chiesa di S. Costanza Rome, Italy. The Antonio Cardinal Tosti Collection

A. Due framm.ti di tavoloni di terra cotta col marchio sopra , Architectural decorations & ornaments, Vases, Sarcophagi, Inscriptions. The Antonio Cardinal Tosti Collection

Calligraphy in honor of the 40th anniversary of Queen Wilhelmina van Prussen, 1814; The delighted Netherlands, in the high anniversary of the royal highness of Msce Frederica Sophia Wilhelmina Princesse van Oranje Nassau Souvereine Vorstin der Vereenedederlanden born den November 18, 1774. Calligraphy in honor of the 40th anniversary of Queen Wilhelmina van Prussia, November 18, 1814. Tempelfaçade with Four columns with centrally the title, left and right round medallions with allegorical performances under the inscription 'De Vugd Speak'. At the top of the timpaan a portrait of the queen, showing at the bottom of a face on Amsterdam from the IJ, on either side.

'De Cascade van Galathea, aan de West-zyde van de Groote Tuin', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Depiction of the so-called Cascade of Galathea, on the west side of the principal garden of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.. 'De Cascade van Galathea, aan de West-zyde van de Groote Tuin', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. n.d.. Color engraving (à la poupée). Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Engraved by Lorenz Scherm (Dutch, active 1619-1707)

Chimney mantle in the alderman room of De Vrije van Brugge, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Free van BruggeEmantwerp paper collotype / photolithography chimney-piece, mantelpiece Free van Bruges

Fragments of painted walls from the pyramid of Cestius in Rome, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Fragments of painted walls from the pyramid of Cestius in Rome. Explanatory list of letters in STUDMARGE. Numbered at the top right: Tom. III. / XLV. Rome paper etching painting (including book-illumination, miniature-painting). ruin of a building ~ architecture Piramide van Cestius. Rome

SOntin 'Ship, Vurkeyw a Portti, Georg Siggmud Röris, Again Franwland Ruiland (SR.4 print A fountain with shell motifs, a sitting man on the back, a sitting woman and two putti. On the left are two children with fish tails next to a dolphin. On the right in the foreground are a pan flute, a bagpipe and grape vines. In the background architecture with columns and small fountains. Germany paper etching / engraving ornamental fountain. scallop, shell ~ ornament. sitting figure. cupids: 'amores', 'amoretti', 'putti'. musical instruments; group of musical instruments

Corinthian order head frame; Corinthio; Zuilen orders. Corinthic order head. This print is part of an album.

Cartouche Surrounded by Fountains, Pierre Edme Babel, French, ca. 1720-1775, Pierre Edme Babel, French, ca. 1720-1775, Jacques Chéreau, French, 1688-1776, Engraving on off-white laid paper, Cartouche, two putti at top, flanked by a sickle and a three-pronged spear. A male figure, holding a shovel at lower left. Leaf and twig design decorate the cartouche., France, 1738, ornament, Print, Print

The sleeping farmer of Stolwijk, 1707, 1707 print The sleeping farmer of Stolwijk (Dirk Klaasz de Bakker) uses in a cartoon on the French in the year 1707. Centrally the bed with the sleeping man around which doctors and spectators are collected. This performance surrounded by eight smaller scenes with cityscapes and emblems. With inscriptions in the plate in Dutch. Part of a series of 7 cartoons on the French and allies from the year 1707 (and 1708). Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish War of Succession. Amsterdam paper etching sleeping in bed Stolwijk

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, M Fontaines, L'Automne, l'Hiver, Herfst and winter, verso - stamped, Two men are standing before a fountain with a vase with bunches of grapes, thyrsi, masks, a jester's head, a globe with signs of the zodiac and a horn. At the top garlands, cow skulls and barrels. Print number 5., print, ornament print, prints, ornament prints, height 384 mm, width 234 mm, Frans, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Fountain with man, woman and putti; Fountains; 1R Livre a Morceaux The Caprice Propres à Divers Usages. A fountain with shell motifs, a seated man on the back, a seated woman and two putti. On the left are two children with fish tails next to a dolphin. On the right in the foreground are a pan flute, a bagpipe and grape vines. In the background architecture with columns and small fountains.

Coffee house with arguing couple, Johann Esaias Nilson, c. 1731 - 1788 print To the left of a rocaille coffee house, a woman and a smoking man argue. To the right of the house is a smoking man reading. A German text in the lower margin. Publishing number XII. paper engraving / etching inn, coffee-house, public house, etc.. pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). quarrel, argument

Drawers at Ruins, Jacques Androuet, After Léonard Thiry, 1550 print A draftsman is drawing on a staircase. Two arches in the background. Two draftsmen on the arches who draw a statue. This print is part of an album. Orléans paper etching ruin of a building ~ architecture. draughtsman studying classical remains

Print (France)

Fire of the Hotel God, December 30, 1772

Libert et familiae L. Arrunti L. F. ter , Archaeological sites, Tombs & sepulchral monuments, Arruntius, L. Lucius, active 43 B.C.-17 B.C.. The Antonio Cardinal Tosti Collection

Copper engraving and etching by Jacques-Philippe Le Bas depicting Rudera near the Carefree, created between 1735 and 1783, showing natural and architectural elements.

Demonstration of the hose fire sprayers on the Westertoren in Amsterdam, ca. 1700, Laurens screen (attributed to), 1735 print Demonstration of the use of the hose fire sprayers on the Westertoren in Amsterdam, ca. 1700. In the background a fire in a palace. In a cartouche on the left the explanation of the letters A-F in Dutch. A second plate with text is printed above the plate. Plate 24 in the reprint of the spraying book by Jan van der Heyden from 1735. paper etching / engraving pump (fire-extinguishing equipment). fire-hose Westertoren

Testimony of theArminians. Engraver: Unknown After: Claes Jansz Visscher, Dutch, 1586-1652 Publisher: Johannes Tangena, Dutch, active 1583-ca. 1618

Inauguration of the Architecture exhibition, Workers' Society parade, Workers' Exhibition, lighting, Turin exhibition, drawing by E Tornaghi, illustration from Il Secolo Illustrato della Domenica, Year II, No 53, October 5, 1890.

Photo production of painting The Great Hall of the Binnenhof during the Meeting of the States General in 1651 by Dirck van Delen, COLL. Mauritshuis. Das Königliche Museum in Haag / Ant. Stevens Palamedesz. / (Dirkvan Deelen). / Der Grosse Saal des Binnhofes in Haag Während der Grossen Versammlung der Generalstaats 1651.

Bound Print, Representation du Portique Elevé devant la Porte du Coeur pour entrer dans le Camp de la Douleur; Designed by Jean Bérain the Elder (French, 1640-1711); Print Maker: Jean Le Pautre (French, 1618-1682); Published by Jacques Thuret (French, 1669-1738); France; engraving

Etching by Francesco Terzi depicting a party banquet, showing figures, dining arrangements, tableware, and gestures in 1561.

Justice (Justitia) destroys the fortune of the securities traders, Claude Gillot (attributed to), 1720 print paper etching / engraving Justitia (justice) as Roman personification. stock exchange, stock-market

A firm paper drawing by Bernardo Castelli Borromini showing a design study of the Fontana di Trevi in Rome, including drawings and labeling in graphite, red chalk, and brown pen, 1701.

Map of the Alkmaarder Hout, Jan van Jagen, after Albert Janszoon van Panders, 1767 - 1768 print Map in a nutshell perspective. At the top left a cartouche with a legend A-G and A-X. At the top in the middle the Wapen van Alkmaar. At the top right a cartouche with a legend A-W and a bowl: scale of 60 Alkmaarsche rods. At the bottom right a cartouche with the title and at the top a face on Alkmaar. A degree distribution along the edges of the map. paper etching / engraving maps of separate countries or regions. maps of cities. prospect of city, town panorama, silhouette of city. public gardens, park. garden Alkmaarder wood

Face Lock Lindholmen, Johannes Jacobsz van den Aveele, 1704 The print is part of an album. Stockholm paper etching Slot Lindholmen The print is part of an album. Stockholm paper etching Slot Lindholmen

Beauty Desrais Claude Louis Conquests of the French Republic; Louis XVI returning from the garden to the Temple Tower in 1792 1792), Arrondissement III, Legislative (1791, Louis XVI (1774-1793), prison, Revolution (1789-1799), temple (enclosure of)

Greeting letter with activities on the street. Greeting letter with unwritten cartouche inside a decorative frame with performances of activities on the street, such as people singing street lies and peeking children in a viewing cupboard. Numbered at the top right: No. 4.

Gallery of Honor Family Family, 1594, 1594 - 1595 Eregalerij van de Bankiersfamilie Fugger. Bovenaan of the Wapens van Fugger en Augsburg. Opgesteld van de Oever St. Michaelsklooster. Onderdeel Van de Beschrijving van de species van aartshertog Ernst Antwerp, 18 July 1594, Door John Boche, description of the public congratulation, spectacles and games in the arrival sereniss. Prince Ernest archiducis Austria, Ex Plantiniana, Antwerp 1595. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp Eregalerij van de Bankiersfamilie Fugger. Bovenaan of the Wapens van Fugger en Augsburg. Opgesteld van de Oever St. Michaelsklooster. Onderdeel Van de Beschrijving van de species van aartshertog Ernst Antwerp, 18 July 1594, Door John Boche, description of the public congratulation, spectacles and games in the arrival sereniss. Prince Ernest archiducis Austria, Ex Plantiniana, Antwerp 1595. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp

. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the CoulisDecor Zonnehof with scene from: the century of the Amsteldamschen Schouwburg. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

Dessert on four tables at the banquet in honor of the coronation of Emperor Frans I Stefan, 1746; Image of the dessert of the four main tables of the Festyn, by Zyne Excellence Mr. Baron van Reischach (...) Given the 19 January 1746, on the occasion of the election and Krooning of Zyne Rooms Keyzerlyke Majesty / Representation du Dessert des Quatre Principales Tables, Au Festin, Donné Le 19 Janvier 1746 Par Son Excellence Monsieur Le Baron de Reischach (...) à l'occasion de l'Election et du Couronnement de sa Majesté Imperiale; Description description des Principales Rejouissances, Faites à la Haye, A l'occasion du Couronnnement de (...) François I / DELIVERY of the main joy-wives in 's Gravenhage on the occasion of the Krooning of Zyne Keizerlyke Majesty Franciscus I. Dessert such as It is presented on the four main tables during the banquet given by the German Minister and HANDAY BARON from Reischach in the Mauritshuis on January 19, 1746 on the occasion of the coronation of Frans I

Marguerite Louise Amédée de Lorme du Ronseray (Engraver) The Grenelle fountain. etching 1755-1777 , 1755/1777

Consular chair or Gestatoria with griffins from a bas-relief found in a vineyard outside Port Angelica below Villa Madama 1, candelabra in the Vatican Museum 2, sarcophagus for funeral ashes inscribed Dis Manibus Naevi N F Palat Vituli in the Vatican Museum 3, and thyrsus used by Bacchantes in their games from a bas-relief in Florence 4. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Allegory on the heroes of the Battle of Waterloo, 1815, Willem Hendrik Hoogkamer, After Haatje Pieters Oosterhuis, 1815 - 1820 print Allegory over the victory of the allies in the Battle of Waterloo on June 18, 1815. Centrally a column on which the portraits of Wellingon, Blücher and the Prince of Orange. At the bottom of the column a performance of the Battle of Waterloo of 18 June 1815. In the air the fame blows on her trumpet. On the right at the column is the Eendracht that points to the portraits of the three heroes, at her feet the Dutch Lion. In the front on the ground weapons and household goods and a bundle of paper marked 'Op' t Kasteel van Laken ', left behind the conquered travel coach of Napoleon. With three -faced caption. Netherlands paper etching Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Alliance, League, Union, Foedus. Battle (+ Land Forces) Waterloo

Etching with color by Isidore Stanislas Henri Helman from 1793 depicting the opening of the States General in Versailles on May 5, 1789, showing assembly, figures, hall, and ceremony.

Italy, Brison, Giovanni Battista, Magesyn der Italiaense bouwen, Temple facade, balustrade and the Porta di San Paolo, Numbered top left: Fol. 117. Dedication in lower margin. The print is part of an album., print, picture, book illustration, album sheet, prints, pictures, height 125 mm, width 69 mm, print maker, printmaker, 1659 - 1707, paper, papier, etching, etchings

Design for a painting, View of a garden with a pond and a fountain., draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 268 mm × w 180 mm

Feestzaal in the gardens of the Palace of Versailles, 1726, 1726 print Party hall in the gardens of the Versailles palace. Plate no. 54 in part III of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching garden buildings Castle of Versailles

Print (Germany)

Copper engraving and etching by Laurent Cars depicting an allegorical tomb for the Duke of Marlborough, created between 1735 and 1749.

of 3