Ornamental Prints and Drawings

Intricate ornamental prints depicting historical figures and allegorical scenes, characterized by decorative borders and detailed illustrations.

Zenteprent with the capture of Hugo de Groot, Ornament print with bust portrait of Hugo de Groot and underneath the coat of arms of the person portrayed. In the middle a six-line poem in Dutch with above it a representation of the escape of Hugo de Groot from Loevestein in a book chest, flanked by Athens and Mercury., (Story of) Minerva (Pallas, Athena), (story of) Mercury (Hermes ), Hugo de Groot, Cornelis de Jonker (mentioned on object), Gorinchem, 1791, paper, h 378 mm × w 219 mm

Print, Plate 5, from a series of eight pendant designs with the cardinal virtues; Johann Theodor de Bry (German, 1561 - 1623); engraving on paper

Coat of arms of the Medici family. Draughtsman: Stefano della Bella. Dating: after 1649 - 1664. Measurements: h 265 mm × w 223 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Frontispiece, Allegory of America, Graphite, pen and brown ink, red chalk, brush and gray wash on white paper lined with heavy laid paper, Reclining figures, symbolizing American Indians, flank a bison head, forming adjuncts to a cartouche enframement. At either side, portrait busts of Amerigo Vespucci, left, and Christopher Columbus, right. Crocodiles form outer side extremities, left and right (left one may be a later addition)., Netherlands, ca. 1590, figures, Drawing, Drawing

Memorial to Daniel and Anne Wait from Acton Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm), architectural subject, church, memorial, Acton, England, Greater London, London, St Mary's Church, United Kingdom

Erasmus of Rotterdam Publisher: AA, Pieter van der

Stifft, Andreas Joseph Freiherr.

Portrait of Girolamo Barbarigo and the personification of authority, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. A medallion with the portrait of the Girolamo Barbadigo, spokesperson for or orator at the time of Pope Pius II on the front. A Venetian delegation for Pope Pius II kneels on the back. The front man has a hat in his hands. On the pedestal with medallion the female personifications of authority or prestige. She's at a royal seat. The key and scepter refer to the spiritual and secular power respectively. There are books on the left and a armor on the right. They references to a spell of Cicero: Cedant Arma Togae, that is: Let the weapons give way to the learning. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). book. sceptre, staff (symbol of sovereignty). throne. armour. power, 'Potestas' ~ one of the sev

Meyer, Konrad.

Monument voor de overleden prinses Anna, 1759; Graf-Zuil. Opgeregt ter Onsterflyker Gedagtenisse van Neêrlands dierbaare Gouvernante, Haare Koninglyke Hoogheid Anna (...).Monument or memorial stone for the Princess Anna Died in 1759 from Hanover. Monument made up of banners, allegorical women's figures and a royal ermic mantle, awarded by a skeleton with royal crown. Centrally held the weapon of the princess by a lion and a unicorn. Below labeled: XIV.

Paris, Chéreau, Jacques-François, Boucher, Juste Nathan François, unknown, A Premier Cahier D'Arabesques, Vase and half-figures with winged head, verso - stamped, On either side of a plant in a vase sit winged female half-figures with a winged head between them, at the bottom an oval medallion with a seated woman., print, ornament print, prints, ornament prints, height 210 mm, width 79 mm, print maker, printmaker, 1752 - 1782, paper, papier, etching, etchings, Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher

An arm trophy with flags, cannons, a banner and an anchor, Arms Trophy 3rd Cahier de Troph, print maker: Etienne Claude Voysard, (mentioned on object), intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Esnauts & Rapilly, Paris, 1778, paper, etching, h 280 mm × w 219 mm

Daniel Lysons, 1762-1834, British, Memorial to Humphry Primat, Nathaniel and Ann Primat from Hampton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Allegory in honor of Antonie Grevenstuk, Isaac Weissenbruch, 1868 - 1912 print Seven tokens with portraits and various other performances. Minerva is left with her helmet, her lance and her shield. A number of allegorical figures and objects at her feet. Netherlands paper coin. (story of) Minerva (Pallas, Athena). attributes of Minerva

Cartouche with lion's head and Christ monogram, c. 1595 Oval cartouche with in the middle above a lion's head and in the middle of the Christ monogram. The Cartouche is a fragment of a map of Europe. The print is part of an album. Antwerp paper engraving Oval cartouche with in the middle above a lion's head and in the middle of the Christ monogram. The Cartouche is a fragment of a map of Europe. The print is part of an album. Antwerp paper engraving

Vase and standing women; B Iie Cahier d'Arabesques.Two standing women support a pedestal on which a vase is.

Kou chinois, in or before 1828 One of 103 designs for marqueterie from ribbons -hung musical instruments in round medallions, intended for the set of chairs made by Van Doren for the large room of the Prince of Orange's palace in Brussels in 1828. Brussels paper. ink. graphite (mineral) trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. musical instruments; group of musical instruments Royal Palace

. On a tablet in the middle is text, above it is a putto on an eagle. From series of 12 magazines with ornamental panels made up of medallions, tablets, friezes, sarcophagus, vases, shields, garlands, climbing plants and putti, placed along a vertical axis. From first edition.

Coat of arms of the Overlander family, Pieter Jansz, 1660 - 1672, Possibly a design for a stained glass window., draughtsman: Pieter Jansz., draughtsman: Jan de Bray, (rejected attribution), 1660 - 1672, paper, pen, brush, h 235 mm × w 187 mm

Magliarbecchi, Antonio.

Dancing foolishness to the world, Bernard Picart (workshop or), After Bernard Picart, 1728 print The personification of foolishness dances with fools in her hands on the globe. On either side of her horns of abundance, filled with worldly things, such as playing cards, money and musical instruments. The show is caught in an ornamental frame of leaf vines, rolling work, two fools. Amsterdam paper etching / engraving ornaments ~ art. Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa). bauble. 'Cornucopia', Horn of Plenty

Cartouche surrounded by grotesken, left and right is a bird, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1555 - c. 1560 print At the top left and top right is a bird with an eel in its beak. Garlyes with fruit bunches are hanging at the bottom. Page I from series of 16 sheets, literate A-Q. Shaded or dotted background. Netherlands (possibly) paper etching cook. ornament ~ cartouche. ornament ~ grotesque

From series of 6 sheets, print maker: Michiel le Blon (mentioned on object), Dating 1620

Augsburg, Nilson, Johann Esaias, Picturae a Fresco in Aedibus Augustae Vindelic, A. Ars longa, Vita brevis, Cartouche with portrait JE Holzer, verso - stamped, Cartouche with the series title and an oval medallion with a portrait of the painter Johann Evangelist Holzer. On the right three winged putti with painter's attributes surround the portrait. On the left Father Time sits with a scythe and hourglass on clouds. A bust of Minerva crowns the cartouche., print, ornament print, title print, prints, ornament prints, height 265 mm, width 182 mm, German, 1721-11-02 - 1788, print maker, 1765 - 1770, paper, etching, engraving, engraving (printing process), Publication (Event), Publication, publisher

Forrest, Edwin .

Print (France)

Calligraphy of the province of Friesland, Cornelis van Baarsel, after Jan Gerritsz. Visser, 1790 print. calligraphy Calligraphy of the name of the province of Friesland. Within a framework with the provincial views, allegorical and mythological figures, weapons of the most important cities and two topographical faces. Here: making peat and port of Harlingen. Part of a series of seven calligraphies of the provinces. print maker: Northern Netherlandsprint maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / calligraphy calligraphy. peat-cutting Friesland. Harlingen

Bookplate: Silvio Valenti Gonzaga. unknown, graphic artist

Exlibris project for the Library of the University of Warsaw; Turski, Ludwik (18 ..- 19 ..); 1916 (1916-00-00-1916-00-00);University Library (Warsaw - 1817-) - exlibris, NE competition of the University Library in Warsaw (Warsaw - competition - 1916), Orzeł Biały (coat of arms), Polish Artistic Society (Warsaw), Polish Artistic Society (Warsaw) - collection, University of Warsaw (1816-), Warsaw (Mazowieckie Voivodeship) - headquarters of the addressee of the exlibris, heraldic exlibris, Polish ex -ekbris, Poland (culture)

Memorial to Thomas and Ann Felows from Hillingdon Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 10 5/8 inches (35.6 × 27 cm), architectural subject, church, memorial, Church of St John the Baptist, England, Greater London, Hillingdon, London, United Kingdom

Frontispiece: commemorative medallions of the reception of Louis XIV at the Town Hall on January 30, 1687 on the occasion of its healing. (TF)

Promotional flyer for acrobat Pierre Magarieu of Paris, 18th century. Showing his many stunts including tumbling and somersaulting over flames, swords, horses, etc. Prospectus des tours executes par Pierre Magarieu, danceur de cordes, de Paris. Cabinet des Estampes, Bibliotheque Nationale. Lithograph from Henry Rene dAllemagnes Recreations et Passe-Temps, Games and Pastimes, Hachette, Paris, 1906.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Delafosse, Jean Charles, Voysard, Etienne Claude, 1er Cahier, Trophies, La Suisse Et La Savoie, Switzerland and Savoy, verso - stamped, Two trophies with shields. Left with a book, masks and a shield with a lamb. Right with branches and shields with a lion and several coats of arms., print, prent, ornamental print, prints, ornamental prints, height 388 mm, width 218 mm, 1746 - 1812, print maker, printmaker, 1772 - 1779, paper, papier, etching, engraving, engraving (printing process), French, 1734 - 1791-10-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Miss Maria Trocka; Czapliński, Mikołaj (Fl. CA 1710-1750), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1710-1730 (1710-00-00-1730-00-00);

Gardens of Venus, Gabriel Huquier, After Jean Antoine Watteau, 1729 - 1737 print A garden with recreationing men and women. In the middle is a fountain with a Meerman and snakes. Around the show a ornamented frame with draperies, rocailles, half figures, helmets and shields, musician monkeys, dolphins, horns of abundance and a bust of Venus. Paris paper etching garden. (story of) Venus (Aphrodite)

Vignet with a figure at a bleach field, a crown and the coat of arms of the city of Haarlem. .

Tuscany Siena Montalcino S. Agostino84. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for Knife Handles with Ovals Containing Fortitude and the Death of Lucretia 1580-1600 Johann Theodor de Bry Netherlandish Panel with two knife handles, both with ovals at center, with a female figure beside a column at left and death of Lucretia at right, on blackwork backgrounds with ornamental design. From a series of twelve plates.. Design for Knife Handles with Ovals Containing Fortitude and the Death of Lucretia 424978

King Richard II suspends the game between Thomas de Mowbray and Hendrik IV, Jean-Marie Delattre, after Henry Tresham, 1805 print London paper etching / engraving historical persons. king. joust, tilt

Coat of arms and crest of HRH Frederick Lewis, Duke of Gloucester, 1707-1751. Copperplate engraving by Andrew Johnston after C. Gardiner from Notitia Anglicana, Shewing the Achievements of all the English Nobility, Andrew Johnson, the Strand, London, 1724.

Ancient Etruscan marble urn showing a regal throne 1, and Etruscan mirror depicting Eris, Menrfa in helmet, Hercules with club and lionskin, and Thetis 2. Urna marmorea rappresentante un trono. Handcoloured copperplate engraving by Giarre from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1843.

Working putto, anonymous, 1713 print A putto at work with a hoist. Around the round show books, masks and musical instruments such as symbols for the arts. At the bottom of the motto: Konst does more as work. Netherlands paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Coat of arms of England, Crispijn van de Passe (I), 1604 print Coat of arms of England, underneath an oval frame with the serial title in Latin. Title print for a series with portraits of English princes. Cologne paper engraving

Cartouche with a self-portrait of Boissens in it; Copies. Van Voorderhande Nederlandsche Gheaty (...). The cartouche is surrounded by curls. From series of 34 sheets.

The Triumph of Priapus borne on a chariot. Cupid crowns the phallus with a wreath. Musicians play horns and boys lead a bull and goat to sacrifice. Le triomphe de Priape porte sur un char. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Bookplate: duc d'Arenberg: Christus protector meus. Vermorcken, Edouard (1820-1906), graphic artist, Schoy, Auguste Félix (1838-1885), draughtsman, cartoonist

Wish letter with Father Time, 1792 - 1847 print Wish letter with unwritten cartouche within a decorative framework with representations of father Time, putti and various attributes. Numbered in the top left: No. 15. publisher: Amsterdamprint maker: Netherlands paper etching Father Time, man with wings and scythe. cupids: 'amores', 'amoretti', 'putti'

Pencil draft by Johann Julius Romano von Ringe of a coat of arms in 1852 with white highlights, showing heraldic elements and decorative details.

Costume de reine, ornemens sic et chapiteaux du XIIe. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Daniel Lysons, 1762-1834, British, Memorial to John Badger Willer from Romford Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Fifth part of the tragic histories, Michiel le Blon, 1613 print Amsterdam paper engraving title-page

Escutcheon with a Castle. Jacques Bailly (French, 1634 - 1679)

Coat of arms of the notaries of the Châtelet in Paris with personifications of the good faith and law, Claude Mellan, 1664 print France paper engraving armorial bearing, heraldry

GD Diner Parisien (IT)

Medal on the Peace of Breda. Draughtsman: Bernard Picart. Dating: 1718. Measurements: h 88 mm × w 84 mm. Museum: Rijksmuseum, Amsterdam.

Frontispiece to the series 'The First Twelve Roman Caesars' with the Coat of Arms of Jacopo Bosio. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 12 3/16 × 9 1/16 in. (31 × 23 cm). Publisher: Giovanni Battista di Lazzaro Panzera da Parma (Italian, born 1541, active Rome 1577-98). Date: 1596. Museum: Metropolitan Museum of Art, New York, USA.

Write example: Clariss. Nobilissimoq UE (...); Spieghel der wristin. Write example with the preamble: Clarris. Nobilissimoq (UE) D.D. Syndicorum Syndoco Heliae Ab Oldenbarnevelt. Below eight lines text in Latin: Caelo Musa Beat ... Signed Veldius. On the left a human figure with wings in curl work, right a Sater. The print is part of an album.

Amsterdam, Founder, heirs of widow Cornelis, Netherlands, Robyn, A., J., On the printed images below of the Lands Zee-Magazyn in Amsterdam; both before, during, and after its devastating fire on 6 July 1791, Fire in the Naval Warehouse in Amsterdam, 1791, verso - stamped, Sheet with three images of the great fire in the Lands Zeemagazijn in Amsterdam on 6 July 1791. The images hang on bows, with trophies of arms. With a verse in two columns. Numbered at the top right: No. 81., print, folk print, prints, folk prints, height 357 mm, width 287 mm, Dutch, print maker, printmaker, 1715 - 1813, paper, papier, woodcut, letterpress printing, Publication (Event), Publication, publisher

Vignet with Minerva and Amor. Minerva sits like pattern of science on a cloud and shows a opened book. She has conquered death, which lies under her feet in the form of a skeleton. In addition to her, amor sits with a circular hose that takes its tail in the mouth: a symbol for eternity. On the left in the background putti those books. The show has been caught in an ornamental picture frame with, among other things, horns of abundance with books. In the middle of the motto: Vivitur Ingenio, Cetera Mortis erunt.

George V.

New jarrs gift / lukewarm months commemoration. Etrennes de Nouvel An / Commémoration du Mois de Law. (Ti)

Theater in The Hague for the fireworks for the Peace of Aachen, 1749, Jan Caspar Philips, After L.S. De Creuznach, 1749 print Map of the large theater founded in the Hofvijver in The Hague. It was used on 13 June 1749 for the fireworks in honor of the Peace of Aachen closed in 1748. At the bottom of cartouches with the titles in Dutch and French and the assignments, with two figures with burning wicks. The map includes a representation of the fireworks and a text sheet with explanation. print maker: Northern Netherlandsafter drawing by: The Haguepublisher: The Hague paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities). plan ~ architecture Hofvijver

On the undercompetent printing imaginations of the Lands Zee -Magazyn in Amsterdam, / Zoo before, by, as after its devastating fire of the July 6, 1791, 1806 - 1830 print Sheet with three performances of the Lands Zeemagazijn (the current Scheepvaartmuseum) in Amsterdam, before, during and after the fire of July 6, 1791. The performances are surrounded by bows, draped cloths and trophies. The whole is caught in a frame. Under the image one fresh in two columns. Numbered at the top right: No. 211. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing on fire, ablaze Lands Sea Magazine

The stairs of the old age, Johannes Scheffers, 1789 - 1826 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. A curtain on either side of the show. Above the image a verse in three columns, under the image a verse in four columns. Numbered at the top right: No. 21. Rotterdam paper letterpress printing the ages of man represented by a staircase. Last Judgement

Grains, Karl Theodor.

Allegorical Figure and Writing Woman, François Van Bleyswijck, 1717 print Vignette with frame in which an allegorical figure and a writing woman. The allegorical figure has wings on her head, a triangle with burning heart in the left hand, masks in the right hand and a caduceus behind her. At the top a putto with torch and letter. paper etching / engraving / letterpress printing writing and letters. mask. letter, envelope

Leiden, Delfos, Karel, Abraham, Cartouche with two female figures and ornaments, Cartouche with two female figures and ornaments. With handwritten Latin verse for Hendrik Johannes Baelde by Adrianus Oudenare., print, prints, engravings, height 192 mm, width 154 mm, Northern Netherlands, 1731-03-08 - 1820-07-13, print maker, printmaker, 1754 - 1754, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Framed painting on glass with arm of Peerina Borage, glass painting painting footage glass paint wood paper frame, Family coat of arms on glass of Peerina Borage with weapon (thwarted in six pieces of red and gold the red bars each loaded with contiguous row of silver schuinkruisjes) in cartouche crowned by lion head above which fruit basket with fruit On both sides of the cartouche cherub and profil on the underside text under the shield: Joffr Peerina Bernagie Huijs female hr. Rentmr. Pieter Nuijts: 1662 Erasmus Foundation Van Rijckevorsel Parklaan Rotterdam City Center New Work heraldry family coat of arms Long-term loan Erasmus Foundation

Memorial plaque at celebration 200 years of relocation of Groningen 1672-1872, 1872 print Memorial plaque at the celebration of 200 years of relief of Groningen 1672, on August 28, 1872. Presentation in the form of the two -headed eagle in the Wapen van Groningen. Central the siege of Groningen in July-August 1672 by the troops of Christoph Bernhard von Galen, bishop of Münster. At the top a portrait of Karl Rabenhaupt, the beginning and the beginning of the siege left and right. At the bottom of two children with an unplaced bomb (July 31, 1672), two emergency coins, weapon trophy and banners with the dates 1672 and 1872. print maker: Netherlandsafter drawing by: Groningenprinter: Netherlandspublisher: Groningen paper siege, position war. double-headed eagle Groningen

A Stand of Arms, Musical Instruments, Etc.. 1749. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Fries met monogram CE; Vignetten.Vignet monograms flanked by two sphinxes, from which two garlands hang. One of 18 sheets.

Sampler, Medium: silk embroidery on linen foundation Technique: cross stitches on plain weave, Floral borders surrounding the alphabet and initials 'F. D. M. L.'; scenes showing a woman in a gate with vases of flowers, a bird, and a wreath with the initial 'B'., Italy, 19th century, embroidery & stitching, Sampler

Watch Design. Artist: Delamotte. Dimensions: sheet: 13 5/8 x 9 5/8 in. (34.6 x 24.4 cm). Date: 1794. Museum: Metropolitan Museum of Art, New York, USA.

Memorial to Alice Hawley from Brentford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, Brentford Church, England, Greater London, London, Middlesex, United Kingdom

Master CR (Netherlandish, active c. 1616), Ornament with Grotesque, 1616, engraving

Pen and pencil illustration by Hanuš Johann Peter Paul Schwaiger, depicting scenes from Bremen City Musicians and 'Fantasies in the Bremen Ratskeller' by Wilhelm Hauff, created in 1891.

Bosch, Johannes de, Folkema, Jacob, Virtues and Vices, Vignette with the personification of Lie, verso - stamped, Vignette with the image of the personified Lie, depicted on a cloth hung on an ornate frame. The frame is adorned with a devilish head and decorated all around with masks, fishing nets and fishing rods. Lie wears a mask, holds a burning torch in her hands and has a wooden leg. The print is part of a series of book illustrations about virtues and vices., print, book illustration, prints, height 93 mm, width 122 mm, Dutch, 1692 - 1767, print maker, printmaker, 1723 - 1767, paper, papier, etching, etsen, 1713 - 1785-01-31, intermediary draughtsman

Richelieu, Armand Jean du Plessis, Duke of.

Two coats of arms, c. 1611 - c. 1625 print Links of 'Seigneurie de Landsberg', Rechts of 'Palatinate of Thurringue'. paper engraving

Eagle's outrage from the Kościuszko Banner of the City of Krakow, which is the Czartoryski Museum. Board from the unpublished portfolio Eagles Łepkowski, Ludwik (1829 1905), Cercha, Stanisław (1867 1919)

Amours et priapées. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Title Page for "Diverses figures et griffonnements". Dated: 1646. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Coats of arms. Leaf with 8 performances of the coat of arms of Sneek, Dokkum, Harlingen, Stavoren, Locks, Workum, IJlst and Hindeloopen. Numbered in the middle: No. 24.

Amsterdam, Linden, Dirk onder de, Philips, Jan Caspar, Dedication with coats of arms of Anna van Hannover and Willem V, verso - stamped, Ornamental frame with a cloth on which the dedication is written in Dutch. The frame is crowned with the coats of arms of Anna van Hannover, Princess of Orange-Nassau, her son Willem V, Prince of Orange-Nassau, and the Dutch Lion. On the corners the Freedom (Libertas) and Prudence (Prudentia). At the bottom Hercules and Neptune as children., print, prints, height 321 mm, width 199 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1752 - 1752, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Ornamental Design for Knife Handle with Fire, from The Four Elements Made 1585-1595 Flanders. Engraving in black on ivory laid paper . Johann Theodor de Bry

Title Page: Paisages maritimes ca. 1644 Etched by Stefano della Bella Italian. Title Page: Paisages maritimes. Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1644. Etching; first state of two. Published by Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Two jewels, the lower in the form of a branch. .

Fontaine in the garden of a minister to remember the incorporation of Lauenburg: letter

A nice dream, Caricature on the German Kaiser election in with Maximilian II of Bavaria, Friedrich Wilhelm IV of Prussia, and Franz Joseph I von Östereich, Johann Baptist d, Scholl -, Lithographer, Eduard Gustav May -, publisher

Daniel Lysons, 1762-1834, British, Memorial to Elizabeth and Frances Boone, and Mrs. Esther Chapham from Sudbury Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 13 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604.Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the text is a twisting linear motif. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs. Museum: Metropolitan Museum of Art, New York, USA.

Heraldic Emblem, William Williams (England, active 1763 - 1800) 1798

Organic Senatus-Consulting Establishment of the Imperial Government of 28 Floreal An XII. (IT)

Album, Designs for Souvenir Fans for the 1867 Paris Exposition Universelle, 1866-67; transparent watercolor and white gouache, graphite indicating fan shape on white wove paper; 11.4 x 32 cm (4 1/2 x 12 5/8 in.)

Blockbook - Canticum Canticorum. Unknown Artist; Netherlandish. Date: 1300-1600. Dimensions: 123 x 165 mm (plate, upper); 123 x 166 mm (plate, lower). Woodcut on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Guide for Constructing the Letter X; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Le Meunnié, C., IXe Cahier de l'Oeuvre De la Londe I Cahier de Trophées Soffites et Vases, la Tragedie, Junon, Jupiter, L'hymen, Tragedie, Juno, Jupiter and Hymen, verso - stamped, Four soffites as trophies and two vases. Top left tragedy with a hat and staffs, top right Juno with peacock feathers, bottom left Jupiter with winged scepter and thunderbolts, bottom right Hymen with a torch, arrows and wreaths., print, engraving, ornamental print, prints, ornamental prints, height 219 mm, width 343 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Embroidered weapon board, H. v. Egmont, c. 1722 Weapon board, embroidered in silk, gold and silver wire. The weapon board is signed: H.V.Egmont Fecit Anno 1722. silk. silver thread embroidering Weapon board, embroidered in silk, gold and silver wire. The weapon board is signed: H.V.Egmont Fecit Anno 1722. silk. silver thread embroidering

Playing card, Red and black ink, paper, Card numbered at top: C 4 S; below central image: 2, Europe, ca. 1855, Playing card

Rotterdam, Hendriksen, Jan, The Hague, Schweickhardt, Leonardus, Wish letter with winter activities, recto - handwritten in brown ink, Wish letter with described cartouche within a decorative frame with representations of winter activities, such as skating and sledding. Handwritten message in calligraphy by Aris Kraan to his parents. Numbered top right: No. 25., print, picture, popular print, letter of greeting, prints, pictures, popular prints, Beloved parents!, While we now through the highest goodness again ..., height 408 mm, width 332 mm, height 400 mm, width 315 mm, 1783-11-06 - 1862-01-08, print maker, printmaker, 1828 - 1828, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, Publication (Event), Publicatie, Nederlands, publisher

A fan with a rebus on Love on one side Fortune on the other ca. 1639 Stefano della Bella Italian Text on one side relating to Fortune:Fortuna e dormi If youre lucky, you sleepOgni [unghie uno balla a cui la [Aquila Fortuna suona Everyone dances for whom Fortune playsChi ha la [ala Fortuna ogni [unghie tantin [ta tino di chiave, basti For him who has luck, any little turn of the key is enough.Ognuno [unghie sa navicar [navi car quando fa sol [do, fa, sol e vento Everyone knows how to sail when there is sun and windMigliore [miglio re è unoncia di fortuna che due libbre di sapere [sa pereBetter an ounce of luck than two pounds of wisdomPiù fortuna che seno [sennoMore luck than sense.Text on other side relating to LoveOve [uove è Amore è fedeltà Where there is love, there is fidelityAmor solicito [soli cito è segreto [sega retoSolicitous Love is secretDove [D uove è Amore è gelosia Wherever there is Love, there is jealousyAmore è cieco e vede di lontano Love is blind and

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